Forward As One!
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Blackkklansman and Postcolonial Studies in the EFL Classroom
Independent Project, 15 credits “Dis joint is based upon some fo’ real, fo’ real sh*t” Challenging perspectives on race and ethnicity by incorporating Spike Lee’s movie BlacKkKlansman and postcolonial studies in the EFL classroom Author: Sofija Stanic Supervisor: Anna Greek Examiner: Anne Holm Term: HT19 Subject: English Level: Bachelor Course code: 2ENÄ2E Abstract This essay argues for the benefits of incorporating Spike Lee’s film BlacKkKlansman and discussions of postcolonialism in the Swedish upper secondary EFL classroom in order to challenge students’ perspectives on race and ethnicity. The film BlacKkKlansman by Spike Lee is a work that challenges not only American history but also the perspectives of black and white people in contemporary society. Discussing the white and black characters and the social criticism in the movie with students in the English classroom may encourage them to be more open-minded and aware of global political and social issues. Key words Postcolonial criticism; BlacKkKlansman; racial issues; racism; EFL classroom; fundamental values; stereotypes Thanks To my supervisor Anna Greek, thank you for all your kind support and help during the writing of this essay, you helped spark my interest for the subject. Table of contents Abstract 2 1 Introduction 1 2 Postcolonialism 4 2.1 Overview 4 2.2 Postcolonial Criticism and Literature Didactical Theory 9 3 Spike Lee’s BlacKkKlansman 13 3.1 The Depiction of Blackness and Whiteness 13 3.2 Connections to the Trump-Era 18 3.3 Postcolonial criticism and BlacKkKlansman in the EFL Classroom 21 4 Conclusion 25 Works Cited 1 1 Introduction The movie BlacKkKlansman from 2018, directed by Spike Lee, is a story set in the early 1970s which revolves around the protagonist Ron Stallworth who becomes the first African American police officer in the Colorado Springs police force. -
The Absence of Protest,Who's Buried in the Graveyard of Empires?
21st Century Internationalism of the Oppressed [We are re-posting this essay by Bill Fletcher because he offers a compelling response to an argument that has been circulating all too widely in left circles. We are using the version that appeared on ZNet, Sept. 17, 2021. — Eds.] The US Left has largely lost the ability and/or willingness to have serene debates and exchanges. All too quickly differences, sometimes negligible, are elevated into splits. And, worse, those holding opposing views are treated as ‘enemies of the people’ or simply soft-headed, recalling the danger of firing squads that have been frequently used against political opponents (note to reader: remember the end of the Grenadian Revolution in 1983). Keeping this in mind the following is offered as a response to a recent piece by Ajamu Baraka, “We Can No Longer Avoid Raising the Contradiction of the Western Imperial Left’s Collaboration with the Western Bourgeoisie,” in Black Agenda Report (1 September 2021). This response is offered carefully because this is not a personal debate, despite the condescending tone of Baraka’s piece. Our differences do not revolve around any question as to the Baraka’s dedication and commitment, nor his insight into many issues facing the globally oppressed. He and I have known each other for years and, despite differences, have had a comradely relationship. In the context of his recent essay, however, I respectfully believe that his framework is muddled, incorrect and stuck in a perverse version of a pre-1991 world. We will leave aside Baraka’s insults to Gilbert Achcar. -
SAFETY at a PUSH of a BUTTON ISU Police Introduce New Safety Measures on Campus Through Technology
Iowa State Daily, January 2019 Iowa State Daily, 2019 1-24-2019 Iowa State Daily (January 24, 2019) Iowa State Daily Follow this and additional works at: https://lib.dr.iastate.edu/iowastatedaily_2019-01 Recommended Citation Iowa State Daily, "Iowa State Daily (January 24, 2019)" (2019). Iowa State Daily, January 2019. 