The Man in the Iron Mask
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ELKTON, MARYLAND. Political
CRAAVMRJ). BY J. S. ELKTON, MARYLAND. J 2 YEAR; IN ADVANCE. VOL. XIX.--N0.52. SATURDAY " MORNING, JULY 7, 1860. WHOLE ~Xo. 188 do Buirbon, son of Louts the Sixteenth. To CUTTING lIOUHIK’S HAIR. (l!)C Campaign Songster. establish trie identity of the deceased, the I And so this little household flower of ours Political. Ipoctvn. fillsail ancon s. (Cavil?. new Claimant to the throne of France, the I must be shorn of some of its superfluous From the lineaments of whom would bear out a lineage j Our Union Party—the Mother A GHICULTUHAL IMP I, F,M F,NTS National Jlmevic. :n. I beauties. Even roses and geraniums must j and Will I - Dli. COWAX. the Bourbons, j father, j Where There’s a There’s a Way. /jL (’utters, Fans, ’’ of swore that hi whilst „ I’wru Shelters. Straw drain a Stand By flic ¦ be pruned sometimes, ami these uncut, silken clitic!. by ’’ DEXTIST, Union. an infant, was brought over to England in Ill' Blows. For sale JOHN PAUTIUDUE. rings,] with golden sum- To the Editors the TUB BAUD OF TOWER IIALL. the of a maid of to the the sunshine ofthree of Louisville: Journal: ROOMS AT TII It FOI’STAIN HOTBI,, Aim Wait for the Wh;on. charge honor child's , mers entangled in their meshes, must make E. BKOWN, .fU’S—Coal Oil Tramps, ami mother, Marie Antoinette. The troubles of L> Bi ffai.o, June 10, 1800. Young , the acquaintance of scissors at last. Grand- Wim.ib Hhkun to Nki.lv Deax, ATbest quality Coal Oil. -
Papéis Normativos E Práticas Sociais
Agnes Ayres (1898-194): Rodolfo Valentino e Agnes Ayres em “The Sheik” (1921) The Donovan Affair (1929) The Affairs of Anatol (1921) The Rubaiyat of a Scotch Highball Broken Hearted (1929) Cappy Ricks (1921) (1918) Bye, Bye, Buddy (1929) Too Much Speed (1921) Their Godson (1918) Into the Night (1928) The Love Special (1921) Sweets of the Sour (1918) The Lady of Victories (1928) Forbidden Fruit (1921) Coals for the Fire (1918) Eve's Love Letters (1927) The Furnace (1920) Their Anniversary Feast (1918) The Son of the Sheik (1926) Held by the Enemy (1920) A Four Cornered Triangle (1918) Morals for Men (1925) Go and Get It (1920) Seeking an Oversoul (1918) The Awful Truth (1925) The Inner Voice (1920) A Little Ouija Work (1918) Her Market Value (1925) A Modern Salome (1920) The Purple Dress (1918) Tomorrow's Love (1925) The Ghost of a Chance (1919) His Wife's Hero (1917) Worldly Goods (1924) Sacred Silence (1919) His Wife Got All the Credit (1917) The Story Without a Name (1924) The Gamblers (1919) He Had to Camouflage (1917) Detained (1924) In Honor's Web (1919) Paging Page Two (1917) The Guilty One (1924) The Buried Treasure (1919) A Family Flivver (1917) Bluff (1924) The Guardian of the Accolade (1919) The Renaissance at Charleroi (1917) When a Girl Loves (1924) A Stitch in Time (1919) The Bottom of the Well (1917) Don't Call It Love (1923) Shocks of Doom (1919) The Furnished Room (1917) The Ten Commandments (1923) The Girl Problem (1919) The Defeat of the City (1917) The Marriage Maker (1923) Transients in Arcadia (1918) Richard the Brazen (1917) Racing Hearts (1923) A Bird of Bagdad (1918) The Dazzling Miss Davison (1917) The Heart Raider (1923) Springtime à la Carte (1918) The Mirror (1917) A Daughter of Luxury (1922) Mammon and the Archer (1918) Hedda Gabler (1917) Clarence (1922) One Thousand Dollars (1918) The Debt (1917) Borderland (1922) The Girl and the Graft (1918) Mrs. -
The Man in the Iron Mask
THE MAN IN THE IRON MASK Alexandre Dumas (pere) THE MAN IN THE IRON MASK Table of Contents THE MAN IN THE IRON MASK..........................................................................................................................1 Alexandre Dumas (pere)................................................................................................................................1 i THE MAN IN THE IRON MASK Alexandre Dumas (pere) Chapter I: Two Old Friends WHILE EVERY ONE AT court was busy with his own affairs, a man mysteriously took up his post behind the Place de Greve, in the house which we once saw besieged by