Advancing Arts Education Through an Expanded School
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Teaching Visual Art with the Brain in Mind
1 Teaching Visual Art with the Brain in Mind A thesis presented by Karen G. Pearson to the Graduate School of Education In partial fulfillment of the requirements for the degree of Doctor of Education In the field of Education College of Professional Studies Northeastern University Boston, Massachusetts August 20, 2019 2 ABSTRACT Critical periods of perceptual development occur during the elementary and middle school years. Vision plays a major role in this development. The use of child development knowledge of Bruner, Skinner, Piaget and Inhelder coupled with the artistic thinking theories of Goldschmidt, Marshall, and Williams through and the lens of James J. Gibson and his ex-wife Eleanor J. framed the study. Sixteen 8-10-year-olds over eight one-hour weekly meetings focused on how they see and learn how to draw. The study demonstrated that the perception of the participants followed the development of the visual pathway as described in empirical neural studies. Salient features presented themselves first and then, over time, details such as space, texture, and finally depth can be learned over many years of development. The eye muscles need to build stamina through guided lessons that provide practice as well as a finished product. It was more important to focus on the variety of qualities of line, shape, and space and strategy building through solution finding and goal setting. Perceptual development indicators of how 8-10-year-old elementary students see and understand images will be heard from their voices. The results indicated that practice exercises helped participants build stamina that directly related to their ability to persist in drawing. -
Preschool Teaching Staff 'S Opinions on the Importance Of
c e p s Journal | Vol.5 | No4 | Year 2015 9 Preschool Teaching Staff’s Opinions on the Importance of Preschool Curricular Fields of Activities, Art Genres and Visual Arts Fields Tomaž Zupančič*1, Branka Čagran2, and Matjaž Mulej3 • This article presents preschool teachers’ and assistant teachers’ opinions on the importance of selected fields of educational work in kindergar- tens. The article first highlights the importance of activities expressing artistic creativity within modern curriculums. Then, it presents an em- pirical study that examines the preschool teachers’ and assistant teach- ers’ opinions on the importance of the educational fields, art genres, and visual arts fields. In research hypotheses, we presumed that preschool teachers find individual educational fields, individual art genres, and in- dividual visual arts activities to be of different importance; consequently, education in kindergarten does not achieve the requisite holism. The study is based on the descriptive and causal-non-experimental method. We have determined that the greatest importance is attributed to move- ment and language, followed by nature, society, art and mathematics. Within art genres, the greatest importance is attributed to visual arts and music and the least to audio-visual activities. Within visual arts, drawing and painting are considered to be the most important and sculpting the least. These findings can support future studies and deliberation on the possible effects on practice in terms of requisitely holistically planned preschool education. Keywords: curriculum, preschool education, preschool teachers, requisite holism, visual arts activities 1 *Corresponding Author. Faculty of Education, University of Maribor, Slovenia; [email protected] 2 Faculty of Education, University of Maribor, Slovenia 3 Faculty of Economics and Business, University of Maribor, Slovenia 10 preschool teaching staff’s opinions on the importance of preschool curricular .. -
Palpable Pedagogy: Expressive Arts, Leadership, and Change in Social
Antioch University AURA - Antioch University Repository and Archive Student & Alumni Scholarship, including Dissertations & Theses Dissertations & Theses 2009 Palpable Pedagogy: Expressive Arts, Leadership, and Change in Social Justice Teacher Education (An Ethnographic/Auto-Ethnographic Study of the Classroom Culture of an Arts-Based Teacher Education Course) Lucy Elizabeth Barbera Antioch University - PhD Program in Leadership and Change Follow this and additional works at: http://aura.antioch.edu/etds Recommended Citation Barbera, Lucy Elizabeth, "Palpable Pedagogy: Expressive Arts, Leadership, and Change in Social Justice Teacher Education (An Ethnographic/Auto-Ethnographic Study of the Classroom Culture of an Arts-Based Teacher Education Course)" (2009). Dissertations & Theses. 12. http://aura.antioch.edu/etds/12 This Dissertation is brought to you for free and open access by the Student & Alumni Scholarship, including Dissertations & Theses at AURA - Antioch University Repository and Archive. It has been accepted for inclusion in Dissertations & Theses by an authorized administrator of AURA - Antioch University Repository and Archive. For more information, please contact [email protected], [email protected]. PALPABLE PEDAGOGY: EXPRESSIVE ARTS, LEADERSHIP, AND CHANGE IN SOCIAL JUSTICE TEACHER EDUCATION (AN ETHNOGRAPHIC/AUTO-ETHNOGRAPHIC STUDY OF THE CLASSROOM CULTURE OF AN ARTS-BASED TEACHER EDUCATION COURSE) LUCY ELIZABETH BARBERA A DISSERTATION Submitted to the Ph.D. in Leadership & Change Program of Antioch University in partial fulfillment of the requirements for the degree of Doctor of Philosophy January, 2009 This is to certify that the dissertation entitled: PALPABLE PEDAGOGY: EXPRESSIVE ARTS, LEADERSHIP, AND CHANGE IN SOCIAL JUSTICE TEACHER EDUCATION (AN ETHNOGRAPHIC/AUTO- ETHNOGRAPHIC STUDY OF THE CLASSROOM CULTURE OF AN ARTS-BASED TEACHER EDUCATION COURSE) prepared by Lucy Elizabeth Barbera is approved in partial fulfillment of the requirements for the degree of Doctor of Philosophy in Leadership & Change. -
