Youth in Nazi Germany, Reading Set 1
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Lesson 12: Handout 4, Document 1 German Youth in the 1930S: Selected Excerpted Documents
Lesson 12: Handout 4, Document 1 German Youth in the 1930s: Selected excerpted documents Changes at School (Excerpted from “Changes at School,” pp. 175–76 in Facing History and Ourselves: Holocaust and Human Behavior ) Ellen Switzer, a student in Nazi Germany, recalls how her friend Ruth responded to Nazi antisemitic propaganda: Ruth was a totally dedicated Nazi. Some of us . often asked her how she could possibly have friends who were Jews or who had a Jewish background, when everything she read and distributed seemed to breathe hate against us and our ancestors. “Of course, they don’t mean you,” she would explain earnestly. “You are a good German. It’s those other Jews . who betrayed Germany that Hitler wants to remove from influence.” When Hitler actually came to power and the word went out that students of Jewish background were to be isolated, that “Aryan” Germans were no longer to associate with “non-Aryans” . Ruth actually came around and apologized to those of us to whom she was no longer able to talk. Not only did she no longer speak to the suddenly ostracized group of class - mates, she carefully noted down anybody who did, and reported them. 12 Purpose: To deepen understanding of how propaganda and conformity influence decision-making. • 186 Lesson 12: Handout 4, Document 2 German Youth in the 1930s: Selected excerpted documents Propaganda and Education (Excerpted from “Propaganda and Education,” pp. 242 –43 in Facing History and Ourselves: Holocaust and Human Behavior ) In Education for Death , American educator Gregor Ziemer described school - ing in Nazi Germany: A teacher is not spoken of as a teacher ( Lehrer ) but an Erzieher . -
Parallel Journeys:Parallel Teacher’S Guide
Teacher’s Parallel Journeys: The Holocaust through the Eyes of Teens Guide GRADES 9 -12 Phone: 470 . 578 . 2083 historymuseum.kennesaw.edu Parallel Journeys: The Holocaust through the Eyes of Teens Teacher’s Guide Teacher’s Table of Contents About this Teacher’s Guide.............................................................................................................. 3 Overview ............................................................................................................................................. 4 Georgia Standards of Excellence Correlated with These Activities ...................................... 5 Guidelines for Teaching about the Holocaust .......................................................................... 12 CORE LESSON Understanding the Holocaust: “Tightening the Noose” – All Grades | 5th – 12th ............................ 15 5th Grade Activities 1. Individual Experiences of the Holocaust .......................................................................... 18 2. Propaganda and Dr. Seuss .................................................................................................. 20 3. Spiritual Resistance and the Butterfly Project .................................................................. 22 4. Responding to the St. Louis ............................................................................................... 24 5. Mapping the War and the Holocaust ................................................................................. 25 6th, 7th, and 8th Grade Activities -
Upholding the Disney Utopia Through American Tragedy: a Study of the Walt Disney Company’S Responses to Pearl Harbor and 9/11
Upholding the Disney Utopia Through American Tragedy: A Study of The Walt Disney Company's Responses to Pearl Harbor and 9/11 Lindsay Goddard Senior Thesis presented to the faculty of the American Studies Department at the University of California, Davis March 2021 Abstract Since its founding in October 1923, The Walt Disney Company has en- dured as an influential preserver of fantasy, traditional American values, and folklore. As a company created to entertain the masses, its films often provide a sense of escapism as well as feelings of nostalgia. The company preserves these sentiments by \Disneyfying" danger in its media to shield viewers from harsh realities. Disneyfication is also utilized in the company's responses to cultural shocks and tragedies as it must carefully