A New Home Who'll Follow? Or, Glimpses of Western Life

Total Page:16

File Type:pdf, Size:1020Kb

A New Home Who'll Follow? Or, Glimpses of Western Life A New Home Who'll Follow? Or, Glimpses of Western Life Caroline Matilda Kirkland A New Home Who'll Follow? Or, Glimpses of Western Life Table of Contents A New Home Who'll Follow? Or, Glimpses of Western Life............................................................................1 Caroline Matilda Kirkland.............................................................................................................................1 PREFACE......................................................................................................................................................2 CHAPTER I...................................................................................................................................................2 CHAPTER II..................................................................................................................................................5 CHAPTER III................................................................................................................................................6 CHAPTER IV................................................................................................................................................7 CHAPTER V..................................................................................................................................................8 CHAPTER VI................................................................................................................................................9 CHAPTER VII.............................................................................................................................................11 CHAPTER VIII............................................................................................................................................12 CHAPTER IX..............................................................................................................................................13 CHAPTER X................................................................................................................................................15 CHAPTER XI..............................................................................................................................................17 CHAPTER XII.............................................................................................................................................19 CHAPTER XIII............................................................................................................................................21 CHAPTER XIV...........................................................................................................................................23 CHAPTER XV.............................................................................................................................................25 CHAPTER XVI...........................................................................................................................................26 CHAPTER XVII..........................................................................................................................................29 CHAPTER XVIII.........................................................................................................................................30 CHAPTER XIX...........................................................................................................................................33 CHAPTER XX.............................................................................................................................................35 CHAPTER XXI...........................................................................................................................................37 CHAPTER X................................................................................................................................................38 CHAPTER XXIII.........................................................................................................................................39 CHAPTER XXIV........................................................................................................................................40 CHAPTER XXV..........................................................................................................................................42 CHAPTER XXVI........................................................................................................................................43 CHAPTER XXVII.......................................................................................................................................44 CHAPTER XXVIII......................................................................................................................................48 CHAPTER XXIX........................................................................................................................................50 CHAPTER XXX..........................................................................................................................................51 CHAPTER XXXI........................................................................................................................................53 CHAPTER XXXII.......................................................................................................................................55 CHAPTER XXXIII......................................................................................................................................57 CHAPTER XXXIV......................................................................................................................................59 CHAPTER XXXV.......................................................................................................................................62 CHAPTER XXXVI......................................................................................................................................65 CHAPTER XXXVII....................................................................................................................................67 CHAPTER XXXVIII...................................................................................................................................68 CHAPTER XXXIX......................................................................................................................................70 