Reinvesting in Arts Education
President’s Committee on the Arts And the humAnities Reinvesting in Arts Education Winning America’s Future Through Creative Schools reated in 1982 under President Reagan, the President’s CCommittee on the Arts and the Humanities (PCAH) is an advisory committee to the White House on cultural issues. The PCAH works directly with the Administration and the three primary cultural agencies –– National Endowment for the Arts (NEA), National Endowment for the Humanities (NEH) and the Institute of Museum and Library Services (IMLS) –– as well as other federal partners and the private sector, to address policy questions in the arts and humanities, to initiate and support key programs in those disciplines and to recognize excellence in the field. Its core areas of focus are arts and humanities education, cultural exchange, and community revitalization. The First Lady serves as the Honorary Chairman of the Committee, which is composed of both private and public members. Through the efforts of its federal and private members, the PCAH has compiled an impressive legacy over its almost 30-year tenure, conducting major research and policy analysis, and catalyzing important federal cultural programs, both domestic and international. These achievements rely on the PCAH’s unique role in bringing together the White House, federal agencies, civic organizations, corporations, foundations and individuals to strengthen the United States’ national investment in its cultural life. Central to the PCAH’s mission is using the power of the arts and humanities to contribute to the vibrancy of our society, the education of our children, the creativity of our citizens and the strength of our democracy. -
Benefits of Implementing Visual Arts for Elementary School Students
California State University, Monterey Bay Digital Commons @ CSUMB Capstone Projects and Master's Theses Capstone Projects and Master's Theses 12-2019 Benefits of Implementing Visual Arts for Elementary School Students Desiree Conway California State University, Monterey Bay Follow this and additional works at: https://digitalcommons.csumb.edu/caps_thes_all Part of the Art Education Commons Recommended Citation Conway, Desiree, "Benefits of Implementing Visual Arts for Elementary School Students" (2019). Capstone Projects and Master's Theses. 666. https://digitalcommons.csumb.edu/caps_thes_all/666 This Capstone Project (Open Access) is brought to you for free and open access by the Capstone Projects and Master's Theses at Digital Commons @ CSUMB. It has been accepted for inclusion in Capstone Projects and Master's Theses by an authorized administrator of Digital Commons @ CSUMB. For more information, please contact [email protected]. Running head: The Benefits of Implementing Visual Arts 1 Benefits of Implementing Visual Arts for Elementary School Students Desiree C. Conway California State University, Monterey Bay The Benefits of Implementing Visual Arts for Elementary School Students 2 Abstract Walking into an elementary classroom you might have observed that visual arts have been consistently disappearing from elementary school classrooms. Visual arts curriculum is especially important in elementary schools because it helps students to fully understand concepts in other areas of their academics. This senior capstone will focus and discuss the many benefits of implementing visual arts into an elementary school classroom. Through the use of literature review and interviews with teachers. The findings reveal that when visual arts are implemented into elementary schools, they do indeed serve students well and have positive effects in all academic areas of elementary school students. -
What Can I Do with a Major In...VISUAL ARTS EDUCATION
What can I do with a major in...VISUAL ARTS EDUCATION The Visual Arts major is designed to prepare students to teach visual art in grades K-12 in private and public schools. As an education major, you’ll be mentored by professors who will guide and encourage you during your journey toward a degree and teacher licensure, and a classroom of your own! We have a wide range of P–12 school partnerships that will give you extensive interaction with current teachers in real classrooms as early as your sophomore year. You’ll observe and assist in classrooms before you become a student teacher your senior year. What types of work are related to this degree? Who employs people with this degree? Teaching in your area of specialty Schools of all kinds-public, private, charter, international, Private tutoring government, residential Creating/directing educational programs Day care and nursery school Curriculum development or textbook editing Parks and Recreation departments Instructional design (technology training may be required) Educational testing companies Online education Curriculum/educational publishers Student life/student affairs School district offices Corporate or business training and development Educational research firms Private or community education instructor Industries related to your subject area Administration/management in the fine arts Non-profit organizations Art gallery or museum research or exhibits Universities and colleges More information online at ONETonline.org Employee training programs Strategies for Success: Requirements for certification/licensure vary by state; multiple certifications will increase employability. A master’s degree will increase earning potential. Be willing to work hard at finding a job and to go where the jobs are. -
