September • October 2014 • Issue 356
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Sheets to Lull To
Sheets to Lull To - Pratyaksh Gautam Lo-Fi? So, What’s Different? usic spawns countless genres, with new ones Most genres of music aim to grab your attention and Mpopping up by the dozens every few years. move you, or to make you move. Lo-fi established Among the genres to come to prominence in the last itself as a genre whose aim is to not draw too much few years, lo-fi stands out as one of the more “un- attention, as demonstrated by the title of the largest interesting” ones. It isn’t bizarre, avant-garde, nor is lo-fi live stream on the internet, ChilledCow’s 24x7 it dominating the top 40. It doesn’t have any artists “lo-fi hip hop radio - beats to relax/study to”. They’re who constantly make headlines for their fashion or repetitive, relaxed and laid-back beats, with rarely relationships. any comprehensible lyrics, to be played without It begs the much more “interesting” question, why needing to pay attention, as filler, think Phillip Glass is such a seemingly niche genre enjoying growing meets J Dilla. popularity? Simply put, lo-fi hip hop is this generation’s elevator Lo-fi, short for ‘low fidelity’ is a genre of music music, well suited for late-night study sesh’s, or drawing largely on hip-hop, with elements of other questionable activities best appreciated with sampling, classic old school drum machine sounds, a calm ambience. lo-fi has existed in some way or unquantised drums, slightly detuned synths, form for a long time, but has recently attracted a repetition, and repetition. -
Volume 44 Number 4 Oct Nov Dec 2018
THE INDEPENDENT JOURNAL OF CREATIVE IMPROVISED MUSIC ODEAN POPE PHIL MINTON SKETY SCOTT ROBINSON STEVE COHN KEIKO JONES MONTREAL JAZZ FESTIVAL 2018 INTERNATIONAL JAZZ NEWS CD REVIEWS BOOK REVIEWS DVD REVIEWS OBITUARIES Volume 44 Number 4 Oct Nov Dec 2018 New Releases on CNM Records POCKET ACES, CULL THE HEARD (CNM032) - OUT NOW. - Pocket Aces emerged from the jazz trio tradition; where each voice balances the others through contrast, and surprise. Although freely improvised, the music of Pocket Aces is consciously compositional, given to bouts of form, groove, and crafty melodies. Distillation of ideas with a premium on space and tone provides a strong coherence as the trio navigates the familiar and unfamiliar. HOFBAUER/ROSENTHANL QUARTET, HUMAN RESOURCES (CNM033) - RELEASE DATE NOV. 9 THE HOFBAUER/ROSENTHAL QUARTET, unites four imaginative improvisors from Boston’s eclectic jazz scene. There’s a non-hierarchal notion of the ensemble in this project, an ideal of equality and a selfless determination built into every musical inclination, as they unabashedly swing at the intersection between the clarity and control of bop and the brash freedom of the avant-garde. ERIC HOFBAUER QUARTET, PREHISTORIC JAZZ VOL. 4: REMINISCING IN TEMPO - OUT NOW. Reimagining of the rarely heard 1935 long form Duke Ellington composition. "It's a musical jungle gym for the guitar fan, a close listening to Hofbauer's note choices and abstract connections to the song's structure is absolutely required listening." - Paul Acquaro, Free Jazz Blog. All Albums on Bandcamp.com, Amazon.com or Erichofbauer.com - Visit erichofbauer.com for album details, audio samples, press and more. -
Why Jazz Still Matters Jazz Still Matters Why Journal of the American Academy of Arts & Sciences Journal of the American Academy
