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New Directions for AM
ISSUE NUMBER 684 ~THE IIVDUSTRY'S NEWSPAPER N S 1 D E: Widmann Elevated To CBS O &O VP WINTER ARBITRONS CBS VP /Owned AM Stations Nancy Widmann has been pro- FLOODING IN moted to the newly created post Baltimore: WLIF, WBSB roll upward of VP /Owned Radio Stations Boston: WBZ, WXKS -FM neck -and- and will now also oversee the neck company's FM group. She as- sumes the duties of VP /Owned Cleveland: WMMS down to 12, FM Stations Robert Hyland III, WZAK, WMJI up solidly who last week became GM for Dallas: KKDA-FM close to 10, leads KCBS -TV/Los Angeles. big Continuing as the highest- Denver: KBCO breathes down KOSI's ranking woman at CBS Radio, neck Widmann has held many execu- Detroit: WJLB rules roost, WRIF tive positions during her 15 regains AOR lead years with the company, in- Nancy Widmann Houston: KMJO holds lead as KKBQ cluding a six-year stint as VP/ Sales Manager for CBS Radio soars into second GM of WCBS-FM /New York. Spot Sales, and VP /Recruit- She also was VP/GM and N.Y. ment and Placement for CBS, rules Pittsburgh: KDKA Inc. Philadelphia: WEAZ ties WMMR at top Commented CBS Radio Divi- San Francisco: KABL almost beats sion President Bob Hosking, KGO; KMEL top contemporary New Directions For AM "Nancy's proven abilities with Tampa: WRBQ rises higher WHN Drops Country WCFL Becomes our six News and News/Talk stations, plus WCBS -FM, make Washington: WGAY takes lead, WHN Sports For All -Sports Chicago's AM Loop her eminently qualified for this WMZQ -FM vaults to third After more than 14 years in System H&G Communications has new position." Plus ratings for Nassau -Suffolk, Country, WHN /New York was combined the company's two Widmann, who oversees sev- Providence, and San Diego. -
Activity Report 2014-15
ACTIVITY REPORT 2014-15 10TH ANNIVERSARY PROJECT ELAN celebrated its 10th anniversary in 2014 and received project funding from the Government of Canada through the Department of Canadian Heritage for a number of special activities. The first was to feature trailblazers in building Quebec’s current dynamic English- language arts community from the sparsely populated, marginal scene of the 1970s and 80s. Three panel discussions were presented in collaboration with POP Montreal and Expozine: The Montreal Formula: Thinking outside the box for survival in Montreal arts (POP Montreal) with Albert Nerenberg (host; filmmaker and laughologist), Murray Lightburn (the Dears), Krista Muir (Lederhosen Lucil), and visual artist J.C. Little; Literary Legacies: A Montreal Story (POP Montreal) with host Katia Grubisic (writer and translator), Linda Leith, founder of Blue Metropolis Foundation, and Marianne Ackerman, founder of the bilingual theatre company Theatre 1774 and Rover Arts; and Montreal Blooming: From Backwater to Music Hotbed (Expozine) with Howard Bilerman (legendary Montreal producer, former drummer for Arcade Fire), Kevin Komoda (Rational Youth), Ryhna Thompson (Envision Management), and musician Molly Sweeney. For our 10th anniversary year, ELAN co-produced Schmoozers with partners from each of the major artistic disciplines: April in collaboration with the Quebec Writers' Federation; June in collaboration with the St-Ambroise Montreal International Fringe Festival; October in collaboration with the Montreal Film Group; and December at McGill's Schulich School of Music, with a focus on students. Eastern Bloc was selected as the venue for ELAN's 10th anniversary event because it is a well- equipped visual and media arts centre. A photo retrospective of ELAN's 10-year history was projected on one wall while the Wonderwall, created at three stations where guests were photographed as they arrived, was projected on another. -
Anohni: Miracle Now
