Arts Education in an Urban School District: Principals' Perspectives

Total Page:16

File Type:pdf, Size:1020Kb

Arts Education in an Urban School District: Principals' Perspectives University of Wisconsin Milwaukee UWM Digital Commons Theses and Dissertations August 2013 Arts Education in an Urban School District: Principals' Perspectives and Practices in a Standards-Based Environment Coupled with an Economic Downturn Kristin Ann Steinbach University of Wisconsin-Milwaukee Follow this and additional works at: https://dc.uwm.edu/etd Part of the Art Education Commons, and the Educational Administration and Supervision Commons Recommended Citation Steinbach, Kristin Ann, "Arts Education in an Urban School District: Principals' Perspectives and Practices in a Standards-Based Environment Coupled with an Economic Downturn" (2013). Theses and Dissertations. 311. https://dc.uwm.edu/etd/311 This Dissertation is brought to you for free and open access by UWM Digital Commons. It has been accepted for inclusion in Theses and Dissertations by an authorized administrator of UWM Digital Commons. For more information, please contact [email protected]. ARTS EDUCATION IN AN URBAN SCHOOL DISTRICT: PRINCIPALS’ PERSPECTIVES AND PRACTICES IN A STANDARDS-BASED ENVIRONMENT COUPLED WITH AN ECONOMIC DOWNTURN by Kristin A. Steinbach A Dissertation Submitted in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy in Urban Education The University of Wisconsin-Milwaukee August 2013 ABSTRACT ARTS EDUCATION IN AN URBAN SCHOOL DISTRICT: PRINCIPALS’ PERSPECTIVES AND PRACTICES IN A STANDARDS-BASED ENVIRONMENT COUPLED WITH AN ECONOMIC DOWNTURN by Kristin Steinbach The University of Wisconsin-Milwaukee, 2013 Under the Supervision of Professor Latish C. Reed and Professor Kimberly J. Cosier This case study explored perspectives of urban principals towards the values of arts education within the context of accountability coupled with economic strain, which has worked to undervalue arts education, and has impacted urban students’ access to quality arts education (Chapman, 2004 & 2005). Since differences in access to arts education has been drawn along differences in ethnic, racial and socioeconomic status, ii this was understood as a social justice issue (Theoharis, 2007). Specifically, this research addressed the roles of principals and investigated the research question: How do urban principals and school leaders perceive the value of the arts within a climate of accountability and financial strain? Informed by critical theory, this question was supplemented by the following attendant questions: 1a.) How do urban school leaders make decisions about offering arts education at their schools? 1b.) What do urban school leaders consider when they make these decisions? 2a.) How are urban school leaders maintaining access to arts education within a climate of accountability and financial strain? 2b.) To what extent are urban school leaders who are maintaining this access aware of the relationships between arts education and social justice? Qualitative sources of data were collected including transcripts, observation notes and analytical memos. Participants included six urban, high school principals and additional staff members from three of the high schools. Findings revealed that principals believed that students who participated in arts education were engaged, were able to enjoy and escape from the rest of the school day, and finally, were able to express themselves. Principals who valued arts education were able to maintain access to arts education on limited levels. Their decisions were largely guided by evaluation requirements, available resources and tradition. Principals supported the accountability movement and felt their schools were improving; however, principals also revealed that providing quality arts education remained a major challenge iii and indicated a need for more to be done. Although principals expressed a concern with social justice issues, most did not indicate an awareness of arts education curricula as a means to engage students in critical thinking or social activism that could challenge the status quo. Keywords: arts education, school leadership, education for social justice, accountability movement, budget cuts, urban education iv © Kristin A. Steinbach, 2013 All Rights Reserved v DEDICATION I would like to dedicate this work, first and foremost, to my husband and best friend, John, for encouraging me to keep going and to see this project through to completion. Throughout this process, he was a