navigate maintaining its family-friendly reputation, utopian ideals, and financial interests. This paper addresses The Walt Disney Company's responses to two attacks on US soil: the bombing of Pearl Harbor in 1941 and the attacks on September 11, 200l and examines the similarities and differences between the two. By utilizing interviews from Disney employees, animated film shorts, historical accounts, insignia, government documents, and newspaper articles, this paper analyzes the continuity of Disney's methods of dealing with tragedy by controlling the narrative through Disneyfication, employing patriotic rhetoric, and reiterat- ing the original values that form Disney's utopian image. Disney's respon- siveness to changing social and political climates and use of varying mediums in its reactions to harsh realities contributes to the company's enduring rep- utation and presence in American culture. 1 Introduction A young Walt Disney craftily grabbed some shoe polish and cardboard, donned his father's coat, applied black crepe hair to his chin, and went about his day to his fifth-grade class. -
Holocaust Memorial Resource and Education Center of Florida – Holocaust Lesson Plans
HOLOCAUST MEMORIAL RESOURCE AND EDUCATION CENTER OF FLORIDA – HOLOCAUST LESSON PLANS Lesson Title: A Primary Source from Nazi Germany: The Appeal of the Nazis (Part Two) Lesson Details: Unit: Before the Holocaust: Jewish Life in Europe and the Duration: One 45-50 minute class period, not including Rise of Nazism in Germany extension activities Lesson Notes for Teachers: Alfons Heck was only a little boy when he became enamored with Adolf Hitler. We might be tempted to dismiss his attraction to youth and inexperience except for the fact that so many adults shared his passion. The reading selection at the heart of this lesson describes the pageantry and emotional appeal of the Nazis. If you read between the lines, you may also discern the underlying conditions in Germany that made this situation possible. It should also be noted that it took Alfons Heck about three decades to fully acknowledge the evil of the Nazi regime and what happened to him as a part of it. In his later life in the United States, he has spoken to school groups together with a Jewish Holocaust survivor to share his “view from the inside” with students. Design Questions/Lesson Focus/Marzano Elements: • How can individuals be persuaded to join groups that contradict previously-held beliefs or values? • Are people personally responsible for accepting false and/or harmful ideas communicated through propaganda and accepted by others in the community? Do the ages of the people in question impact their level of responsibility? If so, how? _X_ Introducing New Knowledge DQ2 _X_ Deepening or Practicing DQ3 _X_ Generating Hypotheses DQ4 Main Element: 6 – Identifying critical Main Element: 18 – Helping students Main Element: 22 – Engaging content examine their reasoning students in cognitively complex tasks involving hypothesis generation and testing Focus Standards/Benchmarks: Please note – These lessons are designed to be flexible for use in a variety of Florida- approved middle and high school Social Studies and ELA courses. -
Foundations of Nazi Cultural Policy and Institutions Responsible for Its
Kultura i Edukacja 2014 No 6 (106), s. 173–192 DOI: 10.15804/kie.2014.06.10 www.kultura-i-edukacja.pl Sylwia Grochowina, Katarzyna Kącka1 Foundations of Nazi Cultural Policy and Institutions Responsible for its Implementation in the Period 1933 – 1939 Abstract The purpose of this article is to present and analyze the foundations and premises of Nazi cultural policy, and the bodies responsible for its imple- mentation, the two most important ones being: National Socialist Society for German Culture and the Ministry of National Enlightenment and Propa- ganda of the Reich. Policy in this case is interpreted as intentional activity of the authorities in the field of culture, aimed at influencing the attitudes and identity of the population of the Third Reich. The analysis covers the most important documents, statements and declarations of politicians and their actual activity in this domain. Adopting such a broad perspective al- lowed to comprehensively show both the language and the specific features of the messages communicated by the Nazi authorities, and its impact