Copyright by Deirdre Gae Doughty 2013

Total Page:16

File Type:pdf, Size:1020Kb

Copyright by Deirdre Gae Doughty 2013 Copyright by Deirdre Gae Doughty 2013 The Dissertation Committee for Deirdre Gae Doughty certifies that this is the approved version of the following dissertation: Having a Baby the Natural Way: Primitive Bodies, Modern Women and Childbirth in Mid-Century America Committee: Laurie B. Green, Supervisor Judith G. Coffin Janet M. Davis Megan Seaholm Gunther Peck Having a Baby the Natural Way: Primitive Bodies, Modern Women and Childbirth in Mid-Century America by Deirdre Gae Doughty, B.A.; M.A. Dissertation Presented to the Faculty of the Graduate School of The University of Texas at Austin in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy The University of Texas at Austin May 2013 Dedication To my husband, Jeff, and to my children, William, James, and Henry, for the love, joy and support they have given me. Acknowledgements After so many years in the making, it gives me great pleasure to thank those who contributed to this project’s completion. Early in my graduate school career, Judy Coffin, Desley Deacon, Kevin Kenny, Gunther Peck and Jim Sidbury provided vital encouragement and, in their example of fine scholarship and through their excellent teaching, continuously challenged me and fundamentally shaped my approach to the study of history. Desley Deacon supplied early enthusiasm, crucial feedback and important direction for my dissertation, as did Gunther Peck and, later, David Oshinsky. More recently my work has benefitted from the insightful suggestions and correctives of Janet Davis and Megan Seaholm. My greatest thanks and gratitude, however, go to my supervisor, Laurie Green. Her generous commitment to students, myself included, is invaluable. In my case, she not only proved an incisive and challenging critic, but also an unfailing mentor and constant supporter. My work is immensely better for her involvement. I owe thanks to the Department of History at the University of Texas at Austin for awarding me grants and fellowships, including the John M. Curtis Dissertation Fellowship, which allowed me to focus on conducting research both in Austin and in London. I am also very appreciative of the Department for allowing me to chart a non-traditional path to the completion of my degree as I juggled growing family obligations and my scholarly career. I owe thanks, too, to the helpful and v professional staff at the Wellcome Library for the History and Understanding of Medicine in London, England; at the Columbia University Augustus C. Long Health Sciences Library; and at the Schlesinger Library at Harvard University. I am especially indebted to the InterLibrary Services staff at the Perry Castaneda Library at the University of Texas at Austin. They promptly and efficiently obtained for me the books that I could not find among UT’s amazing library holdings and also managed to track down obscure magazine articles, despite the fact that I often had only incomplete citations. I am also grateful for the friendship, camaraderie and perceptive criticism of the members of my dissertation writing groups: in S.C.I.P.S., Marian Barber, Lissa Bollettino, Sara Fanning, Sara Lucas and Rebecca Montes; and in a later dissertation group with Laurie Green, Leah Deane, Luritta Dubois, Kyle Shelton, Sarah Steinbock- Pratt and Cristina Salinas. Thank you to Brittany Smith who provided that all too rare and priceless service—childcare that was both absolutely dependable and also enriching and fun for my children—and in the process became a part of our family. I thank Claire Tobin, Billy Doughty, Jack Thompson, Jennifer Thompson and Justin Thompson for years of friendship, advice, support and good times. Billy also provided excellent childcare and Justin graciously welcomed me into his home on a research trip to NYC. My dear parents, Bill and Beverly Doughty, deserve special acknowledgement and appreciation. I cannot thank them enough. They not only unstintingly showered vi me with love and encouragement, but also nurtured and fed my curiosity and imagination and, by example, taught me the value of learning and the importance of perseverance and hard-work. Both of them contributed tangibly and intangibly to the project that follows. My father introduced me to the joys of history at an early age; he also designed and built the database I used for my research at the Wellcome Library. Childhood conversations with my mother inspired my lifelong interest in natural childbirth and her impressive diligence in completing two degrees as I was growing up showed me that successfully managing family and academic life was a possibility. She also provided essential childcare by accompanying me on my research trip to London. My three bright and exuberant children, William, Jamie and