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Barrington Pheloung's Cv
BARRINGTON PHELOUNG’S CV 2004/05 FILMS SHOPGIRL Production Company: Hyde Park Entertainment Directed by: Anand Tucker Produced by: Jon Jashni, Ashok Amritraj & Steve Martin Written by: Steve Martin LITTLE FUGITIVE Production Company: Little Fugitive Directed by: Joanna Lipper Produced by: Joanna Lipper, Vince Maggio, Nicholas Paleologos & Fredrick Zollo Written by: Joanna Lipper A PREVIOUS ENGAGEMENT Production Company: Bucaneer Films Directed by: Joan Carr-Wiggin Produced by: Joan Carr-Wiggin , David Gordian & Damita Nikapota Written by: Joan Carr-Wiggin TELEVISION IMAGINE: SMOKING DIARIES Directed by: Margy Kinmonth Production Company: BBC THE WORLD OF NAT KING COLE Produced by: Kari Lia Production Company: Double Jab Productions 2002/03 FILMS TOUCHING WILD HORSES Production Company: Animal Tales Productions Inc. Directed by: Eleanore Lindo Produced by: Lewis B. Chesler, David M. Perlmutter, Frank Huebner, Rob Vaughan Written by: Murray McRae TELEVISION THE STRANGE TALE OF BARRY WHO Directed by: Margy Kinmonth Documentary on Barry Joule Produced by: Margy Kinmonth/Sam Organ Production Company: Darlowsmithson Productions For BBC4. MOVE TO LEARN Directed by: Sheila Liljeqvist Documentary for Video Produced by: Sheila Liljeqvist and Barbara Pheloung Australian documentary, children with learning difficulties. SHORTS ARDEEVAN Short Feature film made in the UK. Directed and Produced by: Jonathan Richardson NIGHT’S NOONTIME Short Feature film made in the Canada. Executive Producers: Richard Clifford & Amar Singh Produced by: Hanna Tower Directed -
Upper Richmond Road, Barnes, SW15 £335 Per Week
Fulham 843 Fulham Road London SW6 5HJ Tel: 020 7731 7788 [email protected] Upper Richmond Road, Barnes, SW15 £335 per week (£1,456 pcm) 2 bedrooms, 1 Bathroom Preliminary Details A lovely two double bedroom flat situated on the first floor of a stunning Victorian conversion in Putney. The property has a spacious reception room, a separate modern kitchen, plenty of storage and also benefits from having off street parking which is on a first come first served basis. Its location is conveniently situated moments away from Putney High Street providing easy access to both East Putney Station and Putney Overground making it ideal of professional sharers a couple looking for extra space. Key Features • Two double bedrooms • First floor • Stunning Victorian conversion • Spacious reception room • Modern kitchen • Fantastic location Fulham | 843 Fulham Road, London, SW6 5HJ | Tel: 020 7731 7788 | [email protected] 1 Area Overview Barnes is home to Olympic Studios on Church Road which proudly boasts a history of recording artists such as The Beatles, The Rolling Stones, David Bowie and Eric Clapton to name but a few. It is also home to the Wetland Centre managed by the Wildfowl and Wetlands Trust and is a natural habitat for many different breeds of the ornithological variety. © Collins Bartholomew Ltd., 2013 Nearest Stations Putney (0.5M) Barnes (0.7M) East Putney (0.8M) Fulham | 843 Fulham Road, London, SW6 5HJ | Tel: 020 7731 7788 | [email protected] 2 Energy Efficiency Rating & Environmental Impact (CO2) Rating Council Tax Bands Council Band A Band B Band C Band D Band E Band F Band G Band H Wandsworth £ 497 £ 580 £ 663 £ 746 £ 912 £ 1,077 £ 1,243 £ 1,492 Average £ 934 £ 1,060 £ 1,246 £ 1,401 £ 1,713 £ 2,024 £ 2,335 £ 2,803 Disclaimer Every care has been taken with the preparation of these Particulars but complete accuracy cannot be guaranteed. -
Julia Smith Lighting CV.Pages
CV Lighting Designer Julia Smith 1991: BBC camera trainee - Studios, Film & OBs 1992: BBC camera woman 1996: BBC Lighting & vision operator (racks) 1999: BBC Lighting & vision supervisor (console operator) 2002: Freelance Lighting director & console operator Production History Lighting Designer Rob Beckett’s Playing for Rumpus Media Channel 4 Hospital Studios Time The Darkness of John Phil McIntyre TV Not broadcast as yet BBC Radio Theatre Robbins Tim Vine Travels in Time Baby Cow Productions BBC1 Pinewood Studios Citizen Khan BBC Comedy BBC 1 Dock 10 Yes Primeminister BBC Comedy UKTV TVC Lighting Director - original designs by other Lighting designers Harry Hill’s