DOCSLIB.ORG

Digital Concert Hall Where We Play Just for You

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text

Load more

20 21 Digital Concert Hall Where we play just for you Streaming Partner “Heat” Series See page 58 for more information Dear Friends of the When this brochure went to press, the plan- Berliner Philharmoniker ning from January 2021 onwards was not yet complete, which is why you will find the origi- In this brochure we give you a preview of the nal concert programmes here. In order to be 2020/21 season in the Digital Concert Hall and informed of all changes as soon as possible, an overview of our extensive archive. We are we recommend the newsletter of the Digital eagerly looking forward to the broadcasts Concert Hall and the website of the Berliner with chief conductor Kirill Petrenko and with Philharmoniker: berliner-philharmoniker.de outstanding guest conductors and soloists. We thank you for your loyalty, look forward to Like orchestras and concert halls throughout seeing you again during the new season and the world, we are also directly affected by the wish you good health. measures for containing the pandemic. The number of musicians on the stage is limited, as Your Digital Concert Hall Team is access to the hall for the audience. Because of the reduced size of the ensembles, If desired, you may remove this page from the it will probably not be possible to perform all brochure along the perforation. the works that were planned. In this case, we will develop customized programmes that take the necessary health measures into ac- count. These concerts will also offer the combi- nation of exciting programming and thrilling performances that you are accustomed to from the Berliner Philharmoniker and the Digital Concert Hall. Welcome to the Digital Concert Hall It has been more than one year since Kirill Donald Runnicles, works by Richard Strauss and Petrenko took up his post as chief conductor of other composers, with Christian Thielemann, the Berliner Philharmoniker, and the magic of and much more. the early days can still be felt. Kirill Petrenko ends his tenure as music director of the Bavar- Another central theme during this season is ian State Opera with the 2020/21 season and related to the Golden Twenties: the fin de will devote himself entirely to the Berliner siècle, which alternates between the euphoria Philharmoniker. He can thus further develop of the present and fear of the future. You can programmatic themes with the orchestra, experience the music of this period with for example, the focus on Austro-German Mahler’s Ninth Symphony under Kirill Petrenko Classicism, Romanticism and late Romanticism and Bartók’s Bluebeard’s Castle, conducted – for Kirill Petrenko, the “most important pillar of by Susanna Mälkki. In addition, the 2020/21 our work together”. Works by Brahms, Strauss, season will again focus on contemporary Mendelssohn and Mozart will be featured. music – this time with a decidedly female em- phasis, presenting works by Sofia Gubaidulina, Another of Kirill Petrenko’s passions is Russian Olga Neuwirth, Anna Thorvaldsdóttir, Unsuk music, as shown by two opera productions. Chin and Kaija Saariaho. On the one hand, there is Tchaikovsky’s subtle but brutal war drama Mazeppa and, on the In addition to these programmatic motifs, there other, Rachmaninov’s ecstatic love drama is naturally much more to discover: multifaceted Francesca da Rimini. The music of Russia is a concerts with old and new friends of the focal point of the entire season, including per- Berliner Philharmoniker. You can look forward formances of works by Prokofiev, Stravinsky to Daniel Barenboim, Herbert Blomstedt, Zubin and Shostakovich, with appearances by con- Mehta, Andris Nelsons, Sir Simon Rattle and ductors such as Semyon Bychkov, Daniele Tugan Sokhiev. Among the soloists, violist Gatti and Paavo Järvi. Tabea Zimmermann occupies a special place as Artist in Residence. Other soloists this season The first Biennale of the Berliner Philharmoniker will include violinists Lisa Batiashvili, Baiba will also take place during the 2020/21 Skride and Frank Peter Zimmermann as well as season. In this new festival, the Berliner pianists Yefim Bronfman, Seong-Jin Cho, Igor Philharmoniker will devote themselves to an Levit and Daniil Trifonov. Further highlights are exciting theme each time: this season it will be the debuts of countertenor Philippe Jaroussky the “Golden Twenties”. Kirill Petrenko will and pianist Francesco Piemontesi with the naturally be on hand, conducting Kurt Weill’s orchestra. The Berliner Philharmoniker look “Berliner Symphonie” and other works. Also forward to welcoming these exciting partners on the festival programme are Paul Hindemith’s – and, of course, you. operatic shocker Mörder, Hoffnung der Frauen (Murderer, Hope of Women), conducted by digital-concert-hall.com Foreword 2020/21 | 1 Tickets Devices Our tickets allow you to access all concerts The Digital Concert