Excerpt Terms and Conditions

Total Page:16

File Type:pdf, Size:1020Kb

Excerpt Terms and Conditions Excerpt terms and conditions This excerpt is available to assist you in the play selection process. Excerpts are not intended for performance, classroom or other academic use. In any of these cases you will need to purchase playbooks via our website or by phone, fax or mail. A short excerpt is not always indicative of the entire work, and we strongly suggest you read the whole play before planning a production or ordering a cast quantity. American Association of Community Theatre AACT NewPlayFest Winning Plays: Volume 3 (2018) Finishing School by ELAINE LINER Making Sweet Tea and Other Secrets by PAUL ELLIOTT Eternity by MICHAEL COCHRAN Mynx & Savage by REBECCA GORMAN O’NEILL Treehouse by JOE MUSSO Sweet by DENISE HINSON Dramatic Publishing Company Woodstock, Illinois • Australia • New Zealand • South Africa © Dramatic Publishing *** NOTICE *** The amateur and stock acting rights to this work are controlled exclusively by THE DRAMATIC PUBLISHING COMPANY, INC., without whose permission in writing no performance of it may be given. Royalty must be paid every time a play is performed whether or not it is presented for profit and whether or not admission is charged. A play is performed any time it is acted before an audience. Current royalty rates, applications and restrictions may be found at our website: www.dramaticpublishing.com, or we may be contacted by mail at: THE DRAMATIC PUBLISHING COMPANY, INC., 311 Washington St., Woodstock, IL 60098. COPYRIGHT LAW GIVES THE AUTHOR OR THE AUTHOR’S AGENT THE EXCLUSIVE RIGHT TO MAKE COPIES. This law provides authors with a fair return for their creative efforts. Authors earn their living from the royalties they receive from book sales and from the performance of their work. Conscientious observance of copyright law is not only ethical, it encourages authors to continue their creative work. This work is fully protected by copyright. No alterations, deletions or substitutions may be made in the work without the prior written consent of the publisher. No part of this work may be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopy, recording, videotape, film, or any information storage and retrieval system, without permission in writing from the publisher. It may not be performed either by professionals or amateurs without payment of royalty. All rights, including, but not limited to, the professional, motion picture, radio, television, videotape, foreign language, tabloid, recitation, lecturing, publication and reading, are reserved. For performance of any songs, music and recordings mentioned in this play which are in copyright, the permission of the copyright owners must be obtained or other songs and recordings in the public domain substituted. ©MMXIX by DRAMATIC PUBLISHING Printed in the United States of America All Rights Reserved (AMERICAN ASSOCIATION OF COMMUNITY THEATRE AACT NEWPLAYFEST WINNING PLAYS: VOLUME 3 [2018]) ISBN: 978-1-61959-195-0 © Dramatic Publishing IMPORTANT BILLING AND CREDIT REQUIREMENTS All producers of the play must give credit to the author of the play in all programs distributed in connection with performances of the play and in all instances in which the title of the play appears for purposes of advertising, publicizing or otherwise exploiting the play and/or a production. The name of the author must also appear on a separate line, on which no other name appears, immediately following the title, and must appear in size of type not less than fifty percent (50%) the size of the title type. Biographical information on the author, if included in the playbook, may be used in all programs. In all programs this notice must appear: “Produced by special arrangement with THE DRAMATIC PUBLISHING COMPANY, INC., of Woodstock, Illinois.” © Dramatic Publishing American Association of Community Theatre AACT NewPlayFest Winning Plays: Volume 3 (2018) TABLE OF CONTENTS Introduction ..................................................................................... 