DOCSLIB.ORG

Sense8 Episode Guide Episodes 001–024

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Sense8 Episode Guide Episodes 001–024 Sense8 Episode Guide Episodes 001–024 Last episode aired Friday June 8, 2018 www.netflix.com c c 2018 www.tv.com c 2018 www.netflix.com c 2018 sense8.wikia.com The summaries and recaps of all the Sense8 episodes were downloaded from http://www.tv.com and http://www. netflix.com and http://sense8.wikia.com and processed through a perl program to transform them in a LATEX file, for pretty printing. So, do not blame me for errors in the text ! This booklet was LATEXed on August 4, 2018 by footstep11 with create_eps_guide v0.61 Contents Season 1 1 1 Limbic Resonance . .3 2 IAmAlsoaWe.........................................9 3 Smart Money is on the Skinny B. 13 4 What’s Going On? . 17 5 Art is Like Religion . 21 6 Demons . 25 7 W.W.N. Double D? . 29 8 We Will All Be Judged By the Courage of Our Hearts . 33 9 Death Doesn’t Let You Say Goodbye . 37 10 What Is Human? . 41 11 Just Turn the Wheel and the Future Changes . 45 12 I Can’t Leave Her . 49 Season 2 53 1 Happy F*cking New Year . 55 2 WhoAmI? ........................................... 61 3 Obligate Mutualisms . 65 4 Polyphony . 69 5 Fear Never Fixed Anything . 73 6 Isolated Above, Connected Below . 79 7 I Have No Room In My Heart For Hate . 85 8 All I Want Right Now Is One More Bullet . 91 9 What Family Actually Means . 97 10 If All the World’s a Stage, Identity Is Nothing But a Costume . 103 11 You Want a War? . 107 12 Amor Vincit Omnia . 113 Actor Appearances 129 Sense8 Episode Guide II Season One Sense8 Episode Guide Limbic Resonance Season 1 Episode Number: 1 Season Episode: 1 Originally aired: Friday June 5, 2015 Writer: Andy Wachowski, Lana Wachowski, J. Michael Straczynski Director: Andy Wachowski, Lana Wachowski Show Stars: Aml Ameen (Capheus), Doona Bae (Sun Bak), Jamie Clayton (Nomi Marks), Tena Desae (Kala Dandekar), Tuppence Middleton (Riley Blue), Max Riemelt (Wolfgang Bogdanow), Miguel Angel Silvestre (Lito Ro- driguez), Brian J. Smith (Will Gorski), Freema Agyeman (Amanita), Terrence Mann (Mr. Whispers), Anupam Kher (Sanyam Dandekar), Naveen Andrews (Jonas Maliki), Daryl Hannah (Angel) Guest Stars: Max Mauff (Felix Bernner), Ness Bautista (Diego), Joseph Mawle (Nyx), Paul Ogola (Jela), Christian Oliver (Steiner), Matt Stokoe (Jacks), William Burke (Deshawn), Margot Thorne (Sata Patrell), Katrin Sara Olafsdottir (Young Riley), Maxwell Jenkins (Young Will), Chichi Seii (Shiro), Margaret Akech (Older Woman), TK Kitana (Hawker), Sylvester Groth (Sergei), Viola Meinecke (Teacher), Bernhard Schultz (Anton Bogdanow), Lenius Jung (Young Wolfgang), Ari Brickman (Director), Cassandra Sanchez Navarro (Nun), Rocio Garcia (Key Makeup Artist), Jeronimo Best (Assistant Director), Ki-chan Lee (Joong-Ki Bak), Heon Tae Jeon (Yuen Tan-Wu), Hana Hwang (Sun’s Assistant), Felicia P. Fields (Head Nurse), Edward Ashley (Nocker), Godfrey Ojiambo Muyungi (Passenger), Marina Weis (Sergei’s Wife), Matthew Burton (Dunkle), Rainer Reiners (Priest), Rafael Da Silva (Natalie), Wolfgang Lindner (Sergei’s Bodyguard), Georg Ebinal (Steiner’s Bodyguard), Arnoldo Picazzo (Padre), Sean Dorsey (Sean), Jamison Green (Jami- son), Shawna Virago (Shawna), Tina D’Elia (Dyke #1), Jeanette Aguilar (Dyke #2), Max Kelly (Green Fairy), Virgo Paraiso (Purple Fairy) Summary: Eight twentysomethings around the world discover they have an inti- mate connection to one another but are confounded by the emotional, mental and physical implications. Angelica — A woman, Angelica, lies on top of a dirty mattress in the middle of an abandoned church at night. She moans in pain and clutches at her head, and then pulls out a revolver from nearby. She then begins fumbling through her box of things, which is full of syringes and pieces of tinfoil, which she searches through desperately to try to find one that has heroin in it. When she doesn’t find any, she reaches up... and a man, Jonas, takes her hand. Jonas assures her that that he’s there and holds Angelica in his arms, calling her ”his love.” She tells him that she hurts, and that she needs more ”medicine” (heroin), but he tells her that it has to be now. She warns that she’s too weak, but Jonas reminds her that she was the strongest of them before warning her that they’ll be hunted, born or unborn– only Angelica can give them a fighting chance of survival. Suddenly, she sees visions of eight people across the world. 