7. https://lib.dr.iastate.edu/iowastatedaily_2019-01/7 This Book is brought to you for free and open access by the Iowa State Daily, 2019 at Iowa State University Digital Repository. It has been accepted for inclusion in Iowa State Daily, January 2019 by an authorized administrator of Iowa State University Digital Repository. For more information, please contact [email protected]. An independent student newspaper serving Iowa State since 1890 01.24.2019 Vol. 219 No. 084 THURSDAY Defensive loss Kansas exposed Iowa State’s weaknesses in latest game. SPORTS PG6 SAFETY AT A PUSH OF A BUTTON ISU Police introduce new safety measures on campus through technology BY JAILENE.RIVAS the university. @iowastatedaily.com Existing safety services available to students, sta and e Iowa State Police Department will add Ames community members a new app to the safety programs o ered for include blue emergency posts Iowa State students. around campus, SafeRide and Iowa State Police Chief Michael Newton CyRide’s night routes. told the Ames Tribune in December the new BLUE EMERGENCY POSTS ISU Guardian app is expected to be available this spring. There are blue emergency posts around The app will provide several services to campus with a button and a speaker. In to need or use the emergency posts because of university or sorority or fraternity properties. -
Julius Bernstein Papers
Julius Bernstein Collection Papers, 1916-1977 30 linear feet Accession #896 OCLC # Julius Bernstein was born in New York City June 5, 1919 to Solomon and Rose (Kimmel) Bernstein, immigrants from Russia and the Austro-Hungarian Empire respectively. He moved with his family to Boston in 1929, attending public schools there, including Boston Latin, but and graduated from James Monroe High School in the Bronx, where he moved with his younger brother and mother after her separation from his father. He also attended Boston University for one year, majoring in journalism, and was awarded a Florence Lasker Fellowship in Civil Rights at Brandeis University in 1961. In his teens, Bernstein became active in the Young People's Socialist League and for many years served as State Secretary of the Socialist Party in Massachusetts. He met his future wife, Bess Belle Luff, through the Workmen's Circle, in which his family were active, lifelong members. They married in 1940 and had two sons, Stanley, born in 194 1, and Eugene Debs, in 1943. Drafted in December, 1941, he spent most of World War 11 driving an ambulance at Hoff General Hospital in Santa Barbara, California. Upon his discharge in 1945, he joined and remained active for many years in the Ernie Pyle Chapter of the American Veterans' Committee of Massachusetts. In 1948 Bernstein started working for the Jewish Labor Committee in Boston, the only regular job he ever held, taking over as resident field officer when Rose Parker moved to Detroit to marry Dr. Schmarya Kleinman. The primary focus of the JLC organization in Boston was to serve as the education arm of organized labor in New England on human rights issues, but Bernstein's activity also expanded to persistent lobbying with the Massachusetts and other state legislatures on civil rights and labor matters. -
Blackkklansman
BlacKkKlansman The movie is called BlacKkKlansman, it was directed by Spike Lee and released in France in August 22, 2018. The movie is based on a true story from the book Black Klansman, written by Ron Stallworth. Starring John David Washington, Adam Driver, Laura Harrier, Topher Grace as the main actors. The movie is set in the 70s where it follows the story of a young black man named Ron Stallworth, who just joined the police department of Colorado Springs, Colorado. After being subjected to the racist and tense environment of the department and a somewhat successful infiltration mission. Ron Stallworth is transferred to the intelligence division where he finds an advertisement for the local Ku Klux Klan. He decides to call and poses as a racist, anti-Semite, anti-Latino and homophobic white man looking to join the Klan, only to discover that he used his real name. He gains the accord of his chief to commence an infiltration of the KKK with the help of Flip Zimmerman a non-practicing Jewish officer. The pair create the two-man Ron Stallworth; the real Ron Stallworth handles the phone conversations while Zimmerman while meet the Klan's members in person. The duo begins to infiltrate the KKK to discover what the Klan is up to while making Ron Stallworth the first black man in the Klan. While I liked the movie, I believe that it struggles with its balance of drama and comedy. While trying to deliver the message that the Klan is a serious threat (especially during the last part), the movie depicts the Klan more as a good-for-nothing group with stereotypical characters that are more made to be laugh at than feared. -
