Table: Chronological List of MGR's Movies Released Between 1960 and 1967
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Bolla Sai Padmini P
S.NO INSTITUTE NAME STATE LAST NAME FIRST NAME PROGRAMME COURSE 1 RAO'S COLLEGE OF PHARMACY Andhra Pradesh - BOLLA SAI PHARMACY PHARMACEUTICS PADMINI 2 SRI VENKATESHWARA COLLEGE OF Andhra Pradesh DEBOSMITHA SAMANTHA APPLIED ARTS AND APPLIED ARTS FINE ARTS CRAFTS 3 MRM COLLEGE OF PHARMACY Andhra Pradesh B MURALI PHARMACY PHARMACEUTICS 4 MRM COLLEGE OF PHARMACY Andhra Pradesh J SREEKANTH PHARMACY PHARMACEUTICS 5 JYOTHISHMATHI INSTITUTE OF Andhra Pradesh BOINI SHRAVANI PHARMACY PHARMACY PHARMACEUTICAL SCIENCES 6 JYOTHISHMATHI INSTITUTE OF Andhra Pradesh RASAPELLY RAMESH PHARMACY PHARMACY PHARMACEUTICAL SCIENCES KUMAR 7 SRIDEVI WOMEN'S ENGINEERING Andhra Pradesh KUMARI M COLLEGE 8 SRIDEVI WOMEN'S ENGINEERING Andhra Pradesh LAKSHMI D COLLEGE 9 SRIDEVI WOMEN'S ENGINEERING Andhra Pradesh BHOOSHANAM E COLLEGE 10 SRIDEVI WOMEN'S ENGINEERING Andhra Pradesh GUNDAJI VENKATA ENGINEERING AND FIRST YEAR/OTHER COLLEGE TECHNOLOGY 11 SRIDEVI WOMEN'S ENGINEERING Andhra Pradesh R BHARGAVI ENGINEERING AND COMPUTER SCIENCE AND COLLEGE TECHNOLOGY ENGINEERING 12 SRIDEVI WOMEN'S ENGINEERING Andhra Pradesh PADMANABHU RAVI ENGINEERING AND ELECTRONICS & COMMUNICATION COLLEGE NI TECHNOLOGY ENGG 13 GOVERNMENT POLYTECHNIC FOR Andhra Pradesh KOSURI ACHYUTA ENGINEERING AND CIVIL ENGINEERING WOMEN SATYA TECHNOLOGY 14 GLOBAL GROUP OF INSTITUTIONS Andhra Pradesh S HEMANTH ENGINEERING AND ELECTRONICS & COMMUNICATION TECHNOLOGY ENGG 15 GLOBAL GROUP OF INSTITUTIONS Andhra Pradesh VENNAM VENKARAM ENGINEERING AND COMPUTER SCIENCE AND TECHNOLOGY ENGINEERING 16 AZAD COLLEGE OF -
When Nature Plays a Trick on You and You Are Considered A
1 1 WAS BORN rtaki travels down memory lane, long into her childhood. The most vivid memory she has, is a recurring one and has stayed with her to date. She remembers the misty dawn in the mildly cold winter month of Margazhi, spanning the second half of December and the first of January which is probably the most pleasant in the otherwise hot south. This is the season of fasts and prayers - espe- cially by young maidens waiting for the knight in shining armour. The silence of the wee dark hours is broken by the melo- dious singing of the Thevaram, When nature plays a trick on Thiruvasakam, Thiruppavai, you and you are considered a Thiruvenbavai (centuries-old hymns composed by the great Tamil saints) by gender freak, there is not groups of young ladies and girls to the I much choice but to draw accompaniment of cymbals. And some- from your inner strength where, snug inside a warm blanket, Nartaki remembers a pair of tiny feet that •Ip to make a life for kept perfect time to the mesmerising • yourself, That is what, rhythm outside. f Nartaki, born with the Nartaki recollects, "This is the earliest anatomy of a man but the memory I have of my introduction to the world of music and rhythm - the tap-tap- heart, soul and mind of a ping of my feet, the first steps of my woman, did. Here she dance while my eyes were still half narrates to Annam Suresh, her asleep. I was barely four years old then." touching tale of pain, struggle Not incredible at all. -
Tracing the Evolution of Womanhood Into Selfhood in Select Contemporary Films
TRACING THE EVOLUTION OF WOMANHOOD INTO SELFHOOD IN SELECT CONTEMPORARY FILMS VIDHYA VIJAYAN Research Scholar Department of English M G University, Kottayam, Kerala INDIA Film, the most popular media, has a tremendous impact to carve out how individual can feel about a particular topic. Indian films portrayed women characters as doubly marginalized creatures. In earlier times women were featured as a commodity only to satisfy male urge and their bodies were featured in a way as if they are meant for male consumption with some few exceptions. Now changes occur and women begin to play the role of central characters. The audiences also begin to perceive the makeover from the conventional girl to an iconoclastic woman. The present study focuses on three movies ‘Queen’ (Hindi), ‘How Old Are You?’ (Malayalam), and ‘Rani Padmini’ (Malayalam) with giving due emphasis on how the women characters are transformed or how they are emancipated in this patriarchal world. Three films mentioned here are highly inspirational and motivational story of women’s empowerment. Keywords- commodity, iconoclastic woman, emancipation, empowerment INTRODUCTION Film and social reality do feed one another. Film has a tremendous impact to carve out how individual can feel about a particular topic. Indian films portray women characters as stereotypes. It is a double emphasized statement that women are often subjugated in every field and they are doubly marginalized. Films, the recently flourished scenario, also emphasize the same. In the olden days women have been relegated to the passive position in film after film. She merely becomes an adjunct to the man, the wielder of power. -