Alien Fun Capsule CPL Productions ITV 1 TLS Live From the BBC Phil McIntyre TV BBC2 BBC Radio Theatre Cats Do Countdown Zeppatron Productions Channel 4 Dock 10 Eggheads 12 Yard Productions BBC1 BBC2 BBC Scotland Perfection 12 Yard Productions BBC1 BBC Scotland Who Dares Wins 12 Yard Productions BBC1 BBC Scotland Russel Howard’s Good News Avalon BBC2 BBC3 Riverside Studios Sheperton, TLS Unspun with Matt Ford Avalon Dave TLS Question of Sport BBC Entertainment BBC1 Dock 10 Insert Name Here 12 Yard Productions BBC2 Pinewood Studios Football on Five Sunset & Vine Channel 5 Sky Studios Various BT Sport Timeline BT Sport Channel International Broadcasting programmes Centre Dog Ate my homework BBC Children’s Glasgow CBBC Pacific Quay !1 of !3 Production History Vision Supervisor or Console Operator Sitcom Upstart Crow BBC Comedy BBC 2 TLS Not Going Out Avalon BBC 1 TVC, Teddington -
Full Results of Survey of Songs
Existential Songs Full results Supplementary material for Mick Cooper’s Existential psychotherapy and counselling: Contributions to a pluralistic practice (Sage, 2015), Appendix. One of the great strengths of existential philosophy is that it stretches far beyond psychotherapy and counselling; into art, literature and many other forms of popular culture. This means that there are many – including films, novels and songs that convey the key messages of existentialism. These may be useful for trainees of existential therapy, and also as recommendations for clients to deepen an understanding of this way of seeing the world. In order to identify the most helpful resources, an online survey was conducted in the summer of 2014 to identify the key existential films, books and novels. Invites were sent out via email to existential training institutes and societies, and through social media. Participants were invited to nominate up to three of each art media that ‘most strongly communicate the core messages of existentialism’. In total, 119 people took part in the survey (i.e., gave one or more response). Approximately half were female (n = 57) and half were male (n = 56), with one of other gender. The average age was 47 years old (range 26–89). The participants were primarily distributed across the UK (n = 37), continental Europe (n = 34), North America (n = 24), Australia (n = 15) and Asia (n = 6). Around 90% of the respondents were either qualified therapists (n = 78) or in training (n = 26). Of these, around two-thirds (n = 69) considered themselves existential therapists, and one third (n = 32) did not. There were 235 nominations for the key existential song, with enormous variation across the different respondents. -
Dec. 22, 2015 Snd. Tech. Album Arch
SOUND TECHNIQUES RECORDING ARCHIVE (Albums recorded and mixed complete as well as partial mixes and overdubs where noted) Affinity-Affinity S=Trident Studio SOHO, London. (TRACKED AND MIXED: SOUND TECHNIQUES A-RANGE) R=1970 (Vertigo) E=Frank Owen, Robin Geoffrey Cable P=John Anthony SOURCE=Ken Scott, Discogs, Original Album Liner Notes Albion Country Band-Battle of The Field S=Sound Techniques Studio Chelsea, London. (TRACKED AND MIXED: SOUND TECHNIQUES A-RANGE) S=Island Studio, St. Peter’s Square, London (PARTIAL TRACKING) R=1973 (Carthage) E=John Wood P=John Wood SOURCE: Original Album liner notes/Discogs Albion Dance Band-The Prospect Before Us S=Sound Techniques Studio Chelsea, London. (PARTIALLY TRACKED. MIXED: SOUND TECHNIQUES A-RANGE) S=Olympic Studio #1 Studio, Barnes, London (PARTIAL TRACKING) R=Mar.1976 Rel. (Harvest) @ Sound Techniques, Olympic: Tracks 2,5,8,9 and 14 E= Victor Gamm !1 SOUND TECHNIQUES RECORDING ARCHIVE (Albums recorded and mixed complete as well as partial mixes and overdubs where noted) P=Ashley Hutchings and Simon Nicol SOURCE: Original Album liner notes/Discogs Alice Cooper-Muscle of Love S=Sunset Sound Recorders Hollywood, CA. Studio #2. (TRACKED: SOUND TECHNIQUES A-RANGE) S=Record Plant, NYC, A&R Studio NY (OVERDUBS AND MIX) R=1973 (Warner Bros) E=Jack Douglas P=Jack Douglas and Jack Richardson SOURCE: Original Album liner notes, Discogs Alquin-The Mountain Queen S= De Lane Lea Studio Wembley, London (TRACKED AND MIXED: SOUND TECHNIQUES A-RANGE) R= 1973 (Polydor) E= Dick Plant P= Derek Lawrence SOURCE: Original Album Liner Notes, Discogs Al Stewart-Zero She Flies S=Sound Techniques Studio Chelsea, London. -