continuous source of support as he served as unofficial editor as well as my main cheerleader. As one of the smartest people I know, he spent countless hours talking with me, helping me to articulate the purpose of this research. This work is also dedicated to my family, especially my parents, Gordon and Jackie, for their continuous support, friendship, faith and love. I thank my mom and dad for raising me in a way that has instilled within me a work ethic that has helped me not only to complete this project but to finish it with a sense of pride. I thank my father, who learned from his own father, that if the work you are doing is not worth your best effort, then it is not worth doing at all. In other words, he has taught me to do my best in all of my endeavors. I am equally grateful to my mother who has always believed in me and has helped me to see my talents and abilities when I doubted myself. My older siblings, Brian and Shelly, have also been great sources of inspiration as they have both lives as shining examples of hard workers, who approach their careers and lives with unwavering dedication and integrity. I am honored and blessed to have such a great network of support. In addition to family, several good friends have helped me along the way. They have reminded me why I began this journey as a doctoral student in the first place. Without this network, vi the energy and stamina needed to see this through to fruition would certainly not have been possible. My greatest and most heartfelt thanks goes out to all who have been here for me. Finally, this work is dedicated to my research participants who were honest, open and willing to share their experiences with me. I am in awe at the work they, and countless others like them, do every day to help students reach their potentials. The world is a better place because of what they do. vii ACKNOWLEDGEMENTS I could not have two better co-advisers for this project. Dr. Latish Reed and Dr. Kimberly Cosier joined forces to help make the final research clear, compelling and important. They have been professional and supportive during this process. I admire them for their brilliance, their expert knowledge and, mostly, for their commitment to social justice, made clear through their work in their respective fields. Dr. Reed came to this project halfway through, and has lead with enthusiasm and dedication, and even a bit of humor when necessary. She has been a constant “reality check” with her intimate knowledge of the challenges urban school leaders confront daily. From the beginning, Dr. Cosier has enriched my understanding of the arts and has introduced me to artists working as social critics, and to scholarship about arts education for social justice that helped to build and strengthen my own convictions. Without the inputs from these two admirable scholars, my work would be seriously lacking. Dr. Leigh Wallace deserves special mention for the close work she did with me to clear up my research methods and design this study in a way that made the most sense. She treated me with kindness and respect during the infant stages of my scholarship, something that all budding doctoral candidates need. Her knowledge of qualitative research methodology helped me to create a study that has importance and validity that those in academia will recognize. Expert scholars, Dr. Gail Schneider and Dr. Thomas Joynt also served on my committee and were integral to ensuring that this work could hold weight. As viii practitioners and scholars, they grounded this study and I sincerely appreciate their time, input and efforts. ix TABLE OF CONTENTS Abstract……………………………………………………………………………………ii Dedication………………………………………………………………………………...vi Acknowledgements…………….………………………………………………………...vii Chapter I- Introduction…………………………………………………………….……1 Operational Definitions……………………………………………………………...…….3 Documentation of the Problem……………………………………………………………4 Purpose of the Study………………………………………………………………………7 Research Question……………………………………………………………………….10 Limitations of the Study………………………………………………………………….11 Chapter II - Review of the Literature…………………………………………………13 Context of Arts Education: Effects of the Standards Based Reform Movement and Financial Strain………………………………………………………………….……….14 Research on Arts Education……………………………………………………………..21 Academic benefits for students of arts education………………………………..22 Social benefits for students of arts education related to social justice…………...29 The arts for critical pedagogy………………………………...………………….30 The arts for critical multicultural pedagogy…………………...……………..….43 The arts for social change ………………………………………………….……47 Educational Leadership ………………………………………………….........................55 Principals as instructional and organizational leaders...........................................56 Transformational and democratic school leadership………...…………………..59 Principals as agents for social justice……………………………...……………..62 x Connections among Social Justice, School Leadership, and Arts Education…………....65 Constructivism…………………………………………………………………...66 Critical pedagogy………………………………………………………………...73 Critical multicultural pedagogy………………………………………………….76 Chapter III: Methodology…………………..…………………………………………82
