1 Director Deputy FIA Cyber Crime Lahore Dated: 20.07.2019 Subject

Total Page:16

File Type:pdf, Size:1020Kb

1 Director Deputy FIA Cyber Crime Lahore Dated: 20.07.2019 Subject Director Deputy FIA Cyber Crime Lahore Dated: 20.07.2019 Subject: COMPLAINT & SUBMISSION OF PROOF ON BEHALF OF MR. ALI ZAFAR EVIDENCING THE PERSONAL VENDETTA OF CERTAIN INDIVIDUALS TO MALIGN HIM ON SOCIAL/PRINT MEDIA IN APPARENT VIOLATION OF THE PREVENTION OF ELECTRONIC CRIMES ACT, 2016 (“ the 2016 Act”) It is respectfully submitted that: 1. The Complainant, Mr. Ali Zafar, is a renowned celebrity and an internationally acclaimed artist and as part of the performing industry he is heavily reliant on his professional and personal reputation. He is recipient of numerous national and international awards and is a respectable, law abiding and responsible member of the society. He has a huge fan following out of which many consider him as their idol. The fame that he has received in Pakistan and worldwide is the result of years of hard work. The Complainant strictly believes in the highest of professional standards. 2. It is pertinent to note that the Complainant, despite having been in the entertainment industry for over 20 years, has never been faced with an organized attempt to tear down his public image by spreading untrue and false information about his character or demeanor towards women. 3. Only recently, he has been made a target of a severely misleading social media campaign which attempts to accuse and portray Complainant as a sexual predator, and has disseminated to the public-at-large phony stories of Complainant’s conduct. The said campaign has now continued for over a year now which has multiplied in magnitude and caused Complainant and his family irreparable emotional, psychological and financial harm. 4. If the record as reproduced herein is perused, it becomes apparent that the social media accounts are part of a systemized and collective effort to defame and damage Complainant’s reputation and livelihood by continually posting derogatory, insulting, inciting and insinuating remarks against the Complainant and his character on various social media forums such as Twitter, Instagram and Facebook. The language used in such posts/comments 1 is extremely vulgar evidencing the ulterior motives of certain individuals to malign Complainant to the extent of public shame. 5. To the best of Complainant’s knowledge, this campaign had taken root from a comment posted on Complainant’s Manager, Taha Sadaqat’s social media account on Instagram on 02.02.2018. A user by the name of ‘sana_samir_91’ made the following threatening comment: "And I must say you are going to have a lot of work on your hands when we all take your pervert client to the cleaners close to his movie release. Enjoy"1. The aforesaid comment visibly demonstrates that perpetrators of this social media campaign had at a very strategic time – release of Complainant’s anticipated film – decided to smear his reputation. This was followed by appearances of other such fake accounts, such as nehasaigol1, that carried on a planned narrative of threatening and labeling Complainant as a harasser and pervert. 6. On 19.04.2018 Ms. Meesha Shafi, to further the cause of the baseless campaign, made patently false and bald allegations on Twitter against the Complainant alleging sexual harassment. Her first tweet did not contain any details of the incident but on 21.04.2018 in an interview published in the ‘InStep Today’ (The News) Ms. Meesha Shafi claimed to have been sexually harassed by the Complainant twice. Again, no further details were given of the alleged first incident but in respect of the alleged second incident it was claimed to have taken place during a jamming session at Lahore. However, on 23.06.2018 the Complainant categorically denied said allegations as being patently false and announced to pursue his legal remedies against Ms. Meesha Shafi for defamation. On 23.06.2018, the Complainant instituted a suit against Ms. Shafi before the learned District Judge, Lahore wherein vide Order dated 23.06.2018 the learned Court restrained Ms. Shafi from making any derogatory remarks against the Complainant. The case is pending adjudication. 1 2 7. In response to the defamation suit, Ms. Shafi discreetly preferred a complaint against the Complainant before the Federal Ombudsman for Protection against Harassment of Women at Workplace which was subsequently dismissed. 8. Notwithstanding the dismissal of Ms. Shafi’s complaint by the Federal Ombudsman, her sympathizers and accomplices continued to make derogatory remarks against the Complainant, his family and colleagues in an extensive social media campaign, in direct contradiction to the injunctive order dated 23.06.2018 and provisions of the 2016 Act. It is rather critical to note that the narrative used to defame him was repeatedly endorsed and propagated with the help of a number of fake accounts and few bloggers. The said accounts have collectively managed to post thousands of tweets against the Complainant while tagging important people and publications. Moreover, many tweets posted by such accounts were then quoted in prominent and credible national and international publications. It is also noteworthy that few prominent journalists have also been a part this false narrative sketched out against the Complainant. 