SPAFA Journal 1992, Vol 2, No 3
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Who Invented the Bronze Drum? Nationalism, Politics, and a Sino- Vietnamese Archaeological Debate of the 1970S and 1980S
Who Invented the Bronze Drum? Nationalism, Politics, and a Sino- Vietnamese Archaeological Debate of the 1970s and 1980s XIAORONG HAN EVER SINCE THE BIRTH OF MODERN ARCHAEOLOGY in the nineteenth cen tury, nationalism and politics have been important factors in its development, and as such, archaeologists in various parts of the world have been actively in volved in the construction of ethnic and/or national origins and identities, the corroboration of national myths, the disputes over territories and cultural inven tions, and so on (Diaz-Andreu and Champion 1996; Hudson 1999; Kohl and Fawcett 1995; Meskell 1998; Pai 2000; Silberman 1989; Trigger 1984). Although it is difficult to find a single country in which archaeology is completely free from the influence of nationalism and politics, it is understandable to find that archae ologists operating in authoritarian systems generally have a stronger tendency to develop a close relationship with the nation-state and involve themselves in poli tics because of a lack of academic freedom and independent sources of financial support. Nazi Germany, early twentieth-century Japan, and pre-World War II Soviet Union are extreme examples of the politicization of archaeology (Arnold and Hassman 1995; Hudson 1999: 35, 44; Shnirelman 1996; Trigger 1989: 178 179; Wiwjorra 1996). In post-war Asia, archaeologists in China and Viet Nam were actively engaged in the development of a new wave of nationalist archaeol ogy under the encouragement and sponsorship of the state (Glover 1999; Tong 1995). ' This paper intends to study the nationalist archaeology of China and Viet Nam in the 1970s and 1980s. -
Ethnic Groups of Viet – Muong Languages and Dong Son Culture
Vietnam Social Sciences, No. 4(168) - 2015 Ethnic Groups of Viet – Muong Languages and Dong Son Culture Bui Xuan Dinh * Abstract: The archaeological data have convincingly proved that the Dong Son (Đông Sơn) culture resulted from the indigenous development of the previous pre-Đông Sơn cultural systems in the basins of the Hồng, Mã and Cả rivers, closely associating people and ancient Vietnamese culture. The ethnological and linguistic data demonstrate the close relationship of language and culture between the Việt and Mường peoples, and other ethnic groups of Viet – Muong (Việt – Mường) language. There are a lot of convincing data to confirm that the Việt and Mường peoples once shared an origin and they themselves were the owners of the pre-Đông Sơn and Đông Sơn cultures, closely connected with the ancient Vietnamese civilization. Key words: Ethnic, Việt – Mường languages, Đông Sơn culture. 1. Nativeness and continuity of the - The owners of Phùng Nguyên Culture cultures during the period from Phùng were direct ancestors of Mường people in Nguyên to Đông Sơn culture Vietnam. They inherently were Mon, Man It has been 90 years, since Đông Sơn and Mân Việt people, whose ancient ancestors culture was discovered. Many aspects of were the very ancient Đản people – one of this culture have been decoded, providing the Mongoloid groups that spoke South important materials to elucidate significant Asian languages; they were the very owner issues in the history of Vietnam at the time of the Neolithic culture in Tanshishan, Fujian of national foundation. There are, however, due northeast of Guangdong (China). They still controversies surrounding some issues, came to Vietnam and Thailand by the sea. -
Ancient Jades Map 3,000 Years of Prehistoric Exchange in Southeast Asia