Dædalus Spring 2019 Why Jazz Still Matters Spring 2019 Why Dædalus Journal of the American Academy of Arts & Sciences Spring 2019 Why Jazz Still Matters Gerald Early & Ingrid Monson, guest editors with Farah Jasmine Griffin Gabriel Solis · Christopher J. Wells Kelsey A. K. Klotz · Judith Tick Krin Gabbard · Carol A. Muller Dædalus Journal of the American Academy of Arts & Sciences “Why Jazz Still Matters” Volume 148, Number 2; Spring 2019 Gerald Early & Ingrid Monson, Guest Editors Phyllis S. Bendell, Managing Editor and Director of Publications Peter Walton, Associate Editor Heather M. Struntz, Assistant Editor Committee on Studies and Publications John Mark Hansen, Chair; Rosina Bierbaum, Johanna Drucker, Gerald Early, Carol Gluck, Linda Greenhouse, John Hildebrand, Philip Khoury, Arthur Kleinman, Sara Lawrence-Lightfoot, Alan I. Leshner, Rose McDermott, Michael S. McPherson, Frances McCall Rosenbluth, Scott D. Sagan, Nancy C. Andrews (ex officio), David W. Oxtoby (ex officio), Diane P. Wood (ex officio) Inside front cover: Pianist Geri Allen. Photograph by Arne Reimer, provided by Ora Harris. © by Ross Clayton Productions. Contents 5 Why Jazz Still Matters Gerald Early & Ingrid Monson 13 Following Geri’s Lead Farah Jasmine Griffin 23 Soul, Afrofuturism & the Timeliness of Contemporary Jazz Fusions Gabriel Solis 36 “You Can’t Dance to It”: Jazz Music and Its Choreographies of Listening Christopher J. Wells 52 Dave Brubeck’s Southern Strategy Kelsey A. K. Klotz 67 Keith Jarrett, Miscegenation & the Rise of the European Sensibility in Jazz in the 1970s Gerald Early 83 Ella Fitzgerald & “I Can’t Stop Loving You,” Berlin 1968: Paying Homage to & Signifying on Soul Music Judith Tick 92 La La Land Is a Hit, but Is It Good for Jazz? Krin Gabbard 104 Yusef Lateef’s Autophysiopsychic Quest Ingrid Monson 115 Why Jazz? South Africa 2019 Carol A. -
Jimmy D. Lane
Jimmy D. Lane Biography "Son of the Blues" At the age of 47, Jimmy D. Lane has already led quite a full life. The musicians he knows makes for an impressive resume. He has worked with Eric Clapton, Mick Jagger, Jim Keltner, Keith Richards, B.B. King, Van Morrison, Jonny Lang, Gary Moore, Double Trouble, Taj Mahal, Stephen Stilles, Jeff Healy, Jimmie Lee Robinson, Lowell Fulson, and Snooky Pryor, Kim Wilson, Pinetop Perkins, Johnny ‘Big Moose’ Walker, Johnnie Johnson, Kim Wilson, Robert Plant, Jimmy Page, Harry Hypolite, George ‘Wild Child’ Butler, David ‘HoneyBoy’ Edwards, Weepin’ Willie Robinson, Little Hatch, Nancy Bryan, Willie Kent, Henry Gray, Lazy Lester and Eomot RaSun. He has also worked with venerable blues greats such as Sam Lay, Hubert Sumlin, Carey Bell, Dave Meyers and his father, the legendary Jimmy Rogers. Born July 4th, 1965 in Chicago, he grew up in a household where he became acquainted with a veritable who's who of Chicago bluesmen. Muddy Waters, Howlin' Wolf, Willie Mabon, Little Walter and Albert King, to name a few, would all stop by the house to visit the "old man." Coming from this environment has instilled in Lane the deepest respect for elder statesmen of the blues. "I feel blessed and fortunate, to have known all those cats, and I do not take it for granted." At the age of eight, he began playing his dad's guitar, which he wasn't supposed to do. "I would break a string and put it back in the case like he wasn't going to discover it," Lane recalls. -
Educating for Peace and Justice: Religious Dimensions, Grades 7-12
DOCUMENT RESUME ED 392 723 SO 026 048 AUTHOR McGinnis, James TITLE Educating for Peace and Justice: Religious Dimensions, Grades 7-12. 8th Edition. INSTITUTION Institute for Peace and Justice, St. Louis, MO. PUB DATE 93 NOTE 198p. AVAILABLE FROM Institute for Peace and Justice, 4144 Lindell Boulevard, Suite 124, St. Louis, MO 63108. PUB TYPE Guides Classroom Use Teaching Guides (For Teacher) (052) EDRS PRICE MF01/PC08 Plus Postage. DESCRIPTORS *Conflict Resolution; Critical Thinking; Cross Cultural Studies; *Global Education; International Cooperation; *Justice; *Multicultural Education; *Peace; *Religion; Religion Studies; Religious Education; Secondary Education; Social Discrimination; Social Problems; Social Studies; World Problems ABSTRACT This manual examines peace and justice themes with an interfaith focus. Each unit begins with an overview of the unit, the teaching procedure suggested for the unit and helpful resources noted. The volume contains the following units:(1) "Of Dreams and Vision";(2) "The Prophets: Bearers of the Vision";(3) "Faith and Culture Contrasts";(4) "Making the Connections: Social Analysis, Social Sin, and Social Change";(5) "Reconciliation: Turning Enemies and Strangers into Friends";(6) "Interracial Reconciliation"; (7) "Interreligious Reconciliation";(8) "International Reconciliation"; (9) "Conscientious Decision-Making about War and Peace Issues"; (10) "Solidarity with the Poor"; and (11) "Reconciliation with the Earth." Seven appendices conclude the document. (EH) * Reproductions supplied by EDRS are -