ANOHNI: MIRACLE NOW EN INTRODUKTION TIL UDSTILLINGEN / AN INTRODUCTION TO THE EXHIBITION MAY 24 – AUGUST 5 2018 MIRACLE NOW “Does nature evolve, or does She just change? So much information can now be stored in a tiny space. Scientists have said recently that ancestral trauma changes our genome in detectable ways. I imagine that in the future we shall put a drop of water into a machine and it will reveal to us every moment that its atoms have ever ex- perienced, and every living and inanimate body that it has ever been a part of. When I first staged the play Miracle Now in 1995, my dream was that Nature would remem- ber every one of Her vanished faces, and that this knowledge would somehow inform Her next iteration. This was a hopeful idea to me, in the face of impending eco-col- lapse.” – ANOHNI “Nothing goes unrecorded. Every word of leaf and snowflake and particle of dew, as well as earthquake and avalanche, is writ- ten down in Nature’s book.” – John Muir, 1872 ANOHNI: “Where do we go when we die?” Nola Taylor: “Back to country.” – Conversation with Nola Taylor, Martu elder, Western Australian desert, 2015. Video Stills: Miracle Now, 1996/2018, ANOHNI/James Elaine MIRAKLERNES TID ANOHNI I NIKOLAJ KUNSTHAL Det er en stor ære at vise den første store Med udstillingen i Nikolaj Kunsthal håber vi soloudstilling med ANOHNI i Norden i at åbne op for spørgsmål og diskussioner Nikolaj Kunsthal. ANOHNI er bedst kendt omkring frigørelse, filosofi og miljø i en som musiker, men udtrykker en dybt en- bredere forstand – og ikke mindst håber vi, gageret tilgang til verden gennem sin visu- at miraklernes tid ikke er forbi endnu. -
Fridayfriday Performers
FRIDAYFRIDAY PERFORMERS Main Stage Island Stage Lake Stage FRIDAY OPENING WELCOME CROSSCURRENT JAM THAT LUCKY OLD SUN FRIDAY 6 PM with Guelph Aboriginal Community Helpers with The Midway State, with Old Man Luedecke, Harlan Pepper & friends Lowlands & friends 6:45 PM 7:15 PM 7 PM KO Kidstreet Hillside Youth Committee presents Lion Detective Club Exclaim! presents 8 PM Lights Karkwa Harlan Pepper Exclaim! presents FRIDAY NIGHT SPECIAL 9 PM The Midway State with Charlotte Cornfield, The Dears Jude Vadala & Dala ON THE ROAD TO NOWHERE 10 PM Chali 2Na One Hundred Dollars with Graveyard Train & Karkwa The Music issue FROM CANADA’S ENVIRONMENTAL MAGAZINE Purchase a copy at the Merch Tent. Get it FREE when you subscribe to Alternatives at our table in the Enviro Tent! featuring: Sarah Harmer • Bruce Cockburn Jack Johnson • Bob Wiseman Danny Michel • Bjork • Greg Brown …and many more! alternativesjournal.ca Celebrating music and community 35 saturdaysaturday PERFORMERS Main Stage Island Stage Lake Stage Sun Stage DRUM AND DANCE GOOD MORNING, GOOD DAY SUNSHINE GOOD MORNING 11 AM Clan Hannigan Ganga Giri & Little Scream Dala (hosts) with Ceilidhi Dance Doug Paisley & friends 11:55 AM COMEDIC RELIEF Hillside Youth Committee presents ATLANTIC LIQUID LUNCH CALLING OCCUPANTS A Workshop Suitable Battle of the Bands Winner The Stanfields NOON Snailhouse & Callers for All Ages Rundown Royalty & Paper Lions GCVI Improv Team 12:35 PM Graveyard Train IN THE MEANTIME Torquil Campbell IT’S A CALLING Jemeni SPOKEN WORD 1 PM (host) with Hooded Kim Churchill -
A Memoir. by Myles Goodwyn. Toronto, Ontario: Harper Collins, 2016
Just Between You and Me: A Memoir. By Myles Goodwyn. Toronto, Ontario: Harper Collins, 2016. 379 pp. ISBN 978-1- 44344-670-9. Reviewed by: David Montgomery, York University Libraries1 The story arc of any rock memoir is predictable. It begins or ends with substance abuse, there are troubled family relationships, extra-marital affairs, betrayals, friends left behind, “musical differences,” management conflicts, and of course, as in any bildungsroman the vicissitude of fortune. The guitar slinger turned raconteur is duty-bound to caution that even modest fame comes at a price, that “rock and roll is a vicious game.” Like the music, the memoir embraces the cliché. On his third go at rehab, April Wine frontman Myles Goodwyn reflects, “Things come in threes” (341). Goodwyn tells us that the goal of his unvarnished memoir was to set the record straight, and not to settle old scores. Neither as beloved as Rush, nor as emblematic as The Tragically Hip, April Wine was nonetheless quintessentially Canadian. With roots in the Maritimes and Quebec, the band regularly toured Ontario rock circuits in the early 1970s, expanding its range to the rest of Canada by the end of the decade. It peaked in the early 1980s, with modest success in England and the US, and garnered worldwide sales of 20 million albums—a solid career. Yet, despite winning several Juno awards and in 2010 being inducted into the Canadian Music Hall of Fame, April Wine may also be a candidate for a quick fade. While songs such as “Weeping Widow,” “Oowatanite,” and “Roller” may resonate with the home demographic, future induction into Cleveland’s Rock & Roll Hall of Fame is unlikely. -