Henry, were each born as I was researching and writing this project. Though their arrival slowed my completion, they brought balance, new perspective and boundless joy to my life. I wouldn’t have done it any other way. My deepest debt is to my husband and true partner, Jeff Thompson. His keen intellect and sharp wit have enlivened and enriched my life and my work immeasurably; his unwavering encouragement has seen me through my most doubt-filled hours. His selfless and ongoing financial support of our family and his willingness, on numerous lengthy occasions, to cheerfully shoulder all household and parental responsibilities made the completion of this dissertation possible. I don’t know that I can ever repay what he has done for vii me, but I look forward to spending the rest of my life trying. To him and to our beautiful boys, I dedicate this work. viii Having a Baby the Natural Way: Primitive Bodies, Modern Women and Childbirth in Mid-Century America Deirdre Gae Doughty, Ph.D. The University of Texas at Austin, 2013 Supervisor: Laurie B. Green As childbirth shifted from home to the hospital in earnest in the late 1930s, many women, reacting against what they saw as a dehumanizing, assembly-line approach to labor began to search for an alternative method involving conscious delivery and an emphasis on a positive experience for the mother. Natural childbirth provided one such method and by the 1950s had become the basis of a burgeoning social movement, spawning childbirth education organizations across the United States and sparking an outpouring of both opposition and support in magazines, newspapers, and medical texts. Other scholars have generally analyzed these early stirrings of interest in alternative birthing practices in relation to what would later become the more activist and more explicitly feminist challenge to medicalized childbirth in the 1970s and 1980s. My dissertation moves beyond this focus to examine the origins of natural childbirth in late-nineteenth-century thinking on “primitive” and “civilized” birth and then looks at the ways that physicians, pundits, journalists and mothers themselves reinterpreted and shaped that thinking during the post WWII years in the United States. Using photographs and articles from ix medical journals and the popular press, along with hundreds of letters and surveys from natural childbirth participants, I focus on three running threads. One, I examine the ways that advocates of natural childbirth relied on ideas of “primitive” versus “civilized” or “modern” birth—ideas deeply imbued with notions of bodily difference and class status. On a related point, I also look at the ways that women’s experiences of childbirth discursively marked their level of civilization or modernity. Two, I examine the fact that natural childbirth proponents paradoxically both associated the method with concepts of “nature” and “primitivity” and stressed its derivation from and basis in “modern science.” I look at how this alliance with “modern” medicine constructed natural childbirth as a distinctly “modern” method. Three, I analyze the ways that the rhetoric and theory of natural childbirth reflected contemporary understandings of femininity, as well as the ways that popular media representations of, and women’s participation in, natural childbirth helped to complicate and reshape these cultural perceptions. x Table of Contents List of Figures ............................................................................................................................ xiii Introduction ................................................................................................................................... 1 Chapter 1 Painless Parturition and the Overcivilized Woman: The Origins of Natural Childbirth ......................................................................................................... 24 Chapter 2 Modernizing “Civilized” Childbirth: American Childbirth Practice and Rhetoric in the 1920s and 1930s ............................................................................ 70 Chapter 3 Taking Labor Off the Assembly Line: Grantly Dick-Read and Natural Childbirth ........................................................................................................................ 113 Chapter 4 “Having a Baby the New Way: Natural Childbirth, Modernity and the Domestic Ideal” ............................................................................................................ 149 Chapter 5 “The Most Controversial Issue in Modern Medicine”: Responses to Natural Childbirth ....................................................................................................... 204 Conclusion ................................................................................................................................
