DOCSLIB.ORG

Select Committee on Communications

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Select Committee on Communications SELECT COMMITTEE ON COMMUNICATIONS REPORT: A PRIVATISED FUTURE FOR CHANNEL 4? Evidence Volume Contents Arts Council England – written evidence (SCF0016) ......................................................................... 1 British Broadcasting Corporation (BBC) – written evidence (SCF0029) ...................................... 8 British Film Institute (BFI) – written evidence (SCF0017) ................................................................. 9 Campaign for Broadcasting Equality CIO - written evidence (SCF0027) .................................... 15 Channel 4 – written evidence (SCF0019) ........................................................................................... 21 Channel 4 – oral evidence (QQ 41-49) ............................................................................................... 39 The Children’s Media Foundation – written evidence (SCF0005) ................................................ 52 Commercial Broadcasters Association – written evidence (SCF0026) ....................................... 55 Compact Media Group – written evidence (SCF0024) ................................................................... 60 Creative England – written evidence (SFC0014) ............................................................................... 62 Creative Industries Federation – written evidence (SCF0013) ...................................................... 69 Creative Skillset – written evidence (SCF0025) ................................................................................ 75 Department for Culture, Media and Sport (DCMS) – written evidence (SCF0021) ................ 81 DCMS – oral evidence (QQ 50-63) ..................................................................................................... 86 David Elstein – oral evidence (QQ 22-31) ......................................................................................... 99 Enders Analysis – oral evidence (QQ 1-10) ..................................................................................... 111 Equity – written evidence (SCF0008) ................................................................................................ 123 Professor Sylvia Harvey – written evidence (SFC0028) ................................................................ 126 Lord Hollick – written evidence (SCF0030) ..................................................................................... 133 Paul Horgan – written evidence (SCF0002) ..................................................................................... 135 Incorporated Society of British Advertisers (ISBA) – written evidence (SCF0004) ............... 140 International Broadcasting Trust (IBT) – written evidence (SCF0009) ...................................... 145 ITN – written evidence (SCF0015) .................................................................................................... 164 Carolyn Jackson-Brown – written evidence (SCF0006) ................................................................ 174 John Newbigin – written evidence (SCF0007) ................................................................................. 176 Ofcom – oral evidence (QQ 11-21) .................................................................................................. 179 Ofcom - supplementary written evidence (SCF0031).................................................................... 191 Michael Pritchard - written evidence (SCF0001) ............................................................................. 194 Producers Allliance for Cinema and Television (Pact) – written evidence (SCF0022) ........... 195 Pact and Voice of the Listener and Viewer (VLV) – oral evidence (QQ 32-40) ...................... 213 Sandford St Martin Trust – written evidence (SCF0003) .............................................................. 228 Sky – written evidence (SCF0018) ...................................................................................................... 233 Stonewall – written evidence (SCF0012) .......................................................................................... 238 Teledwyr Annibynnol Cymru (TAC) – written evidence (SCF0011) ......................................... 240 Viacom International Media Networks – written evidence (SCF0023) ..................................... 246 Voice of the Listener and Viewer (VLV) – written evidence (SCF0010) ................................... 248 VLV and Pact – oral evidence (QQ 32-40) ....................................................................................... 261 2 Arts Council England – written evidence (SCF0016) Arts Council England – written evidence (SCF0016) Introduction 1. Arts Council England’s mission is 'great art and culture for everyone'. We work to achieve this by championing, developing and investing in arts and cultural experiences that enrich people's lives. 