9. Given that social media has been abused from the very outset to spread false information about the Complainant causing intimidation, loss of reputation, and invasion of privacy, the same amounts to a clear violation of Section 20 and Section 25 of the 2016 Act. In view of above it is imperative that FIA not only investigates violations of the 2016 Act, but also seeks to protect the victim i.e. the Complainant of this smear campaign from being harassed online by taking down such abusive and defamatory social media posts, comments, pages and accounts. An account of the false propaganda against Complainant on social media is appended herewith for your kind perusal. 10. It is hereby conferred that Ms. Shafi’s Lawyer Ms. Nighat Dad is a common connection with other women and a fake account “Neha Saigol1” that made false allegations against Mr. Zafar and were a part of the smear campaign against him. Most of these women or people involved in smear campaign are associated directly or indirectly with Ms. Nighat Dad or her NGO, the Digital Rights Foundation that claims to work for on line digital rights, however is working in conflict with its own mandate. 11. In light of the above, serious action should be taken against the following accounts: i. Meesha Shafi (Artist) https://twitter.com/itsmeeshashafi ii. Nighat Dad (Meesha's Lawyer) https://twitter.com/nighatdad iii. Leena Ghani (Make Up Artist & Painter) https://twitter.com/Leena_Ghani iv. Hamna Zubair (Journalist -Dawn News) 3 https://twitter.com/hamnazubair v. Manal Faheem (Journalist - Cutacut.com) https://twitter.com/ManalFaheemKhan vi. Sephora https://twitter.com/seraphina444 vii. Iffat Omar (Artist) https://web.facebook.com/iffat.umar.1 viii. Ali Gul Pir (Artist) https://twitter.com/Aligulpir ix. Maham Javed (Journalist- NayaDur) https://twitter.com/JMaham x. Jami Azad (Director) https://twitter.com/jamiazaad xi. Hamna Raza (Blogger) https://twitter.com/HumnaRaza xii. PaxFemina (Blogger) https://twitter.com/PaxFemina xiii. Fariha Awan (Blogger) https://twitter.com/Fay_Alif xiv. Haseem Uz Zaman (Blogger) https://twitter.com/haseemuzzaman xv. Faizan (Blogger) https://twitter.com/merabichrayaar xvi. Mohsin Sayeed (Journalist) https://web.facebook.com/mohsin.sayeed.9 12. FIA is also requested to take prompt and serious action against the following fake accounts: xvii. Neha Saigol https://twitter.com/nehasaigol1 xviii. Mehar Hareem (Admin of “Support Meesha Group” on Facebook) 4 https://twitter.com/MeharHareem https://www.facebook.com/hareem.mehar.7370 https://www.instagram.com/hareemmehar017/ https://www.facebook.com/groups/supportmeeshashafi/ xix. PkPopCulture https://twitter.com/pkpopculture xx. Sana_Samir_91 https://www.instagram.com/sana_samir_91/ xxi. Sallzjay22 https://www.instagram.com/sallzjay22 xxii. SaadiaFarooq (Admin of “Support Meesha Group”) xxiii. ZainabJamil (Admin of “Support Meesha Group”) xxiv. Sania Sheikh https://twitter.com/saniash34490923 xxv. RidaHaroon https://twitter.com/ridaharoon3 xxvi. Alia Sharif (Admin of “Support Meesha Group”) https://twitter.com/AliaSharif13 https://www.facebook.com/AliaSharifOfficial212 xxvii. Deenz82 https://www.instagram.com/deeenz82 xxviii. Raisa Chaudhry https://web.facebook.com/100005002113577 It is therefore requested that FIA takes decisive action to prevent dissemination of such false information on social media which has affected Complainant’s reputation and emotional well- being. Looking forward to a positive outcome in this regard. 5 COMPLAINANT Through: Muhammad Ali Raza Advocate Supreme Court 6 [PART-I] INDIVIDUALS WHO HAVE COLLUDED TO FALSELY ACCUSE MR.ALI ZAFAR AND THEIR CONNECTION MEESHA SHAFI – ARTIST 7 Meesha Shafi, who has been friends with Ali Zafar and his wife Ayesha Fazli since many years, accused Ali Zafar of sexual harassment on Twitter at 3:45 pm claiming that he had harassed her several times over the years. This statement is directly in contradiction to Meesha Shafi’s social media accounts - Twitter, Facebook and Instagram – wherein she has posted pictures with Ali Zafar on numerous occasions. Some of these pictures are attached below. 8 This picture was posted by Meesha Shafi on her Twitter account after her latest performance with Ali Zafar. However, the same was discretely deleted a few days before she made the accusation. 9 This picture was posted by Meesha Shafi during Lux Style Awards 2016 where she captions the picture with “These smiles are real” standing alongside Ali Zafar. 10 This picture was posted by Meesha Shafi on her personal Facebook profile taken at Ayesha Fazli’s birthday party. It is pertinent to note that in her reply to Ali Zafar's defamation suit against her, she quotes that one of the incidents where she was harassed was at Ali Zafar’s wife Ayesha Fazli’s birthday party. 11 Thereafter, she posts another picture from the same birthday party on her Instagram giving photo credit to her “alleged” harasser Ali Zafar.
