Amulet and Relic Motifs Case Study: Lor Bakhtiari Hand- Woven*

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Amulet and Relic Motifs Case Study: Lor Bakhtiari Hand- Woven* 51 quarterly, No. 25| Autumn 2019 DOI:10.22034/JACO.2019.89248 Persian translation of this paper entitled: نقش مایه های طلسم تعویذ و حرز (مطالعۀ موردی: دست بافته های عشایر لر بختیاری) is also published in this issue of journal. Amulet and Relic Motifs Case Study: Lor Bakhtiari Hand- woven* Azadeh Yaghoubzadeh**1, Mohamad Khazaie2 1. PH.D. Candidate in Islamic Arts, Islamic Art University of Tabriz, Iran. 2. PH.D. of Visual Communication, Tarbiat Modares university, Tehran, Iran. Received; 2019/02/27 revise; 2019/06/30 accepted; 2019/08/19 available online; 2019/09/23 Abstract This article tries to identify symbolic motifs associated with “Amulet and Relic” in Bakhtiari hand-woven. Main questions are; how motifs have been related to “Amulet and Relic” and how they have been woven on these applied works and what have been reasons of these mysterious motifs? It seems that answer to this question must be investigated on Lor Bakhtiari culture and its symbols like its materials and spiritual function which were inspired by customs, traditions, habits, perceptions and insights. The results of the present paper, which has been obtained through content analysis method and its data were collected using library and field studies, indicates that: in supernatural forces of “Amulet and Relic” in motifs with their decorative and practical aspects, are medium for conveying their messages and recorded historical values -which are very important for their weavers –and they are a way to reflect their desires and wishes. During years, for their value and belief, they have entered into folk arts of Bakhtiari as decorative motifs. Keywords Amulet, Relic,Talisman, Motif, Hand-woven, Lor Bakhtiari tribes. Introduction and allegory that are deprived of culture and Popular beliefs are full of mysteries, metaphors tradition which inherited from past to present. They exist in human thought from birth to death, *This paper is extracted from a Ph.D. course credit of “Azadeh Yaqubzadeh” entitled “Design in Islamic arts”, which has been and these beliefs are passed down from generation conducted under supervision of “Dr. Mohammad Kazaei” at Tabriz to another. Islamic Art University in 2017. ** Corresponding author: +989141097760, a.yaghoubzadeh@ Cognition of these beliefs, rituals and traditions tabriziau.ac.ir can be a useful way for communicating between 52 quarterly, No. 25| Autumn 2019 human beings and civilizations. The beliefs and Meaning of Amulet and Relic folk arts have always been encrypted and they One of the ways to stay safe from disasters and evil should be referred to knowlage of their mystery, eye is Relic. It refers to object, text, image, prayer, because the origin of this mystery is cultural and word that possess magical-transcendental treasure of our ancients. There are many symbols power, and hanging it on objects and places, and in the culture of Iranian ethnicities, including “Lor being carried by humans or animals, dispel of Bahakhtiari” which is inspired by the material and cholera, disease, and invasion of evil creatures semantic functional of their customs, traditions, and forces. On the other hand, talisman has been habits, perceptions and insights, and ultimately known as a kind of “Amulet and Relic” that can their rich and productive culture. increase the power and fortune of the bearer and Folk arts, mainly by using native initial materials owner against the abusive forces. “Relic” usage is for all or most of the basic stages of production, by repulsive, talisman attracts desirable matters. Relic hand and tools, manufacture products which have usage has been common among different tribes an aesthetics and creativity. (Arabestani, 2008, 635). This character particularly in tribal hand-woven, Although in ancient cultures, mainly various and especially for lor Bakhtiari, is as part of the objects (whether raw or natural) such as pieces of applied arts and ethnic identity and indicates rocks, plants, mussels, teeth, and bones, etc or even -at high level - national and artistic identity and in forms of sculptures, figures, metal or wooden cultural and civilizational heritage. handicrafts and clay and etc…) have been used in The aim of producing tribal hand-woven especially the evil spirits, demons and maleficent. Probably, Lor Bakhtiari have been resolving of their daily Usage of written Relic -with a few precedent- has needs. In fact, the functional and self-consuming also been common in the past (Ibid, 636, 638). aspects were the most important reason or only In order to study of “Amulet and Relic”, it is proof to weave them. Lor Bakhtiari hand-woven necessary to present a precise definition of them. are the most important manifestation of their “Amulet” is an object like “Relic”, possessing thought, desire and skill. These are an important supernatural forces, which accompanies it, avoids source for studying tribal