Hall offers you brilliant sound and films in the Digital Concert Hall – as often and razor-sharp images in state-of-the-art 4K as you like and on any device of your choice. resolution. On the move or at home, on the device With a 12-month ticket or subscription, you of your choice. never have to miss a live broadcast and you have permanent access to the archive. To try Computer it out, we recommend our 7- or 30-day tickets. At digital-concert-hall.com you can not only Or you can explore the Digital Concert Hall find out everything about what we have to free of charge with a no-obligation registra- offer, but you can also access all our videos – tion which gives access to hundreds of inter- including on your television set using a cable views, to Education Programme performances connection. and to selected concert recordings. TV The Digital Concert Hall is available as a free app on current devices from Panasonic, Sony, Subscription €14.00 per month Samsung, LG, Loewe and Philips, which is a Automatic renewal particularly convenient way to bring great Can be cancelled at any time concert evenings into your living room. 12-month ticket €149.00 Streaming devices No automatic renewal The Digital Concert Hall is also available for streaming devices such as Apple TV, Amazon 30-day ticket €19.90 Fire TV, Google Chromecast, Roku Player and 7-day ticket €9.90 the Xbox One game console: an easy way to enjoy our concerts on TVs without their own By the way: the 12-month, 30-day and internet connection. 7-day tickets are also available as gift vouchers. Smartphone & tablet Use our free mobile apps for iPhone, iPad and Android devices to visit the Philharmonie Berlin when you are on the move – or use Apple Airplay and Google Cast to transmit the signal to your TV screen. Programme 2020/21 | 2 Programme 2020/21 | 3 Programme 2020/21 Programme Programme 2020/21 | 4 August Live Live from the Philharmonie Berlin Fri 28 Aug 19:00 New York: 13:00 / Tokyo: Sat, 02:00 Berliner Philharmoniker Kirill Petrenko conductor Arnold Schoenberg Verklärte Nacht (version for string orchestra) Johannes Brahms Symphony No. 4 in E minor, op. 98 All live concerts inf the 2020/21 season will be broadcast again the following day as a repeat. September Live Live from the Philharmonie Berlin Live from the Philharmonie Berlin Tue 1 Sep 20:00 Sat 19 Sep 19:00 New York: 14:00 / Tokyo: Wed, 03:00 New York: 13:00 / Tokyo: Sun, 02:00 Berliner Philharmoniker Berliner Philharmoniker Kirill Petrenko conductor Kirill Petrenko conductor Daniil Trifonov piano Frank Peter Zimmermann violin Ludwig van Beethoven Concerto for Alban Berg Concerto for Violin and Piano and Orchestra No. 3 C minor, op. 37 Orchestra, “To the Memory of an Angel” Felix Mendelssohn Symphony No. 1 Antonín Dvořák Symphony No. 5 in F major, in C minor, op. 11 op. 76 In association with Berliner Festspiele/ Live from the Philharmonie Berlin Musikfest Berlin Sun 13 Sep 20:00 New York: 14:00 / Tokyo: Mon, 03:00 Live from the Philharmonie Berlin Berliner Philharmoniker Sat 26 Sep 19:00 Daniel Harding conductor New York: 13:00 / Tokyo: Sun, 02:00 Alban Berg Three pieces from the Berliner Philharmoniker Lyric Suite Lahav Shani conductor Ludwig van Beethoven Symphony No. 6 Francesco Piemontesi piano in F major, op. 68 “Pastoral” Wolfgang Amadeus Mozart Concerto for In association with Berliner Festspiele/ Piano and Orchestra No. 27 in B flat major, Musikfest Berlin K. 595 Robert Schumann Symphony No. 1 in B flat major, op. 38 “Spring” Programme 2020/21 | 6 Programme 2020/21 | 7 October Live Live from the Philharmonie Berlin Live from the Philharmonie Berlin Sat 3 Oct 19:00 Sat 17 Oct 19:00 New York: 13:00 / Tokyo: Sun, 02:00 New York: 13:00 / Tokyo: Sun, 02:00 Berliner Philharmoniker Berliner Philharmoniker Marek Janowski conductor Marc Minkowski conductor Noah Bendix-Balgley violin Joseph Haydn Symphony No. 59 Max Bruch Concerto for Violin and in A major “Fire Symphony” Orchestra No. 1 in G minor, op. 26 Ludwig van Beethoven The Creatures Johannes Brahms Serenade No. 2 of Prometheus, ballet music, op. 43 in A Major, op. 16 Live from the Philharmonie Berlin Live from the Philharmonie Berlin Sat 24 Oct 19:00 Sat 10 Oct 19:00 New York: 13:00 / Tokyo: Sun, 02:00 New York: 13:00 / Tokyo: Sun, 02:00 Berliner Philharmoniker Berliner Philharmoniker Daniel Barenboim conductor François-Xavier Roth conductor Tabea Zimmermann viola Bedřich Smetana Má vlast (My Country) Carl Philipp Emanuel Bach Symphony in D major, Wq 183 No. 1 Live from the Philharmonie Berlin Paul Hindemith Der Schwanendreher, Sat 31 Oct 19:00 Concerto for viola and small orchestra New York: 14:00 / Tokyo: Sun, 03:00 Béla Bartók Divertimento for String Orchestra, Sz 113 Berliner Philharmoniker Kirill Petrenko conductor Andrew Norman Sabina for string orchestra Richard Strauss Metamorphosen for 23 solo strings Dmitri Shostakovich Symphony No.
Recommended publications
  • WAGNER NEWS Wagner News Is Published by the TORONTOWAGNER SOCIETY

