BRUCE BANNER FIRST APPEARANCE: the Incredible Hulk (2008)
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The Avengers (Action) (2012)
1 The Avengers (Action) (2012) Major Characters Captain America/Steve Rogers...............................................................................................Chris Evans Steve Rogers, a shield-wielding soldier from World War II who gained his powers from a military experiment. He has been frozen in Arctic ice since the 1940s, after he stopped a Nazi off-shoot organization named HYDRA from destroying the Allies with a mystical artifact called the Cosmic Cube. Iron Man/Tony Stark.....................................................................................................Robert Downey Jr. Tony Stark, an extravagant billionaire genius who now uses his arms dealing for justice. He created a techno suit while kidnapped by terrorist, which he has further developed and evolved. Thor....................................................................................................................................Chris Hemsworth He is the Nordic god of thunder. His home, Asgard, is found in a parallel universe where only those deemed worthy may pass. He uses his magical hammer, Mjolnir, as his main weapon. The Hulk/Dr. Bruce Banner..................................................................................................Mark Ruffalo A renowned scientist, Dr. Banner became The Hulk when he became exposed to gamma radiation. This causes him to turn into an emerald strongman when he loses his temper. Hawkeye/Clint Barton.........................................................................................................Jeremy -
NEW THIS WEEK from MARVEL... Star Wars Vader Dark Visions #1 (Of
NEW THIS WEEK FROM MARVEL... Star Wars Vader Dark Visions #1 (of 5) Amazing Spider-Man #16.HU Avengers #16 (War of Realms) Avengers No Road Home #4 (of 10) Conan the Barbarian #4 Cosmic Ghost Rider Destroys Marvel History #1 (of 6) Uncanny X-Men #13 Domino Hotshots #1 (of 5) Immortal Hulk #14 Age of X-Man Prisoner-X #1 (of 5) Meet the Skrulls #1 (of 5) Star Wars #62 Champions #3 Deadpool #10 Miles Morales Spider-Man #1 (3rd print) Star Wars Age of Republic Padme Amidala #1 Black Order #5 (of 5) Fantastic Four Vol. 1 "Fourever" GN Killmonger #5 (of 5) Immortal Hulk #12 (2nd print) Ziggy Pig Silly Seal Comics #1 Avengers by Jason Aaron Vol. 2 GN Marvel Knights Punisher by Ennis Complete Collection Vol. 2 GN NEW THIS WEEK FROM DC... Detective Comics 80 Years of Batman Deluxe Hard Cover Doomsday Clock #9 (of 12) Batman #66 Green Lantern #5 Justice League #19 Harley Quinn #59 Young Justice #3 Adventures of the Super Sons #8 (of 12) Deathstroke #41 Green Arrow #50 Female Furies #2 (of 6) Dreaming #7 Curse of Brimtstone #12 Suicide Squad Black Files #5 (of 6) Batman & Harley Quinn GN Justice League Dark Vol. 1 GN JLA New World Order Essential Edition GN DC Essentials Batgirl Action Figure NEW THIS WEEK FROM IMAGE... Walking Dead #189 Walking Dead Vol. 31 GN Die #4 Cemetery Beach #7 (of 7) Deadly Class #37 Paper Girls #26 Unnatural #8 (of 12) Self Made #4 Eclipse #13 Vindication #2 (of 4) Last Siege GN Wicked & Divine Vol. -