The Benefits of Engaging in an Arts-Rich Education and the Pedagogical Strategies Used To
The benefits of engaging in an arts-rich education and the pedagogical strategies used to create these benefits in successful part time performing arts schools. Laura Holden Submitted in accordance with the requirements for the degree of Doctor of Education The University of Leeds School of Education February, 2018 2 The candidate confirms that the work submitted is her own work and that appropriate credit has been given where reference has been made to the work of others. This copy has been supplied on the understanding that it is copyright material and that no quotation from the thesis may be published without proper acknowledgment. © 2018 The University of Leeds Laura Holden 3 Acknowledgments I would first like to thank my supervisor, Dr Paula Clarke, who has encouraged, challenged, supported, and offered me invaluable advice on all stages of my research project. Her guidance and enthusiasm made my EdD graduate study an enjoyable and achievable experience. I would also like to thank my previous supervisors, Dr Becky Parry and Prof. Ian Abrahams, who helped me to focus my ideas during the earlier stages of the project. I would like to thank the principals and teachers of Stagecoach Theatre Arts schools who allowed me access to their schools and confidential data. Without their assistance this research would have not been possible. Both the principals and teachers have provided insightful ideas and examples of best practice, resulting in a study that I hope is useful to other practitioners that wish to develop the teaching and learning experience in their own areas. Finally, I would like to thank my friends and family who have supported me throughout this process. -
Visual Arts Teacher Education: a Study of Current Practices in Louisiana Universities
Louisiana State University LSU Digital Commons LSU Historical Dissertations and Theses Graduate School 1989 Visual Arts Teacher Education: A Study of Current Practices in Louisiana Universities. Eloise Mcclendon Murchison Louisiana State University and Agricultural & Mechanical College Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_disstheses Recommended Citation Murchison, Eloise Mcclendon, "Visual Arts Teacher Education: A Study of Current Practices in Louisiana Universities." (1989). LSU Historical Dissertations and Theses. 4864. https://digitalcommons.lsu.edu/gradschool_disstheses/4864 This Dissertation is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Historical Dissertations and Theses by an authorized administrator of LSU Digital Commons. For more information, please contact [email protected]. INFORMATION TO USERS The most advanced technology has been used to photograph and reproduce this manuscript from the microfilm master. UMI films the text directly from the original or copy submitted. Thus, some thesis and dissertation copies are in typewriter face, while others may be from any type of computer printer. The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleedthrough, substandard margins, and improper alignment can adversely affect reproduction. In the unlikely event that the author did not send UMI a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material had to be removed, a note will indicate the deletion. Oversize materials (e.g., maps, drawings, charts) are reproduced by sectioning the original, beginning at the upper left-hand corner and continuing from left to right in equal sections with small overlaps. -
Visual Arts Resources
FINE ARTS EDUCATION Visual Arts Information regarding Florida’s visual arts education standards, course descriptions and instructional resources can be found on www.CPALMS.org. K-12 standards for Visual Arts can be accessed here, and specific course requirements and standards can be accessed here. The Next Generation Sunshine State Standards for visual arts education are organized by grade level for grades K-5 and by clusters for grades 6-8 and 9-12. The following five bullets are the Big Ideas identified in arts education and provide an overview of what students should know and be able to do: Critical Thinking and Reflection: Critical and creative thinking, self-expression and communication with others are central to the arts. Historical and Global Connections: Through dance, music, theatre and visual arts, students learn that beginners, amateurs and professionals benefit from working to improve and maintain skills over time. Innovations, Technology and the Future: Works in dance, music, theatre and visual arts are organized by elements and principles that guide creators, interpreters and responders. Organizational Structure: Experiences in the arts foster understanding, acceptance and enrichment among individuals, groups and cultures from around the world and across time. Skills, Techniques and Processes: Experiences in the arts foster understanding, acceptance and enrichment among individuals, groups and cultures from around the world and across time. Legislation regarding Fine Arts Education in Florida: 1003.4282(3)(e) Standard High School Diploma; Course and Assessment Requirements One credit in fine or performing arts, speech and debate, or practical arts. – The practical arts course must incorporate artistic content and techniques of creativity, interpretation, and imagination. -