    WAGNER NEWS Wagner News Is Published by the TORONTOWAGNER SOCIETY

    SEPTEMBER -- NOVEMBER 2016 2016 WAGNER NEWS Wagner News is published by the TORONTOWAGNER SOCIETY ........................................ TWS web site: www.torontowagner.org TWS CALENDAR INSIDE E-mail: [email protected] ........................................ Monday, Sept.19, 8.00 p.m. Our own Brett Polegato sang a magnificent Video extracts from the Kurwenal, very expressively.... brand new production of PARSIFAL My Two Tristans at Bayreuth by Pierre Couture page 2 ...I was not disappointed because it was one of the best productions of this work that I’ve seen in the last 25 or so years... A Powerful Tristan und Isolde in Dortmund by Frances Henry page 4 ...The same intimations of a fascist police state with its clichéd paraphernalia ... Ryan McKinney (Amfortas) Munich’s Lohengrin Revisited PHOTO Enrico Navrath by Richard Rosenman page 6 Monday, Nov.14, 8.00 p.m. Stephan Bonfield is back to talk about The triptych of screens was used to provide THE ASPECTS OF GÖTTERDÄMMERUNG scenery, narrative and surtitles. The inclusion of the narrative... The Austerity Ring;and the ENO Tristan und Isolde by Richard and Susan Horner page 8 ALL MEETINGS AT ARTS AND LETTERS CLUB, 14 ELM STREET ...and the always reliable Jonas Kaufmann painted an unforgettable Walther with his rich baritonal... Die Meistersinger in Munich ............................................... by Pierre Couture page 10 Coming up in 2017. Do not miss SINGERS’ MEMBERS WHO HAVE ALREADY PAID THEIR MEMBERSHIP FEE ROUNDTABLE FOR FOR 2016 - 17 RECEIVE THIS NEWSLETTER WITH A ‘GÖTTERDĀMMERUNG February 15, 2017 YELLOW DOT ............................................... 2 MY TWO TRISTANS Pierre Couture Two productions of Tristan und Isolde seen in Paris and London less than one month apart in May and June 2016, and obviously two different minimalist conceptions of this most challenging work.
  • Report to the Friends of Music