CHAPTER XL.............................................................................................................................................72 CHAPTER XLI............................................................................................................................................73 CHAPTER XLII..........................................................................................................................................75 CHAPTER XLIII.........................................................................................................................................75 CHAPTER XLIV.........................................................................................................................................77 CHAPTER XLV..........................................................................................................................................78 i A New Home Who'll Follow? Or, Glimpses of Western Life Table of Contents A New Home Who'll Follow? Or, Glimpses of Western Life CHAPTER XLVI.........................................................................................................................................81 CHAPTER XLVII........................................................................................................................................83 ii A New Home Who'll Follow? Or, Glimpses of Western Life Caroline Matilda Kirkland This page copyright © 2001 Blackmask Online. http://www.blackmask.com • PREFACE. • CHAPTER I. • CHAPTER II. • CHAPTER III. • CHAPTER IV. • CHAPTER V. • CHAPTER VI. • CHAPTER VII. • CHAPTER VIII. • CHAPTER IX. • CHAPTER X. • CHAPTER XI. • CHAPTER XII. • CHAPTER XIII. • CHAPTER XIV. • CHAPTER XV. • CHAPTER XVI. • CHAPTER XVII. • CHAPTER XVIII. • CHAPTER XIX. • CHAPTER XX. • CHAPTER XXI. • CHAPTER X. • CHAPTER XXIII. • CHAPTER XXIV. • CHAPTER XXV. • CHAPTER XXVI. • CHAPTER XXVII. • CHAPTER XXVIII. • CHAPTER XXIX. • CHAPTER XXX. • CHAPTER XXXI. • CHAPTER XXXII. • CHAPTER XXXIII. • CHAPTER XXXIV. • CHAPTER XXXV. • CHAPTER XXXVI. • CHAPTER XXXVII. • CHAPTER XXXVIII. • CHAPTER XXXIX. A New Home Who'll Follow? Or, Glimpses of Western Life 1 A New Home Who'll Follow? Or, Glimpses of Western Life • CHAPTER XL. • CHAPTER XLI. • CHAPTER XLII. • CHAPTER XLIII. • CHAPTER XLIV. • CHAPTER XLV. • CHAPTER XLVI. • CHAPTER XLVII. PREFACE. I am glad to be told by those who live in the world, that it has lately become fashionable to read prefaces. I wished to say a few words, by way of introduction, to a work which may be deemed too slight to need a preface, but which will doubtless be acknowledged to require some recommendation. I claim for these straggling and cloudy crayon−sketches of life and manners in the remoter parts of Michigan, the merit of general truth of outline. Beyond this I venture not to aspire. I felt somewhat tempted to set forth my little book as being entirely, what it is very nearlya veritable history; an unimpeachable transcript of reality; a rough picture, in
Recommended publications
  • 6. the Tudors and Jacobethan England
    6. The Tudors and Jacobethan England History Literature Click here for a Tudor timeline. The royal website includes a history of the Tudor Monarchs [and those prior and post this period]. Art This site will guide you to short articles on the Kings and Queens of the Tudor Music Dynasty. Another general guide to Tudor times can be found here. Architecture Click here for a fuller account of Elizabeth. One of the principle events of the reign of Elizabeth was the defeat of the Spanish Armada (here's the BBC Armada site). Elizabeth's famous (and short) speech before the battle can be found here. England's power grew mightily in this period, which is reflected in the lives and achievements of contemporary 'heroes' such as Sir Francis Drake, fearless fighter against the Spanish who circumnavigated the globe, and Sir Walter Raleigh (nowadays pronounced Rawley), one of those who established the first British colonies across the Atlantic (and who spelt his name in over 40 different ways...). Raleigh is generally 'credited' with the commercial introduction of tobacco into England .about 1778, and possibly of the potato. On a lighter note, information on Elizabethan costume is available here (including such items as farthingales and bumrolls). Literature Drama and the theatre The Elizabethan age is the golden age of English drama, for which the establishment of permanent theatres is not least responsible. As performances left the inn-yards and noble houses for permanent sites in London, the demand for drama increased enormously. While some of the smaller theatres were indoors, it is the purpose-built round/square/polygonal buildings such as The Theatre (the first, built in 1576), the Curtain (late 1570s?), the Rose (1587), the Swan (1595), the Fortune (1600) and of course the Globe (1599) that are most characteristic of the period.
    [Show full text]
  • The Tudor Monarchy British History Online: Calendar of State Papers
    The Tudor Monarchy British History Online: Calendar of State Papers and Manuscripts in the Archives and Collections of Milan 1385-1618 Database contains a collection of Milan State papers and Manuscripts. Date range covers the reign of Henry VIII. The British Library: Henry VIII The exhibition contains Key documents from the life and times of Henry VIII, the pious yet bloodthirsty king whose reign forever changed the nature of England. There are also video extracts from David Starkey's acclaimed Channel 4 series 'Henry VIII: The Mind of a Tyrant'. Hampton Court Palace: Young Henry VIII Exhibition Hampton Court Palace is the home of Henry VIII. Explore the fascinating early years of Henry's reign by taking a virtual tour of the Young Henry VIII exhibition. The National Archives: Henry VIII The Nation Archives has an exhibition on King Henry VIII to commemorate the 500th anniversary of Henry VIII’s coronation with a wealth of information about the legendary monarch’s life and legacy. The National Archives: Tudor Hackney Tudor Hackney enables you to explore the world of 1601 through a virtual reality reconstruction of the Rectory House, which once stood on the west side of Hackney's Mare Street (then called Church Street). The National Portrait Gallery: Tudor and Elizabethan Portraits This contains a selection of portraits from 1485 to 1603, many of which are on display at the Gallery or at Montacute House, our regional partner in Somerset. Journal of the House of Lords: Volume 1, 1509-1577 This contains the official minute book of the House of Lords.