Ancient jades map 3,000 years of prehistoric exchange in Southeast Asia Hsiao-Chun Hunga,b, Yoshiyuki Iizukac, Peter Bellwoodd, Kim Dung Nguyene,Be´ re´ nice Bellinaf, Praon Silapanthg, Eusebio Dizonh, Rey Santiagoh, Ipoi Datani, and Jonathan H. Mantonj Departments of aArchaeology and Natural History and jInformation Engineering, Australian National University, Canberra ACT 0200, Australia; cInstitute of Earth Sciences, Academia Sinica, P.O. Box 1-55, Nankang, Taipei 11529, Taiwan; dSchool of Archaeology and Anthropology, Australian National University, Canberra ACT 0200, Australia; eDepartment of Ancient Technology Research, Vietnam Institute of Archaeology, Hanoi, Vietnam; fCentre National de la Recherche Scientifique, Unite´Mixte de Recherche 7528, 27 Rue Paul Bert, 94204 Ivry-sur-Seine, France; gDepartment of Archaeology, Silpakorn University, Bangkok 10200, Thailand; hArchaeology Division, National Museum of the Philippines, Manila, Philippines; and iSarawak Museum, Kuching, Malaysia Edited by Robert D. Drennan, University of Pittsburgh, Pittsburgh, PA, and approved October 5, 2007 (received for review August 3, 2007) We have used electron probe microanalysis to examine Southeast Japanese archaeologist Kano Tadao (7) recognized four types of Asian nephrite (jade) artifacts, many archeologically excavated, jade earrings with circumferential projections that he believed dating from 3000 B.C. through the first millennium A.D. The originated in northern Vietnam, spreading from there to the research has revealed the existence of one of the most extensive Philippines and Taiwan. Beyer (8), Fox (3), and Francis (9) also sea-based trade networks of a single geological material in the suggested that the jade artifacts found in the Philippines were of prehistoric world. Green nephrite from a source in eastern Taiwan mainland Asian origin, possibly from Vietnam. -
Mid-Holocene Hunter-Gatherers ‘Gaomiao’ in Hunan, China: the First of the Two-Layer Model in the Population History of East/Southeast Asia
4 Mid-Holocene Hunter-Gatherers ‘Gaomiao’ in Hunan, China: The First of the Two-layer Model in the Population History of East/Southeast Asia Hirofumi Matsumura, Hsiao-chun Hung, Nguyen Lan Cuong, Ya-feng Zhao, Gang He and Zhang Chi Gaomiao, the eponymous archaeological site of the Gaomiao Culture (ca. 7500–5500 BP) has produced evidence of a unique hunter-gatherer society in Hunan Province, China, that produced fine decorated pottery. The human remains unearthed from this site provided an excellent opportunity to assess phenotypic and biological relationships between the Gaomiao and prehistoric and modern human populations that have inhabited East/Southeast Asia over the past ca. 10,000 years through cranial morphometrics. The assessment of morphometric affinity presented here addresses the peopling of East Asia, particularly in the context of the ‘two-layer’ hypothesis describing the population history of this region. The results suggest that the Gaomiao skeletons inherited genetic signatures from early colonising populations of Late Pleistocene southern Eurasian origin to a certain extent, and might share a common ancestry with present-day Australian Aboriginal and Melanesian people. Introduction The study of the population history of East Asia remains complex due to various migration processes and intermixing of populations throughout prehistory, poor archaeological sample sizes and limited radiometric dating. In general terms, East Asia is thought to have been originally inhabited by (to use the classic term) ‘Mongoloid’ peoples from the Late Pleistocene onwards. In the Late Pleistocene and early Holocene of Southeast Asia, several sets of human remains exhibit Australo-Melanesian characteristics, and it has been argued that an indigenous population possessing this morphological form occupied Southeast Asia. -
Austronesian Vernacular Architecture and the Ise Shrine of Japan: Is There Any Connection?