Iranian art and culture. disaster (Ibid, 596). Nevertheless, there are some The statistical population of this research includes differences between them. In some cases, “Amulet” Lor Bakhtiari’s hand-woven in order to extract is preventative object and “Relic” treats. motifs are related to “Amulet and Relic”. The location of this group is Lor Bakhtiari tribe, The position of all kinds of talismans which is 60 samples collected from this area based (Amulet and Relic and dispelling disaster) on the types of hand-woven of this tribe including in the Bakhtiari tribes: Rug, Carpet, Saddle bag (Khorjin), Salt bag In the past, there have been various aspects to the (Namakdan), Veris and so on. To achieve “Amulet transmission of evil. Humans have always tried to and Relic” motifs, both field and library searching do something like sacrifice, shed blood, pray, and have been accomplished wrap it around the arm, pray, to ward off evil and Finally, 30 samples were studied as sample diseases (Freezer, 2007, 597). The philosophy of population based on age and abundance with the aim transmitting evil has been common for mankind of extracting patterns related to “Amulet and Relic” for two reasons. One is that the primitive man did and derived from the beliefs of the Lor Bakhtiari. not know the nature around for his mysterious and Azadeh Yaghoubzadeh & Mohamad Khazaie 53 strange thought and he was not ready to accept passionate with these objects. For example, William the domination of nature. So, for its elaboration Jackson reported that “In Iran, evil eye talismans are and explanation, there are different solutions, carried on by children. He described that it was an including sacrifice, prayer, etc and it was a way ancient custom, even dating back to pre-Islamic era to achieve objects which could be easily accessed (Jakson, 1978, 432). As a result, pregnant women, through pain and suffering. (Kharazmi, 2013, children, and all beautiful, precious or joyful things 3&4). In some cases by illustrating on applied are at risk of jealousy and evil eye.Therefore, it is works of daily life, he has sought to repel evil and necessary to guard children and their valuables from so we can see examples of “Amulet and Relic’’ in the sight of those who are unlucky. They are not sure nomadic culture. that they will always succeed, Therefore, they will be Beliefs of nomadic tribes are intertwined with protected by “Amulet and Relic” (Masse, 1976, 63). people’s life and all their daily routine and attitudes Different types of of these “believed objects” are based on these beliefs. Beliefs (superstitious or (fetishes) are common among Bakhtiari tribes such non-superstitious) are part of culture of every tribe as salt rock. In the religious beliefs and traditions of and these are sources of movement and reflection Iranian, such as Lor Bakhtiari, salt is an element that their lifestyle. A glimpse on motif and color of has a dual meaning. Those who repelled the goblins their hand-woven, up to now, we can understand ; with the help of the incantations, or those who not only motifs were not for filling carpets or other released people from talisman (like soothsayer and hand-woven but also they were a way to bring joy exorcist).They used salt to fight against evil, as well and color by embellishment to their surroundings, as against witches and sorcerers. According to their bring to the environment. This character is one of beliefs, if salt is fallen on the table, it brings misery. the characteristics and factors of creation in the tribe life. Types of motifs related to “Amulet and Relic” The main reason for usage of “Amulet and Relic” on Bakhtiari hand-woven: among Bakhtiari people is the belief on evil eye. Motifs on applied arts is known as a decorative Evil eye is one of the oldest human beliefs, element that can be realistic, abstract, symbolic, or a and probably the most pervasive and common sign of something else. supernatural belief, probably this was the most On Lor Bakhtiari hand-woven, motifs related to universal supernatural belief which have always “Amulet and Relic” can be divided into geometric remained in Iran as yet. Nowadays, evil eye which motifs (Swastika, Stars) and animal motifs (Gol- is used as a feature for some people, has existed gozdin (Scorpion), Morge-ghochaki (Bird-Ram), since ancient times in the society that Moghans and Ti xorusi (Rooster eye), Xal-e nal (Horseshoes), their cultures and religions ruled. Anybody who Mari (Snake), shir (Lion), plant motifs (Gol-e were known for such a devilish illness, were ghandom(Wheat flower), Tree) and human motifs rejected and despised by society (Razi, 2002, 985). (Al, Eye). During their travels throughout Iran, many • Geometric patterns travelogue writers have reported various instances 1.Chalipa (Mehraneh, Mehr-e-gardun, Swastika) of Iranian beliefs about evil eye and they said Mehraneh, or Swastika, was a universal religious that Iranian always carry things that are considered symbol of the ancient world.
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