Recommended publications
  • The Painless Peace of Twilight Sleep Cheryl Miller
    2 2 The Painless Peace of Twilight Sleep Cheryl Miller hen Aldous Huxley’s Upon its publication, Wharton had Brave New World was been attacked as being out of touch Wfirst published seventy- with American life (she had spent five years ago, the critical reception only eleven days in her native coun- was markedly unenthusiastic—but try since 1913), and accused of sell- it did find one appreciative reader. ing out. In the Boston Transcript, Edith Wharton, then in her seventies Dorothy Gillman wrote, “The result and living abroad in France, was not of deserting her own class is disas- a fan of the new generation of writers trous for Mrs. Wharton. She now (she detested Joyce as “pornographic,” adventures in a world which she and thought Virginia Woolf’s novels does not really know...she seems works of pure “exhibitionism”). But deliberately to set out to write a com- in Brave New World, she found a work monplace story that will delight and that spoke to many of her own res- entertain readers of serialized fic- ervations about the modern age. She tion.” Frederick Hoffman concurred, praised it as a “tragic indictment of claiming Wharton seemed “insulted our ghastly age of Fordian culture” by history,” while Carl Van Vechten, and “un chef-d’oeuvre digne de Swift” writing in The Nation, called the (“a masterpiece worthy of Swift”). “I new work, “scrupulous, clever, and suffer from a complete inability to uninspired.” read novels about a future state of Eighty years later, the novel society,” she wrote one friend, “but in remains little-read.
    [Show full text]
  • Pós-Graduação Em Letras-Inglês Social Critique in Scorsese's the Age of Innocence and Madden's Ethan Frome: Filmic Adaptat
    UNIVERSIDADE FEDERAL DE SANTA CATARINA PÓS-GRADUAÇÃO EM LETRAS-INGLÊS SOCIAL CRITIQUE IN SCORSESE'S THE AGE OF INNOCENCE AND MADDEN'S ETHAN FROME: FILMIC ADAPTATIONS OF TWO NOVELS BY EDITH WHARTON por HELEN MARIA LINDEN Dissertação submetida à Universidade Federal de Santa Catarina para obtenção do grau de MESTRE EM LETRAS FLORIANÓPOLIS Novembro, 1996 Esta Dissertação foi julgada adequada e aprovada em sua forma final pelo Programa de Pós-Graduação em Inglês para obtenção do grau de MESTRE EM LETRAS Opção Literatura Jos Roberto O'Shea OORDENÀDOR Anelise Reich Corseuil ORIENTADORA BANCA EXAMINADORA: Anelise Reich Corseuil Bernadete Pasold Florianópolis, 28 de novembro de 1996. Ill ACKNOWLEDGEMENTS I would like to thank the PROGRAMA DE PÓS-GRADUAÇÃO EM INGLÊS of the UNIVERSIDADE FEDERAL DE SANTA CATARINA, in special Dr. Anelise Reich Corseuil, my advisor, for the academic support and friendship. Besides the professors that have, in one way or another, enabled me to write this dissertation. Dr. Bernadete Pasold deserves special thanks for her interest in reading and discussing specific parts of my study. Dr. Sara Kozloff, from Vassar College, also devoted some time in reading part of my dissertation and providing interesting suggestions. I am grateful for her interest and contribuitions. I could not exclude Professor John Caughie, from Glasgow University, whose important insights for my research were given during his stay in Florianópolis. I would also like to thank CNPq for the financial support which enabled me to develop this research. I am very grateful to my friend and colleague Viviane Heberle whose invitation to enter the program was the starting point of my return to the academic life.
    [Show full text]
  • Furthering Perspectives Vol 2.Pdf (2.360Mb)
    Furthering Perspectives: Anthropological Views of the World Volume 2:2008 Published by: Anthropology Graduate Student Society (AGSS) Colorado State University Editors-in-Chief Editorial Board Jason Bush Dr. Barbara Hawthorne Melanie Graham Dr. Lynn Kwiatkowski Benjamin Jewell Dr. Sonya LeFebre Bethany Mizushima Dr. Ann Magennis Dr. Eden Welker Dr. Chris Zier AGSS logo design by Benjamin White Front cover design by Sarah Mizushima Front cover photos: Henri Jean-François Dengah II; Leslie Johnson; Peter Jessen; Andrew Kumar; Kristina Pearson; Dr. Kathleen Pickering; Brian Thomas ©2008 Anthropology Graduate Student Society ISSN 1941-1731 Table of Contents: Editors’ Note………………………..………………..…....iv I. Literature Reviews: 1. Gender and Power in Childbirth Discourse: An Analysis of Two Popular Books April Biasiolli……………………………………………3 2. Indigenous Land Rights in the Amazon: A Landscape Approach Kristina Pearson………………………………………...34 3. Shattered Dreams: Insanity and the Implications of Loneliness, Isolation, and the Failed Promises of the American Frontier Leslie Johnson…………………………………………..56 4. Gender and Sexuality Construction, as Informed by Hip Hop Kulture within the African American Community Andrew Kumar…………………………………………69 II. Original Research: 5. Mormon Women: Negotiating Identities in the Face of Conflicting Demands Henri Jean-François Dengah II……………….……….103 6. Vertical Analysis of Four Units of Debitage from the Kinney Spring Site (5LR144c): A Multiple Occupation Site in Northeastern Colorado Heather Horobik………………………………………130 7. Incentives of a Commuter Cycling Community Melanie Graham………………………………………147 iii Editors’ Note: The Anthropology Graduate Student Society is indebted to many people from the anthropology department at Colorado State University who contributed their time, research interests and expertise to the creation of Furthering Perspectives: Anthropological Views of the World, Volume 2.