The Creative Economy and the English Speaking Communities in Quebec
The Creative Economy and the English Speaking Communities in Quebec REPORT SUBMITTED TO INDUSTRY CANADA BY TRACY ZHANG, PH.D.(SIMONE DE BEAUVOIR INSTITUTE, CONCORDIA UNIVERSITY), WITH AN ANNOTATED BIBLIOGRAPHY PREPARED BY AURELIA ROMAN, M.A. ON BEHALF OF THE QUEBEC ENGLISH - SPEAKING COMMUNITIES RESEARCH NETWORK (QUESCREN) QUESCREN is a joint initiative of the Canadian Institute for Research on Linguistic Minorities and Concordia University's School of Extended Learning MONTREAL, 2012-03-31 The Creative Economy and English-speaking Communities in Quebec EXECUTIVE SUMMARY The Creative Economy and English-Speaking Communities in Quebec presents preliminary research results based on a focus group, private key informant interviews, and bibliographical research. It demonstrates that the concepts of the creative economy are useful in charting cultural and economic development for the English-speaking communities in Quebec (ESCQ). The English-speaking population in Quebec forms the largest provincial Official Language Minority Community in Canada. In recent decades, the composition of this population has become increasingly complex and multicultural. Parallel to this demographic shift, the influence of English-language Quebec culture has also evolved. English-speakers are said to have a high participation rate in the arts, culture and heritage sectors. In this context, organizations from these sectors are increasingly involved in supporting the socioeconomic development of the ESCQ. This report reflects growing concerns on the part of representatives of some of these organizations who participated in the study over how to apply the creative economy theory to generate effective models of cultural-economic development for the ESCQ. Due to the preliminary nature of the research involved in this study, coupled with the range of understandings about the creative economy reflected in the participants' comments and our annotated bibliography, the report does not recommend a single definition of "creative economy". -
Canvas 06 Music.Pdf
THE MUSIC ISSUE ALTER I think I have a pretty cool job as and design, but we’ve bridged the editor of an online magazine but gap between the two by including PAGE 3 if I could choose my dream job some of our favourite bands and I’d be in a band. Can’t sing, can’t artists who are both musical and play any musical instrument, bar fashionable and creative. some basic work with a recorder, but it’s still a (pipe) dream of mine We have been very lucky to again DID I STEP ON YOUR TRUMPET? to be a front woman of some sort work with Nick Blair and Jason of pop/rock/indie group. Music is Henley for our editorials, and PAGE 7 important to me. Some of my best welcome contributing writer memories have been guided by a Seema Duggal to the Canvas song, a band, a concert. I team. I met my husband at Livid SHAKE THAT DEVIL Festival while watching Har Mar CATHERINE MCPHEE Superstar. We were recently EDITOR PAGE 13 married and are spending our honeymoon at the Meredith Music Festival. So it’s no surprise that sooner or later we put together a MUSIC issue for Canvas. THE HORRORS This issue’s theme is kind of a departure for us, considering we PAGE 21 tend to concentrate on fashion MISS FITZ PAGE 23 UNCOVERED PAGE 28 CREATIVE DIRECTOR/FOUNDER CONTRIBUTING PHOTOGRAPHERS Catherine McPhee NICK BLAIR JASON HENLEY DESIGNER James Johnston COVER COPYRIGHT & DISCLAIMER EDITORIAL MANAGER PHOTOGRAPHY Nick Blair Reproduction in whole or in part without written permission by Canvas is strictly prohibited. -