Recommended publications
  • Pakistan's Institutions
    Pakistan’s Institutions: Pakistan’s Pakistan’s Institutions: We Know They Matter, But How Can They We Know They Matter, But How Can They Work Better? Work They But How Can Matter, They Know We Work Better? Edited by Michael Kugelman and Ishrat Husain Pakistan’s Institutions: We Know They Matter, But How Can They Work Better? Edited by Michael Kugelman Ishrat Husain Pakistan’s Institutions: We Know They Matter, But How Can They Work Better? Essays by Madiha Afzal Ishrat Husain Waris Husain Adnan Q. Khan, Asim I. Khwaja, and Tiffany M. Simon Michael Kugelman Mehmood Mandviwalla Ahmed Bilal Mehboob Umar Saif Edited by Michael Kugelman Ishrat Husain ©2018 The Wilson Center www.wilsoncenter.org This publication marks a collaborative effort between the Woodrow Wilson International Center for Scholars’ Asia Program and the Fellowship Fund for Pakistan. www.wilsoncenter.org/program/asia-program fffp.org.pk Asia Program Woodrow Wilson International Center for Scholars One Woodrow Wilson Plaza 1300 Pennsylvania Avenue NW Washington, DC 20004-3027 Cover: Parliament House Islamic Republic of Pakistan, © danishkhan, iStock THE WILSON CENTER, chartered by Congress as the official memorial to President Woodrow Wilson, is the nation’s key nonpartisan policy forum for tackling global issues through independent research and open dialogue to inform actionable ideas for Congress, the Administration, and the broader policy community. Conclusions or opinions expressed in Center publications and programs are those of the authors and speakers and do not necessarily reflect the views of the Center staff, fellows, trustees, advisory groups, or any individuals or organizations that provide financial support to the Center.
    [Show full text]
  • Trends of Pakistani Films: an Analytical Study of Restoration of Cinema
    Trends of Pakistani films: An analytical study of restoration of cinema Fouzia Naz* Sadia Mehmood** ABSTRACT People prefer to go to the cinema as compared to theaters because of its way of execution and performance. Background music, sound effects, lights, direction attract people, and its demonstrations relate people to their lives. It is true that films have a unique and powerful connection between human behavior and societal culture. Pakistani film industry faced the downfall and now it is doing its best to make the films on international standards. In this research article, the background of Pakistani cinema and causes of downfall will be discussed. The main idea of this research article is to identify and study the development of Pakistani film industry. Qualitative and quantitative data collection will be used as the research method of this research. This research article helps in observing different mass media theory based on Pakistani cinema. Moreover, it will be explained what filmmakers critiques and people say regarding revival or restoration. Keywords: downfall, revival, the impact of the Pakistani film industry, Lollywood *Assistant professor, Mass Communication, University of Karachi) **Assistant professor, Mass Communication, University of Karachi) 33 Jhss, Vol. 8, No. 2 , July to December, 2017 The definition of cinema can be explained as “another word of moving a picture”1This is the place where films are shown to the public. Most of the people who are not into the arts get confused in cinema and theater. The theater is the building where live performance is performed2. The similarity between cinema and theaters are both of them execute act and created for public entertainment.