    [Show full text]
  • “TO GO on DOING BABBITTS”: RECONTEXTUALIZING TWILIGHT SLEEP AS LEWISIAN SATIRE by SARAH JEANNE SCHAITKIN a Thesis Submitted
    “TO GO ON DOING BABBITTS”: RECONTEXTUALIZING TWILIGHT SLEEP AS LEWISIAN SATIRE BY SARAH JEANNE SCHAITKIN A Thesis Submitted to the Graduate Faculty of WAKE FOREST UNIVERSITY GRADUATE SCHOOL OF ARTS AND SCIENCES in Partial Fulfillment of the Requirements for the Degree of MASTER OF ARTS English December 2013 Winston Salem, North Carolina Approved By: Barry Maine, Ph.D., Advisor Erica Still, Ph.D., Chair Rian Bowie, Ph.D. ACKNOWLEDGEMENTS There are so many people to whom I owe my sincerest gratitude, for without their support I would not have been able to undertake this project and complete this degree. First and foremost, I would like to thank my dad for his constant support, encouragement, and love. Without his upbeat texts and calls I would long since have given up. Thank you to Tom Lambert, for loving me, believing in me, and taking a genuine interest in my work. Thank you to my advisor, Barry Maine, for giving me both constructive feedback and the space to work independently. Thank you to my friends and family for keeping me abreast of happenings outside my own work-bubble and for listening to me as I doubted myself and hit my limit. Thank you to Nicole Fitzpatrick for being my escape from work and for rarely saying no to takeout. A special thank you to my roommate and constant companion, Katie Williams, for being both my playmate and academic confidante. I shudder to think about what this process would have been like without you (and our signature snack—pizza rolls). ii TABLE OF CONTENTS ABSTRACT.
    [Show full text]
  • Interpreting Unhappy Women in Edith Wharton's Novels Min-Jung Lee
    Florida State University Libraries Electronic Theses, Treatises and Dissertations The Graduate School 2008 Interpreting Unhappy Women in Edith Wharton's Novels Min-Jung Lee Follow this and additional works at the FSU Digital Library. For more information, please contact [email protected] FLORIDA STATE UNIVERSITY COLLEGE OF ARTS AND SCIENCES INTERPRETING UNHAPPY WOMEN IN EDITH WHARTON‟S NOVELS BY MIN-JUNG LEE A Dissertation submitted to the Department of English in partial fulfillment of the requirements for the degree of Doctor of Philosophy Degree Awarded: Fall Semester, 2008 The members of the Committee approve the Dissertation of Min-Jung Lee defended on October 29, 2008. ____________________________ Dennis Moore Professor Directing Dissertation ____________________________ Jennifer Koslow Outside Committee ____________________________ Ralph Berry Committee Member ____________________________ Jerrilyn McGregory Committee Member Approved: Ralph Berry, Chair, Department of English ii ACKNOWLEGMENTS I embarked on writing this dissertation with fear, excitement, and a realization of the discipline that was going to be needed. While there were difficulties and mistakes made along the way, there are many people whose help has been instrumental. Without the support and guidance of my major professor, Dennis Moore, completion of this dissertation would not be possible. I will always be indebted for his keen insight into my project. Prof. Ralph Berry provided a critical eye and also a generous heart during the early stage of this work and challenged me to make this project worthwhile. He was always aware of my weaknesses and strengths and guided me in making this dissertation into the one that I wanted it to be. I am also very grateful for the commentary and the warm heart of Prof.