Fleischman, Harry
The Association for Diplomatic Studies and Training Foreign Affairs Oral History Project Labor Series HARRY FLEISCHMAN Interviewed by: Morris Weisz Initial interview date: January 28, 1995 Copyright 2015 ADST [Note: This interview was not edited by Mr. Fleischman.] Q: This is Morris Weisz with the Labor Diplomacy Oral History Project. The date is January 28, 1995. I am sitting in the charming home of Harry Fleischman in Longboat Key, Florida to follow up on an interview that took place on January 27, 1992 (three years ago) in which Harry gave an account of some of the work he did for the Voice of America and the USIA or its equivalent at that time for the few years that he worked there (1952-1953). We have transcribed that very interesting interview. That are a few blanks that we want to fill in on it with this second interview and then go on to have Harry comment on some materials he has since dug up which illustrate the work that a person of his background was able to do for the Voice, which had some very good effects during the period that we were in this terrific propaganda war with the Soviets at the beginning of the Marshall Plan period. Harry, there are two purposes to this re-interview. We thank you for it. The first purpose is really to follow your career afterwards, after you left the Voice, in 1953 and to get an idea from you as to the value or the critique of your work that became sharper as your career went on and an evaluation of the government programs in that period from a sort of 20/20 hindsight point of view, how did your career in the government affect your future activities? Please mention those, of course. -
Sweating for Democracy: Working-Class Media and the Struggle for Hegemonic Jewishness, 1919-1941 by Brian Craig Dolber Dissertat
SWEATING FOR DEMOCRACY: WORKING-CLASS MEDIA AND THE STRUGGLE FOR HEGEMONIC JEWISHNESS, 1919-1941 BY BRIAN CRAIG DOLBER DISSERTATION Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in Communication in the Graduate College of the University of Illinois at Urbana-Champaign, 2011 Urbana, Illinois Doctoral Committe: Professor Robert W. McChesney, Chair Professor James R. Barrett Professor John C. Nerone Associate Professor Inger Lisbeth Stole ii Abstract Using the framework of political economy of media, this dissertation examines the history of the Jewish working class counterpublic in the United States during the interwar period and its relationships to the broader public sphere. Between 1919 and 1941, organic intellectuals, such as B.C. Vladeck, J.B.S. Hardman, Fannia Cohn, and Morris Novik, employed strategies to maintain the Yiddish-language newspaper the Forward, worker education programs, and radio station WEVD. These forms of media and cultural production were shaped by internal conflicts and struggles within the counterpublic, as well as evolving practices and ideas around advertising, public relations, and democracy. Vladeck, Hardman, Cohn and Novik all helped to extend Yiddish socialist culture through the reactionary 1920s while laying the groundwork for an American working class culture represented by the CIO in the 1930s, and a broad consensus around a commercial media system by the postwar period. This history demonstrates the challenges, conflicts, and contradictions that emerge in media production within counterpublics, and posits that other similar case studies are necessary in order develop enlightened strategies to democratize our contemporary media system. iii Acknowledgments While this dissertation is the product of many years of labor on my part, I can not imagine having completed it without the support and inspiration of so many people. -
Brecht, Emotion, and the Reflective Spectator: the Case of ‘Blackkklansman’