    [Show full text]
  • Announced on Monday, July 19, 2021
    FINAL RESULT - FALL 2021 ROUND 2 Announced on Monday, July 19, 2021 INSTITUTE OF BUSINESS ADMINISTRATION, KARACHI BBA, BS (ACCOUNTING & FINANCE), BS (ECONOMICS) & BS (SOCIAL SCIENCES) ADMISSIONS FINAL RESULT ‐ TEST HELD ON SUNDAY, JULY 4, 2021 (FALL 2021, ROUND 2) LIST OF SUCCESSFUL CANDIDATES FOR DIRECT ADMISSION (BBA PROGRAM) SAT Test Math Eng TOTAL Maximum Marks 800 800 1600 Cut-Off Marks 600 600 1420 Math Eng Total IBA Test MCQ MCQ MCQ Maximum Marks 180 180 360 Cut-Off Marks 88 88 224 Seat S. No. App No. Name Father's Name No. 1 7904 30 LAIBA RAZI RAZI AHMED JALALI 112 116 228 2 7957 2959 HASSAAN RAZA CHINOY MUHAMMAD RAZA CHINOY 112 132 244 3 7962 3549 MUHAMMAD SHAYAN ARIF ARIF HUSSAIN 152 120 272 4 7979 455 FATIMA RIZWAN RIZWAN SATTAR 160 92 252 5 8000 1464 MOOSA SHERGILL FARZAND SHERGILL 124 124 248 6 8937 1195 ANAUSHEY BATOOL ATTA HUSSAIN SHAH 92 156 248 7 8938 1200 BIZZAL FARHAN ALI MEMON FARHAN MEMON 112 112 224 8 8978 2248 AFRA ABRO NAVEED ABRO 96 136 232 9 8982 2306 MUHAMMAD TALHA MEMON SHAHID PARVEZ MEMON 136 136 272 10 9003 3266 NIRDOSH KUMAR NARAIN NA 120 108 228 11 9017 3635 ALI SHAZ KARMANI IMTIAZ ALI KARMANI 136 100 236 12 9031 1945 SAIFULLAH SOOMRO MUHAMMAD IBRAHIM SOOMRO 132 96 228 13 9469 1187 MUHAMMAD ADIL RAFIQ AHMAD KHAN 112 112 224 14 9579 2321 MOHAMMAD ABDULLAH KUNDI MOHAMMAD ASGHAR KHAN KUNDI 100 124 224 15 9582 2346 ADINA ASIF MALIK MOHAMMAD ASIF 104 120 224 16 9586 2566 SAMAMA BIN ASAD MUHAMMAD ASAD IQBAL 96 128 224 17 9598 2685 SYED ZAFAR ALI SYED SHAUKAT HUSSAIN SHAH 124 104 228 18 9684 526 MUHAMMAD HAMZA
    [Show full text]
  • Conferment of Pakistan Civil Awards - 14Th August, 2020
    F. No. 1/1/2020-Awards-I GOVERNMENT OF PAKISTAN CABINET SECRETARIAT (CABINET DIVISION) ***** PRESS RELEASE CONFERMENT OF PAKISTAN CIVIL AWARDS - 14TH AUGUST, 2020 On the occasion of Independence Day, 14th August, 2020, the President of the Islamic Republic of Pakistan has been pleased to confer the following ‘Pakistan Civil Awards’ on citizens of Pakistan as well as Foreign Nationals for showing excellence and courage in their respective fields. The investiture ceremony of these awards will take place on Pakistan Day, 23rd March, 2021:- S. No. Name of Awardee Field 1 2 3 I. NISHAN-I-IMTIAZ 1 Mr. Sadeqain Naqvi Arts (Painting/Sculpture) 2 Prof. Shakir Ali Arts (Painting) 3 Mr. Zahoor ul Haq (Late) Arts (Painting/ Sculpture) 4 Ms. Abida Parveen Arts (Singing) 5 Dr. Jameel Jalibi Literature Muhammad Jameel Khan (Late) (Critic/Historian) (Sindh) 6 Mr. Ahmad Faraz (Late) Literature (Poetry) (Khyber Pakhtunkhwa) II. HILAL-I-IMTIAZ 7 Prof. Dr. Anwar ul Hassan Gillani Science (Pharmaceutical (Sindh) Sciences) 8 Dr. Asif Mahmood Jah Public Service (Punjab) III. HILAL-I-QUAID-I-AZAM 