Antony and the Johnsons Til Northside
2015-04-14 13:30 CEST Antony and the Johnsons til NorthSide Med tilføjelsen af i alt fem nye navne inklusive et fænomenalt nyt hovednavn, der laver en unik koncert sammen med Aarhus Symfoniorkester, er den endelige plakat klar til NorthSide 2015 Mange måneders hårdt arbejde er nu overstået, og resultatet præsenteres i dag i form af en plakat med 41 navne, der spænder fra legendariske Grace Jones, popsensationen Sam Smith, hiphop-kongerne Wu-Tang Clan, fænomenale Antony and the Johnsons sammen med Aarhus Symfoniorkester og det mest ønskede NorthSide-navn nogensinde – The Black Keys. Med offentliggørelsen af plakaten sættes de sidste fem navne på plakaten, og heriblandt finder man Antony and the Johnsons, der til lejligheden har allieret sig med Aarhus Symfoniorkester. Den unikke sanger Antony Hegarty har en kompromisløs og udfordrende karriere bag sig, hvor det Mercury Prize- vindende mesterværk ”I Am a Bird Now” og albummet ”Cut the World” står som højdepunkter. Sidstnævnte blev indspillet i 2011 sammen med DR UnderholdningsOrkestret til to roste koncerter i København, og denne fantastiske musik vil nu blive genskabt på NorthSide. Antony Hegarty får følgeskab af norske Emilie Nicolas, der har imponeret med hittet ”Pstereo” fra det forrygende debutalbum ”Like I’m A Warrior” samt de to danske navne S!vas og Rangleklods. S!vas har redefineret dansk hiphop og introduceret så mange nye ord til det danske sprog, at han sidste år blev hædret med GAFFAs Specialpris for sin banebrydende musik, og duoen Rangleklods er efter stribevis af koncerter på de største europæiske festivaler både klar med et nyt album og klar til at præsentere deres intelligente og nuancerede klubmusik på NorthSide. -
Das Große Alan-Bangs-Nachtsession -Archiv Der
Das große Alan-Bangs-Nachtsession1-Archiv der FoA Alan Bangs hatte beim Bayerischen Rundfunk seit Februar 2000 einen besonderen Sendeplatz, an dem er eine zweistündige Sendung moderieren konnte: „Durch die Initiative von Walter Meier wurde Alan ständiger Gast DJ in den Nachtsession‘s, welche jeweils in der Nacht vom Freitag zum Samstag auf Bayern2 ausgestrahlt werden. Seine 1.Nachtsession war am 18.02.2000 und seit dieser ist er jeweils 3 bis 4mal pro Jahr zu hören – die letzte Sendung wurde am 1.12.2012 ausgestrahlt. Im Jahr 2001 gab es keine Nachtsession, 2002 und 2003 jeweils nur eine Sendung.“ (Zitat aus dem bearbeiteten Alan-Bangs-Wiki auf http://www.friendsofalan.de/alans-wiki/ Ab 2004 gab es dann bis zu vier Sendungen im Jahr, die letzte Sendung war am 1.12. 2010. Alan Bangs‘ Nachtsession- Sendungen wurden zeitweise mit Titeln oder Themen versehen, die auf der Webseite bei Bayern 2 erschienen. Dazu gab es teilweise einleitende Texte zusätzlich zu den Playlisten dieser Sendungen. Soweit diese (noch) recherchierbar waren, sind sie in dieses Archiv eingepflegt. Credits: Zusammengestellt durch FriendsofAlan (FoA) unter Auswertung von Internet- Quellen insbes. den auf den (vorübergehend) öffentlich zugänglichen Webseiten von Bayern 2 (s. die aktuelle Entwicklung dort im folgenden Kasten ) IN MEMORIUM AUCH DIESES SENDEFORMATS Nachtsession Der Letzte macht das Licht aus Nacht auf Donnerstag, 07.01.2016 - 00:05 bis 02:00 Uhr Bayern 2 Der Letzte macht das Licht aus Die finale Nachtsession mit den Pop-Toten von 2015 Mit Karl Bruckmaier Alle Jahre wieder kommt der Sensenmann - und heuer haut er die Sendereihe Nachtsession gleich mit um. -
Reflections on the Mercury Music Prize in 2016, Simon Frith