3 Sense8 Episode Guide Lito Rodriguez is in Mexico City, Mexico, where he enters a church with a gun. Riley Blue, an Icelandic DJ, plays a set in a London, England club called KOKO. Sun Bak, a Korean businesswoman in Seoul, practices tai chi outdoors. Wolfgang Bogdanow, a German locksmith and safe-cracker, is at a club in Berlin. Will Gorski, an American police officer, makes his rounds in Chicago. Kala Dandekar, an Indian pharmacist in Mumbai, walks through an office building. Capheus, a Kenyan bus driver in Nairobi, prepares for his day. Nomi Marks, an American hacker and political blogger, injects herself with her hormone treat- ments in her bathroom in San Francisco. Each of them sees Angelica as well, standing before them, although no one else can. After a moment, Angelica gasps and collapses into Jonas’s arms, and he proudly tells her that she did it. She asks Jonas to protect them, and he warns that ”they’re” here just as someone pulls up outside. Another man, Mr. Whispers, appears in Angelica’s visions and realizes that she’s been using the drugs to hide from him. Whispers realizes that she’s giving birth and says that he can feel her pain. Jonas tells Angelica to remember what Whispers has done, and Whispers tells Angelica to let Jonas know that he’s looking forward to meet him. She tells Jonas that she loves him, and Whispers says asks if Jonas knows that she’s lying. Angelica prepares to kill herself, and when Jonas tells her that he’s staying with her, she insists to him that she can’t do it if he’s there. As she prepares to shoot herself, Whispers says that they both know she won’t do it, because she’s one of them and there’s more work to be done. The real Whispers and his men then enter the church, and the Whispers in Angelica’s head tells her to put the gun down. She puts the gun in her mouth and pulls the trigger, killing herself. Will — A young Will runs through the forest, called on by a girl. He catches a glimpse of her, begging him for help, and she enters an ancient manor. Will goes in after her and the girl points down a hallway. Will becomes his adult self and follows the girl, and comes to Angelica’s corpse in the empty church. She comes to life and sits up, and then kills herself again with the gun in her mouth... And Will jerks awake, grabbing for his gun. Gasping, he realizes he was dreaming, and he clutches at his head as he goes into the bathroom to look in the medicine cabinet. However, when he grabs the bottle of aspirin, he hesitates for a moment before tossing it into the bin. Very loud club music is playing from the apartment next door, and Will, frustrated by the fact that he’s been awakened in the middle of the night, goes over and knocks to tell them to turn it down. After a moment, there’s no response, so Will finally opens the unlocked door. When he goes in, the music stops and Will discovers that the apartment is empty, and no music is being played in there. Riley — In London, Riley is playing a set at a club as the guests cheer. Afterward, Riley meets with her manager, Jacks Riles, and his partner Nocker. Jacks congratulates her on her great night of DJing and introduces her to a man named Nyx. When they invite her to go out with them, Riley complains that she has a migraine, and Jacks tells her to tell Nyx about her vision. Nyx says that he understands what she’s talking about, but Riley claims that it was just too many drugs. Lito — In Mexico City, a bloody Lito enters a church with a gun and approaches the padre. The nun begs Lito to stop but he pushes her away and tells the Padre that he came to kill him. The ”padre” complains that they’re going off-script and the director calls cut, revealing that this was all filming for a movie. The crew takes five and the director asks Lito why he’s having visions of suicidal angels and is forgetting his lines. Lito says that he’s not feeling like himself, and the director tells his lover that Lito needs to be his character, Tino El Caido. Sun — In Seoul, the secretary tells Sun that her brother’s assistant called to say that Joong-Ki still isn’t there. She warns Sun that Mr. Yuen has arrived, and Sun meets with the man in the conference room. She introduces herself, but Yuen insists that he’s there to close, and remarks that women don’t close things. As Yuen chuckles at his sexist joke, Sun clenches her fist and tries to keep in control. She suddenly gets a vision that she’s at the church with Angelica, who starts to rise into a seated position on the mattress. Back in the real world, Joong-Ki arrives and tells Sun to get them some coffee before leading Yuen away. 4 Sense8 Episode Guide Riley — In London, Nyx talks about a psychic experience that his nieces had.