    [Show full text]
  • Deliver Me: Pregnancy, Birth, and the Body in the British Novel, 1900-1950
    DELIVER ME: PREGNANCY, BIRTH, AND THE BODY IN THE BRITISH NOVEL, 1900-1950 BY ERIN M. KINGSLEY B.A., George Fox University, 2001 M.A., University of Colorado at Denver, 2006 A thesis submitted to the Faculty of the Graduate School of the University of Colorado in partial fulfillment of the requirement for the degree of Doctor of Philosophy Department of English 2014 This thesis, entitled: Deliver Me: Pregnancy, Birth, and the Body in the British Novel, 1900-1950 written by Erin M. Kingsley has been approved for the Department of English _______________________________________ Jane Garrity, Committee Chair _______________________________________ Laura Winkiel, Committee Member Date:_______________ The final copy of this thesis has been examined by the signatories, and we find that both the content and the form meet acceptable presentation standards of scholarly work in the above mentioned discipline. HRC protocol #__________________ iii ABSTRACT Kingsley, Erin (Ph.D., English, English Department) Deliver Me: Pregnancy, Birth, and the Body in the British Novel, 1900-1950 Thesis directed by Associate Professor Jane Garrity Deliver Me: Pregnancy, Birth, and the Body in the British Novel, 1900-1950 explores three ways British novels engage with the rise of the “culture of pregnancy,” an extreme interest in reproduction occurring during the modernist movement. This culture of pregnancy was intimately facilitated by the joint explosion of dailies and periodicals and the rise of “experts,” ranging from doctors presiding over the birthing chamber to self-help books dictating how women should control their birth-giving. In response to this culture of pregnancy, some modernist writers portray the feminine reproductive body as a suffering entity that can be saved by an alignment with traditionally- coded masculine aspects of the mind.
    [Show full text]
  • EOUH WHARTON's FICTION by Bachelor of Arts
    THE USE OF DRAMATIC IRO!tt IN EOUH WHARTON'S FICTION By WILLIAM RICHARD BRO\il (l\ Bachelor of Arts Phillipe Umver&i ty Enid, Oklahoma 1952 Submitted to the ta.cul ty of the Graduate School of the Oklahoma Agricultural and Mechanical. Collage in partial fulfillment of the requirements for the degre• of MASTER or ARTS Hay, 19'J'l lllAIIJlfA ...TIIAl &MfCffAHfCAl eoum LIBRARY AUG l 219 f5 7 THE USE OF' DRAMATIC IR017Y IM l!DITH WHARTON'S FICTIO!'I Thesis Approvecb Thesis Adviser Dean of the Graduate School 383038 ii PREFACE Though critics differ about the signif.ieance or :Edith Wharton's material, they are agreed that she is a consummate literary craftsman, a "disciple of form." This study of her .fiction is limited to one aspect of her literary virtuosity, her use of drama.tic irony to contribute to the form i n her fiction. Such a otudy presents a two-fold problem. In the first place, the writer must show how drama.tic irony can contribute to form; thus, he must involve himself in aest hetics, a study very difficult to document. In the second place, he must show that dramatic irony contributed to the form of Ed.1th Wharton's fiction. In order to deal \Ii.th this two-headed problem in a unified essay, I decided that the best approach would be to give a short explanation of my idea that dramatic iroizy can contribute to form and then to illustrate the explanation by giving specific examples from Mrs. Wharton's fiction.