Austronesian vernacular architecture and the Ise Shrine of Japan: Is there any connection? Ezrin Arbi Department of Architecture Faculty of Built Environment Universityof Malaya Abst ract In spite of so many varieties of form and detail of construction found in Southeast Asian vernacular buildings, there are some recurring features and shared characteristics that bind them together. The vast territories in which this phenomenon exists, known as the "Austronesian world", does no t include Japan. However, there is an intriguing resemblance between the architectural style of Japanese vernacular heritage of the earlier period with that of Austronesia. This paper is an attempt to explain the relation between the two using the findings of studies by archaeological, linguistic, sociological and anthropological experts based on the link between culture, langu age and ve rnacular architect ure. Introduction the form of (i) ideas, (ii) activities and (iii) In order to see the link between artifacts. The first is abstract in nature; it language and architecture this pap er is not visible and exists only in the mind will necessarily be preceded with a brief of those who subscribe to it. The second discussion on the concept of culture. form is men's complex activities in their One of the earlier meanings was given interaction with each other; they are by Tylor (1871) (in Firth ed.1960:2), who concrete and observable. The third form of defined culture as "tha t complex whole culture, which is the most concrete, is the which includes knowled ge, beliefs, ar t, result of human activit ies in their social morals, laws, customs and all other intercourse that requires the creation capabilities and habits acquired by man and making of new tools, instruments, as a member of a society". -
Tiếp Xúc Và Giao Thoa Của Văn Hóa Sa Huỳnh Qua Những Phát Hiện Nghiên
TIEÁP XUÙC VAØ GIAO THOA CUÛA VAÊN HOÙA SA HUYØNH QUA NHÖÕNG PHAÙT HIEÄN VAØ NGHIEÂN CÖÙU MÔÙI Lâm Thị Mỹ Dung* Bức khảm Sa Huỳnh - Văn hóa Sa Huỳnh không chỉ là văn hóa mộ chum hay truyền thống mộ chum(1). Cho tới nay đã có nhiều diễn giải về văn hóa Sa Huỳnh cả về không gian phân bố, giai đoạn, tính chất và loại hình của văn hóa Sa Huỳnh, tuy nhiên, trên một bức tranh có thể gọi là ghép mảnh này, những mảng màu cho thấy càng lúc càng rõ tính không đồng nhất cả về sắc cả về hình. Có thể nói bức khảm văn hóa Sa Huỳnh càng ngày càng buộc chúng ta phải Bãi Cọi - Tiếp xúc Đông Sơn Sa Huỳnh Sa Huỳnh Bắc Địa điểm Sa Huỳnh Hòa Diêm và những địa điểm VHSH khác Với chứng cứ liên quan đến truyền thống Kalanay Sa Huỳnh Nam Phú Trường Giồng lớn và Giồng Cá Vồ... Các đảo Phú Quý, Côn Đảo, Phú Quốc Linh Sơn Nam, Óc Eo Ba Thê Bức khảm văn hóa Sa Huỳnh * GS.TS. Trường Đại học Khoa học Xã hội và Nhân văn (Đại học Quốc gia Hà Nội) 22 Thông báo khoa học 2019 ** nhận diện nó một cách chi tiết hơn và đầy đủ hơn để tìm được khối mảng nào là khối mảng chủ đạo, màu sắc nào là màu sắc chính và mức độ đậm nhạt, quy mô của những khối mảng này. Mặc dù vẫn còn những ý kiến chưa hoàn toàn đồng thuận về không gian phân bố của nền văn hóa này, nhưng tiếp cận một không gian văn hóa khảo cổ có phần trung tâm, ngoại vi/ngoại biên, tiếp xúc và lan tỏa và dựa trên những phát hiện gần đây cũng như nhận định của nhiều nhà nghiên cứu, chúng tôi cho rằng những địa điểm văn hóa Sa Huỳnh về cơ bản phân bố trên địa bàn các tỉnh miền Trung Việt Nam từ Hà Tĩnh đến Bình Thuận (bao gồm cả các đảo ven bờ và gần bờ). -
Sa Huy Ure: Recent Di Es
Sa Huy ure: Recent Di es NGO SY HONG to the Metal Age in were discovered 75 ago. discoveries are now Sa Huynh culture. mation culture is limited to jar of habitation are virtually unknown. Concerning its origin, many scholars suggest that its bearers came from Island Southeast Asia. It was originally classified as Neolithic, but later revised as Iron Age. Since 1975, 38 Sa Huynh culture sites have been identified, in addition to the 12 previ ously known. Some major sites have since been excavated on a large scale. From new data, we are able to discern an earlier stage of the Sa Huynh culture which belongs to the Bronze Age. Typical of this early stage is the site of Long Thanh in Nghia Binh Prov- ince, central Viet Nam, which has two radiocarbon both on charcoal, of 3370 ± 40 b.p. 2875 ± 60 b.p. (at 0.6 2(94). At habitation layer is 2 yielded stone pestles, stones, earthenware and thousands of artifacts are similar to sites such as Bau Tro. that from contemporaneous such as Phung Nguyen Hoa Lac. distinguishable from cultures in terms of its flower- vase, ring-footed and long-necked vessel shapes. The burial jars of this stage are egg shaped, whereas those of the later period are cylindrical. Decorative techniques at Long Thanh include incision, shell-edge impression, and painting. Motifs are mostly curvili near scrolls. This early stage finishes with the Binh Chau site in Nghia Binh Province, which has produced an elaborate bronze industry which includes axes, knives, molds, and crucibles. -