6 Foreword ......................................................................................... 7 Finishing School ............................................................................. 9 Making Sweet Tea and Other Secrets ............................................ 51 Eternity ........................................................................................ 119 Mynx & Savage ........................................................................... 179 Treehouse .................................................................................... 249 Sweet ........................................................................................... 309 Author Biographies ..................................................................... 371 5 © Dramatic Publishing INTRODUCTION The American Association of Community Theatre (AACT) is proud to present the six winning scripts and playwrights of the third AACT NewPlayFest cycle. AACT NewPlayFest is an initiative by AACT to address the critical need for new, high-quality plays for community theatre audiences around the globe. It has been embraced by playwrights and theatres across the country, bringing exciting theatrical journeys to producing companies and joyful realization and anticipation to playwrights and their work. AACT is pleased to partner with Dramatic Publishing Company for this program. AACT NewPlayFest is unparalleled in new play competitions, providing full productions of the winning scripts, plus publication and rights representation by a major theatrical publisher. This third cycle of AACT NewPlayFest, ending in 2018, proved even more successful than the first two. More scripts were submitted, and six theatres across the country produced world premieres of winning scripts. This festival continues to benefit the producing theatres by giving them the excitement of bringing new works to their patrons, and the playwrights by experiencing quality productions of their work, and publication and representation by Dramatic Publishing. The benefits of AACT NewPlayFest will expand as additional theatres produce these top-notch plays. We hope you will consider one of these plays for your next season. Break a leg, Quiana Clark-Roland, Executive Director American Association of Community Theatre The American Association of Community Theatre is the resource connection for America’s theatres. AACT represents the interests of more than 7,000 theatres across the United States and its territories, as well as theatre companies with the U.S. Armed Services overseas. To learn more about AACT NewPlayFest and AACT go to aact.org. 6 © Dramatic Publishing FOREWORD Jack K. Ayre, born in Pittsburgh on July 9, 1921, celebrated his 90th birthday before passing away in December 2011. At his birthday party in Sunnyvale, Calif., he sang with a barbershop quartet—one of his favorite activities—and celebrated with his cousin and lifelong friend, Frank Ayre Lee. Though as adults they lived on opposite sides of the country, the cousins kept in touch through letters that displayed a love for the written word and an irreverent sense of humor. Jack had participated in theatre productions at Drew University in New Jersey and at a community theatre in Connecticut in his younger years, and continued that interest when he moved to California. Frank, a chemical engineer by profession, was also an avid aficionado of theatre and had dabbled in playwriting, adapting Rudyard Kipling’s The Jungle Book for a children’s theatre production, and penning McSteg, a tongue-in-cheek discourse ribbing his cousin Jack and based on a scene in Shakespeare’s Macbeth. The Jack K. Ayre and Frank Ayre Lee Theatre Foundation has been created by the children of Frank as a tribute to their father, who passed away in August 2012, and a legacy for the creative endeavors of Jack, who was an advertising executive and public relations director. The family is pleased to honor both men through a lasting legacy promoting new works for theatre. Jack K. Ayre Frank Ayre Lee Photos: Courtesy of the Jack K. Ayre and Frank Ayre Lee Theatre Foundation. 