9 Mr. Jack Ma Services to Pakistan (China) IV. SITARA-I-PAKISTAN 10 Mr. Kyu Jeong Lee Services to Pakistan (Korea) 11 Ms. Salma Ataullahjan Services to Pakistan (Canada) V. SITARA-I-SHUJA’AT 12 Mr. Jawwad Qamar Gallantry (Punjab) 13 Ms. Safia (Shaheed) Gallantry (Khyber Pakhtunkhwa) 14 Mr. Hayatullah Gallantry (Khyber Pakhtunkhwa) 15 Malik Sardar Khan (Shaheed) Gallantry (Khyber Pakhtunkhwa) 16 Mr. Mumtaz Khan Dawar (Shaheed) Gallantry (Khyber Pakhtunkhwa) 17 Mr. Hayat Ullah Khan Dawar Hurmaz Gallantry (Shaheed) (Khyber Pakhtunkhwa) 18 Malik Muhammad Niaz Khan (Shaheed) Gallantry (Khyber Pakhtunkhwa) 19 Sepoy Akhtar Khan (Shaheed) Gallantry (Khyber Pakhtunkhwa) 20 Mr.
    [Show full text]
  • Tere Bin Laden”: ‘Islamic Terror’ Revised
    JITENDER GILL “Tere bin Laden”: ‘isLamic Terror’ revised September 14th, 2001, Jinnah International Airport, Karachi, Pakistan— an inept TV reporter, clutching his flying toupee, declares that all passengers in the first flight taking off from Karachi, Pakistan, to the USA after World Trade Center bombings are Americans, except one, who rushes to the screen with a parodic message, “I love Amreeka,” inscribed on his bag. With repeated announcements about stringent restrictions on carry on items in the background, Ali Hassan, the Pakistani passenger, waits in line to use the toilet as a local man struggles to disentangle the tie of his pajama. As Ali offers him a discarded pair of scissors to cut the knot, the man remarks to an outraged Ali, “Taxi driver ban ne ja rahe ho (So, you are going to America to become a taxi driver)!” This scene from Tere Bin Laden is a telling commentary on the plight of citizens all over the world who struggle to disentangle the knotty problems created by terrorists while governments indulge in political 140 skullduggery. Ali getting a pair of scissors to cut this knot anticipates the climax of the film, where the protagonist fortuitously provides a comic resolution to the confusion of terrorist violence and political one-upmanship between megalomaniacs belonging to different countries. Tere Bin Laden, a Hindi film released in 2010, turned out to be a surprise box office success despite lacking top-notch film stars, melodrama, and the song-and-dance routines of a typical Bollywood film. The film projects a dystopic vision of an Islamic society that is adrift in violence that has become endemic to its culture.1 In a socio-political milieu where religious fanatics openly collaborate with a corrupt ruling class, an ambitious journalist desirous of immigrating to America is advised that the “best bet” or “foolproof ” path “TERE BIN LADEN”: ‘ISLAMIC REVISED TERROR’ to reach this hated Islamic enemy-cum-land of dreams is to pretend to be a mujahideen2 and surrender to the American army in Iraq.