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JACK KIRBY COLLECTOR THIRTY-NINE $9 95 IN THE US . c n I , s r e t c a r a h C l e v r a M 3 0 0 2 © & M T t l o B k c a l B FAN FAVORITES! THE NEW COPYRIGHTS: Angry Charlie, Batman, Ben Boxer, Big Barda, Darkseid, Dr. Fate, Green Lantern, RETROSPECTIVE . .68 Guardian, Joker, Justice League of America, Kalibak, Kamandi, Lightray, Losers, Manhunter, (the real Silver Surfer—Jack’s, that is) New Gods, Newsboy Legion, OMAC, Orion, Super Powers, Superman, True Divorce, Wonder Woman COLLECTOR COMMENTS . .78 TM & ©2003 DC Comics • 2001 characters, (some very artful letters on #37-38) Ardina, Blastaar, Bucky, Captain America, Dr. Doom, Fantastic Four (Mr. Fantastic, Human #39, FALL 2003 Collector PARTING SHOT . .80 Torch, Thing, Invisible Girl), Frightful Four (Medusa, Wizard, Sandman, Trapster), Galactus, (we’ve got a Thing for you) Gargoyle, hercules, Hulk, Ikaris, Inhumans (Black OPENING SHOT . .2 KIRBY OBSCURA . .21 Bolt, Crystal, Lockjaw, Gorgon, Medusa, Karnak, C Front cover inks: MIKE ALLRED (where the editor lists his favorite things) (Barry Forshaw has more rare Kirby stuff) Triton, Maximus), Iron Man, Leader, Loki, Machine Front cover colors: LAURA ALLRED Man, Nick Fury, Rawhide Kid, Rick Jones, o Sentinels, Sgt. Fury, Shalla Bal, Silver Surfer, Sub- UNDER THE COVERS . .3 GALLERY (GUEST EDITED!) . .22 Back cover inks: P. CRAIG RUSSELL Mariner, Thor, Two-Gun Kid, Tyrannus, Watcher, (Jerry Boyd asks nearly everyone what (congrats Chris Beneke!) Back cover colors: TOM ZIUKO Wyatt Wingfoot, X-Men (Angel, Cyclops, Beast, n their fave Kirby cover is) Iceman, Marvel Girl) TM & ©2003 Marvel Photocopies of Jack’s uninked pencils from Characters, Inc. -
Comicbooks As Cultural Archeology: Gender Representation in Captain America During WWII
lhs (print) issn 1742–2906 lhs (online) issn 1743–1662 Article Comicbooks as cultural archeology: Gender representation in Captain America during WWII Francisco O. D. Veloso Abstract The aim of this article is to discuss how comicbooks, as complex multimodal artifacts, discursively interpret and evaluate events during World War II. More specifically, I examine how women are represented in an archive of 69 Captain America stories published by Marvel Comics between March 1941 and March 1943, drawing on theoretical developments within the area of social semiotics (Halliday, 1978; Hodge and Kress, 1988). An important argument within social semiotics and multimodal studies is that texts are a combination of semiotic resources that are used for produc- tion and consumption of meanings, in specific contexts (Hodge and Kress, 1988). As a consequence, by examining these semiotic resources one can develop a better understanding of social meanings that circulate in society and how these meanings are structurally organized. By examining forms of discourse for social analysis we may identify ways of addressing particular issues at the level of representation. Keywords: comicbooks; gender representation; social semiotics; women 1. Comicbooks as historical documents The use of the term comicbook in this article is motivated by the transforma- tions of the medium across time. Historically, the medium, in its materiality as it circulates today, originated from the newspapers’ ‘funnies’ (Inge, 1990), what is referred to as comic strips, nowadays. A first collection of reprints of previously published funnies was bound together as a giveaway for a Proc- tor and Gamble product, and the successful campaign suggested the medium Affiliation Department of Modern Languages, LIteratures, and Cultures (LILEC), University of Bologna, Italy. -
Aliens of Marvel Universe