    [Show full text]
  • FALL 2019 2 | from the Executive Director
    Americans in Alliance with the National Trust of England, Wales, and Northern Ireland The Horse and the Country House The Lost House Revisited Restoring Britain’s Waterways FALL 2019 2 | From the Executive Director THE ROYAL OAK FOUNDATION 20 West 44th Street, Suite 606 New York, New York 10036-6603 212.480.2889 | www.royal-oak.org BOARD OF DIRECTORS Chairman Lynne L. Rickabaugh Vice Chairman Renee Nichols Tucei Treasurer Susan Ollila Montacute House in Somerset is a masterpiece of Elizabethan Renaissance architecture and design. Secretary Royal Oak members visited the house on this year’s annual garden tour. Prof. Sir David Cannadine Directors Cheryl Beall Michael A. Boyd Dear Members & Friends, Michael J. Brown Though we are nearing the final quarter of 2019, our year is far from over. On November Susan Chapman 6, we will host our fall benefit dinner at the Century Association in New York City. This Constance M. Cincotta year’s event will honor the Duke of Devonshire for his contribution to the preservation Robert C. Daum of British culture and the 10 year restoration of Chatsworth. Sir David Cannadine will Tracey A. Dedrick join in discussion with the Duke about his project to restore Chatsworth to its full glory Anne Blackwell Ervin and it promises to be wonderful evening. Pamela K. Hull Linda A. Kelly We are well on our way to achieving our goal of raising $250,000 to preserve the library at Hilary McGrady Blickling Hall. This is one of the most significant libraries under the care of the National Eric J.
    [Show full text]
  • National Trust Annual Report 2019/20
    National Trust Annual Report 2019/20 National Trust Annual Report 2019/20 1 Visiting figures Properties open at a charge with more than 50,000 visitors in 2019/20: Property 2019/20 2018/19 Giants Causeway 685,229 738,508 Plas Newydd 156,234 151,714 Clumber Park 655,251 677,136 Ightham Mote 154,776 150,123 Attingham Park 540,561 511,687 Winkworth Arboretum 154,590 148,556 Cliveden 525,903 499,043 Nostell 152,513 152,896 Carrick-a-Rede and Larrybane 471,843 497,623 Beningbrough Hall 147,773 146,111 Waddesdon Manor27 467,247 471,886 Greys Court 145,806 132,332 Calke Abbey 459,262 398,837 Penrhyn Castle 135,614 118,833 Belton House 442,447 444,697 Castle Ward 134,826 122,226 Kingston Lacy 409,106 366,667 Avebury Manor 130,234 100,262 Polesden Lacey 401,748 356,131 Emmetts Garden 129,628 125,818 Fountains Abbey Estate and Studley Royal Felbrigg Hall, Gardens and Estate 129,627 118,907 Water Garden 400,328 403,591 Biddulph Grange Garden 129,272 127,065 Anglesey Abbey 386,909 400,186 Lyme Park 129,040 140,084 Stourhead 386,458 382,235 Ham House 128,445 127,195 Mottisfont 381,835 375,708 Brownsea Island 127,630 132,911 Nymans 378,216 369,941 Rowallane Garden 127,410 111,707 Tyntesfield 355,307 308,981 Sizergh 125,193 115,166 St.Michael´s Mount 351,362 358,853 Bateman's 122,823 120,871 Dunham Massey 329,681 322,276 Castle Drogo 122,817 102,207 Wimpole Estate 324,925 320,489 Sutton Hoo 121,797 74,421 Gibside 297,946 283,056 Coughton Court 118,428 121,625 Sheffield Park 292,866 312,478 Barrington Court 115,085 110,602 Hardwick 288,799 295,972 Greenway
    [Show full text]
  • Stockton House, Wiltshire : Heritage Statement – Documentary Sources
    STOCKTON HOUSE, WILTSHIRE : HERITAGE STATEMENT – DOCUMENTARY SOURCES Version 0.5 – November 26, 2014 Fig 1 : J.C. Buckler, South-West View of Stockton House, Wiltshire. dated 1810 (courtesy of Yale Center for British Art, B1991.40.75) Andrew Foyle : Stockton House Heritage Statement, Version 0.5; November 26 2014 Page 1 CONTENTS: Preamble Pages 1-2 1. Change Control Log Page 3 2. Timeline for Stockton House Page 4 2. History and Development of the Building Page 17 3. Ownership and Owners’ Biographies Page 48 4. Appendices: Document Texts Page 57 A: Rev. Thomas Miles, History of the Parish of Stockton, B : Letter from W.H. Hartley, of Sutton, to John Hughes of Stockton, Friday Feb 26th, 1773 C : Auctions of Furniture from Stockton House, 1906 and 1920 D: A visitor’s comments on Stockton House in 1898. E : Kelly’s Directory of