    Report to the Friends of Music

    Summer, 2020 Dear Friends of the Music Department, The 2019-20 academic year has been like no other. After a vibrant fall semester featur- ing two concerts by the Parker Quartet, the opening of the innovative Harvard ArtLab featuring performances by our faculty and students, an exciting array of courses and our inaugural department-wide throwdown–an informal sharing of performance projects by students and faculty–we began the second semester with great optimism. Meredith Monk arrived for her Fromm Professorship, Pedro Memelsdorff came to work with the Univer- sity Choir as the Christoph Wolff Scholar, Esperanza Spalding and Carolyn Abbate began co-teaching an opera development workshop about Wayne Shorter’s Iphigenia, and Vijay Iyer planned a spectacular set of Fromm Players concerts and a symposium called Black Speculative Musicalities. And then the world changed. Harvard announced on March 10, 2020 that due to COVID-19, virtual teaching would begin after spring break and the undergraduates were being sent home. We had to can- cel all subsequent spring events and radically revise our teaching by learning to conduct classes over Zoom. Our faculty, staff, and students pulled together admirably to address the changed landscape. The opera workshop (Music 187r) continued virtually; students in Vijay Iyer’s Advanced Ensemble Workshop (Music 171) created an album of original mu- sic, “Mixtape,” that is available on Bandcamp; Meredith Monk created a video of students in her choral class performing her work in progress, Fields/Clouds, and Andy Clark created an incredible performance of the Harvard Choruses for virtual graduation that involved a complicated process of additive recording over Zoom.
  • Solzh 19-20 Short

    Solzh 19-20 Short

    IGNAT SOLZHENITSYN 2019-20 SHORT BIO {206 WORDS} IGNAT SOLZHENITSYN Recognized as one of today's most gifted artists, and enjoying an active career as both conductor and pianist, Ignat Solzhenitsyn's lyrical and poignant interpretations have won him critical acclaim throughout the world. Principal Guest Conductor of the Moscow Symphony Orchestra and Conductor Laureate of the Chamber Orchestra of Philadelphia, Ignat Solzhenitsyn has recently led the symphonies of Baltimore, Cincinnati, Dallas, Indianapolis, Milwaukee, Seattle, and Toronto, the Nordwestdeutsche Philharmonie, the Czech National Symphony, as well as the Mariinsky Orchestra and the St. Petersburg Philharmonic. He has partnered with such world-renowned soloists as Richard Goode, Gary Graffman, Gidon Kremer, Anne-Sophie Mutter, Garrick Ohlsson, Mstislav Rostropovich, and Mitsuko Uchida. His extensive touring schedule in the United States and Europe has included concerto performances with numerous major orchestras, including those of Boston, Chicago, Philadelphia, Los Angeles, Seattle, Baltimore, Montreal, Toronto, London, Paris, Israel, and Sydney, and collaborations with such distinguished conductors as Herbert Blomstedt, James Conlon, Charles Dutoit, Valery Gergiev, André Previn, Gerard Schwarz, Wolfgang Sawallisch, Yuri Temirkanov and David Zinman. A winner of the Avery Fisher Career Grant, Ignat Solzhenitsyn serves on the faculty of the Curtis Institute of Music. He has been featured on many radio and television specials, including CBS Sunday Morning and ABC’s Nightline. CURRENT AS OF: 18 NOVEMBER 2019 PLEASE DESTROY ANY PREVIOUS BIOGRAPHICAL MATERIALS. PLEASE MAKE NO CHANGES, EDITS, OR CUTS OF ANY KIND WITHOUT SPECIFIC PERMISSION..
  • Rundfunk-Sinfonieorchester Berlin Rundfunkchor Berlin Marek Janowski SYMPHONIA DOMESTICA & DIE TAGESZEITEN Richard Strauss

    Rundfunk-Sinfonieorchester Berlin Rundfunkchor Berlin Marek Janowski SYMPHONIA DOMESTICA & DIE TAGESZEITEN Richard Strauss