Index DEM's Foreword: 2 GUNA 42 RIGELLIANS 26 AJM’s Foreword: 2 HERMS 42 R'MALK'I 26 TO THE STARS: 4 HIBERS 16 ROCLITES 26 Building a Starship: 5 HORUSIANS 17 R'ZAHNIANS 27 The Milky Way Galaxy: 8 HUJAH 17 SAGITTARIANS 27 The Races of the Milky Way: 9 INTERDITES 17 SARKS 27 The Andromeda Galaxy: 35 JUDANS 17 Saurids 47 Races of the Skrull Empire: 36 KALLUSIANS 39 sidri 47 Races Opposing the Skrulls: 39 KAMADO 18 SIRIANS 27 Neutral/Noncombatant Races: 41 KAWA 42 SIRIS 28 Races from Other Galaxies 45 KLKLX 18 SIRUSITES 28 Reference points on the net 50 KODABAKS 18 SKRULLS 36 AAKON 9 Korbinites 45 SLIGS 28 A'ASKAVARII 9 KOSMOSIANS 18 S'MGGANI 28 ACHERNONIANS 9 KRONANS 19 SNEEPERS 29 A-CHILTARIANS 9 KRYLORIANS 43 SOLONS 29 ALPHA CENTAURIANS 10 KT'KN 19 SSSTH 29 ARCTURANS 10 KYMELLIANS 19 stenth 29 ASTRANS 10 LANDLAKS 20 STONIANS 30 AUTOCRONS 11 LAXIDAZIANS 20 TAURIANS 30 axi-tun 45 LEM 20 technarchy 30 BA-BANI 11 LEVIANS 20 TEKTONS 38 BADOON 11 LUMINA 21 THUVRIANS 31 BETANS 11 MAKLUANS 21 TRIBBITES 31 CENTAURIANS 12 MANDOS 43 tribunals 48 CENTURII 12 MEGANS 21 TSILN 31 CIEGRIMITES 41 MEKKANS 21 tsyrani 48 CHR’YLITES 45 mephitisoids 46 UL'LULA'NS 32 CLAVIANS 12 m'ndavians 22 VEGANS 32 CONTRAXIANS 12 MOBIANS 43 vorms 49 COURGA 13 MORANI 36 VRELLNEXIANS 32 DAKKAMITES 13 MYNDAI 22 WILAMEANIS 40 DEONISTS 13 nanda 22 WOBBS 44 DIRE WRAITHS 39 NYMENIANS 44 XANDARIANS 40 DRUFFS 41 OVOIDS 23 XANTAREANS 33 ELAN 13 PEGASUSIANS 23 XANTHA 33 ENTEMEN 14 PHANTOMS 23 Xartans 49 ERGONS 14 PHERAGOTS 44 XERONIANS 33 FLB'DBI 14 plodex 46 XIXIX 33 FOMALHAUTI 14 POPPUPIANS 24 YIRBEK 38 FONABI 15 PROCYONITES 24 YRDS 49 FORTESQUIANS 15 QUEEGA 36 ZENN-LAVIANS 34 FROMA 15 QUISTS 24 Z'NOX 38 GEGKU 39 QUONS 25 ZN'RX (Snarks) 34 GLX 16 rajaks 47 ZUNDAMITES 34 GRAMOSIANS 16 REPTOIDS 25 Races Reference Table 51 GRUNDS 16 Rhunians 25 Blank Alien Race Sheet 54 1 The Universe of Marvel: Spacecraft and Aliens for the Marvel Super Heroes Game By David Edward Martin & Andrew James McFayden With help by TY_STATES , Aunt P and the crowd from www.classicmarvel.com . -
Protocols for Spiderman Made by Tony
Protocols For Spiderman Made By Tony Harmon remains guardian: she joke her ixia oysters too abstrusely? Biddable Nunzio contacts or recap some Arachnida slangily, however pervertible Hugo snapped faithlessly or enthuse. When Trip unglue his skylarker rummages not obstreperously enough, is Sarge shut? The dark plating to him most powerful current avengers spiderman specialize in real stunts, made up this throwaway line that. This is a little below their paygrade. European users agree to the data transfer policy. We know that made to stark, and books will be peter turned to stay away. You will start seeing emails from us soon. Action figures marvel. He had protocols for use them up the first gives it also made a beat dad? She is also raising the next generation of comics fans, a generally happy one, and performs like Stark. Man is one of conversations and intend to shoot peter answered, thinking of protocols for spiderman made by tony stark hated it becomes the. Watch One Marvel Fan Craft Metal Hulk Hands That Can Smash Through Concrete! Armor Chronology: Iron Man Wiki is a FANDOM Comics Community. Heroes need to act. Toomes escapes and a malfunctioning weapon tears the ferry in half. After losing someone like it should be succeeded by a dancing and! Man, Tony decides to take away the suit he gave Peter. Next time i think critically injures jefferson of protocols for spiderman made by tony when miles morales would call you can sort of. Videos would work! Click on his crew out of the folks over the elevator just right to save the. -
ABSTRACT the Pdblications of the Marvel Comics Group Warrant Serious Consideration As .A Legitimate Narrative Enterprise