Recommended publications
  • Palpable Pedagogy: Expressive Arts, Leadership, and Change in Social
    Antioch University AURA - Antioch University Repository and Archive Student & Alumni Scholarship, including Dissertations & Theses Dissertations & Theses 2009 Palpable Pedagogy: Expressive Arts, Leadership, and Change in Social Justice Teacher Education (An Ethnographic/Auto-Ethnographic Study of the Classroom Culture of an Arts-Based Teacher Education Course) Lucy Elizabeth Barbera Antioch University - PhD Program in Leadership and Change Follow this and additional works at: http://aura.antioch.edu/etds Recommended Citation Barbera, Lucy Elizabeth, "Palpable Pedagogy: Expressive Arts, Leadership, and Change in Social Justice Teacher Education (An Ethnographic/Auto-Ethnographic Study of the Classroom Culture of an Arts-Based Teacher Education Course)" (2009). Dissertations & Theses. 12. http://aura.antioch.edu/etds/12 This Dissertation is brought to you for free and open access by the Student & Alumni Scholarship, including Dissertations & Theses at AURA - Antioch University Repository and Archive. It has been accepted for inclusion in Dissertations & Theses by an authorized administrator of AURA - Antioch University Repository and Archive. For more information, please contact [email protected], [email protected]. PALPABLE PEDAGOGY: EXPRESSIVE ARTS, LEADERSHIP, AND CHANGE IN SOCIAL JUSTICE TEACHER EDUCATION (AN ETHNOGRAPHIC/AUTO-ETHNOGRAPHIC STUDY OF THE CLASSROOM CULTURE OF AN ARTS-BASED TEACHER EDUCATION COURSE) LUCY ELIZABETH BARBERA A DISSERTATION Submitted to the Ph.D. in Leadership & Change Program of Antioch University in partial fulfillment of the requirements for the degree of Doctor of Philosophy January, 2009 This is to certify that the dissertation entitled: PALPABLE PEDAGOGY: EXPRESSIVE ARTS, LEADERSHIP, AND CHANGE IN SOCIAL JUSTICE TEACHER EDUCATION (AN ETHNOGRAPHIC/AUTO- ETHNOGRAPHIC STUDY OF THE CLASSROOM CULTURE OF AN ARTS-BASED TEACHER EDUCATION COURSE) prepared by Lucy Elizabeth Barbera is approved in partial fulfillment of the requirements for the degree of Doctor of Philosophy in Leadership & Change.
    [Show full text]
  • Reinvesting in Arts Education
    President’s Committee on the Arts And the humAnities Reinvesting in Arts Education Winning America’s Future Through Creative Schools reated in 1982 under President Reagan, the President’s CCommittee on the Arts and the Humanities (PCAH) is an advisory committee to the White House on cultural issues. The PCAH works directly with the Administration and the three primary cultural agencies –– National Endowment for the Arts (NEA), National Endowment for the Humanities (NEH) and the Institute of Museum and Library Services (IMLS) –– as well as other federal partners and the private sector, to address policy questions in the arts and humanities, to initiate and support key programs in those disciplines and to recognize excellence in the field. Its core areas of focus are arts and humanities education, cultural exchange, and community revitalization. The First Lady serves as the Honorary Chairman of the Committee, which is composed of both private and public members. Through the efforts of its federal and private members, the PCAH has compiled an impressive legacy over its almost 30-year tenure, conducting major research and policy analysis, and catalyzing important federal cultural programs, both domestic and international. These achievements rely on the PCAH’s unique role in bringing together the White House, federal agencies, civic organizations, corporations, foundations and individuals to strengthen the United States’ national investment in its cultural life. Central to the PCAH’s mission is using the power of the arts and humanities to contribute to the vibrancy of our society, the education of our children, the creativity of our citizens and the strength of our democracy.