7 © Dramatic Publishing Finishing School By ELAINE LINER 9 © Dramatic Publishing Finishing School received its premier production at the Elkhart Civic Theatre at the Bristol Opera House in Bristol, Ind., on Sept. 8, 2017. CAST: Al.................................................................................. Dave Dufour Wizzer ........................................................................... Gail Janssen Minnie .........................................................................Melissa Auvil Shirley ................................................................. Sandra Woodiwiss Announcement Voice .................................................... Elaine Liner PRODUCTION: Director ......................................................................Kevin Egelsky Assistants to the Director .............Victoria Kucharski, Bob Franklin Stage Manager ........................................................Kristi McCreary Stage Crew ............................................................. Spencer Murphy Lights/Sound Operator ..............................................Garry Cobburn Set and Lighting Design ................................................. John Shoup Set Construction ....................................John Shoup, Kevin Egelsky Sound Design ............................................................Garry Cobburn Costume and Properties Design ..........................Victoria
Recommended publications
  • Opera Enormous: Arias in the Cinema Benjamin Speed
    The University of Maine DigitalCommons@UMaine Electronic Theses and Dissertations Fogler Library 5-2012 Opera Enormous: Arias in the Cinema Benjamin Speed Follow this and additional works at: http://digitalcommons.library.umaine.edu/etd Part of the Film and Media Studies Commons, Music Performance Commons, and the Theatre and Performance Studies Commons Recommended Citation Speed, Benjamin, "Opera Enormous: Arias in the Cinema" (2012). Electronic Theses and Dissertations. 1749. http://digitalcommons.library.umaine.edu/etd/1749 This Open-Access Thesis is brought to you for free and open access by DigitalCommons@UMaine. It has been accepted for inclusion in Electronic Theses and Dissertations by an authorized administrator of DigitalCommons@UMaine. OPERA ENORMOUS: ARIAS IN THE CINEMA By Benjamin Speed B. A. , The Evergreen State College, 2002 A THESIS Submitted in Partial Fulfillment of the Requirements for the Degree of Master of Arts (in Communication) The Graduate School The University of Maine May, 2012 Advisory Committee: Nathan Stormer, Associate Professor of Communication and Journalism, Advisor Laura Lindenfeld, Associate Professor of Communication and Journalism and the Margaret Chase Smith Policy Center Michael Socolow, Associate Professor of Communication and Journalism THESIS ACCEPTANCE STATEMENT On behalf of the Graduate Committee for Benjamin Jon Speed I affirm that this manuscript is the final and accepted thesis. Signatures of all committee members are on file with the Graduate School at the University of Maine, 42 Stodder
    [Show full text]
  • Dan Blaze's Karaoke Song List
    Dan Blaze's Karaoke Song List - By Artist 112 Peaches And Cream 411 Dumb 411 On My Knees 411 Teardrops 911 A Little Bit More 911 All I Want Is You 911 How Do You Want Me To Love You 911 More Than A Woman 911 Party People (Friday Night) 911 Private Number 911 The Journey 10 cc Donna 10 cc I'm Mandy 10 cc I'm Not In Love 10 cc The Things We Do For Love 10 cc Wall St Shuffle 10 cc Dreadlock Holiday 10000 Maniacs These Are The Days 1910 Fruitgum Co Simon Says 1999 Man United Squad Lift It High 2 Evisa Oh La La La 2 Pac California Love 2 Pac & Elton John Ghetto Gospel 2 Unlimited No Limits 2 Unlimited No Limits 20 Fingers Short Dick Man 21st Century Girls 21st Century Girls 3 Doors Down Kryptonite 3 Oh 3 feat Katy Perry Starstrukk 3 Oh 3 Feat Kesha My First Kiss 3 S L Take It Easy 30 