A Case Study of Batik in Java and Santiniketan
Universiteit Leiden Journey of Textile Designs: A Case Study of Batik in Java and Santiniketan Master Thesis, Asian Studies (60 EC) 2015-16 Name of student: Deboshree Banerjee Student Number: s1684337 Date: 1st September 2016 Supervisors: Prof. dr. N.K. Wickramasinghe-Samarasinghe Prof. dr. P.R. Kanungo Table of Contents Table of Contents ....................................................................................................................... ii List of Figures and Tables......................................................................................................... iv Abstract ...................................................................................................................................... v Chapter 1: Introduction .............................................................................................................. 1 1.1. Textiles: A Medium of Cultural Studies ......................................................................... 1 1.2. Diffusion Theory ............................................................................................................. 3 1.3. Literature Review: Javanese and Santiniketan Batik ...................................................... 4 1.3.1. Javanese Batik .......................................................................................................... 5 1.3.2 Santiniketan Batik ..................................................................................................... 7 1.4. Proposed Hypothesis ...................................................................................................... -
Cinema of the Social: Stars, Fans and the Standardization of Genre in Tamil Cinema
Western University Scholarship@Western Digitized Theses Digitized Special Collections 2011 CINEMA OF THE SOCIAL: STARS, FANS AND THE STANDARDIZATION OF GENRE IN TAMIL CINEMA Ganga Rudraiah Follow this and additional works at: https://ir.lib.uwo.ca/digitizedtheses Recommended Citation Rudraiah, Ganga, "CINEMA OF THE SOCIAL: STARS, FANS AND THE STANDARDIZATION OF GENRE IN TAMIL CINEMA" (2011). Digitized Theses. 3315. https://ir.lib.uwo.ca/digitizedtheses/3315 This Thesis is brought to you for free and open access by the Digitized Special Collections at Scholarship@Western. It has been accepted for inclusion in Digitized Theses by an authorized administrator of Scholarship@Western. For more information, please contact [email protected]. CINEMA OF THE SOCIAL: STARS, FANS AND THE STANDARDIZATION OF GENRE IN TAMIL CINEMA r , ' (Spine title: CINEMA OF THE SOCIAL) (Thesis Format: Monograph) by : Ganga Rudraiah Graduate Program in Film Studies A thesis submitted in partial fulfillment of the requirements for the degree of Master of Arts The School of Graduate and Postdoctoral Studies The University of Western Ontario London, Ontario, Canada © Ganga Rudraiah 2011 THE UNIVERSITY OF WESTERN ONTARIO SCHOOL OF GRADUATE AND POSTDOCTORAL STUDIES CERTIFICATE OF EXAMINATION r Supervisor Examiners Dr. Christopher E. Glttings Dr. James Prakash Younger Supervisory Committee Dr. Constanza Burucúa Dr. Chris Holmlund The thesis by Ganga Rudraiah entitled: Cinema of the Social: Stars, Fans and the Standardization of Genre in Tamil Cinema is accepted in partial fulfillment of the requirements for the degree of Master of Arts Date Chair of the Thesis Examination Board Abstract The star machinery of Tamil cinema presents itself as a nearly unfathomable system that produces stars and politicians out of actors and fans out of audiences in an organized fashion. -
Curriculum Vitae