Load more

Recommended publications
  • The Death Penalty for Drug Crimes in Asia in Violation of International Standards 8
    The Death Penalty For Drug Crimes in Asia Report October 2015 / N°665a Cover photo: Chinese police wear masks as they escort two convicted drug pedlars who are suffering from AIDS, for their executions in the eastern city of Hangzhou 25 June 2004 – © AFP TABLE OF CONTENTS Introduction 4 I- The death penalty for drug-related offences: illegal in principle and in practice 5 Legislation imposing the death penalty for drug crimes: a violation of international legal standards 5 The application of the death penalty for drug crimes in Asia in violation of international standards 8 II. Refuting common justifications for imposing the death penalty for drug crimes 11 III. Country profiles 15 Legend for drug crimes punishable by death in Asia 16 AFGhanisTAN 18 BURMA 20 CHINA 22 INDIA 25 INDONESIA 27 IRAN 30 JAPAN 35 LAOS 37 MALAYSIA 40 PAKISTAN 44 THE PHILIPPINES 47 SINGAPORE 49 SOUTH KOREA 52 SRI LANKA 54 TAIWAN 56 THAILAND 58 VIETNAM 62 Recommendations 64 Legislation on Drug Crimes 67 References 69 Introduction Despite the global move towards abolition over the last decade, whereby more than four out of five countries have either abolished the death penalty or do not practice it, the pro- gress towards abolition or even establishing a moratorium in many countries in Asia has been slow. On the contrary, in The Maldives there was a recent increase in the number of crimes that are punishable by death, and in countries such as Pakistan and Indonesia, who had de-facto moratoriums for several years, executions have resumed. Of particular concern, notably in Asia, is the continued imposition of the death penalty for drug crimes despite this being a clear violation of international human rights stan- dards.
    [Show full text]
  • TREATED with CRUELTY: ABUSES in the NAME of DRUG REHABILITATION Remedies
    TREATED WITH CRUELTY ABUSES IN THE NAME OF DRUG REHABILITATION Copyright © 2011 by the Open Society Foundations All rights reserved, including the right to reproduce this book or portions thereof in any form. For more information, contact: International Harm Reduction Development Program Open Society Foundations www.soros.org/harm-reduction Telephone: 1 212 548 0600 Fax: 1 212 548 4617 Email: [email protected] Cover photo: A heroin user stands in the doorway at the Los Tesoros Escondidos Drug Rehabilita- tion Center in Tijuana, Mexico. Addiction treatment facilities can be brutal and deadly places in Mexico, where better, evidence-based alternatives are rarely available or affordable. (Sandy Huf- faker/ Getty Images) Editing by Roxanne Saucier, Daniel Wolfe, Kathleen Kingsbury, and Paul Silva Design and Layout by: Andiron Studio Open Society Public Health Program The Open Society Public Health Program aims to build societies committed to inclusion, human rights, and justice, in which health-related laws, policies, and practices reflect these values and are based on evidence. The program works to advance the health and human rights of marginalized people by building the capacity of civil society leaders and organiza- tions, and by advocating for greater accountability and transparency in health policy and practice. International Harm Reduction Development Program The International Harm Reduction Development Program (IHRD), part of the Open Society Public Health Program, works to advance the health and human rights of people who use drugs. Through grantmaking, capacity building, and advocacy, IHRD works to reduce HIV, fatal overdose and other drug-related harms; to decrease abuse by police and in places of detention; and to improve the quality of health services.