Wiltshire, 1898 F: Inquest Report on the Death of a Gardener, 1888 G: Transcripts of Four Articles on Stockton House in Country Life (1905 and 1984) H: Excerpt from The Gardeners’ Chronicle, February 23, 1895, p. 230. Abbrevations: WHC – Wiltshire History Centre, Chippenham (formerly Wiltshire Record Office) WILBR – Wiltshire Buildings Record at Wiltshire History Centre Introduction This paper sets out the documentary sources for the architectural development, phasing and dating of Stockton House. It was prepared by Andrew Foyle to inform the conservation and repair work to be carried out by Donald Insall Associates. Andrew Foyle : Stockton House Heritage Statement, Version 0.5; November 26 2014 Page 2 CHANGE CONTROL LOG Version 0.0 issued April 22 2014 Version 0.1 issued April 28 2014 Minor typographical changes.
    [Show full text]
  • The Minstrel; Or the Progress of Genius
    The Minstrel; or the Progress of Genius By James Beattie THE MINSTREL; IN TWO BOOKS. _Me vero primum dulces ante omnia Musæ, Quarum sacra fero, ingenti perculsus amore, Accipiant.----_ VIRGIL. THE MINSTREL; OR, THE PROGRESS OF GENIUS. BOOK FIRST. I. Ah! who can tell how hard it is to climb The steep, where Fame's proud temple shines afar! Ah! who can tell how many a soul sublime Has felt the influence of malignant star, And waged with Fortune an eternal war! Checked by the scoff of Pride, by Envy's frown, And Poverty's unconquerable bar, In life's low vale remote has pined alone, Then dropt into the grave, unpitied and unknown! II. And yet, the languor of inglorious days Not equally oppressive is to all. Him, who ne'er listened to the voice of praise, The silence of neglect can ne'er appal. There are, who, deaf to mad Ambition's call, Would shrink to hear th' obstreperous trump of Fame; Supremely blest, if to their portion fall Health, competence, and peace. Nor higher aim Had He, whose simple tale these artless lines proclaim. III. This sapient age disclaims all classic lore; Else I should here, in cunning phrase, display, How forth THE MINSTREL fared in days of yore, Right glad of heart, though homely in array; His waving locks and beard all hoary grey: And, from his bending shoulder, decent hung His harp, the sole companion of his way, Which to the whistling wind responsive rung: And ever as he went some merry lay he sung.
    [Show full text]
  • Painted Wood: History and Conservation
    PART FOUR Investigations and Treatment 278 Monochromy, Polychromy, and Authenticity The Cloisters’ Standing Bishop Attributed to Tilman Riemenschneider Michele D. Marincola and Jack Soultanian 1975, Standing Bishop was acquired for The Cloisters collection, the Metropolitan Museum of IArt, New York. This piece—considered at purchase to be a mature work of Tilman Riemenschneider (ca. 1460–1531), a leading German mas- ter of Late Gothic sculpture—was intended to complement early works by the artist already in the collection. The sculpture (Fig. 1) is indisputably in the style of Riemenschneider; furthermore, its provenance (established to before 1907) includes the renowned Munich collection of Julius Böhler.1 The Standing Bishop was accepted as an autograph work by the great Riemenschneider scholar Justus Bier (1956), who was reversing his earlier opinion. It has been compared stylistically to a number of works by Riemenschneider from about 1505–10. In the 1970s, a research project was begun by art historians and conservators in Germany to establish the chronology and authorship of a group of sculptures thought to be early works of Riemenschneider. The Cloisters’ sculptures, including the Standing Bishop, were examined as part of the project, and cross sections were sent to Munich for analysis by Hermann Kühn. This research project resulted in an exhibition of the early work of Riemenschneider in Würzburg in 1981; The Cloisters sent two sculptures from its collection, but the loan of the Standing Bishop was not requested. Certain stylistic anomalies of the figure, as well as several Figure 1 technical peculiarities discussed below, contributed to the increasing suspi- Standing Bishop, attributed to Tilman cion that it was not of the period.