on cultural practices. Key words Third Reich, Nazi, cultural policy, National Socialist Society for German Culture, Ministry of National Enlightenment and Propaganda of the Reich 1 Nicolaus Copernicus University in Toruń, Polnad 174 Sylwia Grochowina, Katarzyna Kącka 1. INTRODUCTION The phenomenon of culture is one of the most important distinctive features of individual societies and nations. In a democratic social order, creators of culture can take full advantage of creative freedom, while the public can choose what suits them best from a wide range of possibilities. Culture is also a highly variable phenomenon, subject to various influences. -
Animation's Exclusion from Art History by Molly Mcgill BA, University Of
Hidden Mickey: Animation's Exclusion from Art History by Molly McGill B.A., University of North Carolina at Chapel Hill, 2014 A thesis submitted to the Faculty of the Graduate School of the University of Colorado in partial fulfillment of the requirement for the degree of Master of Arts Department of Art & Art History 2018 i This thesis entitled: Hidden Mickey: Animation's Exclusion from Art History written by Molly McGill has been approved for the Department of Art and Art History Date (Dr. Brianne Cohen) (Dr. Kirk Ambrose) (Dr. Denice Walker) The final copy of this thesis has been examined by the signatories, and we find that both the content and the form meet acceptable presentation standards of scholarly work in the above mentioned discipline. ii ACKNOWLEDGMENTS I would like to thank the Department of Art History at the University of Colorado at Boulder for their continued support during the production of this master's thesis. I am truly grateful to be a part of a department that is open to non-traditional art historical exploration and appreciate everyone who offered up their support. A special thank you to my advisor Dr. Brianne Cohen for all her guidance and assistance with the production of this thesis. Your supervision has been indispensable, and I will be forever grateful for the way you jumped onto this project and showed your support. Further, I would like to thank Dr. Kirk Ambrose and Dr. Denice Walker for their presence on my committee and their valuable input. I would also like to extend my gratitude to Catherine Cartwright and Jean Goldstein for listening to all my stress and acting as my second moms while I am so far away from my own family. -
The Practice of Genealogy in the Third Reich. Phd Thesis
Baruah-Young, William L (2014) From hobby to necessity: the practice of genealogy in the Third Reich. PhD thesis. http://theses.gla.ac.uk/5306/ Copyright and moral rights for this work are retained by the author A copy can be downloaded for personal non-commercial research or study, without prior permission or charge This work cannot be reproduced or quoted extensively from without first obtaining permission in writing from the author The content must not be changed in any way or sold commercially in any format or medium without the formal permission of the author When referring to this work, full bibliographic details including the author, title, awarding institution and date of the thesis must be given Enlighten:Theses http://theses.gla.ac.uk/ [email protected] From hobby to necessity: the practice of genealogy in the Third Reich William Lee Baruah-Young BA (hons) MSc Submitted in fulfilment of the requirements for the Degree of Doctor of Philosophy Humanities Advanced Technology and Information Institute School of Humanities College of Arts University of Glasgow June 2014© 2 Abstract After achieving political power in January 1933, the Nazis began to plan and implement racial policies that would redefine the lives of ordinary men and women. Persistently promoted as health measures, many of the racial policies enacted would go on to have considerable and, in many cases, devastating consequences for the family sphere. This thesis examines one aspect of Nazi policy, the practice of genealogy. Re-envisioned and turned into a civic duty of the ‘responsible citizen,’ this one-time hobby forced Germans to reassess friendships, marriages and courtships. -
Filming the End of the Holocaust War, Culture and Society