    [Show full text]
  • Conferment of Awards
    CONFIDENTIAL (NOT TO BE PUBLISHED/TRANSMITTED AND TELECASTED BEFORE 14.08.2020) F. No. 1/1/2020-Awards-I GOVERNMENT OF PAKISTAN CABINET SECRETARIAT (CABINET DIVISION) ***** PRESS RELEASE CONFERMENT OF PAKISTAN CIVIL AWARDS - 14Th AUGUST, 2020 On the occasion of Independence Day, 14th August, 2020, the President of the Islamic Republic of Pakistan has been pleased to confer the following 'Pakistan Civil Awards' on citizens of Pakistan as well as Foreign Nationals for showing excellence and courage in their respective fields. The investiture ceremony of these awards will take place on Pakistan Day, 23m March, 2021:- iiaL I. NISHAN-1-IMTIAZ 1 Mr. Sadeqain Naqvi Arts (Painting/Sculpture) 2 Prof. Shakir Ali Arts (Painting) 3 Mr. Zahoor ul Haq (Late) Arts (Painting/ Sculpture) 4 Ms. Abida Parveen Arts (Singing) 5 Dr. Jameel Jalibi Literature Muhammad Jameel Khan (Late) (Critic/Historian) (Sindh) 6 Mr. Ahmad Faraz (Late) Literature (Poetry) (Khyber Pakhtunkhwa) II. HILAL-I-IMTIAZ 7 Prof. Dr. Anwar ul Hassan Gillani Science (Pharmaceutical (Sindh) Sciences) 8 Dr. Asif Mahmood Jah Public Service (Punjab) III. HILAL-I-OUAID-I-AZAM 9 Mr. Jack Ma Services to Pakistan (China) IV. SITARA-I-PAKISTAN 10 Mr. Kyu Jeong Lee Services to Pakistan (Korea) 11 Ms. Salma Ataullahjan Services to Pakistan (Canada) V. SITARA-I-SHUJA'AT 12 Mr. Jawwad Qamar Gallantry (Punjab) 13 Ms. Safia (Shaheed) Gallantry (Khyber Palchtunlchwa) 14 Mr. Hayatullah Gallantry (Khyber Palchttullthwa) 15 Malik Sardar Khan (Shaheed) Gallantry (Khyber PalchtunIchwa) 16 Mr. Mumtaz Khan Dawar (Shaheed) Gallantry (Khyber Palchtunkhwa) 17 Mr. Hayat Ullah Khan Dawar Hurmaz Gallantry (Shaheed) (Khyber PalchtunIchwa) 18 Malik Muhammad Niaz Khan (Shaheed) Gallantry (Khyber PalchtunIchwa) 19 Sepoy Akhtar Khan (Shaheed) Gallantry (Khyber PalchtunIchwa) 20 Mr.
    [Show full text]
  • Sr Name Foreign Registration Passport No. 1 BABAR
    Sr Name Foreign Registration Passport No.
    [Show full text]
  • Islamabad High Court
    _ _ ISLAMABAD HIGH COURT DAILY REGULAR CAUSE LIST FOR MONDAY, 27 SEPTEMBER, 2021 THE HONORABLE CHIEF JUSTICE & Court No: 1 BEFORE:- MR. JUSTICE AAMER FAROOQ NOTE: Old cases will not be adjourned except with prior adjustments and with the consent of opposite counsel. OLD CASES 1. Cust. Ref. 2/2015 (46152) Director of Intelligence and Investigation V/s SS Corporation, etc A CM 1/2015 Mujeeb-ur-Rehman Warraich CM 2/2015 MOTION CASES 1. Crl. Appeal 77/2021 Acquittal (131152) The State V/s Muhammad Israr etc A Other Advocate General NOTICE CASES 1. Part Heard (130761) Mosharraf Ali Zaidi & others V/s The President of Pakistan & others FC W.P. 1925/2021 Misc. Other FAISAL SIDDIQI Additional Attorney General, CM 2/2021 Assistant Attorney General, Attorney General for Pakistan, Deputy Attorney General, Mansoor Tariq, Ms.Kulsum Khaliq, Shahid Hamid, Sikandar Naeem Qazi W.P. 127/2021 (125274) Dr. Asfandiyar, etc V/s FOP, etc FC CM 1/2021 (Soban Ali, Adv.) In Person, Mudassar Khalid Moazzam Ali Shah, Qausain Abbasi, Arshad Abbas Faisal Mufti, Assistant Attorney General 2. Crl. Misc. 949/2021 Bail After (134907) Zahir Ullah V/s State, etc A Arrest Muhammad Shaheen By I.T. Department, Islamabad High Court Report Auto Generated By: C F M S Print Date & Time:23-SEP-2021 05:23 PM Page 1 of 87 _ _ DAILY REGULAR CAUSE LIST FOR MONDAY, 27 SEPTEMBER, 2021 THE HONORABLE CHIEF JUSTICE & Court No: 1 BEFORE:- MR. JUSTICE AAMER FAROOQ NOTICE CASES 3. Crl. Appeal 208/2020 Against (124285) Bait Ullah V/s The State etc FC Convct.