    [Show full text]
  • News Release
    NEWS RELEASE FOURTH STREET AT CONSTITUTION AVENUE NW WASHINGTON DC 20565 . 737-4215/842-6353 EXHBITION FACT SHEET Title; THE TREASURE HOUSES OF BRITAIN: FIVE HUNDRED YEARS OF PRIVATE PATRONAGE AND ART COLLECTING Patrons: Their Royal Highnesses The Prince and Princess of Wales Dates; November 3, 1985 through March 16, 1986, exactly one week later than previously announced. (This exhibition will not travel. Loans from houses open to view are expected to remain in place until the late summer of 1985 and to be returned before many of the houses open for their visitors in the spring of 1986.) Credits; This exhibition is made possible by a generous grant from the Ford Motor Company. The exhibition was organized by the National Gallery of Art, Washington, in collaboration v\n.th the British Council and is supported by indemnities from Her Majesty's Treasury and the U.S. Federal Council on the Arts and Humanities. Further British assistance was supplied by the National Trust and the Historic Houses Association. History of the exhibition; The suggestion that the National Gallery of Art consider holding a major exhibition devoted to British art was made by the British Council in 1979. J. Carter Brown, Director of the National Gallery, responded with the idea of an exhibition on the British Country House as a "vessel of civilization," bringing together works of art illustrating the extraordinary achievement of collecting and patronage throughout Britain over the past five hundred years. As this concept carried with it the additional, contemporary advantage of stimulating greater interest in and support of those houses open to public viewing, it was enthusiastically endorsed by the late Lord Howard of Henderskelfe, then-Chairman of the Historic Houses Association, Julian Andrews, Director of the Fine Arts Department of the British Council, and Lord Gibson, Chairman of the National Trust.
    [Show full text]
  • 2019 Programmes for School and College Groups at Montacute House
    2019 Programmes for School and College Groups at Montacute House Montacute House is an excellent example of an unspoilt late Elizabethan mansion and also contains a stunning collection of Tudor and early Jacobean portraits from the National Portrait Gallery. We are able to cater for all ages. Most groups take advantage of sessions led by our Visitor Experience Volunteers but we can also support group leaders who want to self-lead. Groups are welcome to visit from early March to October half term. Taught sessions can be arranged any day Monday to Friday. Key Stage 1 Programme – Houses and Homes This programme consists of a volunteer-led tour of the main rooms in the house and incorporates hands-on activities. Children are encouraged to use the evidence around them to find out about a home in the past and how it differs from homes today. They also spend some time engaging with a large family portrait in the Long Gallery using costume props. Key Stage 2 Programme – Tudors or local history study We offer a programme consisting of a volunteer-led tour of the Tudor rooms in the house, including the portraits in the Long Gallery and activities taken from the list below. The children are encouraged to question the evidence around them and come to their own conclusions about the lives of rich and poor Tudors. Built for Sir Edward Phelips, Montacute House was designed to impress and establish its owner’s status and power. Today, it can be used as the focus for a local history study. Key Stage 3 and beyond Tours of the house and analysis of the portraits can be offered as required.