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by University of East Anglia digital repository Popular Music Interview with Simon Frith – Reflections on the Mercury Music Prize In 2016, Simon Frith stepped down as chair of the Mercury Music Prize (MMP), a post he had held for the 25 years since the Prize was founded in 1992. During this time, the MMP – awarded to the British and Irish album of the year - became an established part of the UK music industry’s annual cycle, helping to shape musical taste and business practice. Its credibility as a prize also made it the one that musicians wanted to win. While he was chair, Simon Frith wrote Performing Rites (1996), a book that analysed, among other things, the value attributed to music and the processes by which that value is determined. The MMP could be seen as a practical example of the ideas and arguments of the book. The Editorial Group of Popular Music invited Simon Frith to reflect on his time as chair of the MMP and on the link between this role and his academic interests. The interview was conducted by John Street. The conversation began with a question about the interests behind the MMP over its 25-year history. Simon Frith: The Mercury Prize was a marketing initiative of the music industry, through the British Phonographic Industry (BPI); it was a way of selling records. The BPI understood that if such a prize was going to work, it had to be seen as independent of the industry itself. -
Ben Harper and Charlie Musselwhite Nightclub
Ben Harper And Charlie Musselwhite Nightclub Posts about Carole King written by thedailyrecord. Mostrando entradas con la etiqueta Ben Harper. “It was heartwarming, because there’s a genuine affection for the Belly Up and the artists are able to support the club with these albums. Bobby Johnson - Get Up and Dance (2013) Funk, R&B, Soul | 320 kbps | MP3 | 148. We were so pleased to recieve the message that […] Do you like it? 16. Their first album, 2012’s Get Up! , spurred, at least in my mind at the time, comparisons to other blues and jazz artists such as John Lee Hooker and Muddy Waters. It’s the coolest makeover on the record, enigmatic and slinky as its originator. El llegendari músic va pensar que tots dos havien de tocar junts. Su destino Hamburgo, donde todavía vive con ochentaytantos años. Protoje, 9 p. 15 Dec 2019 - New at #TopMusic 7 days (15 Dec): 'The Way It Used To Be' by Trent Reznor & Atticus Ross; 'Nightclub' by Ben Harper & Charlie Musselwhite;. Download Ben Harper With Charlie Musselwhite "Get Up!" Now:iTunes: http://smarturl. Ben Harper & Charlie Musselwhite "When I Go": When I leave here I'll have no place to go And it's much too late to change my name I'm gonna take y. 08/03/2018 - Ben Harper & Charlie Musselwhite @ The Gothic Theatre - Englewood, CO Ben Harper & Charlie Musselwhite played the Gothic Theatre off Broadway to a sold out crowd last night. Get Up! is an album by the American musicians Charlie Musselwhite and Ben Harper , their twenty-ninth and eleventh album, respectively. -
A History of Hip Hop in Halifax: 1985 - 1998
HOW THE EAST COAST ROCKS: A HISTORY OF HIP HOP IN HALIFAX: 1985 - 1998 by Michael McGuire Submitted in partial fulfilment of the requirements for the degree of Master of Arts at Dalhousie University Halifax, Nova Scotia August 2011 © Copyright by Michael McGuire, 2011 DALHOUSIE UNIVERSITY DEPARTMENT OF HISTORY The undersigned hereby certify that they have read and recommend to the Faculty of Graduate Studies for acceptance a thesis entitled “HOW THE EAST COAST ROCKS: A HISTORY OF HIP HOP IN HALIFAX: 1985 - 1998” by Michael McGuire in partial fulfilment of the requirements for the degree of Master of Arts. Dated: August 18, 2011 Supervisor: _________________________________ Readers: _________________________________ _________________________________ ii DALHOUSIE UNIVERSITY DATE: August 18, 2011 AUTHOR: Michael McGuire TITLE: How the East Coast Rocks: A History Of Hip Hop In Halifax: 1985 - 1998 DEPARTMENT OR SCHOOL: Department of History DEGREE: MA CONVOCATION: October YEAR: 2011 Permission is herewith granted to Dalhousie University to circulate and to have copied for non-commercial purposes, at its discretion, the above title upon the request of individuals or institutions. I understand that my thesis will be electronically available to the public. The author reserves other publication rights, and neither the thesis nor extensive extracts from it may be printed or otherwise reproduced without the author’s written permission. The author attests that permission has been obtained for the use of any copyrighted material appearing in the