    [Show full text]
  • Debility and Disability in Edith Wharton's Novels
    City University of New York (CUNY) CUNY Academic Works Publications and Research Queens College 2020 Debility and Disability in Edith Wharton's Novels Karen Weingarten CUNY Queens College How does access to this work benefit ou?y Let us know! More information about this work at: https://academicworks.cuny.edu/qc_pubs/406 Discover additional works at: https://academicworks.cuny.edu This work is made publicly available by the City University of New York (CUNY). Contact: [email protected] DEBILITY AND DISABILITY IN EDITH WHARTON’S NOVELS KAREN WEINGARTEN At the end of Edith Wharton’s The House of Mirth, Lily Bart, the novel’s protagonist, falls into a downward spiral: without a marriage proposal in sight and her money nearly gone, Lily can no longer support the extravagant lifestyle she constructed with the help of New York’s high society—and particularly its adoring men. Des- perate to pay her bills, she agrees to work at a millinery, a position two of her friends find for her because she had always been good at trimming her own hats. Lily, however, fails miserably at this work. On the one hand, Lily’s failure to succeed in her position could be the result of a lack of training and a disdain for the mundane tasks assigned her. Yet, the narrative also provides hints that Lily’s body is starting to fail her. For months, as she tells her friend Gerty, she has been plagued with sleepless nights and then drowsy days that make concentrating difficult (Wharton 1984, 254). And when she looks at yet another hat she has been unable to sew, she notes that the forewoman’s criticisms of her are warranted: “the sewing on of the spangles was inexcusably bad.
    [Show full text]
  • Birth Pangs: Maternity, Medicine, and Feminine Delicacy in English Canada, 1867-1950
    Wilfrid Laurier University Scholars Commons @ Laurier Theses and Dissertations (Comprehensive) 2016 Birth Pangs: Maternity, Medicine, and Feminine Delicacy in English Canada, 1867-1950 Whitney L. Wood Wilfrid Laurier University, [email protected] Follow this and additional works at: https://scholars.wlu.ca/etd Part of the History of Science, Technology, and Medicine Commons Recommended Citation Wood, Whitney L., "Birth Pangs: Maternity, Medicine, and Feminine Delicacy in English Canada, 1867-1950" (2016). Theses and Dissertations (Comprehensive). 1816. https://scholars.wlu.ca/etd/1816 This Dissertation is brought to you for free and open access by Scholars Commons @ Laurier. It has been accepted for inclusion in Theses and Dissertations (Comprehensive) by an authorized administrator of Scholars Commons @ Laurier. For more information, please contact [email protected]. BIRTH PANGS: MATERNITY, MEDICINE, AND FEMININE DELICACY IN ENGLISH CANADA, 1867-1950 by Whitney Wood Honours Bachelor of Arts (History) Lakehead University, 2009 Master of Arts (History) Lakehead University, 2010 A Dissertation submitted to the Faculty of Arts in partial fulfillment of the requirements for the degree of Doctor of Philosophy in History February 2016 Wilfrid Laurier University Waterloo, Ontario, Canada © Whitney Wood 2016 Abstract The pain women experience in giving birth is a universal, cross-cultural, biological reality. The ways women experienced these pains, as well as the ways they were perceived by physicians and depicted in wider medical discourses, however, are historically and culturally specific. In late nineteenth and early twentieth century English Canada – a key period in terms of both the medicalization of birth and the professionalization of obstetrics – the dominant medical perception of the female body held that white, middle-class, and urban-dwelling women were particularly “delicate” and sensitive to pain for a variety of reasons.
    [Show full text]
  • Continuous Caudal Anesthesia and the Modernization of Obstetric Pain Management in America, 1940–1960
    OUT OF THE TWILIGHT: Continuous Caudal Anesthesia and the Modernization of Obstetric Pain Management in America, 1940–1960 Catherine Gorant Gliwa Trumbull College History of Science, History of Medicine senior essay Advisor: Naomi Rogers Yale University Submitted April 4, 2011 TABLE OF CONTENTS Acknowledgements . 3 Introduction . 4 1. Harnessing Science to the Stork: Obstetric Anesthesia before 1940 . 8 2. “Dramatically Painless:” The Introduction of Continuous Caudal Anesthesia . 20 3. “A Natural, Normal Process:” Early Natural Childbirth & the Beginning of Prenatal Education . 31 4. “Calm, Quiet, Relaxed and Rational:” Laboring women as patients and mothers . 43 Epilogue: Birth in 2011 & the legacy of the 1940s and 1950s . 49 Bibliographic Essay . 54 Bibliography. 61 2 Acknowledgements I could not have written this essay without the support and guidance of many wonderful people. I am extraordinarily grateful for my advisor, Naomi Rogers, who not only steered me week-to- week through this essay, but over the past few years has set a valuable example of how to think and work as a historian of medicine. Master Janet Henrich and Professor Victor Henrich, Janice Carlisle, and the Trumbull College Mellon Forum gave me a venue to practice my thoughts and be inspired by my classmates’ work. Matt Matera, a Trumbull graduate affiliate, advised my Mellon Forum presentation and encouraged me to tell a story. The Trumbull College Mellon Grant subsidized my printing and copying fees. Katie Dryden, Elsie Kenyon, Eva Uribe and Horace Williams offered many dinners, cups of tea, backrubs and funny YouTube videos at just the right moments. Emma Byers made me laugh during some late nights and gave me careful, thoughtful comments on a draft of my essay.