    [Show full text]
  • The Benefits of Engaging in an Arts-Rich Education and the Pedagogical Strategies Used To
    The benefits of engaging in an arts-rich education and the pedagogical strategies used to create these benefits in successful part time performing arts schools. Laura Holden Submitted in accordance with the requirements for the degree of Doctor of Education The University of Leeds School of Education February, 2018 2 The candidate confirms that the work submitted is her own work and that appropriate credit has been given where reference has been made to the work of others. This copy has been supplied on the understanding that it is copyright material and that no quotation from the thesis may be published without proper acknowledgment. © 2018 The University of Leeds Laura Holden 3 Acknowledgments I would first like to thank my supervisor, Dr Paula Clarke, who has encouraged, challenged, supported, and offered me invaluable advice on all stages of my research project. Her guidance and enthusiasm made my EdD graduate study an enjoyable and achievable experience. I would also like to thank my previous supervisors, Dr Becky Parry and Prof. Ian Abrahams, who helped me to focus my ideas during the earlier stages of the project. I would like to thank the principals and teachers of Stagecoach Theatre Arts schools who allowed me access to their schools and confidential data. Without their assistance this research would have not been possible. Both the principals and teachers have provided insightful ideas and examples of best practice, resulting in a study that I hope is useful to other practitioners that wish to develop the teaching and learning experience in their own areas. Finally, I would like to thank my friends and family who have supported me throughout this process.
    [Show full text]
  • Reinvesting in Arts Education
    President’s Committee on the Arts And the humAnities Reinvesting in Arts Education Winning America’s Future Through Creative Schools reated in 1982 under President Reagan, the President’s CCommittee on the Arts and the Humanities (PCAH) is an advisory committee to the White House on cultural issues. The PCAH works directly with the Administration and the three primary cultural agencies –– National Endowment for the Arts (NEA), National Endowment for the Humanities (NEH) and the Institute of Museum and Library Services (IMLS) –– as well as other federal partners and the private sector, to address policy questions in the arts and humanities, to initiate and support key programs in those disciplines and to recognize excellence in the field. Its core areas of focus are arts and humanities education, cultural exchange, and community revitalization. The First Lady serves as the Honorary Chairman of the Committee, which is composed of both private and public members. Through the efforts of its federal and private members, the PCAH has compiled an impressive legacy over its almost 30-year tenure, conducting major research and policy analysis, and catalyzing important federal cultural programs, both domestic and international. These achievements rely on the PCAH’s unique role in bringing together the White House, federal agencies, civic organizations, corporations, foundations and individuals to strengthen the United States’ national investment in its cultural life. Central to the PCAH’s mission is using the power of the arts and humanities to contribute to the vibrancy of our society, the education of our children, the creativity of our citizens and the strength of our democracy.
    [Show full text]
  • The Arts and Education: New Opportunities for Research
    47243-CCSSO-AEP4.qxd 4/14/04 9:50 AM Page C1 THE ARTS AND EDUCATION: NEW OPPORTUNITIES FOR RESEARCH Arts Education Partnership 2004 47243-CCSSO-AEP4.qxd 4/14/04 9:50 AM Page C2 Arts Education Partnership Copyright © 2004 Arts Education Partnership The Arts Education Partnership is administered by the Council of Chief State School Officers and the National Assembly of State Arts Agencies, through a cooperative agreement with the National Endowment for the Arts and the U.S. Department of Education. The Arts Education Partnership can be contacted at: Arts Education Partnership One Massachusetts Avenue, NW, Suite 700 Washington, DC 20001-1431 http://www.aep-arts.org Permission to copy, disseminate, or to otherwise use information from this document is granted as long as appropriate acknowledgment is given. This document is published in electronic format on the World Wide Web at www.aep-arts.org. For information on ordering printed copies, please call 202.336.7016 or visit www.aep-arts.org. 47243-CCSSO-AEP4.qxd 4/14/04 9:50 AM Page i THE ARTS AND EDUCATION: NEW OPPORTUNITIES FOR RESEARCH Arts Education Partnership 2004 47243-CCSSO-AEP4.qxd 4/14/04 9:50 AM Page ii TASK FORCE CHAIR: Gerald E. Sroufe, American Educational Research Association John D. Bransford, University of Washington James S. Catterall, University of California at Los Angeles Richard J. Deasy, Arts Education Partnership Paul D. Goren, The Spencer Foundation Ann E. Harman, Harman & Associates, LLC Doug Herbert, National Endowment for the Arts Felice J. Levine, American Educational Research Association Steve Seidel, Harvard Project Zero PROJECT DIRECTOR: Lauren Stevenson, Arts Education Partnership RESEARCH ASSISTANT: Andrew Nelson, Arts Education Partnership 47243-CCSSO-AEP4.qxd 4/14/04 9:50 AM Page i FOREWORD Our explicit goal for this report is to spark new conversations about research on arts and education.