    Richard Strauss SYMPHONIA DOMESTICA & DIE TAGESZEITEN Rundfunk-Sinfonieorchester Berlin Rundfunkchor Berlin Marek Janowski Richard Strauss (1864-1949) Symphonia statement (if meant sincerely) does not the Frenchman recommended the reference to the (outdated) traditional necessarily win you friends... work be performed only without the genre, in order to subsequently Symphonia Domestica, Op. 53 Domestica, Op. 53 accompanying programme, as it would demolish the internal musical structure 1 Bewegt 5. 03 In fact, the content of the Symphonia certainly distract the listener and and compositional content with 2 Scherzo 12. 46 Richard Strauss was a master at domestica does seem rather trivial, as misrepresent the character of the work. powerful irony. After all, one would 3 Adagio 11. 22 creating double entendres in his the composer places his own, deeply To which Strauss responded: “For me, surely elect a completely diff erent 4 Mäßig langsam. Bewegter 15. 43 music. Nothing is as it seems at fi rst bourgeois family idyll in the spotlight of the poetic programme is no more than genre to accompany the private glance. One should always keep this the musical scene. His original working a means of expressing and developing area of a domestic idyll: an art song, Die Tageszeiten, Op. 76 in mind when dealing with such a title for the work was: “My home. A my perception in a purely musical perhaps, a sonata – but certainly not (Poems by Joseph von Eichendorff ) controversial work as his Symphonia symphonic portrait of myself and my manner; not, as you think, merely a a symphony written for the concert For Male Chorus and Orchestra domestica, Op.
  • Berliner Philharmoniker

    Berliner Philharmoniker

    Berliner Philharmoniker Sir Simon Rattle Artistic Director November 12–13, 2016 Hill Auditorium Ann Arbor CONTENT Concert I Saturday, November 12, 8:00 pm 3 Concert II Sunday, November 13, 4:00 pm 15 Artists 31 Berliner Philharmoniker Concert I Sir Simon Rattle Artistic Director Saturday Evening, November 12, 2016 at 8:00 Hill Auditorium Ann Arbor 14th Performance of the 138th Annual Season 138th Annual Choral Union Series This evening’s presenting sponsor is the Eugene and Emily Grant Family Foundation. This evening’s supporting sponsor is the Michigan Economic Development Corporation. This evening’s performance is funded in part by The Andrew W. Mellon Foundation and by the Michigan Council for Arts and Cultural Affairs. Media partnership provided by WGTE 91.3 FM and WRCJ 90.9 FM. The Steinway piano used in this evening’s performance is made possible by William and Mary Palmer. Special thanks to Tom Thompson of Tom Thompson Flowers, Ann Arbor, for his generous contribution of lobby floral art for this evening’s performance. Special thanks to Bill Lutes for speaking at this evening’s Prelude Dinner. Special thanks to Journeys International, sponsor of this evening’s Prelude Dinner. Special thanks to Aaron Dworkin, Melody Racine, Emily Avers, Paul Feeny, Jeffrey Lyman, Danielle Belen, Kenneth Kiesler, Nancy Ambrose King, Richard Aaron, and the U-M School of Music, Theatre & Dance for their support and participation in events surrounding this weekend’s performances. Deutsche Bank is proud to support the Berliner Philharmoniker. Please visit the Digital Concert Hall of the Berliner Philharmoniker at www.digitalconcerthall.com.
  • View List (.Pdf)

    View List (.Pdf)

    Symphony Society of New York Stadium Concert United States Premieres New York Philharmonic Commission as of November 30, 2020 NY PHIL Biennial Members of / musicians from the New York Philharmonic Click to jump to decade 1842-49 | 1850-59 | 1860-69 | 1870-79 | 1880-89 | 1890-99 | 1900-09 | 1910-19 | 1920-29 | 1930-39 1940-49 | 1950-59 | 1960-69 | 1970-79 | 1980-89 | 1990-99 | 2000-09 | 2010-19 | 2020 Composer Work Date Conductor 1842 – 1849 Beethoven Symphony No. 3, Sinfonia Eroica 18-Feb 1843 Hill Beethoven Symphony No. 7 18-Nov 1843 Hill Vieuxtemps Fantasia pour le Violon sur la quatrième corde 18-May 1844 Alpers Lindpaintner War Jubilee Overture 16-Nov 1844 Loder Mendelssohn The Hebrides Overture (Fingal's Cave) 16-Nov 1844 Loder Beethoven Symphony No. 8 16-Nov 1844 Loder Bennett Die Najaden (The Naiades) 1-Mar 1845 Wiegers Mendelssohn Symphony No. 3, Scottish 22-Nov 1845 Loder Mendelssohn Piano Concerto No. 1 17-Jan 1846 Hill Kalliwoda Symphony No. 1 7-Mar 1846 Boucher Furstenau Flute Concerto No. 5 7-Mar 1846 Boucher Donizetti "Tutto or Morte" from Faliero 20-May 1846 Hill Beethoven Symphony No. 9, Choral 20-May 1846 Loder Gade Grand Symphony 2-Dec 1848 Loder Mendelssohn Violin Concerto in E minor 24-Nov 1849 Eisfeld Beethoven Symphony No. 4 24-Nov 1849 Eisfeld 1850 – 1859 Schubert Symphony in C major, Great 11-Jan 1851 Eisfeld R. Schumann Introduction and Allegro appassionato for Piano and 25-Apr 1857 Eisfeld Orchestra Litolff Chant des belges 25-Apr 1857 Eisfeld R. Schumann Overture to the Incidental Music to Byron's Dramatic 21-Nov 1857 Eisfeld Poem, Manfred 1860 - 1869 Brahms Serenade No.
  • A Season of Thrilling Intrigue and Grand Spectacle –