Seconds To Mars The Kill 38 Special Hold On Loosely 3t Anything 3t With Michael Jackson Why 4 Non Blondes What's Up 4 Non Blondes What's Up 5 Seconds Of Summer Don't Stop 5 Seconds Of Summer Good Girls 5 Seconds Of Summer She Looks So Perfect 5 Star Rain Or Shine Updated 08.04.2015 www.blazediscos.com - www.facebook.com/djdanblaze Dan Blaze's Karaoke Song List - By Artist 50 Cent 21 Questions 50 Cent Candy Shop 50 Cent In Da Club 50 Cent Just A Lil Bit 50 Cent Feat Neyo Baby By Me 50 Cent Featt Justin Timberlake & Timbaland Ayo Technology 5ive & Queen We Will Rock You 5th Dimension Aquarius Let The Sunshine 5th Dimension Stoned Soul Picnic 5th Dimension Up Up and Away 5th Dimension Wedding Bell Blues 98 Degrees Because Of You 98 Degrees I Do 98 Degrees The Hardest
    [Show full text]
  • Human League Dare Mp3, Flac, Wma
    Human League Dare mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Electronic Album: Dare Country: Taiwan Released: 1981 Style: Synth-pop MP3 version RAR size: 1454 mb FLAC version RAR size: 1299 mb WMA version RAR size: 1116 mb Rating: 4.1 Votes: 573 Other Formats: AAC MOD XM MP2 TTA AU VOX Tracklist Hide Credits The Things That Dreams Are Made Of A1 4:14 Written-By – Wright*, Oakey* Open Your Heart A2 3:53 Written-By – Callis*, Oakey* The Sound Of The Crowd A3 3:56 Written-By – Buirden*, Oakey* Darkness A4 3:56 Written-By – Callis*, Wright* Do Or Die A5 5:23 Written-By – Burden*, Oakey* Get Carter B1 1:02 Written-By – Budd* I Am The Law B2 4:14 Written-By – Wright*, Oakey* Seconds B3 4:58 Written-By – Callis*, Wright*, Oakey* Love Action (I Believe In Love) B4 4:58 Written-By – Burden*, Oakey* Don't You Want Me B5 3:56 Written-By – Callis*, Wright*, Oakey* Companies, etc. Distributed By – Rock Records – RCHC186 Credits Engineer [Assistant] – Dave Allen* Producer – Martin Rushent, The Human League Synthesizer – Ian Burden, Jo Callis Synthesizer [Occasional], Other [Slides] – Philip Adrian Wright Vocals – Joanne Catherall, Susanne Sulley Vocals, Synthesizer – Philip Oakey Notes Official Virgin release distributed by Rock Records. Cassette inlay extends out of case and folds around the plastic case. Includes a fold out lyrics insert & a small Record label insert. Comes in company logo and text embossed clear cassette case. Other versions Category Artist Title (Format) Label Category Country Year The Human Dare (LP, Album, V2192 Virgin V2192
    [Show full text]
  • UNIVERSAL MUSIC • Jimmy Rankin – Back Road Paradise • Enrique
    Jimmy Rankin – Back Road Paradise Enrique Iglesias – Sex And Love Avicii – True: Avicii By Avicii New Releases From Classics And Jazz Inside!!! And more… UNI14-11 UNIVERSAL MUSIC 2450 Victoria Park Ave., Suite 1, Willowdale, Ontario M2J 5H3 Phone: (416) 718.4000 Artwork shown may not be final UNIVERSAL MUSIC CANADA NEW RELEASE Artist/Title: Stompin’ Tom Connors / Unreleased: Songs From The Vault Collection Volume 1 Cat. #: 0253777712 Price Code: SP Order Due: March 6, 2014 Release Date: April 1, 2014 File: Country Genre Code: 16 Box Lot: 25 Tracks / not final sequence 6 02537 77712 9 Tom and Guitar: 12 songs 10. I'll Sail My Ship Alone 1. Blue Ranger 11. When My Blue Moon Turns to Gold 2. Rattlin' Cannonball 12. I Overlooked an Orchid 3. Turkey in The straw ( Instrumental ) 4. John B. Sails Tom Originals with Band: 5. Truck Drivin' Man 1. Cross Canada, aka C.A.N.A.D.A 6. Wild Side of Life 2. My Stompin' Grounds 7. Pawn Shop in Pittsburgh, aka, Pittsburgh 3. Movin' In From Montreal By Train Pennsylvania 4. Flyin' C.P.R. 8. Nobody's Child 5. Ode for the Road 9. Darktown Strutter's Ball This is the Premier Release in an upcoming series of Unreleased Material by Stompin' Tom Connors! In 2011, Tom decided after what ended up being his final Concert Tour, that he would record another 10 album set with a lot of old songs that he sang when he first started out performing in the 50's and 60's.This was back when he could sing, from memory, over 2500 songs in his repertoire and long before he wrote many of his own hits we all know today.
