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Dragon Magazine
DRAGON 1 Publisher: Mike Cook Editor-in-Chief: Kim Mohan Shorter and stronger Editorial staff: Marilyn Favaro Roger Raupp If this isnt one of the first places you Patrick L. Price turn to when a new issue comes out, you Mary Kirchoff may have already noticed that TSR, Inc. Roger Moore Vol. VIII, No. 2 August 1983 Business manager: Mary Parkinson has a new name shorter and more Office staff: Sharon Walton accurate, since TSR is more than a SPECIAL ATTRACTION Mary Cossman hobby-gaming company. The name Layout designer: Kristine L. Bartyzel change is the most immediately visible The DRAGON® magazine index . 45 Contributing editor: Ed Greenwood effect of several changes the company has Covering more than seven years National advertising representative: undergone lately. in the space of six pages Robert Dewey To the limit of this space, heres some 1409 Pebblecreek Glenview IL 60025 information about the changes, mostly Phone (312)998-6237 expressed in terms of how I think they OTHER FEATURES will affect the audience we reach. For a This issues contributing artists: specific answer to that, see the notice Clyde Caldwell Phil Foglio across the bottom of page 4: Ares maga- The ecology of the beholder . 6 Roger Raupp Mary Hanson- Jeff Easley Roberts zine and DRAGON® magazine are going The Nine Hells, Part II . 22 Dave Trampier Edward B. Wagner to stay out of each others turf from now From Malbolge through Nessus Larry Elmore on, giving the readers of each magazine more of what they read it for. Saved by the cavalry! . 56 DRAGON Magazine (ISSN 0279-6848) is pub- I mention that change here as an lished monthly for a subscription price of $24 per example of what has happened, some- Army in BOOT HILL® game terms year by Dragon Publishing, a division of TSR, Inc. -
Nexon Launcher Update Required
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Smash up Munchkin Rulebook Here
SMASH UP TABLE OF CONTENTS Setup 3 A fight for 2–4 players Building the Base Deck 4 This Is How You Roll 5 OBJECTIVE Get to Know Your Cards! 6 Monsters and Treasures 7 Your goal is nothing short of total global domination! Use your minions to crush enemy bases. The first The Big Score 8 player to score 15 victory points (VP) wins! Terms and Restrictions 10 Clarifications 12 GAME CONTENTS Void Where Prohibited 13 The Factions 14 This set contains: • 8 factions with 20 cards each (160 cards total) Roll Credits 15 • 20 monster cards All Your Basics 16 • 22 treasure cards • 16 base cards • 1 token sheet (used as both Victory Point tokens and +1 power counters) • This rulebook Growing On You Smash Up Munchkin is a stand‑alone game, that is also fully compatible with the original Smash Up and all its expansions! These rules sometimes talk like Look for these expansions you’ve got more than just these to Smash Up in stores now! eight factions, or mention cards that aren’t in this expansion. If you don’t already have Don’t forget the the original set, just think original Smash Up! of it as viral advertising. 2 If you have two copies of Smash Up Munchkin, SETUP different players can use the same faction, pitting Each player shuffles together two different Elves against Elves, for instance. But one player 20‑card factions to make a 40‑card deck. can’t play with two copies of the same faction. I mean, come on. -
MONSTER CARDS IV - Ster Cards Combine Full-Color Tions with Vital Information on 20 Monsters, Including 3 Totally New Cr * Handy 3" X 5" Cards
DUNGEONS & DRAGON MONSTER CARDS IV - ster Cards combine full-color tions with vital information on 20 monsters, including 3 totally new cr * handy 3" x 5" cards. Axe bea k Leucrotta Black Dragon Merman Bombardier Beetle Obliviax Mos Bugbear Rust Monster Stone Giant Succubus Su-Monster rn HOW TO USE ADBD'" MONSTER CARDS The DM can show the players a monster's picture and use the information on the back of the card to run encounters. Abbreviations used on the cards are: (MM p.#): MONSTER MANUAL info. (FF p.#): FIEND FOLIO'" info. (DMG p.