Filming the End of the Holocaust War, Culture and Society Series Editor: Stephen McVeigh, Associate Professor, Swansea University, UK Editorial Board: Paul Preston LSE, UK Joanna Bourke Birkbeck, University of London, UK Debra Kelly University of Westminster, UK Patricia Rae Queen’s University, Ontario, Canada James J. Weingartner Southern Illimois University, USA (Emeritus) Kurt Piehler Florida State University, USA Ian Scott University of Manchester, UK War, Culture and Society is a multi- and interdisciplinary series which encourages the parallel and complementary military, historical and sociocultural investigation of 20th- and 21st-century war and conflict. Published: The British Imperial Army in the Middle East, James Kitchen (2014) The Testimonies of Indian Soldiers and the Two World Wars, Gajendra Singh (2014) South Africa’s “Border War,” Gary Baines (2014) Forthcoming: Cultural Responses to Occupation in Japan, Adam Broinowski (2015) 9/11 and the American Western, Stephen McVeigh (2015) Jewish Volunteers, the International Brigades and the Spanish Civil War, Gerben Zaagsma (2015) Military Law, the State, and Citizenship in the Modern Age, Gerard Oram (2015) The Japanese Comfort Women and Sexual Slavery During the China and Pacific Wars, Caroline Norma (2015) The Lost Cause of the Confederacy and American Civil War Memory, David J. Anderson (2015) Filming the End of the Holocaust Allied Documentaries, Nuremberg and the Liberation of the Concentration Camps John J. Michalczyk Bloomsbury Academic An Imprint of Bloomsbury Publishing Plc LONDON • OXFORD • NEW YORK • NEW DELHI • SYDNEY Bloomsbury Academic An imprint of Bloomsbury Publishing Plc 50 Bedford Square 1385 Broadway London New York WC1B 3DP NY 10018 UK USA www.bloomsbury.com BLOOMSBURY and the Diana logo are trademarks of Bloomsbury Publishing Plc First published 2014 Paperback edition fi rst published 2016 © John J. -
Trabajo Fin De Grado
Trabajo Fin de Grado LA ACTIVIDAD PROPAGANDÍSTICA DE DISNEY DURANTE LA SEGUNDA GUERRA MUNDIAL DISNEY'S PROPAGANDISTIC ACTIVITY DURING WORLD WAR II Autor NURIA LON ROCA Director Fernando Sanz Ferreruela Facultad Filosofía y Letras. Grado Historia del Arte Año 2019/2020 Resumen: la relevancia de Walt Disney en el panorama cinematográfico es indiscutible pero, alejándonos de su faceta más conocida encontramos unos orígenes vinculados al militarismo y a la Segunda Guerra Mundial en los que se posiciona firmemente. Su propaganda bélica a favor de las democracias europeas se observa en los cortos y películas de la primera mitad del siglo XX así como en su discurso intervencionista y patriótico americano. A través de su producción cinematográfica más relevante se busca poner en valor su posicionamiento directo, e indirecto, en la Segunda Guerra Mundial y las consecuencias que esto tuvo para la mundialmente conocida marca. Palabras clave: cine, propaganda, militarismo, ideología, guerra, Disney y nazismo Abstract: there can be no doubt of relevance of Walt Disney in the film scene but, movin away from its best-know facet, we find origins linked to militarism and the Second Word War in which it is firmly positioned. His war propaganda in favor of European democracies can be seen in the shorts and films of the first half of the 20th century as well as in his intervencionista n patriotic American discourse. Though its most relevant film production, it seeks to hightlight its direct and indirect positioning in the Second Word War and the consequences this had for the Word-famous Brand. Key words: cinema, propaganda, militarism, ideology, War, Disney y nazism 2 A mi tutor, Fernando Sanz, por dedicarme su tiempo, que es lo mejor que alguien te puede regalar. -
The Hitler Youth: Blind Fanaticism
The Hitler Youth: Blind Fanaticism Janessa Hansen Senior Division Individual exhibit Student Composed Words: 500 Process Paper Word Count: 500 Process Paper I’ve always had an interest in The Holocaust. I’ve watched films and read books on it for many years. Last summer my grandpa and I were watching a documentary on National Geography about The Hitler Youth. It was fascinating to me how millions of children could believe the ridiculous rhetoric the Nazis preached. I decided it would be a fascinating project and proceeded to rid of my research from my old topic I had thought of. To begin, I started with doing background research. I learned some interesting information about how the group was started and what kind of activities they took part in from The Holocaust