2. As the national development agency for the arts, museums and libraries, we support a range of activities from theatre to music, reading to dance, photography to digital art, carnival to crafts. We support and invest in high quality arts practice and the best emerging practitioners that represent the backbone of our cultural infrastructure and contribute to the future of the UK’s dynamic creative economy. 3. The Arts Council directly invests between £4- 5m each year in public service content initiatives, distributed both online and on television. We work closely with Channel 4, BBC, Sky, Google and others to support innovation in the accessibility and the growth of great arts and culture digitally.1 In addition Arts Council funded organisations are increasingly producing work of this nature as part of their creative mission. This includes companies across England like the National Theatre, Miracle Theatre in Cornwall, BALTIC Centre for Contemporary Art in Newcastle Gateshead, Royal Opera House, and Norfolk Museums. 4. Our response to the Select Committee focusses on Channel 4 Corporation’s (C4C) engagement with arts and culture. This includes its investment in arts, music and specialist factual programming as well as its important role within the wider cultural ecology and creative industries. 5. The Arts Council believes that: A strong Channel 4 with a continued Public Sector Broadcasting (PSB) remit is critical to the UK’s art, culture and creativity. Channel 4’s innovative arts, music and specialist factual programming makes an essential contribution to current and future PSB plurality. As the main creative competitor to the BBC, it delivers public benefit through increasing audience choice, driving up quality and achieving mass impact and reach. This also impacts on wider public engagement in arts and culture As well as extending broadcast and online output for the arts, Channel 4 is also plays an important role nurturing new voices, talent and diversity within the wider cultural and creative industries. Any consideration of the future sustainability of C4C should consider how it will maintain and strengthen both its current investment in arts and cultural 1 The Arts Council’s Creative Media policy http://www.artscouncil.org.uk/document/creative-media-policy 1 Arts Council England – written evidence (SCF0016) programming and its successful collaborations with arts and cultural organisations Channel 4 could expand delivery of its arts and cultural remit by sharing its expertise, data and platforms with cultural organisations for public benefit. They could do this is by developing and commissioning a new wave of regional independent producers from the arts and culture sector. Any changes to C4C’s business model must ensure its existing public benefit is protected and fulfilled at a minimum. Changes which might lead to reduced PSB remit and reduced original content investment across key genres such as the arts should be avoided. Funding Is C4C financially sustainable? Is the revenue provided by advertising sufficient to make Channel 4 Corporation (C4C) sustainable? 6. Recent independent economic analyses by Ofcom2, Ernst and Young 3 and Enders Analysis4 suggest C4C is financially sustainable. These three reports consider C4C’s place within the wider current and future market, and its resilience to address the impact of digital disruption. Ofcom states that it re-licenced C4C until 2024 on the basis of its current model. 7. Any consideration of the future sustainability of C4C must demonstrate that it is able to continue to balance its commercial sustainability with successful delivery of its public service obligations. Since 2008 there has been a steep 25% reduction in arts and music original content across the PSB compact.5 It would be concerning if the current investments in C4C arts and music genre programming were to further decline. At present C4C has a broad cultural offer reaching a diverse audience, and the potential to reach niche markets not served by other broadcasters. This offer would likely be reduced and narrowed. Are there any other commercial/non-commercial revenue streams which could/should be explored? 8. Channel 4 is an important source of public investment in the arts and through its specialist factual output, in history, science and ideas that support our knowledge economy. 2 “In relicensing the core C4 service for ten years in 2014, we made it clear that we believed that the current funding model for that channel was sustainable.” From Public Service Content in a Connected Society, Ofcom’s third review of public service broadcasting (Dec 2014) http://stakeholders.ofcom.org.uk/broadcasting/reviews-
Load more

Recommended publications
  • Register of Lords' Interests