    [Show full text]
  • Globalizing Pakistani Identity Across the Border: the Politics of Crossover Stardom in the Hindi Film Industry
    DePaul University Via Sapientiae College of Communication Master of Arts Theses College of Communication Winter 3-19-2018 Globalizing Pakistani Identity Across The Border: The Politics of Crossover Stardom in the Hindi Film Industry Dina Khdair DePaul University, [email protected] Follow this and additional works at: https://via.library.depaul.edu/cmnt Part of the Communication Commons Recommended Citation Khdair, Dina, "Globalizing Pakistani Identity Across The Border: The Politics of Crossover Stardom in the Hindi Film Industry" (2018). College of Communication Master of Arts Theses. 31. https://via.library.depaul.edu/cmnt/31 This Thesis is brought to you for free and open access by the College of Communication at Via Sapientiae. It has been accepted for inclusion in College of Communication Master of Arts Theses by an authorized administrator of Via Sapientiae. For more information, please contact [email protected]. GLOBALIZING PAKISTANI IDENTITY ACROSS THE BORDER: THE POLITICS OF CROSSOVER STARDOM IN THE HINDI FILM INDUSTRY INTRODUCTION In 2010, Pakistani musician and actor Ali Zafar noted how “films and music are one of the greatest tools of bringing in peace and harmony between India and Pakistan. As both countries share a common passion – films and music can bridge the difference between the two.”1 In a more recent interview from May 2016, Zafar reflects on the unprecedented success of his career in India, celebrating his work in cinema as groundbreaking and forecasting a bright future for Indo-Pak collaborations in entertainment and culture.2 His optimism is signaled by a wish to reach an even larger global fan base, as he mentions his dream of working in Hollywood and joining other Indian émigré stars like Priyanka Chopra.
    [Show full text]
  • Jahangir Siddiqui & Co. Ltd. List of Shareholders (Unclaimed Dividend
    Page 1 of 83 Jahangir Siddiqui & Co. Ltd. List of Shareholders (Unclaimed Dividend) Unclaimed S. No. Name of Shareholder Address Dividend (PKR) 1 (1081) MRS. LAILA NUSRAT 17-B, JUSTICE SARDAR IQBALROAD, GULBERG-III, LAHORE. 56 2 (1329) BURHAN ALI 341/B,NEW CHOUBURJI PARK,LAHORE. 90 3 (1350) MUBARIK ALI C/O ROOM#509, LAHORE STOCKEXCHANGE BUILDING, LAHORE. 450 4 (1538) MALIK MUHAMMAD ALEEM HOUSE#12, MAIN BAZAR QILLAGUJAR SINGH, LAHORE. 425 5 (1746) MUHAMAMD SALEEM BASHIR H.#17, S.#3, D-BLOCK MALIKMUNIR ROAD GULSHAN RAVILAHORE. LAHORE 650 6 (1746) MUHAMAMD SALEEM BASHIR H.#17, S.#3, D-BLOCK MALIKMUNIR ROAD GULSHAN RAVILAHORE. LAHORE 425 7 (1832) QAZI ZUBAIR GILL H.#26, S.#2, NADEEM PARK,NEW SHALIMAR TOWN, LAHORE. 340 8 (1882) MUHAMMAD AKRAM KHAN 185-KAMRAN BLOCK ALLAMAIQBAL TOWN, LAHORE. 128 9 (1944) MAZHAR MUNIR H.#94, ALALH RAKHA STREETSAIF ROAD,BHAGAT PURA SHADBAGHLAHORE. LAHORE 425 10 (2056) WAQAS AHMAD KALEEM 202-G/1, JOHAR TOWN,LAHORE 657 11 (2064)SANA UD DIN QURESHI HOUSE#1-1016, KUCHA KAMANGARAN RANG MAHAL, LAHORE. 650 12 (2067) MRS.RAFIA JAMAL AMJID HUSSAIN MUGHAL,QYARTER#10/61 SODEEWAL COLONY,MULTAN ROAD LAHORE 65 13 (2159) MUHAMMAD ALTAF BURJ ATTARI FEROZ WALADISTRICT SHEIKHUPURA 292 14 (2178) ZEESHAN MUSTAQ HOUSE# 279/A STREET#01,TAYYABA COLONY BHAGATPURASHAD BAGH LAHORE 353 15 (2244) GHAZANFAR ABBAS CHUGHTAI C/O MAQBOOL AHMAD STREET#05,QUAD-E-MILLAT COLONY GHUNGI AMAR 1,560 16 (2331) DILAWER HUSSAIN E-361 RAJAB ABAD BEDIAN ROAD,LAHORE CANTT 325 17 (2346) MUHAMMAD IMRAN AFZAL GOLDEN NUSERY, 9-SHALIMAR LINKROAD OPP.BOC GAS FACTORY,MUGHALPURA LAHORE 85 18 (786) M.
