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Of Europe: the Emergence of New Forms Décentrer Notre Vision De L’Europe : L’Émergence De Nouvelles Formes

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Of Europe: the Emergence of New Forms Décentrer Notre Vision De L’Europe : L’Émergence De Nouvelles Formes First Conference Paris 2018 Decentering the vision(s) of Europe: The Emergence of New Forms Décentrer notre vision de l’Europe : l’émergence de nouvelles formes 25 – 26 – 27 OCTOBRE Théâtre de la Cité 17, bd Jourdan 75014 Paris ` TABLE DES MATIÈRES Théorie et pratique Liste des artistes & personnalités invités Artists and guests list Bellinck Thomas House of European History in Exile Deflorian Daria AMaster Class avec Daria Deflorian et Tagliarini Antonio Antonio Tagliarini animé par Daniele Vianello Faivre d'Arcier Bernard Le rôle des festivals dans la circulation des oeuvres du monde Juillard Didier Les conditions de la création théâtrale aujourd’hui Lacoste Joris Présentation de l’Encyclopédie de la parole Longhi Claudio Theatre and Political Participation: an ERT Witness Ménard Phia Pour l’Indiscipline des corps Rangoni Serge Construire un théâtre européen : enjeux et défis en dialogue avec Nancy Delhalle et Didier Plassard Rau Milo Le théâtre à venir / The Theatre to Come Rodrigues Tiago Brûler le drapeau / Burning the Flag Schipper l Imanue Staging Post-democracy Toledo Camille de Vertige, langues, traduire en dialogue avec Michel Pierssens Vacis Gabriele Grâce sous pression Vercruyssen Frank Dialogue avec Sabine Quiriconi Zaides Arkadi Border Archives Performances, laboratoires et observatoire Performances, Laboratories, Observatory Cabot Jérôme Meta-slam Magris Erica Le théâtre comme outil d’inclusion dans une société en mutation : l’Institut de pratiques théâtrales pour le soin de la personne à Turin Perrier Mélanie CORPUS VIVANT : Protocole performatif Laboratoire du Geste Mélanie Perrier Boiler Room, Dessiner la mise en mots Roques Sylvie Arboretum – performance participative en Weber Pascale réseaupour humain et plantes Résumés des communications, tables rondes Abstracts, Panels AHO Laura-Elina, CHASSANY Iris, KORSBERG Hanna, VALTANEN Sofia : Performing Silenced Memories : the Participatory Site-Specific Performance of Fellman’s field- 22 000 Living Monuments Alvez Pablo How Questioning Eurocentric Philosophy Contributed to Regenerating European Performing Arts: the Case of Hocquemiller and Perrier Autant- Marie- La difficile ouverture du théâtre russe Mathieu Christine au métissage et à l’interculturalité Bal Ewa Sclerosis of Europe Versus Active Local Memory. The Case of Davide Carnevali Balazs Zsuzsanna Decentering Totalising Visions: Performativity and Power in Modern Italian Drama Balme Christopher The Ethnographic Turn in Contemporary European Theater Barbéris Isabelle Théâtre situé, théâtre à re-situer ? Les évolutions Bezelga Isabel Site-Specific Performance Art Projects Within a World Heritage European Town Through Sets of Interdisciplinary Practices Boenisch Peter (Re)Thinking the Meaning of the European Theatre Institution: Some Lessons from the Recent Crisis at Volksbühne Berlin,Kammerspiele Munich and Elsewhere Bougnoux Daniel Les conditions essentielles à la création de l’œuvre shakespearienne Braeuninger Renate Anne Teresa de Keersmaeker’s Reterritorialization of the ‘Post-Modern’ Dance Assemblage Burgholzer Laurette Guignol + Bunraku + théâtre d’objets socialiste = X Héritages et hybridations dans les formations d’acteurs marionnettistes Busetta Fabien-Aissa Give Us back Shakespeare, We Will Not Claim for Anything After That, a Conference-Performance on the Western Identity of Europe Callens Johan Feminist Fluxus on the Wooster Group's Transnational Stage Carponi Cecilia Link between Theatrical Cultures: Michel Saint-Denis and the London Theatre Studio (1935-1939) Cascetta Annamaria Identity and Global Prospects of the European Culture. The Theatre Research of Rimini Protokoll Cesar Aline Aphra Behn, l’Écumeuse : une esthétique du déplacement Chabrat-Kadjan Astrid La représentation de la Question de Palestine : un théâtre en conflit Chambon Joëlle Un regard iranien sur l'Europe Ciampi Giorgia Alternative Models of ‘Interculturalism’ Climenhaga Lily Maeve The Heart of Europe: Globalized Tragedy and Milo Rau’s African Trilogy Cluzeaud Clémentine Massimo Furlan, Foot Le reenactment du « match du siècle » :le football comme pratique de l'identité européenne ? Connerade Jean-Patrick L'Europe scientifique de Florio et de Shakespeare - une preuve de plus s'il en fallait une Delsaux Jean Arboretum, performance pour humains et plantes Deriu Fabrizio ANTI-BIOGRAPHY OF A NATION Can Present-day Italy Be Reproduced by Means of Theatre? Doria De Joana Participatory Art and Migratory Almedia Experiences in the Creation of Radix – hope, Illusion and Deceit De Vos Laurens NTGent with Milo Rau. An Analysis of a Theatre of a Global Realism Drouelle Carole Anatoli Vassiliev : Un européen extrême-oriental Epner Luule Alternatives to European Theatre: Estonian Theatre in Search of Finno- Ugric and Boreal Identities Ferreira Angela Post-Dictatorship Theater in Portugal; Alternative Framework(s) Fowler Benjamin The « Translocal» Traffic of Guest Directors in Europe’s National Theatres Frattali Arianna Transcultural Artistic Practice in Compagnia della Fortezza’s Performances Gade Solveig The Space Between Knowing and Imagining: On Milo Rau’s Europe Trilogy Garcin-Marrou Flore Théâtre situé, théâtre à re-situer ? Les évolutions Gkini Eleni “Telemachus: Should I Stay or Should I Go? - A Cross Cultural and Ever Pertinent Question in the Time of Crisis Gluhovic Milija Europe in Crisis, Refugees, and the Challenge of Migration Delsaux Jean Arboretum, performance pour humains et plantes Hamidi-Kim Bérénice Rimini Protokoll et Zirlib : les esthétiques site-specific de compagnies internationales Ho Ai-Cheng Taiji quan in Anatoli Vassiliev's Theatre in France: from Culture Shock to Immanent Transformation Imre Zoltan Theatres on the Move – Discovering the City and Altering the Spectators’ Experience in Promenade (Stereo Akt, 2018), Cargo Sofia-X (Rimini Protokoll, 2006) and Természetes Vészek’s Death Tours (2006) Jackob Alexander Specters of Colonialism - Specters of Performing Art Site-Specific Performance Art Projects Joao Santo Telma Within a World Heritage European Town through Sets of Interdisciplinary Practices Jovicevic Aleksandra Oliver Frljić and the Audience In and Out of the Theatre Klankert Tanja Approaching the ‘blind spots’ in Europe’s vision of the Korean peninsula Kocemba Joanna A foreigner in the Village: Caroling Practices by Węgajty Theatre Korppi-Tommola Riika Where Hangs the Iron Curtain in the Pas de Trois of Soviet Estonia, Finland, and Soviet Ballet: Estonian Ballet Visits in Finland (1967, 1970, 1976, and 1989) Kuntz Hélène Milo Rau : décentrer le regard pour accéder au politique Laet Timmy De Transatlantic Currencies, Choreographic Circulations between Europe and America in Postwar Dance Lange Stella “An Identity Document, Please!” The Hybrid Function of Documents in Contemporary Theatre About Europe Laure Charlotte Le Cadavre encerclé de Kateb Yacine : jeter des ponts entre les deux rives de la Méditerranée Le Guern-Herry Marie La chronique historique dans le théâtre de Dea Loher : une Europe des migrations Letailleur Erica La Turquie en quête de son théâtre Une saison aux Théâtres Nationaux d'Ankara entre velléités européennes et rêves identitaires Lisak Catherine Listening (to) Shakespeare Lucet Sophie Décentrer notre regard sur la fabrique des spectacles européens? Łuksza Agata Playing the Other: Nineteenth-Century International Stars as Media of Cultural Exchange Magris Erica Le théâtre comme outil d’inclusion dans une société en mutation : l’Institut de pratiques théâtrales pour le soin de la personne à Turin Maurin Frédéric Écouter, entendre : l’impossible langue européenne Mazzaglia Rossella The Agora as a “Figure of Community” Mccaffrey Tony The Shadow whose Prey the Hunter Becomes: Europe’s Antipodean Double and Intellectually Disabled Other in the recent performances of Back to Back Theatre Meerzon Yana Staging Cosmopolis: Constructing Chorus in the European Theatres of Cosmopolitanism Mei Silvia Displace Altofest: between Naples and Malta Milohnic Aldo Towards the Aesthetics of Resistence: Oliver Frljic and Janez Jansa Monteverdi Anna Maria Tomi Janezič and his Workshops about Psychodrama between Naples and Krusce: the Dissemination of a Theatrical Practice Mostaço Edelcio “Cabras, Heads that Fly, heads that Roll” Musca Szabolcs Drawing oneself into a European (theatrical) Space: Translocality and ‘Migratory Aesthetics’ in Faustin Linyekula’s Performances Muscianisi Véronique Mener des commandos poétiques sur les territoires, entre France, Brésil et Japon Nerbano Mara Le théâtre de rencontre de l’Open Program Pajunen Julia Shaping Theatre Relations between Finland and Estonia. Case: Baltic Circle and Forming Artistic Collaborations Peja Laura The “Traveling Invention” : New Practices of Cultural Hybridization in Pippo Delbono’s Theatre Pellone Elena Directorless Shakespeare Petrikas Martynas Theatre at International Exhibitions: Petrikiene Asta Communication of Avantgarde Ideas in Interwar Europe Polvani Simona Arboretum, performance pour humains et plantes Postigo Alejandro The Copla Musical : Transforming Spanish Copla for International Audience Proshot Kalami Decentred Performing Bodies: Promenade of “The Impossible” Immigrant Lives Proust Sophie Construction de la mobilité des artistes français et étrangers en Europe par l’État français Provenzano Maria Chiara Theatrum de Finibus Terrae Pratiques, poétiques, esthétiques transfrontalières dans le Sud du Sud de l’Italie Ramos Luiz Fernando Europe as the Mythical Other and the Brazilian Theatre:Dialectic of Otherness in Contemporary
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