Repositorium für die Medienwissenschaft Carl Plantinga Brecht, emotion, and the reflective spectator: The case of BLACKKKLANSMAN 2019 https://doi.org/10.25969/mediarep/4192 Veröffentlichungsversion / published version Zeitschriftenartikel / journal article Empfohlene Zitierung / Suggested Citation: Plantinga, Carl: Brecht, emotion, and the reflective spectator: The case of BLACKKKLANSMAN. In: NECSUS. European Journal of Media Studies, Jg. 8 (2019), Nr. 1, S. 151–169. DOI: https://doi.org/10.25969/mediarep/4192. Erstmalig hier erschienen / Initial publication here: https://necsus-ejms.org/brecht-emotion-and-the-reflective-spectator-the-case-of-blackkklansman/ Nutzungsbedingungen: Terms of use: Dieser Text wird unter einer Creative Commons - This document is made available under a creative commons - Namensnennung - Nicht kommerziell - Keine Bearbeitungen 4.0/ Attribution - Non Commercial - No Derivatives 4.0/ License. For Lizenz zur Verfügung gestellt. Nähere Auskünfte zu dieser Lizenz more information see: finden Sie hier: https://creativecommons.org/licenses/by-nc-nd/4.0/ https://creativecommons.org/licenses/by-nc-nd/4.0/ EUROPEAN JOURNAL OF MEDIA STUDIES www.necsus-ejms.org Brecht, emotion, and the reflective spectator: The case of ‘BlacKkKlansman’ Carl Plantinga NECSUS 8 (1), Spring 2019: 151–169 URL: https://necsus-ejms.org/brecht-emotion-and-the-reflective- spectator-the-case-of-blackkklansman/ Keywords: Brecht, emotional engagement, emotional estrangement, Emotions, reflective spectatorship One enduring concern of film theory has been the question of what film structures and styles encourage critical, reflective, and active spectatorship. Neo-Brechtian theory has been influential in this regard, as many of Brecht’s theories regarding the epic theatre were incorporated into film theory in the 1970s, just as the field was being formalised as an academic discipline. -
California and West Coast Labor and Industrial Relations, Selected Publications
http://oac.cdlib.org/findaid/ark:/13030/kt2779q6pf Online items available Guide to the California and West Coast Labor and Industrial Relations, Selected Publications IRLE Library staff Institute for Research on Labor and Employment Collections University of California, Berkeley Berkeley, CA 94720-6000 Phone: (510) 642-6657 Fax: (510) 642-6432 URL: ttp://www.lib.berkeley.edu/help/research-help © 2018 The Regents of the University of California. All rights reserved. Guide to the California and West IRLE-LB01 1 Coast Labor and Industrial Relations, Selected ... Guide to the California and West Coast Labor and Industrial Relations, Selected Publications Collection number: IRLE-LB01 Institute for Research on Labor and Employment Collections University of California, Berkeley Berkeley, California Processed by: IRLE Library staff Date Completed: December 2008 Encoded by: IRLE Library staff © 2018 The Regents of the University of California. All rights reserved. Descriptive Summary Title: California and West Coast labor and industrial relations, selected publications Dates: 1933-1993 Bulk Dates: 1945-1980 Collection number: IRLE-LB01 Creator: University of California, Berkeley--Institute for Research on Labor and Employment Collection Size: 1,169 items1,169 digital objects Repository: University of California, Berkeley. Institute for Research on Labor and Employment Collections. University of California, Berkeley Berkeley, California 94720-6000 Abstract: During the mid-twentieth century, the American Labor Movement reached a pinnacle of power and influence within society. The extent of labor's reach was often seen in its concerted efforts to secure better pay, better working conditions and reliable pensions for its members. This digital repository enables scholars to study broad trends in U.S. -
UAW Special Projects Department Records
UAW Special Projects Department Collection Records, 1945-1973 107 linear feet Accession #646 DALNET # OCLC # In 1957 the UAW created the position of Director of Special Projects and Economic Analysis for Nat Weinberg, who had headed the UAW Research Department since 1947, and he held that position until his retirement in 1974. The UAW Special Projects Department was established as part of the President’s Office and was responsible for advising the president and developing, often within a global framework, program and policy proposals and actions in the economic and collective bargaining fields and in other areas designated by the president. As Special Projects director, Weinberg helped to create innovative programs like the Supplemental Unemployment Benefits (SUB) plan and cost-of-living adjustments. Additional papers related to the files of the UAW Special Projects Department may be found in the Nat Weinberg Collection. The UAW Special Projects and Economic Analysis Department Collection consists of research material, notes, correspondence, minutes, testimony, speeches, press releases, clippings and other published material related to the department’s research, advisory, and speech writing roles as well as to Nat Weinberg’s service as consultant, trustee, or member of numerous organizations and agencies. Important correspondents in the collection: Gardner Ackley Olga Madar Ken Bannon Norman Matthews Jack Barbash Emil Mazey Irving Bluestone Tom Mboya Arthur Burns George Meany George Burt Seymour Melman Bill Casstevens George Merrelli Harry Chester William Milliken Carrol Coburn Donald Montgomery Barry Commoner Ken Morris Jack Conway Ralph Nader Nelson Jack Edwards Joe Rauh Dwight D. Eisenhower Victor G. Reuther Henry Ford II Walter P. -