    [Show full text]
  • DAN KELLY's Ipod 80S PLAYLIST It's the End of The
    DAN KELLY’S iPOD 80s PLAYLIST It’s The End of the 70s Cherry Bomb…The Runaways (9/76) Anarchy in the UK…Sex Pistols (12/76) X Offender…Blondie (1/77) See No Evil…Television (2/77) Police & Thieves…The Clash (3/77) Dancing the Night Away…Motors (4/77) Sound and Vision…David Bowie (4/77) Solsbury Hill…Peter Gabriel (4/77) Sheena is a Punk Rocker…Ramones (7/77) First Time…The Boys (7/77) Lust for Life…Iggy Pop (9/7D7) In the Flesh…Blondie (9/77) The Punk…Cherry Vanilla (10/77) Red Hot…Robert Gordon & Link Wray (10/77) 2-4-6-8 Motorway…Tom Robinson (11/77) Rockaway Beach…Ramones (12/77) Statue of Liberty…XTC (1/78) Psycho Killer…Talking Heads (2/78) Fan Mail…Blondie (2/78) This is Pop…XTC (3/78) Who’s Been Sleeping Here…Tuff Darts (4/78) Because the Night…Patty Smith Group (4/78) Ce Plane Pour Moi…Plastic Bertrand (4/78) Do You Wanna Dance?...Ramones (4/78) The Day the World Turned Day-Glo…X-Ray Specs (4/78) The Model…Kraftwerk (5/78) Keep Your Dreams…Suicide (5/78) Miss You…Rolling Stones (5/78) Hot Child in the City…Nick Gilder (6/78) Just What I Needed…The Cars (6/78) Pump It Up…Elvis Costello (6/78) Airport…Motors (7/78) Top of the Pops…The Rezillos (8/78) Another Girl, Another Planet…The Only Ones (8/78) All for the Love of Rock N Roll…Tuff Darts (9/78) Public Image…PIL (10/78) My Best Friend’s Girl…the Cars (10/78) Here Comes the Night…Nick Gilder (11/78) Europe Endless…Kraftwerk (11/78) Slow Motion…Ultravox (12/78) Roxanne…The Police (2/79) Lucky Number (slavic dance version)…Lene Lovich (3/79) Good Times Roll…The Cars (3/79) Dance
    [Show full text]
  • Musiikkipäivitys MOOD Zoom Karaoke L 10/17 KAPPALE ESITTÄJÄ ID (YOU WANT TO) MAKE a MEMORY BON JOVI 915419 2U DAVID GUETTA FE
    Musiikkipäivitys MOOD Zoom Karaoke L 10/17 KAPPALE ESITTÄJÄ ID (YOU WANT TO) MAKE A MEMORY BON JOVI 915419 2U DAVID GUETTA FEAT. JUSTIN BIEBER 915529 A BEGGAR ON A BEACH OF GOLD MIKE AND THE MECHANICS 915509 AIN'T YOUR MAMA JENNIFER LOPEZ 915493 ALWAYS AND FOREVER HEATWAVE 915523 AND SHE WAS TALKING HEADS 915388 AND YOU MY LOVE CHRIS REA 915348 ANOTHER CUP OF COFFEE MIKE AND THE MECHANICS 915361 ATTENTION CHARLIE PUTH 915452 AUTOMATIC POINTER SISTERS, THE 915517 BABIES PULP 915513 BABY BLUE BADFINGER 915418 BAD MEDICINE BON JOVI 915355 BEAUTIFUL ONES SUEDE 915464 BEST BEHAVIOUR LOUISA JOHNSON 915430 BETTER OFF NOW (THAT YOU'RE GONE) [FORLADY SOLO ANTEBELLUM MALE] 915508 BLACK MAGIC WOMAN SANTANA 915515 BON APPETIT [DUET VERSION] KATY PERRY FEAT. MIGOS 915470 BON APPETIT [FOR SOLO FEMALE] KATY PERRY FEAT. MIGOS 915471 BOOK OF LOVE MUD 915510 BORN ON THE BAYOU CREEDENCE CLEARWATER REVIVAL 915379 BORN TO BE MY BABY BON JOVI 915356 BREATHE EASY BLUE 915521 BURN FOR YOU JOHN FARNHAM 915377 CARRY ON WAYWARD SON KANSAS 915480 CHAINED TO THE RHYTHM [FOR SOLO FEMALE]KATY PERRY FEAT. SKIP MARLEY 915351 CHEMISTRY SEMISONIC 915433 CIAO ADIOS ANNE-MARIE 915399 CINNAMON GIRL NEIL YOUNG WITH CRAZY HORSE 915476 COLD SWEAT THIN LIZZY 915434 COMEBACK KID KASABIAN 915404 DANCING IN THE MOONLIGHT THIN LIZZY 915415 DANNY BOY RAY PRICE 915422 DESIRE YEARS AND YEARS 915479 DIVE ED SHEERAN 915349 DOWN ON THE CORNER CREEDENCE CLEARWATER REVIVAL 915420 DREAMERS JACK SAVORETTI 915360 DYNA-MITE MUD 915532 EYES CLOSED HALSEY 915456 FEELS CALVIN HARRIS FEAT. PHARRELL,