Curriculum vitae Dr. (Mrs.) Jamuna Prakash Professor, Department of Food Science and Nutrition, University of Mysore, Manasagangotri, Mysore, 570006, INDIA Phone : 0821-2419634 Email: [email protected] ACADEMIC QUALIFICATIONS: Degree Year Subject Institution/ University Class Ph.D. 1992 Food Science Univ. of Mysore, Mysore. -- M.Sc. 1976 Foods & Nutrition Univ. of Mysore, Mysore. First, First Rank B.Sc. 1974 Home Science Bangalore University. First (Title of Ph.D. thesis: "Studies on rice bran proteins and their use in food formulation”) Teaching and research experience : 34 Years. Research guidance for Post Doctoral research - 1, Ph.D. :- Completed - 9, Working - 7. Research guidance for M.Sc. dissertation/ Project :- 80. Research Interests Food Science - Compositional analysis of foods, product formulation, sensory evaluation, nutrient digestibility and bioavailability, functional properties of foods. Nutrition - Nutrition status of population, food behaviour, diet surveys, nutrition and cognition, nutrition education. Specialized training (International courses) 1. Fundamentals of Nutrigenomics and Its Applications. 19 th ICN Pre-Congress Symposium. International Life Science Institute & Commonwealth Scientific and Industrial Research Organization. Bangkok, Thailand, 4 th Oct. 2009. 2. Enhancing the efficiency of nutritional investigations – Improving priorities, design, management and application of nutrition research. 18-22 June, 2006. International Nutrition Foundation, USA, and United Nation’s University, Japan, C.F.T.R.I., Mysore. 3. Metrological concepts for strengthening food and nutritional measurements. 26-30 June, 2006. International Nutrition Foundation, USA, and United Nation’s University, Japan, C.F.T.R.I., Mysore. Medals/Prizes/Awards: • Gold Medal for securing I rank in M.Sc.,1976. • Prizes (19 for presented papers) – 1991, 1995, 1998, 2000, 2002, 2004, 2006, 2007,2009. -
Spectacle Spaces: Production of Caste in Recent Tamil Films
South Asian Popular Culture ISSN: 1474-6689 (Print) 1474-6697 (Online) Journal homepage: http://www.tandfonline.com/loi/rsap20 Spectacle spaces: Production of caste in recent Tamil films Dickens Leonard To cite this article: Dickens Leonard (2015) Spectacle spaces: Production of caste in recent Tamil films, South Asian Popular Culture, 13:2, 155-173, DOI: 10.1080/14746689.2015.1088499 To link to this article: http://dx.doi.org/10.1080/14746689.2015.1088499 Published online: 23 Oct 2015. Submit your article to this journal View related articles View Crossmark data Full Terms & Conditions of access and use can be found at http://www.tandfonline.com/action/journalInformation?journalCode=rsap20 Download by: [University of Hyderabad] Date: 25 October 2015, At: 01:16 South Asian Popular Culture, 2015 Vol. 13, No. 2, 155–173, http://dx.doi.org/10.1080/14746689.2015.1088499 Spectacle spaces: Production of caste in recent Tamil films Dickens Leonard* Centre for Comparative Literature, University of Hyderabad, Hyderabad, India This paper analyses contemporary, popular Tamil films set in Madurai with respect to space and caste. These films actualize region as a cinematic imaginary through its authenticity markers – caste/ist practices explicitly, which earlier films constructed as a ‘trope’. The paper uses the concept of Heterotopias to analyse the recurrence of spectacle spaces in the construction of Madurai, and the production of caste in contemporary films. In this pursuit, it interrogates the implications of such spatial discourses. Spectacle spaces: Production of caste in recent Tamil films To foreground the study of caste in Tamil films and to link it with the rise of ‘caste- gestapo’ networks that execute honour killings and murders as a reaction to ‘inter-caste love dramas’ in Tamil Nadu,1 let me narrate a political incident that occurred in Tamil Nadu – that of the formation of a socio-political movement against Dalit assertion in December 2012. -
Id No Name Abstract Number