30 Barnes High Street London, Sw13 9Lw 5
5 EXCLUSIVE 2 BEDROOM APARTMENTS WITH TERRACES IN THE HEART OF BARNES VILLAGE 30 BARNES HIGH STREET LONDON, SW13 9LW LOCATION Barnes village is located about 40 minutes from Central London by road and rail. It has the calm and peaceful atmosphere of a country village, and is renowned for its strong sense of community, large areas of green common land, the riverside setting and the beautiful duck pond. Excellent transport links and world The Green is adjacent to the 120 class schools render the locality acres of open terrain at Barnes popular for buyers and renters alike Common, and additional open who wish to bring up families in space is provided by the Wetland a safe, attractive setting but still and Wildfowl Centre. The village benefit from fast and efficient location within a great loop of access to Central London. the Thames means that there is no shortage of riverside walks Barnes Village retains a distinctly and activities. Every year Barnes rural ambience, especially around becomes the focus of attention the Green – complete with willow- during the world-famous Boat Race; fringed pond and actually is a much situated halfway along the Race’s more substantial park than the route, it offers the best vantage name suggests. point for spectators. 30 BARNES HIGH STREET LONDON, SW13 9LW Camden Primrose Hill Islington Kings Cross Shoreditch Maida Vale Clerkenwell Barbican Holborn Marylebone City of Bayswater Soho London Ealing Common White City Mayfair Ealing Acton Shepherd’s Bush Hyde Park Waterloo Southwark Bedford Holland Westminster Park Park Kensington Belgravia Gunnersbury Park Hammersmith Earls Court Chiswick Pimlico Bremtford Chelsea West 30 Kensington Ri BARNES HIGH STREET ver Thames LONDON, SW13 9LW Nine Elms Battersea Park Kew Grove Park Syon Gardens Barnes Fulham Parsons Park Green Dukes Meadows Barn Elms Golf Club Putney Battersea Common Chelsea Mortlake Harbour North Sheen Richmond East Sheen Putney Brixton Wandsworth Town Clapham Roehampton Common Richmond Park 1k RICHMOND UPON THAMES Barnes is in the London Borough of Richmond upon Thames. -
'A Kiss on the Ocean' Is the New Single from the Dowling Poole, Announces Closeup PR
Nov 25, 2014 21:30 GMT 'A Kiss On The Ocean' is the new single from The Dowling Poole, announces CloseUp PR On 1 December 2014, The Dowling Poole released ‘A Kiss On The Ocean’, the second downloadable single from their acclaimed album ‘Bleak Strategies’, which was funded through a PledgeMusic initiative which saw the artists’ many fans coming together to get the project off the ground. The Sun said, “This awesome pairing results in glorious and slightly unhinged psychedelic pop rock”. Mojo hailed, “A classic British rock album heavy on power pop smarts” whilst Classic Rock stated, “Flawless and exhilarating, this demands to be the soundtrack to all of our waking summer dreams”. Formed by singer-songwriters and multi-instrumentalists Willie Dowling (ex Honeycrack/Jackdaw4) and Jon Poole (ex Cardiacs), The Dowling Poole have created something truly special. Jon Poole says, “‘A Kiss On The Ocean’ was an audience favourite on our recent tour, although the jaunty pop disguises a slightly unsettling side, since it's really a song by a narcissist, singing while staring at his own reflection. When we first started recording ‘Bleak Strategies’, I would write Willie little messages every day in red lipstick on the bathroom mirror just to unnerve him a little. I think that's where this song started although it took us a while to get the right measure of light and shade.” Willie adds, “Of course it was Whitney Houston who invented self- love when she sang her impudent, preposterous and self-indulgent nonsense, ‘The Greatest Love of All’. I'm still not entirely sure what she meant but I like to think that we went one better with this one.” The single is accompanied with three tracks not on the album; ‘The Straw Man’ is a wry comment on the frenzy of confusion and doubt created by the Jimmy Saville debacle, and there is also a live acoustic version of ‘Hey Stranger’, a song written as a celebration of the life of Tim Smith, Jon's friend and former band partner in Cardiacs, who has been seriously ill for a number of years. -