    A Season of Thrilling Intrigue and Grand Spectacle –

    A Season of Thrilling Intrigue and Grand Spectacle – Angel Blue as MimÌ in La bohème Fidelio Rigoletto Love fuels a revolution in Beethoven’s The revenger becomes the revenged in Verdi’s monumental masterpiece. captivating drama. Greetings and welcome to our 2020–2021 season, which we are so excited to present. We always begin our planning process with our dreams, which you might say is a uniquely American Nixon in China Così fan tutte way of thinking. This season, our dreams have come true in Step behind “the week that changed the world” in Fidelity is frivolous—or is it?—in Mozart’s what we’re able to offer: John Adams’s opera ripped from the headlines. rom-com. Fidelio, to celebrate the 250th anniversary of Beethoven’s birth. Nixon in China by John Adams—the first time WNO is producing an opera by one of America’s foremost composers. A return to Russian music with Musorgsky’s epic, sweeping, spectacular Boris Godunov. Mozart’s gorgeous, complex, and Boris Godunov La bohème spiky view of love with Così fan tutte. Verdi’s masterpiece of The tapestry of Russia's history unfurls in Puccini’s tribute to young love soars with joy a family drama and revenge gone wrong in Rigoletto. And an Musorgsky’s tale of a tsar plagued by guilt. and heartbreak. audience favorite in our lavish production of La bohème, with two tremendous casts. Alongside all of this will continue our American Opera Initiative 20-minute operas in its 9th year. Our lineup of artists includes major stars, some of whom SPECIAL PRESENTATIONS we’re thrilled to bring to Washington for the first time, as well as emerging talents.
  • A Survey of the Career of Baritone, Josef Metternich: Artist and Teacher Diana Carol Amos University of South Carolina

    A Survey of the Career of Baritone, Josef Metternich: Artist and Teacher Diana Carol Amos University of South Carolina

    University of South Carolina Scholar Commons Theses and Dissertations 2015 A Survey of the Career of Baritone, Josef Metternich: Artist and Teacher Diana Carol Amos University of South Carolina Follow this and additional works at: https://scholarcommons.sc.edu/etd Part of the Music Performance Commons Recommended Citation Amos, D. C.(2015). A Survey of the Career of Baritone, Josef Metternich: Artist and Teacher. (Doctoral dissertation). Retrieved from https://scholarcommons.sc.edu/etd/3642 This Open Access Dissertation is brought to you by Scholar Commons. It has been accepted for inclusion in Theses and Dissertations by an authorized administrator of Scholar Commons. For more information, please contact [email protected]. A SURVEY OF THE CAREER OF BARITONE, JOSEF METTERNICH: ARTIST AND TEACHER by Diana Carol Amos Bachelor of Music Oberlin Conservatory of Music, 1982 Master of Music University of South Carolina, 2011 Submitted in Partial Fulfillment of the Requirements For the Degree of Doctor of Musical Arts in Performance School of Music University of South Carolina 2015 Accepted by: Walter Cuttino, Major Professor Donald Gray, Committee Member Sarah Williams, Committee Member Janet E. Hopkins, Committee Member Lacy Ford, Senior Vice Provost and Dean of Graduate Studies ©Copyright by Diana Carol Amos, 2015 All Rights Reserved. ii ACKNOWLEDGEMENTS I gratefully acknowledge the help of my professor, Walter Cuttino, for his direction and encouragement throughout this project. His support has been tremendous. My sincere gratitude goes to my entire committee, Professor Walter Cuttino, Dr. Donald Gray, Professor Janet E. Hopkins, and Dr. Sarah Williams for their perseverance and dedication in assisting me.
  • MUSICWEB INTERNATIONAL Recordings of the Year 2019