1 LỜI NÓI ĐẦU Kính Thưa Quý Thầy, Cô, Các Bạn Sinh Viên Thân Mến
LỜI NÓI ĐẦU Kính thưa quý Thầy, Cô, Các bạn sinh viên thân mến, Với tinh thần “học tốt để có một nghề nghiệp vững chắc, một tương lai tươi sáng cùng khát vọng vươn xa”, chúng em – sinh viên các dòng lớp HD03 – 10, QTLH 03 – 10 khoa Lữ hành – cùng bắt tay thực hiện quyển sổ tay từ ngữ Việt – Anh – chuyên ngành lữ hành. Quyển sổ tay bao gồm 878 từ liên quan đến các tuyến du lịch đi và về trong ngày: 438 từ - Tuyến nội thành Thành phố Hồ Chí Minh. 180 từ - Tuyến Củ Chi. 260 từ - Tuyến TPHCM – Tiền Giang – Bến Tre. Hơn 6 tháng cùng thu thập tài liệu và biên soạn quyển sổ tay, chúng em đã học được nhiều điều bổ ích. Trong thời gian thực hiện quyển sổ tay, chúng em đã nhận được sự quan tâm và chỉ đạo của Ban Giám hiệu đồng thời là Ban cố vấn. Những bản thảo của chúng em được cô Dương Thị Kim Phụng và cô Đoàn Thị Kiều Nga cẩn thận chỉnh sửa nhiều lần. Thầy Nguyễn Hữu Công đã rất nhiệt tình hỗ trợ chúng em về mặt kỹ thuật. Chúng em trân trọng kính gởi đến quý Thầy, Cô lời chân thành cảm ơn vì tất cả những gì Thầy Cô đã luôn dành cho chúng em và các bạn sinh viên trong trường. Chúng em xin được xem việc biên soạn quyển sổ tay như một trong những hoạt động của sinh viên khoa Lữ hành trong chuổi các hoạt động kỷ niệm 25 năm thành lập trường Cao đẳng Nghề Du lịch Sài Gòn (1991 – 2016). -
Champa Citadels: an Archaeological and Historical Study
asian review of world histories 5 (2017) 70–105 Champa Citadels: An Archaeological and Historical Study Đỗ Trường Giang National University of Singapore, Singapore and Institute of Imperial Citadel Studies (IICS) [email protected] Suzuki Tomomi Archaeological Institute of Kashihara, Nara, Japan [email protected] Nguyễn Văn Quảng Hue University of Sciences, Vietnam [email protected] Yamagata Mariko Okayama University of Science, Japan [email protected] Abstract From 2009 to 2012, a joint research team of Japanese and Vietnamese archaeologists led by the late Prof. Nishimura Masanari conducted surveys and excavations at fifteen sites around the Hoa Chau Citadel in Thua Thien Hue Province, built by the Champa people in the ninth century and used by the Viet people until the fifteenth century. This article introduces some findings from recent archaeological excavations undertaken at three Champa citadels: the Hoa Chau Citadel, the Tra Kieu Citadel in Quang Nam Province, and the Cha Ban Citadel in Binh Dinh Province. Combined with historical material and field surveys, the paper describes the scope and structure of the ancient citadels of Champa, and it explores the position, role, and function of these citadels in the context of their own nagaras (small kingdoms) and of mandala Champa as a whole. Through comparative analysis, an attempt is made to identify features characteristic of ancient Champa citadels in general. © koninklijke brill nv, leiden, 2�17 | doi 10.1163/22879811-12340006Downloaded from Brill.com10/09/2021 06:28:08AM via free access Champa Citadels 71 Keywords Cha Ban – Champa – citadel – Hoa Chau – Thanh Cha – Thanh Ho – Thanh Loi – Tra Kieu Tra Kieu Citadel in Quang Nam Among the ancient citadels of Champa located in central Vietnam, the Tra Kieu site in Quang Nam has generally been identified as the early capital, and thus has attracted the interest of many scholars. -
On the Extent of the Sa-Huynh Culture in Continental Southeast Asia