    [Show full text]
  • Josh Groban Releases Noël (Deluxe Edition) in Celebration of Its 10Th Anniversary
    JOSH GROBAN RELEASES NOËL (DELUXE EDITION) IN CELEBRATION OF ITS 10TH ANNIVERSARY ALBUM AVAILABLE HERE GROBAN'S FIRST COFFEE TABLE BOOK STAGE TO STAGE: MY JOURNEY TO BROADWAY OUT NOVEMBER 21ST Los Angeles, CA (November 3, 2017) - Multi-platinum, international recording artist and songwriter Josh Groban released a deluxe version of his beloved Christmas album Noël on CD and all digital formats today via Reprise Records. The album can be ordered HERE. Originally released on October 9, 2007, this Grammy nominated holiday recording remains one of the best-selling Christmas albums of all time, selling over 7.5 million copies worldwide. The new album consists of the original 13 tracks with an extra six new songs, including four brand new, never before released recordings: • White Christmas - a gorgeous, brand new recording with a full 70 piece orchestra recorded in Abbey Road, London. • Christmas Time Is Here - duet with the legendary Tony Bennett. This incredibly famous, cross generational song from "A Charlie Brown Christmas" will surely be a hit at family Christmas parties. • Have Yourself A Merry Little Christmas- following Josh's platinum album Stages, he wanted a holiday song that matched the theme of Stages and found that in this famous Christmas song from the show/film Meet Me In St. Louis. • Happy XMas (War is Over) - the poignant, classic Christmas song written by John Lennon & Yoko Ono with a powerful message that seems more relevant now than ever (fans who pre-order the new album will receive this song as an instant grat track TODAY). • Believe - the Academy Award-nominated song from the Polar Express film soundtrack, never before available on a Josh Groban release.
    [Show full text]
  • Business Type
    Business Type Business Name Address Address Address Address Post Code FHRS Status Accommodation - B&B Redlynch Farm House B&B Redlynch Road Pitcombe Bruton BA10 0NH FHRS - Excluded Accommodation - B&B Studio Farrows Farrows Church Path Aller Langport TA10 0QW FHRS - Included Accommodation - B&B The Fat Pigeon Brympton House Brympton Avenue Brympton Yeovil BA22 8TD FHRS - Included Accommodation - B&B Home Farm Breaks Home Farm Main Street Chilthorne Domer Yeovil BA22 8RD FHRS - Included Accommodation - B&B Pound Farm B&B Main Street Chilthorne Domer Yeovil BA22 8RD FHRS - Included Accommodation - B&B Rickham House Street Road Compton Dundon Somerton TA11 6QA FHRS - Included Accommodation - B&B The Old Bakery Bed & Breakfast The Old Bakery Swell Lane Fivehead Taunton TA3 6PA FHRS - Included Accommodation - B&B The Willows Bed & Breakfast Lattiford Holton Wincanton BA9 8AF FHRS - Included Accommodation - B&B Brewers Cottage Bed and Breakfast Brewers Cottage Isle Brewers Taunton TA3 6QL FHRS - Included Accommodation - B&B Burrow Hill Bed & Breakfast Orchard View Burrow Way Kingsbury Episcopi Martock TA12 6BU FHRS - Included Accommodation - B&B The Wheelhouse The Wheelhouse Gawbridge Mill Gawbridge Kingsbury Episcopi Martock TA12 6BY FHRS - Included Accommodation - B&B Orchardleigh B&B Orchard Leigh Martock Road Long Sutton Langport TA10 9HU FHRS - Included Accommodation - B&B Home Barn Bed & Breakfast Home Barn Mudford Sock Mudford Yeovil BA22 8EA FHRS - Included Accommodation - B&B Bagnell Cottage B&B Little Norton Norton Sub Hamdon Stoke
    [Show full text]
  • University Microfilms 300 North Zaeb Road Ann Arbor
    INFORMATION TO USERS This dissertation was produced from a microfilm copy of the original document. While the most advanced technological means to photograph and reproduce this document have been used, the quality is heavily dependent upon the quality of the original submitted. The following explanation of techniques is provided to help you understand markings or patterns which may appear on this reproduction. 1. The sign or "target" for pages apparently lacking from the document photographed is "Missing Page(s)". If it was possible to obtain the missing page(s) or section, they are spliced into the film along with adjacent pages. This may have necessitated cutting thru an image and duplicating adjacent pages to insure you complete continuity. 2. When an image on the film is obliterated with a large round black mark, it is an indication that the photographer suspected that the copy may have moved during exposure and thus cause a blurred image. You will find a good image of the page in the adjacent frame. 3. When a map, drawing or chart, etc., was part of the material being photographed the photographer followed a definite method in "sectioning" the material. It is customary to begin photoing at the upper left hand corner of a large sheet and to continue photoing from left to right in equal sections with a small overlap. If necessary, sectioning is continued again — beginning below the first row and continuing on until complete. 4. The majority of users indicate that the textual content is of greatest value, however, a somewhat higher quality reproduction could be made from "photographs" if essential to the understanding of the dissertation.
    [Show full text]