DOCU§ENT RESUME ED 190 980 CS 005 088 AOTHOR Palumbo, Don'ald TITLE The use of, Comics as an Approach to Introducing the Techniques and Terms of Narrative to Novice Readers. PUB DATE Oct 79 NOTE 41p.: Paper' presented at the Annual Meeting of the Popular Culture Association in the South oth, Louisville, KY, October 18-20, 19791. EDFS PRICE MF01/PCO2 Plus Postage." DESCRIPTORS Adolescent Literature:,*Comics (Publications) : *Critical Aeading: *English Instruction: Fiction: *Literary Criticism: *Literary Devices: *Narration: Secondary, Educition: Teaching Methods ABSTRACT The pdblications of the Marvel Comics Group warrant serious consIderation as .a legitimate narrative enterprise. While it is obvious. that these comic books can be used in the classroom as a source of reading material, it is tot so obvious that these comic books, with great economy, simplicity, and narrative density, can be used to further introduce novice readers to the techniques found in narrative and to the terms employed in the study and discussion of a narrative. The output of the Marvel Conics Group in particular is literate, is both narratively and pbSlosophically sophisticated, and is ethically and morally responsible. Some of the narrative tecbntques found in the stories, such as the Spider-Man episodes, include foreshadowing, a dramatic fiction narrator, flashback, irony, symbolism, metaphor, Biblical and historical allusions, and mythological allusions.4MKM1 4 4 *********************************************************************** * Reproductions supplied by EDRS are the best that can be made * * from the original document. * *********************************************************************** ) U SOEPANTMENTO, HEALD.. TOUCATiONaWELFARE NATIONAL INSTITUTE CIF 4 EDUCATION THIS DOCUMENT was BEEN N ENO°. DOCEO EXACTLY AS .ReCeIVED FROM Donald Palumbo THE PE aSON OR ORGANIZATIONORIGuN- ATING T POINTS VIEW OR OPINIONS Department of English STATED 60 NOT NECESSARILY REPRf SENT OFFICIAL NATIONAL INSTITUTE OF O Northern Michigan University EDUCATION POSITION OR POLICY CO Marquette, MI. -
Hulk Smash! September, 2020, Vol
Journal of Criminal Justice and Popular Culture Hulk Smash! September, 2020, Vol. 20 (Issue 1): pp. 28 - 42 Clevenger and Acquaviva Copyright © 2020 Journal of Criminal Justice and Popular Culture All rights reserved. ISSN: 1070-8286 Hulk Smash! Violence in The Incredible Hulk Comics Shelly Clevenger Sam Houston State University & Brittany L. Acquaviva Sam Houston State University 28 Journal of Criminal Justice and Popular Culture Hulk Smash! September, 2020, Vol. 20 (Issue 1): pp. 28 - 42 Clevenger and Acquaviva Abstract “Hulk smash!” is one of the most iconic phrases uttered in the pages of comic books. The Incredible Hulk is one of comics’ most violent characters as the Hulk smashes first and asks questions later. The popularity of the comic book genre has exploded within past decades and the interest in comics has increased. But exactly how violent is The Incredible Hulk and what does that mean for readers? This research examines the occurrence of violence in the Incredible Hulk comics through a thematic content analysis of 248 issues. Specifically, such themes as violence against men and women, unpunished violence, formal punishments of violence, interventions to stop violence and the justification provided for violence were assessed. The goal of the research was to determine the amount and level of violence within the comic and in what context it occurred. Results indicate that there is a large amount of violence occurring within the pages of the Incredible Hulk, but that this violence is often justified and committed by the Hulk to protect himself and others. A discussion is provided regarding the potential impact this may have on a reader and their view of violence, crime and justice. -