    [Show full text]
  • The Staircase Model” – Labor Control of Temporary Agency Workers in a Swedish Call Center
    “The Staircase Model” – Labor Control of Temporary Agency Workers in a Swedish Call Center ❚❚ Gunilla Olofsdotter Senior lecturer in Sociology, Department of Social Sciences, Mid Sweden University, Sweden ABSTRACT The article explores the labor control practices implemented in a call center with extensive con- tracting of temporary agency workers (TAWs). More specifically, the article focuses on how struc- tural and ideological power works in this setting and on the effects of this control for TAWs’ working conditions. Open-ended, semi-structured interviews were conducted with TAWs, regular employees, and a manager in a call center specializing in telecommunication services in Sweden. The results show that ideological power is important in adapting the interests of TAWs to correspond with those of temporary work agencies (TWAs) and their client companies, in this case the call center. The results also show how ideological power is mixed with structural control in terms of technologi- cal control systems and, most importantly, a systematic categorization of workers in a hierarchical structure according to their value to the call center. By systemically categorizing workers in the staircase model, a structural inequality is produced and reproduced in the call center. The motives for working in the call center are often involuntary and are caused by the shortage of work other than a career in support services. As a consequence, feelings of insecurity and an awareness of the precarious nature of their assignment motivate TAWs to enhance their performance and hopefully take a step up on the staircase. This implies new understandings of work where job insecurity has become a normal part of working life.
    [Show full text]
  • Narco-Terrorism: Could the Legislative and Prosecutorial Responses Threaten Our Civil Liberties?
    Narco-Terrorism: Could the Legislative and Prosecutorial Responses Threaten Our Civil Liberties? John E. Thomas, Jr.* Table of Contents I. Introduction ................................................................................ 1882 II. Narco-Terrorism ......................................................................... 1885 A. History: The Buildup to Current Legislation ...................... 1885 B. Four Cases Demonstrate the Status Quo .............................. 1888 1. United States v. Corredor-Ibague ................................. 1889 2. United States v. Jiménez-Naranjo ................................. 1890 3. United States v. Mohammed.......................................... 1891 4. United States v. Khan .................................................... 1892 III. Drug-Terror Nexus: Necessary? ................................................ 1893 A. The Case History Supports the Nexus ................................. 1894 B. The Textual History Complicates the Issue ......................... 1895 C. The Statutory History Exposes Congressional Error ............ 1898 IV. Conspiracy: Legitimate? ............................................................ 1904 A. RICO Provides an Analogy ................................................. 1906 B. Public Policy Determines the Proper Result ........................ 1909 V. Hypothetical Situations with a Less Forgiving Prosecutor ......... 1911 A. Terrorist Selling Drugs to Support Terror ............................ 1911 B. Drug Dealer Using Terror to Support Drug
    [Show full text]
  • Netflix and the Development of the Internet Television Network
    Syracuse University SURFACE Dissertations - ALL SURFACE May 2016 Netflix and the Development of the Internet Television Network Laura Osur Syracuse University Follow this and additional works at: https://surface.syr.edu/etd Part of the Social and Behavioral Sciences Commons Recommended Citation Osur, Laura, "Netflix and the Development of the Internet Television Network" (2016). Dissertations - ALL. 448. https://surface.syr.edu/etd/448 This Dissertation is brought to you for free and open access by the SURFACE at SURFACE. It has been accepted for inclusion in Dissertations - ALL by an authorized administrator of SURFACE. For more information, please contact [email protected]. Abstract When Netflix launched in April 1998, Internet video was in its infancy. Eighteen years later, Netflix has developed into the first truly global Internet TV network. Many books have been written about the five broadcast networks – NBC, CBS, ABC, Fox, and the CW – and many about the major cable networks – HBO, CNN, MTV, Nickelodeon, just to name a few – and this is the fitting time to undertake a detailed analysis of how Netflix, as the preeminent Internet TV networks, has come to be. This book, then, combines historical, industrial, and textual analysis to investigate, contextualize, and historicize Netflix's development as an Internet TV network. The book is split into four chapters. The first explores the ways in which Netflix's development during its early years a DVD-by-mail company – 1998-2007, a period I am calling "Netflix as Rental Company" – lay the foundations for the company's future iterations and successes. During this period, Netflix adapted DVD distribution to the Internet, revolutionizing the way viewers receive, watch, and choose content, and built a brand reputation on consumer-centric innovation.