    [Show full text]
  • Smash Hits Volume 64
    ^#^ 35p USA $1-75 May 14-27 198 DEPARTMENT S ;t HIT LYRICS including WHEN HE SHINES I WANNA BE FREE KIM WILDE-UNDERTONES in colour >OR*HUMANLEAGUE*HONEYBA . Vol. 3 No. 10 I^^St^ I WANT TO BE FREE AVAST THERE, me hearties! Capn speakin'. Welcome aboard, scaoby landlubbers, to another voyage of me crusty bark "Ye Smashe Hittes" upon the salt-stained briney. Gadzooks! Be that a galley-load of rum-soaked reviews o'er yonder, or the brow of a Tenpole Tudor feature? And — egad! — foamin' in its wake, those scurvy seadogs The Human League with an Undertones colour spread up the crows nest. But, soft! Keel-haul me over a weed-encrusted Star Teaser if that irons. ain't a Books Round-Up and Fact Is Page a-clamberin' up the grappling Save yer doubloons! There's booty a-plenty to be won! Thrash asunder the baccy-chewin' Vaughn Toulouse and second mate Honey Bane and earn yerselves a Tenpole LP while firing in the direction of the Madness Poster Offer. Don't 'e read it all at once . -. 2 ! WANNA BE FREEToyah..,.,....,.-....... CARELESS MEMORIES Oyran Duran.. -...7 SWORDS OF A THOUSAND MEN Tenpole Tudor ......... J STARS ON 45 Star Soynd .....................10 on Safari Records DON'T SAY THAT'S JUST FOR WHITE BOYS Way Of The West........................ - H I'm bored THE SOUND OF THE CROWD Hmnan Uagse 11 to school 23 I don't wanna go LOVE GAMES LeveJ 42.......... Don't wanna be nobody's fool CHEQUERED LOVE Kim Wilde 27 I wanna be me, I wanna be me n' neat 27 I don't wanna be sweet PERFECT TIMING KM Oee.
    [Show full text]
  • Big Nothing: a Story About Bicycles and the Girls Who Ride Them in the Heart of West Texas
    Bridgewater State University Virtual Commons - Bridgewater State University Honors Program Theses and Projects Undergraduate Honors Program 12-21-2020 Big Nothing: A Story About Bicycles and the Girls Who Ride Them in the Heart of West Texas Keziah Staska Bridgewater State University Follow this and additional works at: https://vc.bridgew.edu/honors_proj Part of the English Language and Literature Commons, and the Fiction Commons Recommended Citation Staska, Keziah. (2020). Big Nothing: A Story About Bicycles and the Girls Who Ride Them in the Heart of West Texas. In BSU Honors Program Theses and Projects. Item 449. Available at: https://vc.bridgew.edu/ honors_proj/449 Copyright © 2020 Keziah Staska This item is available as part of Virtual Commons, the open-access institutional repository of Bridgewater State University, Bridgewater, Massachusetts. Big Nothing: A Story About Bicycles and the Girls Who Ride Them in the Heart of West Texas Keziah Staska Submitted in Partial Completion of the Requirements for Departmental Honors in English Bridgewater State University December 21, 2020 Prof. Bruce D. Machart, Thesis Advisor Dr. Emily Field, Committee Member Dr. Lee Torda, Committee Member 1 Big Nothing: A Story of Bicycles and the Girls Who Ride Them in the Heart of West Texas The traffic parted and the smoke cleared to reveal a freight truck whose trailer had been stripped clean by the fire birthed by an overworked engine. Its metal frame arched toward the desert sky like the vulture-eaten ribs of a cattle’s corpse. This was the reward for over two hours veritably parked on a six-mile strip of highway in some far-off nowhere in Arizona.