On the Extent of the Sa-huynh Culture in Continental Southeast Asia Received 15 March 1979 HENRI FONTAINE HE SA-HUYNH CULTURE, which first came to view in a seaside locality in central T Vietnam, appeared very early on as the culture of a population of skillful sailors. And this view has been confirmed by digs carried out in the Philippines and in eastern Indonesia, where traces of a similar culture were found. The aim of this note is not to insist on the nautical mobility of this population, one capable of crossing the China Sea, but rather to investigate the extension of the Sa-huynh Culture on the continent of Asia, particularly in the interior regions. Few sites have been excavated in a detailed fashion; they are all in Vietnam. Outside of those sites where precise research has taken place, some characteristic objects have acci dentally been found in various places: very typical earrings with two animal heads, bul bous, three-pointed earrings, agate or carnelian beads, certain of which are pentagonal in form; their geographic distribution extends as far as Thailand. The material accompany ing them has not always been noted. In spite of this, all these objects should draw our at tention, especially where they are not in isolation but together in a single site; they can serve to guide us in future investigations. The beads are somewhat less useful as indica tors ofSa-huynh Culture than the earrings. A map (Fig. 1) of the geographic distribution of these objects accompanies this text and it merits a few comments. -
Completion Report
COMPLETION REPORT Geographically, both Vietnam and Japan are located close to China, which accounts for the influences exerted by the latter on the former at the different periods. Therefore, there should be research into the inevitable similarities shared by Vietnam and Japan in this process. At the same time, either of the two nations has had its own path for the development of their indigenous cultures, despite the same impact from China. In addition, naturally, both Vietnam and Japan have exerted their influence, to some extent, on China culture. 1. Influence of Chinese culture on the Dong Son culture. DongSon culture (7 th century BC- 1 th-2nd centuries AD) spread mostly in North Vietnam. Chinese artifacts found in Dong Son sites demonstrated this problem: 1-1. Bronze “qo” (a kind of weapon): A lot of bronze “qo” were discovered in Dong Son culture’s sites: Dong Son, Dong Den, Doi Da, Nui Voi… Recently, in famous Go De site (Lam Thao district, Phu Tho province) in 2003 we excavated one bronze “qo” that is decorated as many bronze “qo” in Shizhaishan site in Yunnan, south China (Qo was discovered in grave H6M1 in Go De site). 1-2. Bronze mirrors those were found in Dong Son culture were predominant among the bronze objects imported from China. There were Chinese mirrors in later Dong Son culture sites when Han dynasty invaded North Vietnam in 111 B.C. 1-3. Bronze ploughshares were found in both Dong Son and Dien cultures. Co Loa site, Dong Anh district, Ha Noi was discovered in 1982. -
Champa Settlements of the First Millennium New Archaeological Research
Champa Settlements of the First Millennium New Archaeological Research Lâm Thị mỹ Dung, Department of Archaeology, University of Social Sciences and Humanities, Vietnam National University, Hanoi, Vietnam* Archaeological excavations yielded the data presented in this chapter, which focuses on the Champa territories in Quảng Nam, Quảng Ngãi, Bình Định and Phú Yên. Data from the first millenium CE — including stratigraphic analysis at several sites and comparative analysis of pottery remains — are used to support an argument about early state formation. This confirms the identification of political centres located in territories based on the main rivers: Thu Bồn, Trà Khúc, Côn and Đà Rằng. Introduction The following paragraph on the history of Champa once caught my eye (Ricklefs 2010: 27): The Cham were once the southern neighbor of today’s Vietnamese. Their territory stretched from the northern-central coast down to the edge of the Mekong delta. Although they are Austronesian speakers and originally migrated from what is now Indonesia, their presence on the mainland dates from before the Common Era. A pre-Indianized civilization known as the Sa Huynh culture, characterized by the burial of the dead in earthen jars, is linked to the coastal region of Vietnam and is believed by many scholars to represent the precursor to the later Cham kingdoms. This outline picture of Champa’s history needs to be filled in, with the colours and layers of the different pieces of the mosaic. Since the 1990s, many surveys and excavations have been carried out on settlements, citadels and landing places of Champa’s early and developed periods.