    REGISTER OF LORDS’ INTERESTS _________________ The following Members of the House of Lords have registered relevant interests under the code of conduct: ABERDARE, LORD Category 8: Gifts, benefits and hospitality Attended with wife, Royal Opera House, Covent Garden, 25 July 2014, as guests of Welsh Government Category 10: Non-financial interests (a) Director, F.C.M. Limited (recording rights) Category 10: Non-financial interests (c) Trustee, Berlioz Society Trustee, St John Cymru-Wales Trustee, National Library of Wales Category 10: Non-financial interests (e) Trustee, West Wycombe Charitable Trust ADAMS OF CRAIGIELEA, BARONESS Nil No registrable interests ADDINGTON, LORD Category 1: Directorships Chairman, Microlink PC (UK) Ltd (computing and software) Category 10: Non-financial interests (d) Vice President, British Dyslexia Association Category 10: Non-financial interests (e) Vice President, UK Sports Association Vice President, Lakenham Hewitt Rugby Club ADEBOWALE, LORD Category 1: Directorships Director, Leadership in Mind Ltd (business activities; certain income from services provided personally by the Member is or will be paid to this company or to TomahawkPro Ltd; see category 4(a)) Non-executive Director, Three Sixty Action Ltd (holding company; community development, media and IT) (see category 4(a)) Non-executive Director, TomahawkPro Ltd (a subsidiary of Three Sixty Action Ltd; collaborative software & IT innovation; no income from this post is received at present; certain income from services provided personally by the Member
    [Show full text]
  • Appendix Wuthering Heights Screen Adaptations
    Appendix Wuthering Heights Screen Adaptations Abismos de Pasión (1953) Directed by Luis Buñuel [Film]. Mexico: Producciones Tepeyac. Arashi Ga Oka (1988) Directed by Kiju Yoshida [Film]. Japan: Mediactuel, Saison Group, Seiyu Production, Toho. Cime Tempestose (2004) Directed by Fabrizio Costa [Television serial]. Italy: Titanus. Cumbres Borrascosas (1979) Directed by Ernesto Alonso and Karlos Velázquez [Telenovela]. Mexico: Televisa S. A. de C. V. Dil Diya Dard Liya (1966) Directed by Abdul Rashid Kardar [Film]. India: Kary Productions. Emily Brontë’s Wuthering Heights (1992) Directed by Peter Kosminsky [Film]. UK/USA: Paramount Pictures. Emily Brontë’s Wuthering Heights (1998) Directed by David Skynner [Television serial]. UK: ITV, Masterpiece Theatre, PBS. Hihintayin Kita Sa Langit (1991) Directed by Carlos Siguion-Reyna [Film]. Philippines: Reynafilms. Hurlevent (1985) Directed by Jacques Rivette [Film]. France: La Cécilia, Renn Productions, Ministère de la Culture de la Republique Française. Ölmeyen Ask (1966) Directed by Metin Erksan [Film]. Turkey: Arzu Film. ‘The Spanish Inquisition’ [episode 15] (1970). Monty Python’s Flying Circus [Television series]. Directed by Ian MacNaughton. UK: BBC. Wuthering Heights (1920) Directed by A. V. Bramble [Film]. UK: Ideal Films Ltd. Wuthering Heights (1939) Directed by William Wyler [Film]. USA: United Artists/ MGM. Wuthering Heights (1948) Directed by George More O’Ferrall [Television serial]. UK: BBC. Wuthering Heights (1953) Directed by Rudolph Cartier [Television serial]. UK: BBC. Wuthering Heights (1962) Directed by Rudolph Cartier [Television serial]. UK: BBC. Wuthering Heights (1967) Directed by Peter Sasdy [Television serial]. UK: BBC. Wuthering Heights (1970) Directed by Robert Fuest [Film]. UK: American International Pictures. Wuthering Heights (1978) Directed by Peter Hammond [Television serial].
    [Show full text]
  • Chris Scurfield Avid/ Premiere Offline
    Chris Scurfield Avid/ Premiere Offline Profile Chris is a passionate storyteller who enjoys working across all forms of documentary and drama. With a keen sense of narrative and a good eye for detail, his creative talents are matched by his hardworking ethos, making him a real pleasure to work with! Drama-Doc “American Monster” Season 7. 2 x 60min. Viewers get closer than ever to some of America's most shocking and surprising crimes. Filled with never-before-seen footage of these devils in disguise, American Monster interweaves twisting-turning stories of astonishing crimes, with 'behind-the- scenes' footage of killers at their seemingly most innocent. Arrow Media for Discovery ID “Locked up Abroad” Series 14. 1 x 44min. The film-maker sheds light on the life situations of people who have been arrested while travelling abroad, usually for trying to smuggle illegal drugs out of a particular country. Raw for Channel 5/ National Geographic “Rowell: The Final Verdict” Episode 3 – Silencing Witnesses. 1 x 60min. For the 74th Anniversary of the ‘Roswell Incident’, this 6-part mini-series goes back over the events and eyewitness accounts of the most notorious extra-terrestrial incident in U.S. history. In each episode, harrowing accounts drive an explosive and cinematic minute-by-minute exploration using cutting-edge technology and artificial intelligence to separate fact from fiction. October Films for Discovery+ and Travel “Web of Lies: The Model Predator” Series 7. 1 x 42min. Male teenage athletes, lured into sending nude selfies, find themselves blackmailed and at the mercy of a relentless paedophile.