    [Show full text]
  • Integration of Art, Music and Drama in Education
    SPECIEL ISSUE ON MUSIC, DANCE, DRAMA & ARTS IN EDUCATION OF SCHOLARLY RESEARCH JOURNAL FOR INTERDISCIPLINARY STUDIES ISSN 2278-8808, SJIF 5.403 INTEGRATION OF ART, MUSIC AND DRAMA IN EDUCATION SRJIS IMPACT FACTOR SJIF 2015: 5.401 Dr. Madhuri Isave (Page 150-154) Date of Issue Release: 04/03/2017, Associate Prof., Tilak College of Education, Pune-30 Volume: SRJIS, Jan-Feb, 2017, 4/30 Scholarly Research Journal's is licensed Based on a work at www.srjis.com Introduction The need of the integration of performing art in teacher education curriculum is a new focused toward learning without burden. The Kothari Commission Report of 1964- 66 emphasized that “in an age which values discovery and invention education for creative expression acquires added significance. Adequate facilities for the training of teachers in music and the visual arts do not exist. The neglect of the arts in education impoverishes the educational process and leads to a decline of aesthetic tastes and values”. The National Policy of Education 1986 emphasized that the important school education is to foster understanding of cultural and social system of different parts of the country. Follow up taken in 1986 and program of action prepared in 1992 and mentioned cultural perspective interlinking education promotes personality development and helps to enhance potentialities of the child. It is also supported in the three previous National Curriculum Framework(NCFs)of 1975,1988 And 2000 that to encourage and arouse students curiosity it is important to the principle of the teaching is focused on drama, music and drawing etc. Paradigm shift toward the art education integrate in school curriculum.
    [Show full text]
  • Arts Education in Public Elementary and Secondary Schools
    NATIONAL CENTER FOR EDUCATION STATISTICS Statistical Analysis Report October 1995 Arts Education in Public Elementary and Secondary Schools Nancy Carey Elizabeth Farris Westat, Inc. Michael Sikes National Endowment for the Arts Rita Foy National Institute on Student Achievement, Curriculum, and Assessment Judi Carpenter Project Officer National Center for Education Statistics U. S. Department of Education Office of Educational Research and Improvement NCES 95-082 U.S. Department of Education National Endowment for the Arts Richard W. Riley Jane Alexander Secretary Chairman OffIce of Educational Research and Improvement OffIce of Partnership Sharon P. Robinson Scott Sanders Assistant Secretary Deputy Chairman National Center for Education Statistics Arts in Education Program Jeanne E. Grifllth Doug Herbert Acting Commissioner Director Paul Planchon Associate Commissioner National Center for Education Statistics The purpose of the Center is to collect and report “statistics and information showing the condition and progress of education in the United States and other nations in order to promote and accelerate the improvement of American education. ” --Section 402(b) of the National Education Statistics Act of 1994 (20 U.S.C. 9001). October 1995 Contact: Judi Carpenter (202) 219-1333 This report was prepared by Westat, hc., under contract with the National Center for Education Statistics and under a cooperative agreement with the National Endowment for the Arts. For sale by the U.S. Government Printing Office Superintendent of Documents, Mail Stop SSOP, Washington, DC 20402-9328 ISBN 0-16 -048387-5 Highlights Arts Education in Public Elementary Schools Music is offered in 97 percent of public elementary schools in the United States (figure 1).