The Big Bopper Died for Your Sins
Concordia Seminary - Saint Louis Scholarly Resources from Concordia Seminary Master of Divinity Thesis Concordia Seminary Scholarship 3-1-1970 The iB g Bopper Died For Your Sins: A Study of the Function of Rock as a Form of Religious Expression inn the World of Youth John Metzig Concordia Seminary, St. Louis, [email protected] Follow this and additional works at: https://scholar.csl.edu/mdiv Part of the Practical Theology Commons Recommended Citation Metzig, John, "The iB g Bopper Died For Your Sins: A Study of the Function of Rock as a Form of Religious Expression inn the World of Youth" (1970). Master of Divinity Thesis. 101. https://scholar.csl.edu/mdiv/101 This Thesis is brought to you for free and open access by the Concordia Seminary Scholarship at Scholarly Resources from Concordia Seminary. It has been accepted for inclusion in Master of Divinity Thesis by an authorized administrator of Scholarly Resources from Concordia Seminary. For more information, please contact [email protected]. TABLE OF CONTENTS Content Page I. THE• INTRODUCTION 1 II. THE PAPER . 3 III. THE FOOTNOTES BIBLIOGRAPHY 34 INTRODUCTION I'm not trying to cause a big sensation I'm just ttitkirtg 'bout my generation. -Peter Townshend (for The Who) 1 The problem with trying to write a paper on the subject of rock is that the field is so diverse and varied that it is all but impossible to describe everything in complete detail. Furthermore, the entire subject of the effects of rock on a listening audience varies considerably from listener to listener. The teen-ager just likes, the sound of the music and the feelings that the music brings out in him, while the adult still thinks of rock as a lot of noise no matter how many magazine articles they read or TV programs they see. -
What Is a Lighting Director?
What is a lighting director by Martin Kempton What is a lighting director? Simply put - a lighting director designs the lighting for multi-camera television productions. He or she instructs the crew of electricians in their work in addition to guiding the team of operators who usually sit with the LD in the lighting control room. All this while working closely with the director and the rest of the production team to deliver the best possible pictures. However, there's rather more to it than that, and on this page on the website I explain where LDs work, what kinds of shows LDs work on and give some of the background to what we do. It's important to point out right away that simple 'illumination' is actually a relatively unimportant part of our work. Current TV cameras are capable of operating in very low light levels so it would be quite possible to see what was going on in most studios simply by switching on the houselights. Fortunately, producers and directors realise that the result would look pretty awful. Another thing is also worth making clear – a lighting director is not an electrician. He or she might have been once, but an LD is not another name for a crew chief or gaffer. Most television LDs do not have electrical qualifications, although some may have. In any case, this is not a requirement of the job. The electrical supervisor (gaffer) is in charge of realising the LD’s design in the studio from the rigging and electrical point of view. -
Jon Batiste and Stay Human's
WIN! A $3,695 BUCKS COUNTY/ZILDJIAN PACKAGE THE WORLD’S #1 DRUM MAGAZINE 6 WAYS TO PLAY SMOOTHER ROLLS BUILD YOUR OWN COCKTAIL KIT Jon Batiste and Stay Human’s Joe Saylor RUMMER M D A RN G E A Late-Night Deep Grooves Z D I O N E M • • T e h n i 40 e z W a YEARS g o a r Of Excellence l d M ’ s # m 1 u r D CLIFF ALMOND CAMILO, KRANTZ, AND BEYOND KEVIN MARCH APRIL 2016 ROBERT POLLARD’S GO-TO GUY HUGH GRUNDY AND HIS ZOMBIES “ODESSEY” 12 Modern Drummer June 2014 .350" .590" .610" .620" .610" .600" .590" “It is balanced, it is powerful. It is the .580" Wicked Piston!” Mike Mangini Dream Theater L. 16 3/4" • 42.55cm | D .580" • 1.47cm VHMMWP Mike Mangini’s new unique design starts out at .580” in the grip and UNIQUE TOP WEIGHTED DESIGN UNIQUE TOP increases slightly towards the middle of the stick until it reaches .620” and then