    [Show full text]
  • Gender-Based Violence and Harassment Against Women Journalists in Pakistan
    Gender-based Violence and Harassment Against Women Journalists in Pakistan Civil Society Submission by Media Matters for Democracy, Pakistan Submitted to United Nations Special Rapporteur on Violence against Women 1. This submission from Media Matters for Democracy aims to broadly cover the experiences and struggles of female journalists in Pakistan, particularly in regards to gender-based violence and the institutional responses that set them back. It also briefly mentions the framework governing harassment against female journalists, as well as existing support networks and forms of recourse. A. About Media Matters for Democracy 2. Media Matters for Democracy (MMfD) is a Pakistani non-profit organisation that works on media policy research and advocacy. MMfD’s focus areas are freedom of expression, internet governance, and media literacy, and our work includes research, advocacy, capacity building, and provision of legal support for journalists. MMfD works closely with journalists, especially women journalists, on issues related to press freedom, journalists’ safety, and professional development. We have previously conducted safety training workshops for women journalists and produced research studies on the impact of online abuse and digital hate campaigns on the expression of women journalists in Pakistan. MMfD also supports the Women in Media Alliance, a coalition of women professionals working in news and entertainment in the country. B. Introduction 3. According to an estimate, women journalists make up less than five percent of Pakistan’s news professionals.1 Newsrooms in Pakistan are male-dominated spaces, with few women journalists and little or no female representation in senior editorial positions. Men outnumbered women 5:1 in Pakistani newsrooms surveyed for a 2011 International Women’s Media Foundation (IWMF) report.
    [Show full text]
  • Feminism, Hegemony and Empowerment in Pakistani Selected Films Pjaee, 18(8) (2021)
    FEMINISM, HEGEMONY AND EMPOWERMENT IN PAKISTANI SELECTED FILMS PJAEE, 18(8) (2021) FEMINISM, HEGEMONY AND EMPOWERMENT IN PAKISTANI SELECTED FILMS Qaisar Khan1, Kalimullah Khan2, Mudassir Hussain3, Sher Akbar4, Sundus Khan5 1Senior Assistant Professor, Department of Media Studies, Bahria University Islamabad. 2Department of Business Administration, Kardan University, Kabul, Afghanistan. 3,5MS Research Scholar, Department of Media Studies, Bahria University, Islamabad. 4Department of Management Sciences, COMSATS University Islamabad. Qaisar Khan , Kalimullah Khan , Mudassir Hussain , Sher Akbar , Sundus Khan , Feminism, Hegemony And Empowerment In Pakistani Selected Films , Palarch’s Journal Of Archaeology Of Egypt/Egyptology 18(8). ISSN 1567-214x. KeyWords: Urdu Cinema, Gender Roles, Feminism, Hegemony, Empowerment. Abstract: This paper examines hegemony and women empowerment in three selected Pakistani films produced in 2011 onwards. Why the films break and mend masochism at a time with a portrayal of socio-politically dominated women that challenge patriarchy after 2011. To find out how these films portray socio-politically dominated women that challenge Patriarchy. Quantitative methods used to find out how significantly the role of female characters assigned and what the statistics and frequencies indicate women empowerment and hegemony. The paper found women empowerment as 7.8% women out of 13.3% are decision makers, self-expression as 3.4% followed by education and demand for justice as 1.1% each. While hegemony found as out of 84.8% scenes 23.6% women are oppressed due to the class system which is 3.0% where injustice is 19.8% due to patriarchy which is 18.4%. The paper recommends that the male run entertainment industry that targets male audiences should avoid masochism for commercial 1205 FEMINISM, HEGEMONY AND EMPOWERMENT IN PAKISTANI SELECTED FILMS PJAEE, 18(8) (2021) purposes for the sake of the essence of cinematic norms and spirits, so that women's portrayal of empowerment can help socio-political and culture awareness.
    [Show full text]