    MUSICWEB INTERNATIONAL Recordings of the Year 2019

    MUSICWEB INTERNATIONAL Recordings Of The Year 2019 This is the seventeenth year that MusicWeb International has asked its reviewing team to nominate their recordings of the year. Reviewers are not restricted to discs they had reviewed, but the choices must have been reviewed on MWI in the last 12 months (December 2018-November 2019). The 128 selections have come from 27 members of the team and 65 different labels, the choices reflecting as usual, the great diversity of music and sources; I say that every year, but still the spread of choices surprises and pleases me. Of the selections, one has received three nominations: An English Coronation on Signum Classics and ten have received two nominations: Gounod’s Faust on Bru Zane Matthias Goerne’s Schumann Lieder on Harmonia Mundi Prokofiev’s Romeo & Juliet choreographed by John Cranko on C Major Marx’s Herbstymphonie on CPO Weinberg symphonies on DG Shostakovich piano works on Hyperion Late Beethoven sonatas on Hyperion Korngold orchestral works on Chandos Coates orchestral works on Chandos Music connected to Leonardo da Vinci on Alpha Hyperion was this year’s leading label with nine nominations, just ahead of C Major with eight. MUSICWEB INTERNATIONAL RECORDING OF THE YEAR In this twelve month period, we published more than 2300 reviews. There is no easy or entirely satisfactory way of choosing one above all others as our Recording of the Year, but this year one recording in particular put itself forward as the obvious candidate. An English Coronation 1902-1953 Simon Russell Beale, Rowan Pierce, Matthew Martin, Gabrieli Consort; Gabrieli Roar; Gabrieli Players; Chetham’s Symphonic Brass Ensemble/Paul McCreesh rec.
  • La Phil and Gustavo Dudamel Announce 2020/21 Season That Celebrates the Music of the Americas, Expands the Musical World with Mo

    La Phil and Gustavo Dudamel Announce 2020/21 Season That Celebrates the Music of the Americas, Expands the Musical World with Mo

    LA PHIL AND GUSTAVO DUDAMEL ANNOUNCE 2020/21 SEASON THAT CELEBRATES THE MUSIC OF THE AMERICAS, EXPANDS THE MUSICAL WORLD WITH MORE THAN TWO DOZEN COMMISSIONS, AND BRINGS EXCITING NEW VOICES TO BELOVED MASTERWORKS Dudamel launches multi-year Pan-American Music Initiative celebrating the vision and creativity of artists from across the Americas; inaugural year curated by composer Gabriela Ortiz features commissions and multi-disciplinary collaborations America: The Stories We Tell, a season-long musical journey into the ways in which narrative shapes American identity Seoul Festival, curated by composer Unsuk Chin, links South Korea’s cultural scene to the city with America’s largest Korean population The return of the landmark Tristan Project led by Esa-Pekka Salonen, with direction by Peter Sellars and visuals by Bill Viola, featuring Nina Stemme, Stephen Gould, Michelle DeYoung and Franz Josef Selig Katia and Marielle Labèque in an immersive multimedia journey, Supernova, with Barbara Hannigan and director Netia Jones, and concerts featuring new music by Nico Muhly and The National’s Bryce Dessner Season Subscription Series Available Now Single Ticket Sales Begin Sunday, August 23, 2020 Los Angeles, CA (February 5, 2020) – Los Angeles Philharmonic Music & Artistic Director Gustavo Dudamel and David C. Bohnett Chief Executive Officer Chair Chad Smith today announced the 2020/21 Walt Disney Concert Hall season featuring three trailblazing new projects: Pan-American Music Initiative and America: The Stories We Tell led by Gustavo Dudamel and Seoul Festival curated by Unsuk Chin; the premieres of 27 LA Phil commissions; the revival of LA Phil productions including the landmark Tristan Project Page 1 of 11 collaboration of Esa-Pekka Salonen, Peter Sellars and Bill Viola; and performances by world- renowned guest artists including Yuja Wang, Hélène Grimaud, Lang Lang, Itzhak Perlman, Yefim Bronfman, Leila Josefowicz, Katia and Marielle Labèque and Barbara Hannigan.