    [Show full text]
  • A Quiet Revolution
    A quiet revolution The moral economies shaping journalists’ use of NGO-provided multimedia in mainstream news about Africa Katherine Wright Goldsmiths, University of London A thesis submitted for the degree of PhD in Media and Communications 2014 1 Declaration I hereby declare that this submission is my own work and that, to the best of my knowledge and belief, it contains no material previously published or written by another person, nor material which has been accepted for the award of any other degree or diploma of the university or other institute of higher learning, except where due acknowledgement has been made in the text. 2 Acknowledgements With grateful thanks to my study participants for their time, trust and candour - without you there would be no study. I also want to thank my supervisor, Natalie Fenton, who manages to combine the sharpest of minds with the warmest of hearts. Your support has meant so much to me over the past few years. The encouragement and constructive criticism of others at Goldsmiths has also been invaluable, especially Aeron Davis, Des Freedman and Gholam Khiabany, who all kindly read drafts of chapters for me. Next, I want to note my debt to my dear colleagues in Journalism at the University of Roehampton. I especially want to thank Ros Coward, whose passionate belief that practitioners should ‘get into’ research started me off down this route in the first place. In addition, the words of advice and support from colleagues at other institutions have been really helpful, especially those of Mel Bunce, Lilie Chouliaraki, Glenda Cooper, Nick Couldry, Shani Orgad, Chris Paterson, Martin Scott, Helen Yanacopulos and Silvio Waisbord.
    [Show full text]
  • NPR ISSUES/PROGRAMS (IP REPORT) - September 1, 2016 Through September 30, 2016 Subject Key No
    NPR ISSUES/PROGRAMS (IP REPORT) - September 1, 2016 through September 30, 2016 Subject Key No. of Stories per Subject AGING AND RETIREMENT 14 AGRICULTURE AND ENVIRONMENT 103 ARTS AND ENTERTAINMENT 187 includes Sports BUSINESS, ECONOMICS AND FINANCE 97 CRIME AND LAW ENFORCEMENT 153 EDUCATION 27 includes College IMMIGRATION AND REFUGEES 33 MEDICINE AND HEALTH 67 includes Health Care & Health Insurance MILITARY, WAR AND VETERANS 37 POLITICS AND GOVERNMENT 346 RACE, IDENTITY AND CULTURE 133 RELIGION 12 SCIENCE AND TECHNOLOGY 68 Total Story Count 1277 Total duration (hhh:mm:ss) 102:40:34 Program Codes (Pro) Code No. of Stories per Show All Things Considered AT 604 Fresh Air FA 35 Morning Edition ME 451 TED Radio Hour TED 8 Weekend Edition WE 179 Total Story Count 1277 Total duration (hhh:mm:ss) 102:40:34 AT, ME, WE: newsmagazine featuring news headlines, interviews, produced pieces, and analysis FA: interviews with newsmakers, authors, journalists, and people in the arts and entertainment industry TED: excerpts and interviews with TED Talk speakers centered around a common theme Key Pro Date Duration Segment Title Aging and Retirement ALL THINGS CONSIDERED 09/01/2016 0:03:53 Dallas Police Chief David Brown Announces Retirement Aging and Retirement MORNING EDITION 09/01/2016 0:02:35 In Visit With Seniors, This Boy Learned Lessons That Go Beyond The Classroom Aging and Retirement WEEKEND EDITION SATURDAY 09/03/2016 0:05:26 After Almost 30 Years As Covering American Politics, Ron Fournier Heads Home Aging and Retirement WEEKEND EDITION SATURDAY
    [Show full text]
  • Ebook Download City of Lies: Love, Sex, Death and the Search for Truth in Tehran Ebook
    CITY OF LIES: LOVE, SEX, DEATH AND THE SEARCH FOR TRUTH IN TEHRAN PDF, EPUB, EBOOK Ramita Navai | 320 pages | 11 Jun 2015 | Orion Publishing Co | 9781780225128 | English | London, United Kingdom City of Lies: Love, Sex, Death and the Search for Truth in Tehran PDF Book Survival there depends on dodging the fatwas of Iran's medieval theocratic regime. Navai slips effortlessly into the boots of earthy, urban writer to tour Tehran's ripped backsides in this intimate, grand guignol debut. It's a bit like Guy Fawkes night, in England. Navai paints an intimate portrait of those discreet recesses in a city where the difference between modesty and profanity, loyalty and betrayal, honor and disgrace is often no more than the believability of a lie. If you have a problem, or a moral question, you can look them up. I didn't write them to shock. It's a microcosm of the city. And the lies that are necessary to lead a life that is more in keeping with one's own ideas and has less in common with those of the nation's rulers, without coming to the attention of religious leaders, the morality police or the intelligence agency. It is an instrument of power or a way of rebelling — and in addition for many women the only way to lead a reasonably independent life. You chose, as your focus, one street in Tehran— Vali Asr Street. Two of them are reading it now, though they're not in the country at the moment. Their sense of humor.