#): DUNGEON MASTERS GUIDE info. FQ: Frequency of encounters (MM p.5). #E: Number of monsters encountered. AC: Armor Class equivalent or armor worn. MV: Movement rates-outdoors, 1"=10 yds/ turn indoors, 1"=10 ftlturn #" = ground speed @ #" = climbing in trees /#" = flying speed * #" = climbing in webs ../ /#" = swimming speed (#") = burrowing speed HD: Hit Dice, the number of d8 to roll + point ad- justments to find total hit points (hp) of each monster. %L: Chance of encountering monster in lair. 'IT: Treasure Type (MM p. 105). AT: Attacks allowed in 1 round. DM: Damage per attack (order listed per AT.). SA: Special Attacks, (dragon breath, etc.). SD: Special Defenses, (immunities, etc.) M R: Magic Resistance; the chance a spell will not affect a monster if cast by an 1 Ith level spell- caster; +5%/ level less than 1 1th; -5%/ level greater than 1 1th. IN: Intelligence (MM p.6). AL: Alignment (DMG p.23). sz: Size; S = small, M = man-s PS: Psionic Strength points, se PLAYERS HANDBOOK u.110. -
Quince Años De Inmovilismo = Sexism in “Digimon”
Sexismo en “Digimon”: quince años de inmovilismo Sexism in “Digimon”: Fifteen years of stagnation UniversidadPedro Vázquez-Miraz de A Coruña Recibido: 16/06/2016 Aceptado: 14/11/2016 doi: https://doi.org/10.20318/femeris.2017.3549 Resumen . Este artículo científico tiene como objetivo realizar un análisis descriptivo sobre el sexismo que mantiene una popular serie japonesa de dibujos animados, “Digimon”. Este programa fue emitido por primera vez en España en el año 2000 y en la actualidad sigue- sonalestransmitiendo que la seriela imagen otorga tradicionalista a cada uno de de sus los protagonistas roles sexuales en a todosfunción los de niños su sexo que y siguen las metas ese programa. Para poder afirmar lo dicho, se han comparado las principales características per que han logrado en las dos primeras temporadas de esta longeva serie, con el nuevo material audiovisual que se ha presentado en el año 2015; junto a un análisis denotativo de los adjetivos calificativos que los protagonistas humanos de la serie usan en cuatro capítulos escogidos al azar de la primera temporada y de los primeros cuatro capítulos de su última temporada. Las conclusiones son claras; tanto en el nuevo como en el viejo material, los protagonistas varones- y sus acompañantes representan los estereotipos sexuales masculinos típicos: fuerte liderazgo- e importancia de la valentía y fortaleza; mientras que las mujeres, representan los roles sexu ales femeninosPalabras clásicos:clave actitud sumisa respecto el líder grupal, gran capacidad de autosacrifi- cio o demostrar afecto por los demás. : sexismo, violencia, roles sociales, estereotipos de género, dibujos ani mados,Abstract televisión. -
I PERFORMING VIDEO GAMES: APPROACHING GAMES AS
i PERFORMING VIDEO GAMES: APPROACHING GAMES AS MUSICAL INSTRUMENTS A Thesis Submitted to the Faculty of Purdue University by Remzi Yagiz Mungan In Partial Fulfillment of the Requirements for the Degree of Master of Fine Arts August 2013 Purdue University West Lafayette, Indiana ii to Selin iii ACKNOWLEDGEMENTS I read that the acknowledgment page might be the most important page of a thesis and dissertation and I do agree. First, I would like to thank to my committee co‐chair, Prof. Fabian Winkler, whom welcomed me to ETB with open arms when I first asked him about the program more than three years ago. In these three years, I have learned a lot from him about art and life. Second, I want to express my gratitude to my committee co‐chair, Prof. Shannon McMullen, whom helped when I got lost and supported me when I got lost again. I will remember her care for the students when I teach. Third, I am thankful to my committee member Prof. Rick Thomas for having me along the ride to Prague, teaching many things about sound along the way and providing his insightful feedback. I was happy to be around a group of great people from many areas in Visual and Performing Arts. I specially want to thank the ETB people Jordan, Aaron, Paul, Mara, Oren, Esteban and Micah for spending time with me until night in FPRD. I also want to thank the Sound Design people Ryan, Mike and Ian for our time in the basement or dance studios of Pao Hall. -
Newsletter 04/15 DIGITAL EDITION Nr