  • Lirica E Balletto Stagione 2018-2019

    Teatro La Fenice venerdì 10 maggio 2019 ore 19.00 turno A in diretta domenica 12 maggio 2019 ore 15.30 venerdì 17 maggio 2019 ore 19.00 domenica 19 maggio 2019 ore 15.30 turno B martedì 21 maggio 2019 ore 19.00 turno D venerdì 24 maggio 2019 ore 19.00 sabato 25 maggio 2019 ore 15.30 turno C mercoledì 29 maggio 2019 ore 19.00 turno E Lirica e Balletto Stagione 2018-2019 Tdramma lirico urandotin tre atti libretto di Giuseppe Adami personaggi e interpreti e Renato Simoni La principessa Turandot (10, 17, 21, 25, 29/5) dalla fiaba teatrale omonima Oksana Dyka di Carlo Gozzi Teresa Romano (12, 19, 24/5) musica di L’imperatore Altoum Marcello Nardis Giacomo Puccini Timur Simon Lim completamento del terzo atto Il principe ignoto (Calaf) (10, 17, 21, 25, 29/5) di Franco Alfano Andrea Carè prima rappresentazione assoluta: Walter Fraccaro (12, 19, 24/5) Milano, Teatro alla Scala, 26 aprile 1926 Liù (10, 17, 21, 25, 29/5) editore proprietario Casa Ricordi, Milano Carmela Remigio Francesca Dotto (12, 19, 24/5) Ping Alessio Arduini Pang Valentino Buzza Pong Paolo Antognetti Un mandarino Armando Gabba Il principino di Persia Massimo Squizzato (10, 17, 21, 25, 29/5) Bo Schunnesson (12, 19, 24/5) maestro concertatore e direttore Daniele Callegari regia Cecilia Ligorio scene Alessia Colosso costumi Simone Valsecchi light designer Fabio Barettin Orchestra e Coro del Teatro La Fenice maestro del Coro Claudio Marino Moretti Kolbe Children’s Choir maestro del Coro Alessandro Toffolo nuovo allestimento Fondazione Teatro La Fenice con sopratitoli in italiano
  • The Ultimate On-Demand Music Library

    The Ultimate On-Demand Music Library

    2020 CATALOGUE Classical music Opera The ultimate Dance Jazz on-demand music library The ultimate on-demand music video library for classical music, jazz and dance As of 2020, Mezzo and medici.tv are part of Les Echos - Le Parisien media group and join their forces to bring the best of classical music, jazz and dance to a growing audience. Thanks to their complementary catalogues, Mezzo and medici.tv offer today an on-demand catalogue of 1000 titles, about 1500 hours of programmes, constantly renewed thanks to an ambitious content acquisition strategy, with more than 300 performances filmed each year, including live events. A catalogue with no equal, featuring carefully curated programmes, and a wide selection of musical styles and artists: • The hits everyone wants to watch but also hidden gems... • New prodigies, the stars of today, the legends of the past... • Recitals, opera, symphonic or sacred music... • Baroque to today’s classics, jazz, world music, classical or contemporary dance... • The greatest concert halls, opera houses, festivals in the world... Mezzo and medici.tv have them all, for you to discover and explore! A unique offering, a must for the most demanding music lovers, and a perfect introduction for the newcomers. Mezzo and medici.tv can deliver a large selection of programmes to set up the perfect video library for classical music, jazz and dance, with accurate metadata and appealing images - then refresh each month with new titles. 300 filmed performances each year 1000 titles available about 1500 hours already available in 190 countries 2 Table of contents Highlights P.