    [Show full text]
  • Songliste Englisch Nr
    Songliste Englisch www.Karaoke-Team-Halle.de Nr Title Band 1 A Little Bit More 911 2 All I Want Is You 911 3 How Do You Want Me To Love You 911 4 More Than A Woman 911 5 Private Number 911 6 My Culture 1 Giant Leap feat Maxi Jazz & Robbie Williams 7 Donna 10CC 8 I'm Not In Love 10CC 9 Things We Do For Love 10CC 10 Wall Street Shuffle 10CC 11 Oh La La La 2 Evisa 12 California Love 2 Pac & Dr. Dre 13 No Limits 2 Unlimited 14 21st Century Girls 21st Century Girls 15 Kings & Queens 30 Seconds To Mars 16 Take It Easy 3SL 17 Anything 3T 18 What's Up 4 Non Blondes 19 Rain Or Shine 5 Star 20 Candy Shop 50 Cent 21 In Da Club 50 Cent 22 Just A Lil Bit 50 Cent 23 21 Questions 50 Cent & Nate Dogg 24 Closer To Me 5ive 25 Don't Wanna Let You Go 5ive 26 Everybody Get Up 5ive 27 Invincible 5ive 28 Let's Dance 5ive 29 When The Lights Go Out 5ive 30 Aquarius Let The Sunshine 5th Dimension 31 Nothing A 32 Around The World A Teens 33 Land Of Make Believe A Teens 34 Mama Mia A Teens 35 The Look Of Love A.B.C. 36 Caught In The Middle A1 37 Everytime A1 38 Make It Good A1 39 No More A1 40 One last Song A1 41 Ready Or Not A1 42 Same Old Brand New You A1 43 Take On Me A1 44 I Don't Wanna Aaliyah 45 More Than A Woman Aaliyah 46 Rock The Boat Aaliyah 47 Try Again Aaliyah 48 We Need A Resolution Aaliyah & Timberland 49 Dancing Queen ABBA 50 Does Your Mother Know ABBA 51 Fernando ABBA 52 I Do I Do I Do I Do I Do I Do ABBA 53 I Have A Dream ABBA 54 Money Money Money ABBA 55 One of Us ABBA Seite 1 von 83 Songliste Englisch www.Karaoke-Team-Halle.de Nr Title Band 56 S.O.S.
    [Show full text]
  • A Musical Analysis of the People's Microphone: Voices and Echoes in Protest and Sound Art and Occupation 1 for String Quartet
    A MUSICAL ANALYSIS OF THE PEOPLE'S MICROPHONE: VOICES AND ECHOES IN PROTEST AND SOUND ART AND OCCUPATION 1 FOR STRING QUARTET by Jeremy Woodruff B.M. Boston University, 1997 M.F.A. Brandeis University, 1999 M.Mus. Royal Academy of Music, London, 2002 Submitted to the Graduate Faculty of The Kenneth P. Dietrich School of Arts and Sciences in partial fulfillment of the requirements for the degree of Doctor of Philosophy University of Pittsburgh 2014 UNIVERSITY OF PITTSBURGH DEPARTMENT OF MUSIC This dissertation was presented by Jeremy Jonathan Woodruff It was defended on March 25th, 2014 and approved by Eric Moe, Andrew W. Mellon Professor of Music Deane Root, Professor of Music Amy Williams, Assistant Professor of Music William Scott, Associate Professor of English Literature Dissertation Advisor, Mathew Rosenblum, Professor of Music ii Copyright © by Jeremy Woodruff 2014 iii A MUSICAL ANALYSIS OF THE PEOPLE'S MICROPHONE: VOICES AND ECHOS IN PROTEST AND SOUND ART AND OCCUPATION 1 FOR STRING QUARTET Jeremy Woodruff, Ph.D. University of Pittsburgh, 2014 The People's Microphone technique, first employed by Occupy Wall Street in the 2011 occupation of Zuccotti Park, is a mode of political speech drawing on the fundamental linguistic/musical principle of imitation. By analyzing musical parameters of the tones of voice in instances of the People's Microphone in protest, and secondly by adapting the method to analyze how the People's Microphone is used in an artwork by Brandon LaBelle, I lay the speculative groundwork for a transversal theory dealing with the political influence of musical sound. This theory is extended to Angela Davis, a piece in Peter Ablinger's Voices and Piano series of compositions for piano and audio recording in which the piano exactly imitates the intonations of the voice in different ways.