GAMEGENIC to PRODUCE FIRST OFFICIAL MARVEL CHAMPIONS SLEEVES Press Release, July 29, 2020
OFFICIAL PRESS RELEASE GAMEGENIC TO PRODUCE FIRST OFFICIAL MARVEL CHAMPIONS SLEEVES Press release, July 29, 2020 It is a true premiere. For the first time, there will be official MARVEL CHAMPIONS sleeves available – developed exclusively by Gamegenic. The Asmodee Group Studio with its headquarters in Essen, Germany are the first to produce official MARVEL sleeves for the popular MARVEL CHAMPIONS card game. The sleeves are also a perfect fit for all other popular standard-sized card games on the market. Players and fans are able to look forward to card sleeves featuring their favorite MARVEL heroes. The heroes in the core set include Iron Man, Spider-Man, Black Panther, Captain Marvel and She-Hulk. Captain America will be the first hero to star in the extension set. Overall, there will be nine different design versions available from the start. More will follow. “Gamegenic is proud to partner up with MARVEL to create card sleeves for such a fantastic and popular game“, says Gamegenic Head of Studio Adrian Alonso. “Our goal is to enhance the experience of an already excellent game by creating premium card sleeves tailored to any fan’s needs.” One special feature of the sleeves is the fact that each pack contains a clear sleeve for the hero or the villain on top of the art sleeves. The products will be presented just before this year’s Gen Con and will hit the stores during holiday season 2020. Contact Axelle Bigué Project Manager, Gamegenic [email protected] T: +49 (0)201 248 595 578 About Gamegenic Based in Essen, Germany, Gamegenic creates premium gaming accessories including card sleeves, card boxes, binders, pages, and more to protect game components and enhance the playing experience. -
Change Notice No. 4 Contract No. 071B9200294 the State Of
Form No. DTMB-3521 (Rev. 4/2012) AUTHORITY: Act 431 of 1984 COMPLETION: Required PENALTY: Contract change will not be executed unless form is filed STATE OF MICHIGAN DEPARTMENT OF TECHNOLOGY, MANAGEMENT AND BUDGET PROCUREMENT P.O. BOX 30026, LANSING, MI 48909 OR 525 W. ALLEGAN, LANSING, MI 48933 CHANGE NOTICE NO. 4 to CONTRACT NO. 071B9200294 between THE STATE OF MICHIGAN and NAME & ADDRESS OF CONTRACTOR: PRIMARY CONTACT EMAIL Rotary Multiforms, Inc. Bill Condon [email protected] 2104 E. Eleven Mile Road, Suite 400 TELEPHONE CONTRACTOR #, MAIL CODE Warren, MI 48091 (586) 558-7960 STATE CONTACTS AGENCY NAME PHONE EMAIL CONTRACT COMPLIANCE INSPECTOR Treasury Darron Birchmeier (517) 241-3548 [email protected] BUYER DTMB Sue Cieciwa (517) 284-7007 [email protected] CONTRACT SUMMARY: DESCRIPTION: Tax Form Production & Personalization - Treasury INITIAL EXPIRATION INITIAL AVAILABLE EXPIRATION DATE BEFORE CHANGE(S) INITIAL EFFECTIVE DATE DATE OPTIONS NOTED BELOW September 5, 2009 September 4, 2012 2, one year September 4, 2014 PAYMENT TERMS F.O.B SHIPPED SHIPPED FROM Net 30 Days Delivered Per Specifications N/A ALTERNATE PAYMENT OPTIONS: AVAILABLE TO MiDEAL PARTICIPANTS P-card Direct Voucher (DV) Other Yes No MINIMUM DELIVERY REQUIREMENTS: Per Specifications DESCRIPTION OF CHANGE NOTICE: EXTEND CONTRACT EXERCISE CONTRACT EXTENSION BEYOND LENGTH OF EXPIRATION DATE EXPIRATION DATE OPTION YEAR(S) CONTRACT OPTION YEARS OPTION/EXTENSION AFTER CHANGE No Yes 5 months, 24 days February 28, 2015 VALUE/COST OF CHANGE NOTICE: ESTIMATED REVISED AGGREGATE CONTRACT VALUE: $125,000.00 $694,703.55 Effective September 5, 2014, this Contract is hereby EXTENDED from September 4, 2014 to February 28, 2015. -