November/December 2005 Issue 277 Free Now in Our 31St Year
jazz &blues report november/december 2005 issue 277 free now in our 31st year www.jazz-blues.com Sam Cooke American Music Masters Series Rock & Roll Hall of Fame & Museum 31st Annual Holiday Gift Guide November/December 2005 • Issue 277 Rock and Roll Hall of Fame and Museum’s 10th Annual American Music Masters Series “A Change Is Gonna Come: Published by Martin Wahl The Life and Music of Sam Cooke” Communications Rock and Roll Hall of Fame Inductees Aretha Franklin Editor & Founder Bill Wahl and Elvis Costello Headline Main Tribute Concert Layout & Design Bill Wahl The Rock and Roll Hall of Fame and sic for a socially conscientious cause. He recognized both the growing popularity of Operations Jim Martin Museum and Case Western Reserve University will celebrate the legacy of the early folk-rock balladeers and the Pilar Martin Sam Cooke during the Tenth Annual changing political climate in America, us- Contributors American Music Masters Series this ing his own popularity and marketing Michael Braxton, Mark Cole, November. Sam Cooke, considered by savvy to raise the conscience of his lis- Chris Hovan, Nancy Ann Lee, many to be the definitive soul singer and teners with such classics as “Chain Gang” Peanuts, Mark Smith, Duane crossover artist, a model for African- and “A Change is Gonna Come.” In point Verh and Ron Weinstock. American entrepreneurship and one of of fact, the use of “A Change is Gonna Distribution Jason Devine the first performers to use music as a Come” was granted to the Southern Chris- tian Leadership Conference for ICON Distribution tool for social change, was inducted into the Rock and Roll Hall of Fame in the fundraising by Cooke and his manager, Check out our new, updated web inaugural class of 1986. -
Confessor Free
FREE CONFESSOR PDF Terry Goodkind | 757 pages | 29 Mar 2010 | St Martin's Press | 9780765354303 | English | New York, United States Confessor | Sword of Truth Wiki | Fandom How far this process Confessor gone in the days of the Confessor is a question to Confessor we shall return. The clamor prevented the king talking with the confessorwho read Confessor prayer-book. She humbled herself before the church, whose voice she believed she heard through the lips of her confessor. He had Confessor suave and winning ways as confessorthough he enjoined Confessor strictness as preacher. Next to these sat the clerks of the Confessor, with the King's Confessor at their head. Edward the Confessor. See how many words from the week of Oct 12—18, you Confessor right! Words nearby confessor confessional televisionconfessionaryconfession of faithConfessionsConfessions of an English Opium Eaterconfessor Confessor, confetticonfidantconfidanteconfideconfidence. Words related to confessor priestmartyrsaintfather confessortrue believer. Example sentences from the Web for confessor How far this process had gone in the days of the Confessor is a question to which we shall return. The Countess of Charny Alexandre Dumas pere. Roman Catholicism in Spain Anonymous. Harold, Complete Confessor Bulwer-Lytton. Christianitymainly RC Church a priest who hears confessions Confessor sometimes acts as a spiritual counsellor. Writing Help Is Here! Try For Free! The Confessor (album) - Wikipedia Please help Confessor the mission of New Advent and get the full contents Confessor this Confessor as an instant download. The word confessor is derived from the Latin confiterito confess, to profess, but it is not found in writers of the classical period, having been first used by the Christians. -
Angélique Kidjo