ISSN 1610-2606 ISSN 1610-2606 newsletter 04/15 DIGITAL EDITION Nr. 349 - Juni 2015 Michael J. Fox Christopher Lloyd LASER HOTLINE - Inh. Dipl.-Ing. (FH) Wolfram Hannemann, MBKS - Talstr. 11 - 70825 K o r n t a l Fon: 0711-832188 - Fax: 0711-8380518 - E-Mail: [email protected] - Web: www.laserhotline.de Newsletter 04/15 (Nr. 349) Juni 2015 editorial Hallo Laserdisc- und DVD-Fans, liebe Filmfreunde! Der Juni ist zwar schon fast vorbei, doch wollten wir es uns nicht nehmen lassen, Ihnen noch schnell eine Juni-Ausgabe unseres Newsletters zukommen zu las- sen. Der hätte ja eigentlich schon viel früher produ- ziert werden sollen, doch hat uns der Terminkalender einen kleinen Strich durch die Rechnung gemacht: noch nie standen so viele Kino-Events im Planer wie in den vergangenen Wochen. Will heissen: unsere Videoproduktion läuft auf Hochtouren! Und das ist auch gut so, wollen wir doch schließlich unseren Youtube-Kanal mit Nachschub versorgen. Damit aber nicht genug: inzwischen klopfen verstärkt Kino- betreiber, Filmverleiher und auch DVD-Labels bei uns an, um Videos in Auftrag zu geben. Ein Wunsch, dem wir nur allzu gerne nachkommen – es geht nichts über kreatives Arbeiten! Insbesondere freuen wir uns, dass es wieder einmal eines der beliebtesten Videos in un- serem Youtube-Kanal als Bonus-Material auf eine kommende DVD-Veröffentlichung geschafft hat. Auf persönlichen Wunsch von Regisseur Marcel Wehn wird unser Premierenvideo zu seinem beeindrucken- den Dokumentarfilm EIN HELLS ANGEL UNTER BRÜ- DERN auf der DVD, die Ende Juli veröffentlicht wird, zu finden sein. Merci, Marcel! Übrigens hat genau dieses Video zwischenzeitlich mehr als 26.000 Zugriffe Oben: Hauptdarstellerin Vicky Krieps Rechts: Regisseur Ingo Haeb LASER HOTLINE Seite 2 Newsletter 04/15 (Nr. -
Deck Building
Deck building To play you will need: ● A deck ○ Consisting of 60 to 275 cards ○ no more than 4 cards with the same name ● An extra zone ○ Containing up to 15 cards ○ no more than 3 cards with the same name that are in your extra zone may be in either your deck or extra zone ○ may contain an extra deck made up of face down cards ○ if both players agree, it can contain a face up commander, a legendary creature that’s color identity contains all color identities in your deck. ○ A player can always look at all face down cards in his or her extra zone ○ any effect that calls for cards outside the game instead looks at the face down cards in your extra zone. ● Some cards are banned or limited so make sure to check the lists in Appendix A (It is the name that matters). Additional all mtg silver bordered, all celebration and all tournament prize cards are banned. But proxies are encouraged due to the cards being different sizes. mtg gold bordered cards and YGO cards that say on the card that it is banned are also not explicitly banned. ● A coin & a six sided dice ● You may also want a variety of tokens and counters The Game Field Monster Bench ● This is where any non token Creature goes ● Everything attached to a Creature is also placed in the same place with it ● You can have up to 5 cards here ● if any of your cards care you must keep track of the position you place the cards in ● Also called the battlefield, MAIN MONSTER ZONE, Bench Back Row & Pendulums ● This is where you place everything that doesn’t go anywhere else; any non Creature, non field, non resource, non token object; ○ Non creature artifacts ○ Non creature Non aura Non world enchantments ○ planeswalkers ○ TRAPS ○ CONTINUOUS SPELLS ● You can have up to 5 cards here ● You should keep track of the order if you need to ● Pendulum Monster Cards can be activated in the leftmost and rightmost zones as Spells. -
Anime/Games/J-Pop/J-Rock/Vocaloid