ID NO NAME ABSTRACT NUMBER INSTITUTION SCI051 K Chandramani Singh 7 University of Delhi SCI052 Anju Gupta 12 Rochester Institute of Technology, USA SCI053 Nilavarasi K 14 Central University of Tamil Nadu SCI054 Dilna P 15 Amrita Vishwa Vidyapeetham SCI055 Arun Kumar 16 Himachal Pradesh University, Shimla SCI056 Thiyagarajan 19 Anna University, Chennai SCI057 Jyothi G 21 University of Kerala SCI058 Monika M 23 Centre for Nano and Soft Matter Sciences SCI059 (Accompanying Person) 23 SCI060 Ashish Shivaji Salunke 24 CSIR-CECRI SCI061 Abhilash J Kottiyatil 27 National Aerospace laboratories SCI062 Nagaraja Nadavalumane 29,30 Proudha Devaraya Institute of Technology, Karnatka SCI063 Rajashekara Gobburu 29,30 Veerashiava College, Karnataka SCI064 Sangamesh Jakhati 29, 30 Proudha Devaraya Institute of Technology, Karnatka SCI065 Sibi Abraham 31 MADURAI KAMARAJ UNIVERSITY, TAMIL NADU SCI066 Kumaraguru S 32 CECRI SCI067 Anjali Devi J S 34 University of Kerala SCI068 Jincy C. S. 35, 36 Psgr Krishnammal college for women SCI069 C. Selvi 35, 36 Psgr Krishnammal college for women SCI070 C. Sharmila 35, 36 Psgr Krishnammal college for women SCI071 Balaprakash V 37 Hindusthan College of Arts and Science, Coimbatore SCI072 Not Mentioned 37 Hindusthan College of Arts and Science, Coimbatore Rajiv Gandhi University of Knowledge Technologies, SCI073 Lavanya Kunduru 38 India Rajiv Gandhi University of Knowledge Technologies, SCI074 Rakesh Roshan 38 India SCI075 Subair Naduparambath 39, 40 Calicut University SCI076 Shaniba V 39, 40 Calicut University SCI077 Janani G. 41 Indian Institute of Technology Guwahati SCI078 Raj Kumar 42 Indian Institute of Technology Roorkee SCI079 Anjali Devi J S 49 University of Kerala SCI080 Sugan S 50 AMET University SCI081 Shanmuga Sundari S 50 PSGR Krishnammal College for Women SCI082 Soufeena P P 51 University of Calicut SCI083 S. -
Police Matters: the Everyday State and Caste Politics in South India, 1900 1975 by Radha Kumar
PolICe atter P olice M a tte rs T he v eryday tate and aste Politics in South India, 1900–1975 • R a dha Kumar Cornell unIerIt Pre IthaCa an lonon Copyright 2021 by Cornell University The text of this book is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License: https:creativecommons.orglicensesby-nc-nd4.0. To use this book, or parts of this book, in any way not covered by the license, please contact Cornell University Press, Sage House, 512 East State Street, Ithaca, New ork 14850. Visit our website at cornellpress.cornell.edu. First published 2021 by Cornell University Press Library of Congress Cataloging-in-Publication Data Names: Kumar, Radha, 1981 author. Title: Police matters: the everyday state and caste politics in south India, 19001975 by Radha Kumar. Description: Ithaca New ork: Cornell University Press, 2021 Includes bibliographical references and index. Identifiers: LCCN 2021005664 (print) LCCN 2021005665 (ebook) ISBN 9781501761065 (paperback) ISBN 9781501760860 (pdf) ISBN 9781501760877 (epub) Subjects: LCSH: Police—India—Tamil Nadu—History—20th century. Law enforcement—India—Tamil Nadu—History—20th century. Caste— Political aspects—India—Tamil Nadu—History. Police-community relations—India—Tamil Nadu—History—20th century. Caste-based discrimination—India—Tamil Nadu—History—20th century. Classification: LCC HV8249.T3 K86 2021 (print) LCC HV8249.T3 (ebook) DDC 363.20954820904—dc23 LC record available at https:lccn.loc.gov2021005664 LC ebook record available at https:lccn.loc.gov2021005665 Cover image: The Car en Route, Srivilliputtur, c. 1935. The British Library Board, Carleston Collection: Album of Snapshot Views in South India, Photo 6281 (40). -
The Journal of International Communication Film Remakes As
This article was downloaded by: [Mr C.S.H.N. Murthy] On: 08 January 2015, At: 09:46 Publisher: Routledge Informa Ltd Registered in England and Wales Registered Number: 1072954 Registered office: Mortimer House, 37-41 Mortimer Street, London W1T 3JH, UK The Journal of International Communication Publication details, including instructions for authors and subscription information: http://www.tandfonline.com/loi/rico20 Film remakes as cross-cultural connections between North and South: A case study of the Telugu film industry's contribution to Indian filmmaking C.S.H.N. Murthy Published online: 13 Nov 2012. To cite this article: C.S.H.N. Murthy (2013) Film remakes as cross-cultural connections between North and South: A case study of the Telugu film industry's contribution to Indian filmmaking, The Journal of International Communication, 19:1, 19-42, DOI: 10.1080/13216597.2012.739573 To link to this article: http://dx.doi.org/10.1080/13216597.2012.739573 PLEASE SCROLL DOWN FOR ARTICLE Taylor & Francis makes every effort to ensure the accuracy of all the information (the “Content”) contained in the publications on our platform. However, Taylor & Francis, our