    [Show full text]
  • Attention, Please Abbey Marie Numedahl
    University of North Dakota UND Scholarly Commons Theses and Dissertations Theses, Dissertations, and Senior Projects January 2014 Attention, Please Abbey Marie Numedahl Follow this and additional works at: https://commons.und.edu/theses Recommended Citation Numedahl, Abbey Marie, "Attention, Please" (2014). Theses and Dissertations. 1582. https://commons.und.edu/theses/1582 This Thesis is brought to you for free and open access by the Theses, Dissertations, and Senior Projects at UND Scholarly Commons. It has been accepted for inclusion in Theses and Dissertations by an authorized administrator of UND Scholarly Commons. For more information, please contact [email protected]. ATTENTION, PLEASE by Abbey Numedahl Master of Arts, University of North Dakota, 2014 A Thesis Submitted to the Graduate Faculty of the University of North Dakota in partial fulfillment of the requirements for the degree of Master of Arts Grand Forks, ND May 2014 Copyright 2014 Abbey Numedahl ii This thesis, submitted by Abbey Numedahl in partial fulfillment of the requirements for the Degree of Master of Arts from the University of North Dakota, has been read by the Faculty Advisory Committee under whom the work has been done and is hereby approved. _______________________________________ Elizabeth Harris _______________________________________ Christopher Nelson _______________________________________ Crystal Alberts This thesis is being submitted by the appointed advisory committee as having met all of the requirements of the School of Graduate Studies at the University of North Dakota and is hereby approved. ____________________________________ Wayne Swisher Dean of the School of Graduate Studies ____________________________________ Date iii PERMISSION Title Attention, Please Department English Degree Master of Arts In presenting this thesis in partial fulfillment of the requirements for a graduate degree from the University of North Dakota, I agree that the library of this University shall make it freely available for inspection.
    [Show full text]
  • Film Terms Glossary Cinematic Terms Definition and Explanation Example (If Applicable) 180 Degree Rule a Screen Direction Rule T
    Film Terms Glossary Cinematic Terms Definition and Explanation Example (if applicable) a screen direction rule that camera operators must follow - Camera placement an imaginary line on one side of the axis of action is made must adhere to the (e.g., between two principal actors in a scene), and the 180 degree rule 180 degree rule camera must not cross over that line - otherwise, there is a distressing visual discontinuity and disorientation; similar to the axis of action (an imaginary line that separates the camera from the action before it) that should not be crossed Example: at 24 fps, 4 refers to the standard frame rate or film speed - the number projected frames take 1/6 of frames or images that are projected or displayed per second to view second; in the silent era before a standard was set, many 24 frames per second films were projected at 16 or 18 frames per second, but that rate proved to be too slow when attempting to record optical film sound tracks; aka 24fps or 24p Examples: the first major 3D feature film was Bwana Devil (1953) [the first a film that has a three-dimensional, stereoscopic form or was Power of Love (1922)], House of Wax appearance, giving the life-like illusion of depth; often (1953), Cat Women of the Moon (1953), the achieved by viewers donning special red/blue (or green) or MGM musicalKiss Me Kate polarized lens glasses; when 3-D images are made (1953), Warner's Hondo (1953), House of 3-D interactive so that users feel involved with the scene, the Wax (1953), a version of Hitchcock's Dial M experience is
    [Show full text]