Memorial Museum and books. After some time, I decided I should try to find books written by people who were actually in the Hitler Youth, and found quite a few. After that, I began researching how the Hitler Youth was able to thrive. By that time I had established that the barrier they broke through, which was their ignorance and prejudice, so I started researching how they were able to break through that barrier. Using this knowledge, I looked for textbooks the Nazis had used for the Hitler Youth to teach them, and I also looked at education standards at the time. I looked at letters and diaries written by the Hitler Youth at the time to understand how their feelings and perspectives, and how those thoughts progressed after the war. -
Hitler's Uranium Club, the Secret Recordings at Farm Hall
HITLER’S URANIUM CLUB DER FARMHALLER NOBELPREIS-SONG (Melodie: Studio of seiner Reis) Detained since more than half a year Ein jeder weiss, das Unglueck kam Sind Hahn und wir in Farm Hall hier. Infolge splitting von Uran, Und fragt man wer is Schuld daran Und fragt man, wer ist Schuld daran, So ist die Antwort: Otto Hahn. So ist die Antwort: Otto Hahn. The real reason nebenbei Die energy macht alles waermer. Ist weil we worked on nuclei. Only die Schweden werden aermer. Und fragt man, wer ist Schuld daran, Und fragt man, wer ist Schuld daran, So ist die Antwort: Otto Hahn. So ist die Antwort: Otto Hahn. Die nuclei waren fuer den Krieg Auf akademisches Geheiss Und fuer den allgemeinen Sieg. Kriegt Deutschland einen Nobel-Preis. Und fragt man, wer ist Schuld daran, Und fragt man, wer ist Schuld daran, So ist die Antwort: Otto Hahn. So ist die Antwort: Otto Hahn. Wie ist das moeglich, fragt man sich, In Oxford Street, da lebt ein Wesen, The story seems wunderlich. Die wird das heut’ mit Thraenen lesen. Und fragt man, wer ist Schuld daran Und fragt man, wer ist Schuld daran, So ist die Antwort: Otto Hahn. So ist die Antwort: Otto Hahn. Die Feldherrn, Staatschefs, Zeitungsknaben, Es fehlte damals nur ein atom, Ihn everyday im Munde haben. Haett er gesagt: I marry you madam. Und fragt man, wer ist Schuld daran, Und fragt man, wer ist Schuld daran, So ist die Antwort: Otto Hahn. So ist die Antwort: Otto Hahn. Even the sweethearts in the world(s) Dies ist nur unsre-erste Feier, Sie nennen sich jetzt: “Atom-girls.” Ich glaub die Sache wird noch teuer, Und fragt man, wer ist Schuld daran, Und fragt man, wer ist Schuld daran, So ist die Antwort: Otto Hahn. -
Propaganda During the Second World War
W&M ScholarWorks Undergraduate Honors Theses Theses, Dissertations, & Master Projects 2013 Creating an American Identity--Propaganda During the Second World War Sarah K. Higgins College of William and Mary Follow this and additional works at: https://scholarworks.wm.edu/honorstheses Part of the History Commons Recommended Citation Higgins, Sarah K., "Creating an American Identity--Propaganda During the Second World War" (2013). Undergraduate Honors Theses. Paper 635. https://scholarworks.wm.edu/honorstheses/635 This Honors Thesis is brought to you for free and open access by the Theses, Dissertations, & Master Projects at W&M ScholarWorks. It has been accepted for inclusion in Undergraduate Honors Theses by an authorized administrator of W&M ScholarWorks. For more information, please contact [email protected]. 1 Creating an American Identity—Propaganda During the Second World War Introduction Propaganda is a familiar facet of American culture. The federal government has a history of involvement in the formulation and release of propagandistic messages through direct control of the public sector, or influence in the private sector, especially during times of conflict. During World War II the federal government used propaganda conveyed through popular cultural media to create an “us versus them” mentality by releasing information and images that both demonized the enemy and explained the righteousness of the American people and their cause. In doing so, federal officials explicitly and effectively mobilized the population to support the American war effort. Wartime propaganda in the form of radio, film, cartoons, and posters were directly influenced and at times controlled by President Franklin Delano Roosevelt’s administration and federal agencies, like the Office of War Information, created by the exigencies of the conflict.