    [Show full text]
  • American Honey D'andrea Arnorld
    Document generated on 10/05/2021 4:02 a.m. Spirale arts • lettres • sciences humaines American Honey d’Andrea Arnorld Alice Michaud-Lapointe Lectures et pratiques contemporaines du réel Number 259, Winter 2017 URI: https://id.erudit.org/iderudit/85005ac See table of contents Publisher(s) Spirale magazine culturel inc. ISSN 0225-9044 (print) 1923-3213 (digital) Explore this journal Cite this review Michaud-Lapointe, A. (2017). Review of [American Honey d’Andrea Arnorld]. Spirale, (259), 43–45. Tous droits réservés © Spirale magazine culturel inc., 2017 This document is protected by copyright law. Use of the services of Érudit (including reproduction) is subject to its terms and conditions, which can be viewed online. https://apropos.erudit.org/en/users/policy-on-use/ This article is disseminated and preserved by Érudit. Érudit is a non-profit inter-university consortium of the Université de Montréal, Université Laval, and the Université du Québec à Montréal. Its mission is to promote and disseminate research. https://www.erudit.org/en/ DOSSIER Les lucioles du Midwest PAR ALICE MICHAUD-LAPOINTE AMERICAN HONEY Réalisation d’Andrea Arnold, 2016, 163 min. We are the new Americana High on legal marijuana Raised on Biggie and Nirvana We are the new Americana Photo : Holly Horner, courtoisie de A24 Souvent qualifié dans les médias par les termes elles, empreintes d’une légèreté poétique, lumi- vagues et communs de « brut », « authentique », neuse, qui évacue toute possibilité de lecture « immersif » ou « sans concession », le travail de la misérabiliste par le spectateur et laisse poindre la Britannique Andrea Arnold s’inscrit dans une veine vision d’un nouveau réalisme social – naturalistic particulière de réalisme social cinématographique style,pourrait-on aussi dire – peut-être plus impur, qui a rapidement été considérée par maints plus irrévérencieux, mais aussi plus libéré dans sa critiques comme un héritage contemporain des forme et ses choix esthétiques.
    [Show full text]
  • Diamond Technical Account and Methodology
    Diamond Technical Account and Methodology What is Diamond? Diamond is designed to answer two questions: - Does the workforce on UK productions, both on and off-screen, reflect the diversity of the UK population? - Are audiences seeing themselves reflected on-screen. With the support of production companies, Diamond collects diversity data directly from cast and crew working on TV programmes (actual data), as well as information about how those on-screen might be perceived by viewing audiences (perceived data). Diamond data collection Scope Diamond is collecting data from: UK original productions commissioned by BBC, ITV, Channel 4, C5/ViacomCBS and Sky. All genres (although we do not currently report on film, sport and news) A large number of on and off-screen TV production roles (see Appendix 2) Programmes broadcast across the following channels BBC One, BBC Two, BBC Scotland, CBBC, CBEEBIES, CITV, GMTV1, GMTV2, ITV Encore, ITV1, ITV2, ITV3, ITV4, ITVBe, 4seven, Channel4, E4, Film Four, More 4, 5 Star, Channel5, Challenge TV, Paramount Network, Pick TV, Real Lives, Sky Arts, Sky Atlantic, Sky One, Sky Two, Sky Witness1 Data about 6 diversity characteristics: gender, gender identity, age, ethnicity, disability and sexual orientation. Diamond is not collecting data about: Programmes which have not been commissioned by the five Diamond broadcasters People working across broadcasting more generally, outside of production (our data are not overall workforce statistics). People who are not making a significant contribution to a programme (for example part of a crowd scene) More information about what is and isn’t collected can be found in the guidance notes issued to producers.