Anime/Games/J-Pop/J-Rock/Vocaloid Deutsch Alice Im Wunderland Opening Anne mit den roten Haaren Opening Attack On Titans So Ist Es Immer Beyblade Opening Biene Maja Opening Catpain Harlock Opening Card Captor Sakura Ending Chibi Maruko-Chan Opening Cutie Honey Opening Detektiv Conan OP 7 - Die Zeit steht still Detektiv Conan OP 8 - Ich Kann Nichts Dagegen Tun Detektiv Conan Opening 1 - 100 Jahre Geh'n Vorbei Detektiv Conan Opening 2 - Laufe Durch Die Zeit Detektiv Conan Opening 3 - Mit Aller Kraft Detektiv Conan Opening 4 - Mein Geheimnis Detektiv Conan Opening 5 - Die Liebe Kann Nicht Warten Die Tollen Fussball-Stars (Tsubasa) Opening Digimon Adventure Opening - Leb' Deinen Traum Digimon Adventure Opening - Leb' Deinen Traum (Instrumental) Digimon Adventure Wir Werden Siegen (Instrumental) Digimon Adventure 02 Opening - Ich Werde Da Sein Digimon Adventure 02 Opening - Ich Werde Da Sein (Insttrumental) Digimon Frontier Die Hyper Spirit Digitation (Instrumental) Digimon Frontier Opening - Wenn das Feuer In Dir Brennt Digimon Frontier Opening - Wenn das Feuer In Dir Brennt (Instrumental) (Lange Version) Digimon Frontier Wenn Du Willst (Instrumental) Digimon Tamers Eine Vision (Instrumental) Digimon Tamers Ending - Neuer Morgen Digimon Tamers Neuer Morgen (Instrumental) Digimon Tamers Opening - Der Grösste Träumer Digimon Tamers Opening - Der Grösste Träumer (Instrumental) Digimon Tamers Regenbogen Digimon Tamers Regenbogen (Instrumental) Digimon Tamers Sei Frei (Instrumental) Digimon Tamers Spiel Dein Spiel (Instrumental) DoReMi Ending Doremi -
Cloud Gaming
Cloud Gaming Cristobal Barreto[0000-0002-0005-4880] [email protected] Universidad Cat´olicaNuestra Se~norade la Asunci´on Facultad de Ciencias y Tecnolog´ıa Asunci´on,Paraguay Resumen La nube es un fen´omeno que permite cambiar el modelo de negocios para ofrecer software a los clientes, permitiendo pasar de un modelo en el que se utiliza una licencia para instalar una versi´on"standalone"de alg´un programa o sistema a un modelo que permite ofrecer los mismos como un servicio basado en suscripci´on,a trav´esde alg´uncliente o simplemente el navegador web. A este modelo se le conoce como SaaS (siglas en ingles de Sofware as a Service que significa Software como un Servicio), muchas empresas optan por esta forma de ofrecer software y el mundo del gaming no se queda atr´as.De esta manera surge el GaaS (Gaming as a Servi- ce o Games as a Service que significa Juegos como Servicio), t´erminoque engloba tanto suscripciones o pases para adquirir acceso a librer´ıasde jue- gos, micro-transacciones, juegos en la nube (Cloud Gaming). Este trabajo de investigaci´onse trata de un estado del arte de los juegos en la nube, pasando por los principales modelos que se utilizan para su implementa- ci´ona los problemas que normalmente se presentan al implementarlos y soluciones que se utilizan para estos problemas. Palabras Clave: Cloud Gaming. GaaS. SaaS. Juegos en la nube 1 ´Indice 1. Introducci´on 4 2. Arquitectura 4 2.1. Juegos online . 5 2.2. RR-GaaS . 6 2.2.1. -
Dragon Magazine #216
Issue #216 Vol. XIX, No. 11 SPECIAL ATTRACTIONS April 1995 Bazaar of the Bizarre Steven Miller Publisher 10 We liked this article so much, we made TSRs Games TSR, Inc. Dept., hire Steven. Associate Publisher Brian Thomsen Fuzzy Reviews Spike Y. Jones 16 Read these (serious) reviews of plush-animal Editor-in-Chief miniatures rules. (No, we really are serious. Could we Kim Mohan make up something this goofy?) Associate editor Dale A. Donovan April Fools Faxions Tim Beach 22 Add these faxions to your PLANESCAPE campaign. Fiction editor Barbara G. Young We mean it, go ahead, please . Bards on the Run Editorial assistants Wolfgang H. Baur 30 We just cant seem to stop printing these silly songs. Michelle Vuckovich We know its sick and wrong, but were hooked. Its Art director an illness, really. Larry W. Smith Production FICTION Renee Ciske Tracey Isler Dead Mans Curse Roy V. Young 82 Read this excerpt from a book you cant buy until August. Subscriptions Janet L. Winters (Whose idea was this?) U.S. advertising Cindy Rick REVIEWS U.K. correspondent Eye of the Monitor David Zeb Cook and U.K. advertising 63 Carolyn Wildman Turn on your monitor, rev up your hard drive, and open fire on the bad guys in Doom II. DRAGON® Magazine (ISSN 0279-6848) is published Magazine Marketing, Tavistock Road, West Drayton, monthly by TSR, Inc., 201 Sheridan Springs Road, Middlesex UB7 7QE, United Kingdom; telephone: Lake Geneva WI 53147, United States of America. The 0895-444055. postal address for all materials from the United States Subscriptions: Subscription rates via second-class of America and Canada except subscription orders is: mail are as follows: $30 in U.S. -
Dungeon Defenders Game
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