    [Show full text]
  • Idioms-And-Expressions.Pdf
    Idioms and Expressions by David Holmes A method for learning and remembering idioms and expressions I wrote this model as a teaching device during the time I was working in Bangkok, Thai- land, as a legal editor and language consultant, with one of the Big Four Legal and Tax companies, KPMG (during my afternoon job) after teaching at the university. When I had no legal documents to edit and no individual advising to do (which was quite frequently) I would sit at my desk, (like some old character out of a Charles Dickens’ novel) and prepare language materials to be used for helping professionals who had learned English as a second language—for even up to fifteen years in school—but who were still unable to follow a movie in English, understand the World News on TV, or converse in a colloquial style, because they’d never had a chance to hear and learn com- mon, everyday expressions such as, “It’s a done deal!” or “Drop whatever you’re doing.” Because misunderstandings of such idioms and expressions frequently caused miscom- munication between our management teams and foreign clients, I was asked to try to as- sist. I am happy to be able to share the materials that follow, such as they are, in the hope that they may be of some use and benefit to others. The simple teaching device I used was three-fold: 1. Make a note of an idiom/expression 2. Define and explain it in understandable words (including synonyms.) 3. Give at least three sample sentences to illustrate how the expression is used in context.
    [Show full text]
  • Call Me by Your Name Berlin Syndrome Mr. Stein Goes
    2017 NEW IN SUNDANCE IN PARIS RENDEZ-VOUS UPCOMING CONTACTS IN PARIS THE APPARITION CALL ME MR. STEIN GOES THE MIDWIFE GRAND HOTEL by Xavier Giannoli BY YOUR NAME ONLINE by Martin Provost EMILIE GEORGES (January 12th – 15th) In Pre Production by Luca Guadagnino by Stephane Robelin Completed [email protected] / +33 6 62 08 83 43 SCRIPT AVAILABLE Premieres World Market Premiere GOOD TIME NICHOLAS KAISER (January 12th – 15th) PARIS PRESTIGE BERLIN SYNDROME by Ben & Joshua Safdie [email protected] / +33 6 43 44 48 99 by Hamé & Ekoué by Cate Shortland In Post Production MATHIEU DELAUNAY (January 12th – 15th) Screening in Paris World Competition [email protected] / + 33 6 87 88 45 26 WORLD MARKET PREMIERE THELMA by Joachim Trier In Post Production design: www.clade.fr / Graphic non-contractual Credits MY HAPPY FAMILY OFFICE IN PARIS by Nana & Simon SWEET COUNTRY MEMENTO FILMS INTERNATIONAL Sundance - World Competition by Warwick Thornton 9 Cité Paradis – 75010 Paris – France WORLD MARKET PREMIERE In Post Production Tel: +33 1 53 34 90 20 Fax: +33 1 42 47 11 24 DIAS [email protected] by Jonathan English [email protected] In Production www.memento-films.com Follow us on Facebook NEW IN PRE PRODUCTION THE APPARITION XAVIER GIANNOLI By the director of Marguerite, The Singer, In the Beginning With Vincent Lindon (Best Actor Cannes 2015 – The Measure of a Man, Rodin, Welcome) IN PRE PRODUCTION NEW SCRIPT AVAILABLE THE APPARITION A FILM BY XAVIER GIANNOLI By the director of Marguerite, (1,2 million admissions in France, 4 César Awards including Best Actress for Catherine Frot, Venice In Competition 2015), The Singer (Cannes In Competition 2006, César for Best Sound, Lumière Award for Best Actor to Gérard Depardieu) and In The Beginning (Cannes In Competition 2009) With Vincent Lindon (Best Actor Cannes 2015 – The Measure of a Man, Rodin, Welcome), Galatéa Bellugi (Keeper, Heal the Living) and Patrick D’Assumçao (Stranger by the Lake, Diary of a Chambermaid) Jacques is a journalist at a large regional newspaper in France.