    [Show full text]
  • NOMINATIONS in 2016 LEADING ACTOR BEN WHISHAW London Spy – BBC Two IDRIS ELBA Luther – BBC One MARK RYLANCE Wolf Hall
    NOMINATIONS IN 2016 LEADING ACTOR BEN WHISHAW London Spy – BBC Two IDRIS ELBA Luther – BBC One MARK RYLANCE Wolf Hall – BBC Two STEPHEN GRAHAM This is England ’90 – Channel 4 LEADING ACTRESS CLAIRE FOY Wolf Hall – BBC Two RUTH MADELEY Don’t Take My Baby – BBC Three SHERIDAN SMITH The C Word – BBC One SURANNE JONES Doctor Foster – BBC One SUPPORTING ACTOR ANTON LESSER Wolf Hall – BBC Two CYRIL NRI Cucumber – Channel 4 IAN MCKELLEN The Dresser – BBC Two TOM COURTENAY Unforgotten - ITV SUPPORTING ACTRESS CHANEL CRESSWELL This is England ’90 – Channel 4 ELEANOR WORTHINGTON-COX The Enfield Haunting LESLEY MANVILLE River – BBC One MICHELLE GOMEZ Doctor Who – BBC One ENTERTAINMENT PERFORMANCE GRAHAM NORTON The Graham Norton Show – BBC One LEIGH FRANCIS Celebrity Juice – ITV2 ROMESH RANGANATHAN Asian Provocateur – BBC Three STEPHEN FRY QI – BBC Two FEMALE PERFORMANCE IN A COMEDY PROGRAMME MICHAELA COEL Chewing Gum – E4 MIRANDA HART Miranda – BBC One SIAN GIBSON Peter Kay’s Car Share – BBC iPlayer SHARON HORGAN Catastrophe – Channel 4 MALE PERFORMANCE IN A COMEDY PROGRAMME HUGH BONNEVILLE W1A – BBC Two JAVONE PRINCE The Javone Prince Show – BBC Two PETER KAY Peter Kay’s Car Share –BBC iPlayer TOBY JONES Detectorists – BBC Four House of Fraser British Academy Television Awards – Nominations Page 1 SINGLE DRAMA THE C WORD Susan Hogg, Simon Lewis, Nicole Taylor, Tim Kirkby – BBC Drama Production London/BBC One CYBERBULLY Richard Bond, Ben Chanan, David Lobatto, Leah Cooper – Raw TV/Channel 4 DON’T TAKE MY BABY Jack Thorne, Ben Anthony, Pier Wilkie,
    [Show full text]
  • The Political Structure of UK Broadcasting 1949-1999 Elstein, David
    www.ssoar.info The political structure of UK broadcasting 1949-1999 Elstein, David Veröffentlichungsversion / Published Version Monographie / monograph Empfohlene Zitierung / Suggested Citation: Elstein, D. (2015). The political structure of UK broadcasting 1949-1999. (Media, Democracy & Political Process Series). Lüneburg: meson press. https://doi.org/10.14619/011 Nutzungsbedingungen: Terms of use: Dieser Text wird unter einer CC BY-SA Lizenz (Namensnennung- This document is made available under a CC BY-SA Licence Weitergabe unter gleichen Bedingungen) zur Verfügung gestellt. (Attribution-ShareAlike). For more Information see: Nähere Auskünfte zu den CC-Lizenzen finden Sie hier: https://creativecommons.org/licenses/by-sa/4.0 https://creativecommons.org/licenses/by-sa/4.0/deed.de David Elstein POLITICAL The Political Structure of UK Broadcasting 1949-1999 STRUCTURE BROADCASTING UK ELSTEIN The Political Structure of UK Broadcasting 1949-1999 Media, Democracy & Political Process Series Edited by Christian Herzog, Volker Grassmuck, Christian Heise and Orkan Torun The Political Structure of UK Broadcasting 1949-1999 David Elstein Bibliographical Information of the German National Library The German National Library lists this publication in the Deutsche National bibliografie (German National Biblio­ graphy); detailed bibliographic information is available online at http://dnb.d­nb.de Published in 2015 by meson press, Hybrid Publishing Lab, Centre for Digital Cultures, Leuphana University of Lüneburg www.meson­press.com Design concept: Torsten Köchlin, Silke Krieg Cover Image: Sebastian Mühleis and Christian Herzog The print edition of this book is printed by Lightning Source, Milton Keynes, United Kingdom ISBN (Print): 978­3­95796­060­3 ISBN (PDF): 978­3­95796­061­0 ISBN (EPUB): 978­3­95796­062­7 DOI: 10.14619/011 The digital editions of this publication can be downloaded freely at: www.meson­press.com Funded by the EU major project Innovation Incubator Lüneburg This Publication is licensed under the CC­BY­SA 4.0 Inter­ national.