tapers back down to an acorn tip. Mike’s reason for this design is so that the stick has a slightly added front weight for a solid, consistent “throw” and transient sound. With the extra length, you can adjust how much front weight you’re implementing by slightly moving your fulcrum .580" point up or down on the stick. You’ll also get a fat sounding rimshot crack from the added front weighted taper. Hickory. #SWITCHTOVATER See a full video of Mike explaining the Wicked Piston at vater.com remo_tamb-saylor_md-0416.pdf 1 12/18/15 11:43 AM 270 Centre Street | Holbrook, MA 02343 | 1.781.767.1877 | [email protected] VATER.COM C M Y K CM MY CY CMY .350" .590" .610" .620" .610" .600" .590" “It is balanced, it is powerful. -
Itemized Gear Rental (1).Pages
WILL BEAT ANY LOCALLY ADVERTISED PRICE ON RENTALS!!! GEAR SPECS PRICING SERIAL # www.nw- PHONE: domenicthe camera.com 3603196667 [email protected] om Spring 2019 Domenic OPEN 7 Generous Free Drop Gear List Barbero DP/ days a week Phone and pickup Director/ by support on all Producer appointment rentals over 1000.00 within 10 miles of 98107 CAMERAS SPECS INVENTORY LINKS TO PRICE AND IN DEPTH PACKAGE GEAR OPTIONS SPECS Arri Alexa 4k, Large www.arri.co 2000/day LF Format, m full kit Arriraw. WILL BEAT ANY LOCALLY ADVERTISED PRICE ON RENTALS!!! GEAR SPECS PRICING SERIAL # ARRI Alexa 3.2k arriraw, https:// 1250.00 k1.00038 MINI, with Prores www.arri.co Base Kit 73-21125 EVF, cage, 4444xq, m/ Body, PL, Cam cards, batts, 4444, 422, alexamini/ EF, Accessories Anamorphic Monitor, license, Batts, k2.00058 cfast cards, Cards, 61-6983 EF mount, reader EVF PL mount, Cage, side Internal v-mount k2.00011 ND’s, Aleviii plate for 031631EF Sensor gimbals M1 technology, EI 800, 14.5 1500.00/day EF Mount stops DR CINE KIT across grid, Mattebox, k2.00032 Accurate EVF, Follow 16-2117- Skin tones focus, Rails, PLT-1 Sticks and PL Mount discount on lenses and accessories. Arri Amira 3.2k arriraw, https:// 1000.00/day w/ EVF Prores www.arri.co Base Kit 4444xq, m/camera/ Body, PL, 4444, 422, amira/ EF, cfast cards, camera_det Monitor, EF mount, ails/amira- Batts, PL mount, premium Cards, Internal reader. ND’s, Aleviii Sensor 1300.00/day technology, CINE KIT EI 800, 14.5 Mattebox, stops DR EVF, Follow across grid, focus, Rails, Accurate Sticks and Skin tones discount on lenses and accessories. -
Independent Television Producers in England
Negotiating Dependence: Independent Television Producers in England Karl Rawstrone A thesis submitted in partial fulfilment of the requirements of the University of the West of England, Bristol for the degree of Doctor of Philosophy Faculty of Arts and Creative Industries, University of the West of England, Bristol November 2020 77,900 words. Abstract The thesis analyses the independent television production sector focusing on the role of the producer. At its centre are four in-depth case studies which investigate the practices and contexts of the independent television producer in four different production cultures. The sample consists of a small self-owned company, a medium- sized family-owned company, a broadcaster-owned company and an independent- corporate partnership. The thesis contextualises these case studies through a history of four critical conjunctures in which the concept of ‘independence’ was debated and shifted in meaning, allowing the term to be operationalised to different ends. It gives particular attention to the birth of Channel 4 in 1982 and the subsequent rapid growth of an independent ‘sector’. Throughout, the thesis explores the tensions between the political, economic and social aims of independent television production and how these impact on the role of the producer. The thesis employs an empirical methodology to investigate the independent television producer’s role. It uses qualitative data, principally original interviews with both employers and employees in the four companies, to provide a nuanced and detailed analysis of the complexities of the producer’s role. Rather than independence, the thesis uses network analysis to argue that a television producer’s role is characterised by sets of negotiated dependencies, through which professional agency is exercised and professional identity constructed and performed.