10 APRIL Angélique Kidjo April May June 2015 THIS EDITION David Helfgott returns Rhythm & blues diva Mavis Staples Metropolis New Music Festival 2015 The comic genius of Buster Keaton & Blue Grassy Knoll PP100016130 Jake Shimabukuro 11 APRIL April May June 2015 THIS EDITION Blues pioneer John Mayall Powerhouse vocalist Beth Hart Metropolis New Music Festival 2015 Angélique Kidjo a force in African music Paris Combo – our favourite French export PP100016130 Monday Tuesday Wednesday Thursday Friday Saturday Sunday Joe Chindamo & Beth Hart – p5 Lifeblood – p5 Zoë Black 1 – p4 Mavis Staples – p4 APRIL 01 02 03 04 05 Opposites Day with Opposites Day with Baby Little Promises – p8 An Affair to Paul Grabowsky – p10 Peter & the Wolf – p10 Love Music Fun – p7 Baby Love Music Fun Dismember – p9 Jake Shimabukuro – p9 Melb Piano Trio p7 The Romantic English – p7 Angélique Kidjo – p8 in Recital – p10 John Mayall – p6 Strings of the Soul Tour University of Melb 06 07 p7 08 09 10 11 Orchestra – p10 12 Welcome Louis Lortie – p11 Oriental Horizons – p12 Mostly Mozart: Mozart Something Borrowed Buster Keaton's Cops, The Virtuoso the Romantic – p12 p13 One Week & The Goat Recorder – p15 Join us for inspiring music at Melbourne Recital Centre this autumn. In April, the Centre Soloist in the Spotlight: Etihad Airways, the national airline of Sarah Chang – p12 Lagrime Mie: Tears & Augie March – p13 p14 presents legendary blues and roots artists Mavis Staples, Beth Hart, John Mayall, Angélique Lullabies – p13 The Mogilevski Duo the United Arab Emirates, is proud to 13 14 15 16 17 p14 18 19 Kidjo, and ukulele wunderkind Jake Shimabukuro, while the Great Performers series partner with Melbourne Recital Centre. -
To Read/Download
1 President’s Column groups to attend our shows (with their membership cards) at SBS By Brandon Bentz, President member prices. My view is that we are one big community of Blues As we approach the New Year, it is time to lovers, and we need to be open-armed to each other. I also targeted sponsored shows at higher visibility venues, such as the Harmonica reflect on the past year. It is a useful exercise to undertake each year to critically evaluate Slapdown at the Harris Center. The Harris Center sends out their where you have been and where you want to seasonal mailers to 100,000+ members, and the advertising power go.I think this has been a great year, and could not be denied. In addition, their membership is a very affluent, I'd like to share with you how I became your educated, and involved group. We signed up 35 new individual and President. family memberships at that show. Our next show to be held there will be the Summer Soulstice 2019 with Wee Willie Walker, Terri I took over the Presidency a little less than a year ago, when Renee Odabi, and the Anthony Paule Soul Orchestra. Hope to see you Erickson was suddenly faced with a serious health problem. I had there. taken the Vice Presidency over just a few months earlier when the former VP stepped down. The Board voted me into the VP spot, to Next was the Board membership crisis. If we fell below a critical fill the vacancy and introduce new blood and new ideas. -
DB Music Shop Must Arrive 2 Months Prior to DB Cover Date
05 5 $4.99 DownBeat.com 09281 01493 0 MAY 2010MAY U.K. £3.50 001_COVER.qxd 3/16/10 2:08 PM Page 1 DOWNBEAT MIGUEL ZENÓN // RAMSEY LEWIS & KIRK WHALUM // EVAN PARKER // SUMMER FESTIVAL GUIDE MAY 2010 002-025_FRONT.qxd 3/17/10 10:28 AM Page 2 002-025_FRONT.qxd 3/17/10 10:29 AM Page 3 002-025_FRONT.qxd 3/17/10 10:29 AM Page 4 May 2010 VOLUME 77 – NUMBER 5 President Kevin Maher Publisher Frank Alkyer Editor Ed Enright Associate Editor Aaron Cohen Art Director Ara Tirado Production Associate Andy Williams Bookkeeper Margaret Stevens Circulation Manager Kelly Grosser ADVERTISING SALES Record Companies & Schools Jennifer Ruban-Gentile 630-941-2030 [email protected] Musical Instruments & East Coast Schools Ritche Deraney 201-445-6260 [email protected] Classified Advertising Sales Sue Mahal 630-941-2030 [email protected] OFFICES 102 N. Haven Road Elmhurst, IL 60126–2970 630-941-2030 Fax: 630-941-3210 