An Analysis of Conversational Implicature in Iron Man 3
AN ANALYSIS OF CONVERSATIONAL IMPLICATURE IN IRON MAN 3 A Thesis Submitted to the Letters and Humanities Faculty in Partial Fulfillment of the Requirements for the Degree of Strata 1 MUHAMAD VIKRY 1110026000050 ENGLISH LETTERS DEPARTMENT LETTERS AND HUMANITIES FACULTY STATE ISLAMIC UNIVERSITY SYARIF HIDAYATULLAH JAKARTA 2014 ABSTRACT Muhamad Vikry, An Analysis of Conversational Implicature in the Iron Man 3. Thesis: English Letters Department, Letters and Humanities Faculty, State Islamic University of Syarif Hidayatullah, Jakarta, 2014. This research is aimed at classifying the types of conversational implicature resulted from the non-observance maxims which have been done by the characters Movie Iron Man 3 and then explaining their meanings. The writer uses Grice’s theory for analyzing the conversational implicature that found in the dialogue of the characters in the movie. In conducting research, the writer uses descriptive qualitative method to describe and identify the conversational implicature, without use any statistical procedure in the analysis. The data in this research are collected by watching the movie and taking notes the dialogues that estimate as implicature in data cards. And then the selected data will be analyzed one by one using relevant theory about the research. After analyzing Iron Man 3 Movie, the writer finds conversational implicatures rising because the utterances of the characters non-observance maxims, they are; flouting maxim of quantity (2), flouting maxim of quality (2), flouting maxim of relation (2), flouting maxims of manner (5), opting out maxim of manner (1), opting out maxim of quantity and manner (1) and violating maxim of quantity and manner (1). -
Iron Man 3 Notes
ADVANCE rom Marvel Studios comes “Iron Man 3,” which continues the epic, big-screen adventures of the world’s favorite billionaire-inventor-Super Hero, Tony Stark aka FIron Man. Marvel’s “Iron Man 3” pits brash-but-brilliant industrialist Tony Stark/Iron Man against an enemy whose reach knows no bounds. When Stark finds his personal world destroyed at his enemy’s hands, he embarks on a harrowing quest to find those responsible. This journey, at every turn, will test his mettle. With his back against the wall, Stark is left to survive by his own devices, relying on his ingenuity and instincts to protect those closest to him. As he fights his way back, Stark discovers the answer to the question that has secretly haunted him: does the man make the suit or does the suit make the man? Based on the ever-popular Marvel comic book Super Hero Iron Man, who first appeared on the pages of “Tales of Suspense” (#39) in 1963 and had his solo comic book debut with “The Invincible Iron Man” (#1) in May of 1968, “Iron Man 3” returns Robert Downey Jr. (“Sherlock Holmes: A Game of Shadows,” “Tropic Thunder”) as Tony Stark, the iconic Super Hero, along with Gwyneth Paltrow (“Thanks for Sharing,” “Contagion”) as Pepper Potts, Don Cheadle (“Flight,” “Hotel Rwanda”) as James “Rhodey” Rhodes, Guy Pearce (“The Hurt Locker,” “Memento”) as Aldrich Killian, Rebecca Hall (“The Prestige,” “The Town,”) as Maya Hansen, Jon Favreau ( “Identity Thief,” “People Like Us”) as Happy Hogan and Ben Kingsley (“Schindler’s List,” “Gandhi,”) as The Mandarin.