    [Show full text]
  • BARBET SCHROEDER VEGA FILM and LES FILMS DU LOSANGE Present
    A film by BARBET SCHROEDER VEGA FILM and LES FILMS DU LOSANGE present MARTHE KELLER MAX RIEMELT amnesia A FILM BY BARBET SCHROEDER With the participation of BRUNO GANZ INTERNATIONAL SALES LES FILMS DU LOSANGE ► AGATHE VALENTIN – HEAD OF SALES + 33 6 89 85 96 95 / [email protected] ► LISE ZIPCI – TV & LIBRARY SALES + 33 6 75 13 05 75 / [email protected] ► MARINE GOULOIS – FESTIVALS & SALES + 33 6 84 21 74 53 / [email protected] Photos and press pack can be downloaded at www.filmsdulosange.fr SWISS - FRANCE • 2015 • 1H30 • 1.85 - 2K • COLOR • SOUND 5.1 Ibiza, the early nineties, Jo is a twenty-five-year-old music composer. He has come over from Berlin and wants to be part of the nascent electronic music revolution, ideally by getting a job first as a DJ in the new nightclub on the island, Amnesia. Martha has been living alone in her house facing the sea for forty years. One night Jo knocks on her door. Her solitude intrigues him. They become friends even as the mysteries around her accumulate: that cello in the corner she refuses to play, the German language she refuses to speak… As Jo draws her into his world of techno music, Martha puts everything she had previously lived by into question. amnesia - 3 - (The following are extracts from a conversation with Emilie Bickerton) martha’s choice ow is it that a woman who never saw or we did not want to become moralizing or righteous. Hexperienced anything particularly terrible To try to avoid this with Martha we showed how could take such a radical position against her she made exceptions to her rule for art and philo- country, and stick to it all her life? sophy : Beethoven’s chamber music, the German Martha is not Jewish, nor is she a victim of Nazi poets and philosophers.
    [Show full text]
  • Campbell, Joseph
    El héroe de las mil caras PSICOANÁLISIS DEL MITO FONDO DE CULTURA ECONÓMICA MÉXICO Primera edición en inglés, 1949 Primera edición en español, 1959 Primera reimpresión, 1972 Traducción de LUISA JOSEFINA HERNÁNDEZ Título de esta obra The Hero with a Thousand Faces . © 1949 Bollingen Foundation Inc., Nueva York D. R. © 1959 FONDO DE CULTURA ECONÓMICA Av. de la Universidad 975, México 12, D. F. Impreso en México Nota de esta edición digital : Entre corchetes se ubica el paginado original, como si el número estuviera en la parte superior de la página. 2 ÍNDICE PREFACIO ............................................................................................................................................................... 8 PRÓLOGO.............................................................................................................................................................. 10 EL MONOMITO.................................................................................................................................................... 10 1. El mito y el sueño............................................................................................................................................. 10 2. Tragedia y comedia .......................................................................................................................................... 22 3. El héroe y el dios .............................................................................................................................................
    [Show full text]
  • Institución: Universidad De San Andrés Y Grupo Clarín. Posgrado
    Institución: Universidad de San Andrés y Grupo Clarín. Posgrado: Maestría en Periodismo. Título al que se aspira: Maestro en Periodismo. Nombre del alumno: Diego Leonardo González Rodríguez. Título del proyecto: “5 historias: El rostro humano detrás de las máscaras de la lucha libre”. Tutor: Pablo Calvo. Lugar y Fecha: Puebla de Zaragoza, México a 24 de septiembre de 2015. Justificación “Una fama sin rasgos faciales a los cuales adherirse”, Carlos Monsiváis. La lucha libre1 es un grito espectacular de la cultura popular mexicana. Es una alabanza a la irrealidad, es creer siguiendo a los sentidos. La lucha en la actualidad es un deporte que despierta pasiones en todas las esferas sociales; en antaño, los únicos que en él apreciaban algo de entretenimiento eran los habitantes de arrabal, las clases menos favorecidas, por eso lo llamaban el deporte de los pobres. Los ídolos de la lucha son más recordados que los modelos impuestos por la televisión. Nombres como El Santo, Blue Demon, Mil Mascaras, Canek, Perro Aguayo, Huracán Ramírez, Atlantis, El Solitario, Carvernario Galindo, El Hijo del Santo, Black Shadow, Dos Caras, Cien Caras, Villano III, Blue Panther, Octagón, Ángel Blanco, Fishman, Dr. Wagner, El Médico Asesino, Tinieblas, Máscara Año 2000, Lizmark, Kato Kung Lee son sólo algunos de los míticos apelativos que hasta hoy siguen resonando en las calles aztecas. <<La lucha libre hay que verla como lo que pasa en las arenas y lo que pasa en las fotos, las máscaras de los luchadores se han integrado al imaginario colectivo como no se había visto nunca, El Santo fue el precursor, pero estamos hablando de un fenómeno visual, no de un fenómeno del espectáculo deportivo, lo que me está sucediendo es que me parece cada vez más apasionante la lucha libre como sucesión de fotos, aunque las relaciones de inmediato con la belleza, la diversión y las 1 La lucha libre fue traída a México por el empresario Salvador Lutteroth en el año de 1933.