Reinvesting in Arts Education
President’s Committee on the Arts And the humAnities Reinvesting in Arts Education Winning America’s Future Through Creative Schools reated in 1982 under President Reagan, the President’s CCommittee on the Arts and the Humanities (PCAH) is an advisory committee to the White House on cultural issues. The PCAH works directly with the Administration and the three primary cultural agencies –– National Endowment for the Arts (NEA), National Endowment for the Humanities (NEH) and the Institute of Museum and Library Services (IMLS) –– as well as other federal partners and the private sector, to address policy questions in the arts and humanities, to initiate and support key programs in those disciplines and to recognize excellence in the field. Its core areas of focus are arts and humanities education, cultural exchange, and community revitalization. The First Lady serves as the Honorary Chairman of the Committee, which is composed of both private and public members. Through the efforts of its federal and private members, the PCAH has compiled an impressive legacy over its almost 30-year tenure, conducting major research and policy analysis, and catalyzing important federal cultural programs, both domestic and international. These achievements rely on the PCAH’s unique role in bringing together the White House, federal agencies, civic organizations, corporations, foundations and individuals to strengthen the United States’ national investment in its cultural life. Central to the PCAH’s mission is using the power of the arts and humanities to contribute to the vibrancy of our society, the education of our children, the creativity of our citizens and the strength of our democracy. -
The Arts and Education: New Opportunities for Research
47243-CCSSO-AEP4.qxd 4/14/04 9:50 AM Page C1 THE ARTS AND EDUCATION: NEW OPPORTUNITIES FOR RESEARCH Arts Education Partnership 2004 47243-CCSSO-AEP4.qxd 4/14/04 9:50 AM Page C2 Arts Education Partnership Copyright © 2004 Arts Education Partnership The Arts Education Partnership is administered by the Council of Chief State School Officers and the National Assembly of State Arts Agencies, through a cooperative agreement with the National Endowment for the Arts and the U.S. Department of Education. The Arts Education Partnership can be contacted at: Arts Education Partnership One Massachusetts Avenue, NW, Suite 700 Washington, DC 20001-1431 http://www.aep-arts.org Permission to copy, disseminate, or to otherwise use information from this document is granted as long as appropriate acknowledgment is given. This document is published in electronic format on the World Wide Web at www.aep-arts.org. For information on ordering printed copies, please call 202.336.7016 or visit www.aep-arts.org. 47243-CCSSO-AEP4.qxd 4/14/04 9:50 AM Page i THE ARTS AND EDUCATION: NEW OPPORTUNITIES FOR RESEARCH Arts Education Partnership 2004 47243-CCSSO-AEP4.qxd 4/14/04 9:50 AM Page ii TASK FORCE CHAIR: Gerald E. Sroufe, American Educational Research Association John D. Bransford, University of Washington James S. Catterall, University of California at Los Angeles Richard J. Deasy, Arts Education Partnership Paul D. Goren, The Spencer Foundation Ann E. Harman, Harman & Associates, LLC Doug Herbert, National Endowment for the Arts Felice J. Levine, American Educational Research Association Steve Seidel, Harvard Project Zero PROJECT DIRECTOR: Lauren Stevenson, Arts Education Partnership RESEARCH ASSISTANT: Andrew Nelson, Arts Education Partnership 47243-CCSSO-AEP4.qxd 4/14/04 9:50 AM Page i FOREWORD Our explicit goal for this report is to spark new conversations about research on arts and education. -
Findings of Visual Arts Research in Early Childhood and Primary Education Ugotovitve Raziskav Likovne Vzgoje V Zgodnjem Otroštv
Marijana Županić Benić | 55 Marijana Županić Benić Findings of Visual Arts Research in Early Childhood and Primary Education Review article UDK: [373.2+373.3]:7 ABSTRACT Arts research was introduced in the field of education during the 1990s by Barone and Eisner, but their methodology is rarely used because it is not considered to be consistent with traditional paradigms of the scientific method. This review identified only seven visual arts research studies in early childhood education and primary education. Four studies were conducted in early childhood education settings, and two of those studies used quantitative methods to investigate the effects of art on early childhood development. The three studies that were conducted in primary education used a case study approach to examine art projects in the community or the classroom. Participation in visual arts was associated with enhanced learning outcomes in other areas and the development of individual and social competences, but it was not found to facilitate the development of age-dependent abilities, such as visual or grapho-motor abilities. Visual arts also proved to be an effective method of communication for children in preschool and primary education institutions because it is easier for them to express their opinions and beliefs to adults with visual media than with words. Key words: arts-based research, arts-informed research, preschool, primary school Ugotovitve raziskav likovne vzgoje v zgodnjem otroštvu in v osnovni šoli Pregledni znanstveni članek UDK: [373.2+373.3]:7 POVZETEK Raziskovanje umetniškega področja sta v devetdesetih letih 20. stoletja uvajala Barone in Eisner, toda njune metode se danes redko uporabljajo, saj niso bile nikoli uveljavljene kot tradicionalne znanstvene metode.