    [Show full text]
  • The Effect of Drama-Based Pedagogies on K-12 Literacy-Related Outcomes: a Meta-Analysis of 30 Years of Research
    The Effect of Drama-based Pedagogies on K-12 Literacy-Related Outcomes: A Meta-Analysis of 30 Years of Research (working paper) Bridget Kiger Lee, PhD Patricia Enciso, PhD Megan Brown Author Note Bridget Kiger Lee*, Department of Teaching and Learning, The Ohio State University; Megan Brown, Department of Teaching and Learning, The Ohio State University; Patricia Enciso, Department of Teaching and Learning, The Ohio State University. *All work for this manuscript was conducted while at The Ohio State University; however, Dr. Lee is now affiliated with the University of Pittsburgh. Correspondence concerning this article should be addressed to Bridget Kiger Lee; Email: [email protected] This project was supported in part or in whole by an award from the Research: Art Works program at the National Endowment for the Arts: Grant# 15-3800-7008. The opinions expressed in this paper are those of the author(s) and do not necessarily represent the views of the Office of Research & Analysis or the National Endowment for the Arts. The Arts Endowment does not guarantee the accuracy or completeness of the information included in this report and is not responsible for any consequence of its use. A recent national report heartily supported arts integration as an effective, innovative, and cost efficient way to address teachers’ and students’ needs; however, the report called for a better understanding of when, for whom, and what content areas are best served by arts integration methods. The effectiveness of drama-based pedagogy (DBP), a type of arts integration, has been assessed in previous meta-analyses; however, an updated meta-analysis is warranted.
    [Show full text]
  • Art As a Means to Teach English Language Vocabulary To
    ART AS A MEANS TO TEACH ENGLISH LANGUAGE VOCABULARY TO ELDERLY PEOPLE FROM THE RETIREMENT HOME: Hogar del Abuelo Divino Pastor CLAUDIA JULIETH CARDONA NARANJO LINA VANESSA GARCÍA QUINTERO SANTIAGO OSORIO GARCÍA M.A DOLLY RAMOS GALLEGOS CLASSROOM PROJECT’S ADVISOR 2018 UTP Teaching English through Arts to elderly TABLE OF CONTENTS ACKNOWLEDGMENT ................................................................................................................................... 4 ABSTRACT ................................................................................................................................................... 5 1. Justification ......................................................................................................................................... 7 2. Objectives ......................................................................................................................................... 10 2.1. Teaching Objectives .................................................................................................................. 10 2.1.1. General Aim ...................................................................................................................... 10 2.1.2. Specific Objectives............................................................................................................. 10 2.2. Learning Objectives ................................................................................................................... 10 2.2.1. General Aim .....................................................................................................................
    [Show full text]
  • Critical Links: Learning in the Arts and Student Academic and Social Development. INSTITUTION Arts Education Partnership, Washington, DC
    DOCUMENT RESUME ED 466 413 SO 033 941 AUTHOR Deasy, Richard J., Ed. TITLE Critical Links: Learning in the Arts and Student Academic and Social Development. INSTITUTION Arts Education Partnership, Washington, DC. SPONS AGENCY Department of Education, Washington, DC.; National Endowment for the Arts (NFAH), Washington, DC. ISBN ISBN-1-884037-78-X PUB DATE 2002-00-00 NOTE 171p.; Contains small print and some light print. Color print on color backgrounds may not reproduce adequately. CONTRACT DCA-97-16 AVAILABLE FROM Arts Education Partnership, One Massachusetts Ave., NW, Suite 700, Washington, DC 20001-1431. Web site: http://www.aep-arts.org/. PUB TYPE Collected Works - General (020) EDRS PRICE MFOl/PC07 Plus Postage. DESCRIPTORS Academic Achievement; *Art Activities; *Art Education; Classroom Techniques; *Educational Research; Elementary Secondary Education; *Fine Arts; Foreign Countries; *Social Development IDENTIFIERS *Academic Development Plans; *Research Summaries; South Korea (Seoul) ABSTRACT Two purposes of this compendium are: (1) to recommend to researchers and funders of research promising lines of inquiry and study suggested by recent, strong studies of the academic and social effects of learning in the arts; and (2) to provide designers of arts education curriculum and instruction with insights found in the research that suggest strategies for deepening the arts learning experiences and are required to achieve the academic and social effects. The compendium is divided into six sections: (1) "Danceu1(Summaries: Teaching Cognitive Skill through Dance; The Effects of Creative Dance Instruction on Creative and Critical Thinking of Seventh Grade Female Students in Seoul, Korea; Effects of a Movement Poetry Program on Creativity of Children with Behavioral Disorders; Assessment of High School Students' Creative Thinking Skills; The Impact of Whirlwind's Basic Reading through Dance Programs on First Grade Students' Basic Reading Skills; Art and Community; Motor Imagery and Athletic Expertise; Essay: Informing and Reforming Dance Education Research (K.