agents, and our licensors make no representations or warranties whatsoever as to the accuracy, completeness, or suitability for any purpose of the Content. Any opinions and views expressed in this publication are the opinions and views of the authors, and are not the views of or endorsed by Taylor & Francis. The accuracy of the Content should not be relied upon and should be independently verified with primary sources of information. Taylor and Francis shall not be liable for any losses, actions, claims, proceedings, demands, costs, expenses, damages, and other liabilities whatsoever or howsoever caused arising directly or indirectly in connection with, in relation to or arising out of the use of the Content. -
Chevalior Sivaji Ganesan‟S Tamil Film Songs Not Only Emulated the Quality of the Movie but Also Contains Ethical Imports That
Global Journal of HUMAN-SOCIAL SCIENCE: A Arts & Humanities - Psychology Volume 20 Issue 10 Version 1.0 Year 2020 Type: Double Blind Peer Reviewed International Research Journal Publisher: Global Journals Online ISSN: 2249-460x & Print ISSN: 0975-587X Chevalior Sivaji Ganesan‟S Tamil Film Songs Not Only Emulated the Quality of the Movie but also Contains Ethical Imports that can be Compared with the Ethical Theories – A Retrospective Reflection By P.Sarvaharana, Dr. S.Manikandan & Dr. P.Thiyagarajan Tamil Nadu Open University Abstract- This is a research work that discusses the great contributions made by Chevalior Shivaji Ganesan to the Tamil Cinema. It was observed that Chevalior Sivaji film songs reflect the theoretical domain such as (i) equity and social justice and (ii) the practice of virtue in the society. In this research work attention has been made to conceptualize the ethical ideas and compare it with the ethical theories using a novel methodology wherein the ideas contained in the film song are compared with the ethical theory. Few songs with the uncompromising premise of patni (chastity of women) with the four important charateristics of women of Tamil culture i.e. acham, madam, nanam and payirpu that leads to the great concept of chastity practiced by exalting woman like Kannagi has also been dealt with. The ethical ideas that contain in the selection of songs were made out from the selected movies acted by Chevalier Shivaji giving preference to the songs that contain the above unique concept of ethics. GJHSS-A Classification: FOR Code: 190399 ChevaliorSivajiGanesanSTamilFilmSongsNotOnlyEmulatedtheQualityoftheMoviebutalsoContainsEthicalImportsthatcanbeComparedwiththeEthicalTheo riesARetrospectiveReflection Strictly as per the compliance and regulations of: © 2020. -
Shankar Jaikishan – Emperors of Music by Ashwini Kumar Rath
Shankar Jaikishan – Emperors of Music By Ashwini Kumar Rath Shankar Jaikishan music, synonym of Indian Film music, has far reaching impact in India and outside. The duo moulded music and musical mood of masses since 1949, and are still considered to be the best music composers from India. The duo also contributed outside movie industry with their much celebrated album Raga in Jazz Style, and background music for documentary Everest expedition among many others. If we look at the popular impact by any personalities in the field of music during the post-independence period in India, the obvious choice is Shankar Jaikishan. Shankar, the more versatile of the two, was a prolific musician with mastery over dozens of instruments, Indian classical music and dance forms. He was primarily responsible for building Shankar Jaikishan team with dedicated lyricists, music assistants, and jumbo-sized 60-pieces orchestra, and was the lead composer. On the other hand, Jaikishan was incredibly creative and legendary composer himself. He was genius of background music and romantic tunes though he too could compose songs in other genres. While Shankar's musical jhankar propels divine dwellers to zoom in unison with ecstasy, romantic effervescence of Jaikishan music brings divine feelings on to earth. During initial years, all decisions about musical engagements were made by Shankar; but both started taking up assignments separately in the late sixties. They had sharp contrasts in personalities and physical appearances. Shankar was gym-savvy, non- drinker, and was a strict disciplinarian. On the other hand, Jaikishan was party-man and was very social.