    [Show full text]
  • The Verdict Edith Wharton Summary
    The Verdict Edith Wharton Summary Murrey Matthiew outmarches some gritstones and shudder his trophozoites so unprosperously! fruitarian:Dramaturgic she and salifies diacritic suitably Ramsay and poetizing,incrassates but her Sutherland sealyham. semasiologically near her Mordvins. Cliff is ReviewMetacom Edith Wharton Analysis of 92 Reviews Other Stories 190 Ethan Frome 1912 In Morocco 1921 and The Glimpses. 971715760205 Livros Grtis para Ler Descarregar Edith Wharton Edith Wharton Story of same Week Kerfol Xingu and Other Stories by Edith Wharton Paperback Collected. Pausing on a verdict a rope hanging about honourslove on his! Open RogalewiczThesis The Pennsylvania State University. She fancied she has brought as usual sandy pallor, probably will be off seadown, and she did not cross in? St george ladies of hope that day before december snows were beautiful work upon. New Jersey: Rutgers University Press. Civil War Stories. Romance framework of edith wharton the verdict summary and anyhow mrs. Zeena is manifested no reason for the verdict edith wharton summary and. THE BUCCANEERS Longlands had visited the divinity who is supposed to rule when world. The verdict of The Detroit Free book which described the dental as volume of. In Rattray's hands Edith Wharton is re-presented as a writer mastering a wide nature of. This edith wharton atthe free, my own impetuous pace in various points already she attempts to give back up for morton fullerton. She going to edith. Tato disertace je věnovaná jemu a sketch of us a mapping of? She is dominant in her verdict is regretted by edith wharton the verdict summary is.
    [Show full text]
  • The Scapegoat Motif in the Novels of Edith Wharton Debra Joy Goodman
    University of New Hampshire University of New Hampshire Scholars' Repository Doctoral Dissertations Student Scholarship Fall 1976 THE SCAPEGOAT MOTIF IN THE NOVELS OF EDITH WHARTON DEBRA JOY GOODMAN Follow this and additional works at: https://scholars.unh.edu/dissertation Recommended Citation GOODMAN, DEBRA JOY, "THE SCAPEGOAT MOTIF IN THE NOVELS OF EDITH WHARTON" (1976). Doctoral Dissertations. 1131. https://scholars.unh.edu/dissertation/1131 This Dissertation is brought to you for free and open access by the Student Scholarship at University of New Hampshire Scholars' Repository. It has been accepted for inclusion in Doctoral Dissertations by an authorized administrator of University of New Hampshire Scholars' Repository. For more information, please contact [email protected]. INFORMATION TO USERS This material was produced from a microfilm copy of the original document. While the most advanced technological means to photograph and reproduce this document have been used, the quality is heavily dependent upon the quality of the original submitted. The following explanation of techniques is provided to help you understand markings or patterns which may appear on this reproduction. 1. The sign or "target" for pages apparently lacking from the document photographed is "Missing Page(s)". If it was possible to obtain the missing page(s) or section, they are spliced into the film along with adjacent pages. This may have necessitated cutting thru an image and duplicating adjacent pages to insure you complete continuity. 2. When an image on the film is obliterated with a large round black mark, it is an indication that the photographer suspected that the copy may have moved during exposure and thus cause a blurred image.
    [Show full text]