    [Show full text]
  • Visual Arts Smpl Curriculum.Pdf
    Copyright © 2015 by the Virginia Department of Education P.O. Box 2120 Richmond, Virginia 23218-2120 www.doe.virginia.gov All rights reserved. Reproduction of these materials for instructional purposes in public school classrooms in Virginia is permitted. Superintendent of Public Instruction Dr. Steven R. Staples Assistant Superintendent for Instruction Dr. John William Haun Office of Humanities & Early Childhood Dr. Christine A. Harris, Director Cheryle C. Gardner, Principal Specialist of Fine Arts Edited, designed, and produced by the CTE Resource Center Kevin P. Reilly, Administrative Coordinator Taylor B. Mooney, Writer/Editor Richmond Business and Medical Center Phone: 804-673-3778 2002 Bremo Road, Lower Level Fax: 804-673-3798 Henrico, Virginia 23226 Web site: www.cteresource.org The CTE Resource Center is a Virginia Department of Education grant project administered by Henrico County Public Schools. NOTICE The Virginia Department of Education does not discriminate on the basis of race, sex, color, national origin, religion, sexual orientation, gender identity, age, political affiliation, or against otherwise qualified persons with disabilities. The policy permits appropriate employment preferences for veterans and specifically prohibits discrimination against veterans. The following position has been designated to handle inquiries regarding the Department’s non-discrimination policies: Deputy Superintendent – Finance and Operations Virginia Department of Education P. O. Box 2120 Richmond, Virginia 23218-2120 Telephone: 804-225-2025 For further information on Federal non-discrimination regulations, contact the Office for Civil Rights at [email protected] or call 1-800-421-3481. You may also view Governor Terry McAuliffe’s Executive Order 1 (EO-1, 2014) (PDF), which specifically prohibits discrimination on the basis of race, sex, color, national origin, religion, age, political affiliation, or against otherwise qualified persons with disabilities.
    [Show full text]
  • Voices in the Arts Perspectives on the Importance of the Arts in Education Voices in the Arts
    Perspectives on the Importance of the Arts in Education Voices in the Arts Perspectives on the Importance of the Arts in Education Voices in the Arts Dear Colleague: For more than a decade, intense interest in how the arts stimulate learning has engaged researchers. Their efforts show that the study of music, drama, writing, dance and the visual arts helps excite and reinforce learning in subjects beyond the arts, like math, English and science. Yet, as budgets shrink, the arts have been withdrawn from many of our schools and classrooms. We need to change this. Arts education is not a frill; it is beneficial to every student. The arts help teachers reach students across a broad spectrum of learning styles and raise achievement in at-risk students, young children, underserved populations and students with disabilities. The arts play a primary role in students’ development. They are the cornerstone of emotional, creative and expressive development in young people. I couldn’t agree more with Secretary of Education Arne Duncan when he said, “The arts can help students become tenacious, team-oriented problem solvers who are confident and able to think creatively.” Recent findings that link an arts education to brain development and improved memory hold out hope that introducing the arts early will benefit all children. If we also can use the arts to encourage students to stay in school through graduation and do well in their classes, we will have been truly successful. Of course, the exploration of any art form requires a knowledgeable teacher. Teachers create and maintain successful learning environments and raise student achievement.
    [Show full text]