www.downbeat.com [email protected] CUSTOMER SERVICE 877-904-5299 [email protected] CONTRIBUTORS Senior Contributors: Michael Bourne, John McDonough, Howard Mandel Austin: Michael Point; Boston: Fred Bouchard, Frank-John Hadley; Chicago: John Corbett, Alain Drouot, Michael Jackson, Peter Margasak, Bill Meyer, Mitch Myers, Paul Natkin, Howard Reich; Denver: Norman Provizer; Indiana: Mark Sheldon; Iowa: Will Smith; Los Angeles: Earl Gibson, Todd Jenkins, Kirk Silsbee, Chris Walker, Joe Woodard; Michigan: John Ephland; Minneapolis: Robin James; Nashville: Robert Doerschuk; New Orleans: Erika Goldring, David Kunian; New York: Alan Bergman, Herb Boyd, Bill Douthart, Ira Gitler, Eugene Gologursky, Norm Harris, D.D. -
Leland Sklar
The Inspiring Musical Journeys of Cordial Artists James Taylor Sonics are perfect. perfect. Sonics are Helen Reddy Expertly made.” cables. Cordial Rita Coolidge “Loving my Spencer Davis Group The Doors Jackson Browne Paul Williams Kenny Rankin Billy Cobham Linda Ronstadt Rick Springfield Crosby & Nash Stephen Stills Carly Simon Kim Carnes Art Garfunkle Rod Stewart Carol King Glenn Campbell Leo Sayer Hall & Oates Hoyt Axton Bette Midler Warren Zevon Donna Summer America Dolly Parton Billy Preston Don Henley Phil Collins Jimmy Webb Bonnie Raitt Ricky Skaggs Reba McEntire George Strait Oak Ridge Boys Randy Newman Leland Sklar P Patty Loveless that doin’ still there, Been Family Immediate with hanging out Currently live performances. uncountable and songs 2,000 albums/25,000 over whose work spans a player for surprising too credits—not onthe would be listed Leland agood chance there’s ‘90s and and ‘80s, ‘70s, the from artist album/song/ iconic any much pretty name could you is, Fact Check Taylor? James musicscene. popular the of forefront the at always and more— and movie dates, tours, sessions, recording of milestone number with extraordinary an long ( the represents Sklar Leland bassist Lyle Lovett pre-eminent artist, Cordial other any than more erhaps Manhattan Transfer Pathways long! Neil Diamond . Phil Collins? Suzy Bogguss Check Wynonna Judd populated ) career Clint Black a best: aesthetic Browne? . Jackson Leonard Cohen Wilson Philips —a group Thomas Dolby Check Air Supply Ray Charles Chet Atkins . The Peter Frampton Julio Iglesias -
Lives & Legends
UNIT 2 Lives & Legends Coursebook Unit 2 Language Texts Communicative skills Part 1 Grammar Listening Speaking SB page 18 Past simple and past continuous An interview with a ghostwriter Ghostwriting Vocabulary and Pronunciation Writing -ing and -ed adjectives Ghostwriting a partner’s Word stress experience Part 2 Vocabulary Reading SB page 20 Relationships White Teeth Grammar Past perfect and past simple Pronunciation Weak forms Part 3 Grammar Reading and Speaking Speaking and Listening SB page 22 Modifiers Grimms’ fairy tales A fairy tale Vocabulary and Pronunciation Extreme adjectives Word stress Part 4 Vocabulary Reading Writing SB page 24 Prepositions Legendary places A mini saga Extend your vocabulary Ways of talking about meaning Grammar used to and would Function globally Generalising and giving examples SB page 26 Talking about philosophy Talking about likes / dislikes and family / friends Global voices Listening to people talk about influences on their lives SB page 27 Talking about stuff Talking about people who have influenced your life Writing A narrative SB page 28 Complex sentences Writing a story Global review Grammar and vocabulary review SB page 29 Extra speaking practice Study skills Improving your reading skills SB page 29 Additional resources eWorkbook Interactive and printable grammar, vocabulary, listening and pronunciation practice Extra reading and writing practice Additional downloadable listening and audio material TB resource CD Communication activity worksheets to print and photocopy Go global Lives Ideas for further Ask students to find an American or British online genealogy or family history site and try to find research anybody with the same family name as you (without registering).