The Hate Issue
The Hate Issue JewKkKlansman Zimmerman comes to terms with his Jewishness only when Brett Ashley Kaplan forced to by … antisemites. Spike Lee arrived at the 2019 Oscars in an awesome (John David Washington), who, upon seeing an royal purple suit (a tribute to his late friend Prince) with inconspicuous ad in the local newspaper enticing white matching cool, chunky glasses, sporting giant knuckle supremacists to join the KKK, decides to infiltrate the rings with HATE and LOVE in large block letters; the rings local chapter. In the process, he befriends David Duke via had been featured in his 1989 film Do the Right Thing. telephone, and ends up thwarting the Klan’s murderous The gesture provoked multiple resonances. For one, intentions against the Black Power movement. Two of the the Oscars failed to do the right thing by not nominating four screenwriters, Charlie Wachtel and David Rabinowitz, his 1989 film for best picture. Moreover, the rings served changed the historical white, non-Jewish police officer as a memorial to the actor who so memorably portrayed whom Stallworth describes as his “undercover alter ego Radio Raheem, Bill Nunn, who died at sixty-two in 2016 Chuck” into the Jewish “Flip” Zimmerman. (The other of leukemia, and whose character was murdered by two screenwriters are Lee and Kevin Willmott.)ii white cops. The rings also struck an evocative chord by reminding us of the rise of hate speech under Trump. BlacKkKlansman received accolades for offering a In Do the Right Thing, Radio Raheem explains to Mooki corrective to some of the negative images of Jews (Lee) that LOVE and HATE represent an ever-present viewers had railed against in earlier Lee productions “static,” always drawing together like our fingers inter- and for disrupting a racialized hierarchy that places twined in a kissing fist. -
AFSCME Office of the Secretary-Treasurer: Gordon Chapman/Joseph Ames Records
Title: AFSCME Office of the Secretary-Treasurer: Gordon Chapman/Joseph Ames Records Extent: 11 linear feet (11 storage boxes) Date: 1944-1973 (Bulk 1962-1972) Repository Name: Walter P. Reuther Library Wayne State University Detroit, MI Processing Information: Finding aid written by Johanna Russ in January 2010. Accession No.: 2096 Creators: AFSCME Office of the Secretary-Treasurer Acquisition Information: The AFSCME Office of the Secretary-Treasurer: Gordon Chapman/Joseph Ames Records were placed with the Walter P. Reuther Library periodically since the early1970s and were opened for research in January 2010. Language: Material mostly in English, with some in Spanish. Access Restrictions: Records are open for research. Use Restrictions: Refer to the Walter P. Reuther Library Rules for Use of Archival Materials. Notes: Citation style: “AFSCME Office of the Secretary-Treasurer: Gordon Chapman/Joseph Ames Records, Box #, Folder #, Archives of Labor and Urban Affairs, Wayne State University” Related Material: Related material can be found in many other AFSCME collections including AFSCME Central Files Department Records; AFSCME Executive Office: Arnold Zander Records; AFSCME Executive Office: Jerry Wurf Records; AFSCME Secretary-Treasurer Office: Government and Civic Employee Organizing Committee; and AFSCME International Executive Board Records. Admin/Bio History: Unlike AFSCME’s Office of the President, the Office of the Secretary-Treasurer has seen several occupants. Tenures and office holders are as follows: 1935-1936: Roy Kubista 1936-July 15, 1937: David Kanes July 15, 1937-October 4, 1944: Gordon Chapman October 5, 1944-1948: H.Z. Collier 1948-May 1962: Gordon Chapman June 1961-1962: James McCormack 1962-1966: Gordon Chapman 1966-1972: Joseph Ames 1972-present: William Lucy This collection primarily covers the end of Gordon Chapman’s tenure as Secretary- Treasurer, and all of Joseph Ames’s tenure.