    [Show full text]
  • Cinema México 2017
    2015-2017 Un mapa y al mismo tiempo una brújula: esa es la naturaleza de Cinema México 2015-2017. Como podrán comprobar los lectores, tiene el propósito de servir como instrumento de tra- bajo y como memoria de nuestra ambiciosa actividad cinematográfi ca. No solo se dirige al ámbito mexicano; también aspira a encontrarse con la mirada internacional. Su estructura permite navegar con curiosidad propicia: tres secciones que dan cuenta de los largometrajes, documentales y cortometrajes, cada una de cuyas producciones se presenta en orden alfabé- tico. El resultado es una imagen concentrada de un universo en expansión. Both a map and a compass: that is what Cinema México 2015-2017 aims to be. As readers will fi nd, it hopes to serve both as a work instrument and as a comprehensive report of our ambitious fi lm activity. It is not only addressed to Mexico but also aspires to reach an international audience. The book’s struc- ture is designed to encourage curious exploration: it includes three sections focusing on feature-length fi lms, documentaries, and short fi lms, with each of the included productions listed in alphabetical order. The result offers a focused look at an expanding universe. PRODUCCIONES PRODUCTIONS PRODUCCIONES PRODUCCIONES PRODUCTIONS CINEMA MÉXICO 2015-2017 PRODUCCIONES PRODUCTIONS 2015-2017 SECRETARÍA DE CULTURA Marco Julio Linares Quintero León Nava Rojas SECRETARIAT OF CULTURE Coordinador Ejecutivo del EFICINE Producción Subdirector de Divulgación y Medios Deputy Rafael Tovar y de Teresa Executive Coordinator of EFICINE
    [Show full text]
  • Sense8 Est Une Série Télévisée Américaine De Science-Fiction Créée
    Sense8 est une série télévisée américaine de science-fiction créée par Lana et Lilly Wachowski ainsi que Joseph Michael Straczynski et diffusée depuis le 5 juin 2015 sur la plateforme de vidéo à la demande Netflix. Wachowski ont réalisée la saga Matrix ou encore Cloud atlas Acteur principaux: Aml ameen ( capheus: conducteur de matatu saison 1 ) Toby onwumere ( capheus : conducteur de matatu saison 2 ) bae doona ( sun bak: fille d’un homme d’affaire a séoul ) Jamie Clayton ( nomi marks : femme trans, née Michael marks, hackeuse) Tina dease (Kala dandekar-rasal:pharmacienne de Bombay ) Tuppence middleton (riley blue : une Dj de Londres ) max riemelt (Wolfgang bogdanow: Cambrioleur de Berlin ) miguel angel silvestre ( lito rodriguez : acteur des telenovela ; homosexuel cachée ) Brian j. smith (Will gorski : policier de chicago ) Une femme se suicide dans les ruines d'un temple méthodiste située à Chicago, aux États-Unis. Sa mort mêle mystérieusement les existences de huit individus éparpillés aux quatre coins du monde. En effet, Nomi, Will, Riley, Capheus, Sun, Lito, Kala et Wolfgang partagent désormais des expériences intellectuelles, émotionnelles et sensorielles communes et se retrouvent capables d’intervenir dans leurs réalités respectives. Ils ne sont pas les seuls à disposer de ces capacités et sont recherchés par une organisation aux desseins obscurs. La série explore des thèmes que ses réalisatrices pensent être généralement ignorés par les séries de science fiction, notamment la politique, l’identité, la sexualité, le genre et la
    [Show full text]