    [Show full text]
  • Culture, Media and Sport Committee
    House of Commons Culture, Media and Sport Committee Future of the BBC Fourth Report of Session 2014–15 Report, together with formal minutes relating to the report Ordered by the House of Commons to be printed 10 February 2015 HC 315 INCORPORATING HC 949, SESSION 2013-14 Published on 26 February 2015 by authority of the House of Commons London: The Stationery Office Limited £0.00 The Culture, Media and Sport Committee The Culture, Media and Sport Committee is appointed by the House of Commons to examine the expenditure, administration and policy of the Department for Culture, Media and Sport and its associated public bodies. Current membership Mr John Whittingdale MP (Conservative, Maldon) (Chair) Mr Ben Bradshaw MP (Labour, Exeter) Angie Bray MP (Conservative, Ealing Central and Acton) Conor Burns MP (Conservative, Bournemouth West) Tracey Crouch MP (Conservative, Chatham and Aylesford) Philip Davies MP (Conservative, Shipley) Paul Farrelly MP (Labour, Newcastle-under-Lyme) Mr John Leech MP (Liberal Democrat, Manchester, Withington) Steve Rotheram MP (Labour, Liverpool, Walton) Jim Sheridan MP (Labour, Paisley and Renfrewshire North) Mr Gerry Sutcliffe MP (Labour, Bradford South) The following Members were also a member of the Committee during the Parliament: David Cairns MP (Labour, Inverclyde) Dr Thérèse Coffey MP (Conservative, Suffolk Coastal) Damian Collins MP (Conservative, Folkestone and Hythe) Alan Keen MP (Labour Co-operative, Feltham and Heston) Louise Mensch MP (Conservative, Corby) Mr Adrian Sanders MP (Liberal Democrat, Torbay) Mr Tom Watson MP (Labour, West Bromwich East) Powers The Committee is one of the Departmental Select Committees, the powers of which are set out in House of Commons Standing Orders, principally in SO No 152.
    [Show full text]
  • Kate Hampel SENIOR EDIT DIRECTOR
    Kate Hampel SENIOR EDIT DIRECTOR www.katehampel.co.uk Highly experienced prime time factual and documentary edit director and senior producer director with over 40 ratings topping credits for BBC2, BBC3, C4, Five, Discovery, Sky 1 and ITV1 and a successful writing and directing track record for Australian broadcasters SBS Independent and ABC Television. I have 18 years experience in broadcast television with leading independent companies taking a production from idea through development, pre production, shoot and producing the edit through to final post. I am very visual director with an extensive track record crafting one-off programs and new series, ranging from observational documentaries to popular factual entertainment and corporate communications. Senior Edit Producer Escape (C4 Maverick TV) Series Producer Rob Rawlings EPs Nina Davies, Morgan Roberts 5x60’ primetime series that will see a small group of skilled people stranded at a crash site, days from civilisation, in a hostile environment, build a vehicle out of the debris salvaged from the site. The Guardian TV review Senior Edit Producer Dr Jeff Rocky Mountain Vet (Animal Planet/Double Act) Dr Jeff is busier than ever in his brand new Denver clinic. With his mantra of ‘putting the animal’s welfare before dollars’, combined with first class surgical skills, Dr Jeff has become Animal Planet’s number one show. Show Runner: Penny Fearon Edit Producer Beyond Reasonable Doubt CNN Nutopia Series Producer Amy Foster A drama doc science commission looking at how breakthroughs in forensic medicine helped solve major crimes. Edit Producer The Wild Dakota Boys Discovery Series Producers Tim Dalby Theo Williams Executive Producer James Bates Father and son Fred and Dustin Hurt hunt for gold in one of Alaska’s most treacherous rivers.
    [Show full text]