d'Artagnan on the occasion of a riot. The principal entrance of this house was in the Place Baudoyer. The house was tolerably large, surrounded by gardens, enclosed in the Rue St. Jean by the shops of tool−makers, which protected it from prying looks; and was walled in by a triple rampart of stone, noise, and verdure, like an embalmed mummy in its triple coffin. The man to whom we have just alluded walked along with a firm step, although he was no longer in his early prime. His dark cloak and long sword outlined beneath the cloak plainly revealed a man seeking adventures; and judging from his curling mustaches, his fine and smooth skin, as seen under his sombrero, the gallantry of his adventures was unquestionable. In fact, hardly had the cavalier entered the house, when the clock of St. Gervais struck eight; and ten minutes afterwards a lady, followed by an armed servant, approached and knocked at the same door, which an old woman immediately opened for her. The lady raised her veil as she entered; though no longer a beauty, she was still a woman; she was no longer young, yet she was sprightly and of an imposing carriage. -
The Beginning of the French Revolution
New Dorp High School Social Studies Department AP Global Mr. Hubbs The Beginning of the French Revolution Causes of the French Revolution The finances of the French Empire were a major cause for revolution. By 1789, France was bankrupt. The king’s of France had abused their power and France became a victim of deficit spending. The French king began to borrow enormous amounts of money to pay for their spending and incurred debt. These debts were also a result of war. An example of this was by 1789; France was still paying off debts incurred by the wars of Louis XIV that occurred in the late 17th and early 18th centuries. The country could no longer pay its debts, and the people of France began to suffer. Furthermore, a number of social groups and institutions did not pay taxes of any kind. Many universities were exempt from taxation as were the thirteen Parlements, cities like Paris, the Church and the clergy, the aristocracy and numerous member of the Bourgeoisie. And of course, it was simply brilliant planning to continue to tax the peasants- peasants who, having nothing to contribute were, over the course of the century, forced to contribute even more. The French social structure was divided into three estates. The First Estate was made up of the clergy. The clergy were a very privileged group and had a number of responsibilities. They included the registration of births, marriages and deaths, they collected the tithe (usually 10%); they censored books; served as moral police; operated schools and hospitals; and distributed relief to the poor. -
Le Masque De Fer
Le Masque de Fer Le 4 septembre 1687, en plein règne de Louis XIV, une gazette manuscrite informait ses lecteurs qu’un officier avait conduit par ordre du roi un prisonnier d’État dans un fort en Provence. Le 3 octobre, le même officier prend possession de la Bastille et il y amène un prisonnier qu’il avait avec lui. L'homme au masque de fer, gravure anonyme, 1789. Personne ne savait qui il était. Il était interdit de dire son nom et il y avait l’ordre de le tuer s'il le prononçait. Il avait un masque d'acier sur le visage. Le 19 novembre 1703, est mort à la Bastille un prisonnier inconnu toujours masqué d’un masque noir. https://www.youtube.com/watch?v=mj-99piL9HU C’est Voltaire qui fait devenir l’homme au masque de fer une légende, en dédiant une partie du XXV chapitre de son livre « Le siècle de Louis XIV » (1751) à cet homme mystérieux. François-Marie Arouet, dit Voltaire, est un écrivain et philosophe français du XVII siècle. Réprésentant le plus connu du Siècle des Lumières. En 1752, la réédition du Siècle de Louis XIV ajoute l'anecdote de l'assiette d'argent sur laquelle le prisonnier inscrit son nom et qu'il lance par la fenêtre de la prison ; retrouvée par un pêcheur illettré, ce dernier l'aurait rapportée au gouverneur qui lui aurait dit, après s'être assuré qu'il n'avait pu déchiffrer l'inscription : « Allez, vous êtes bien heureux de ne pas savoir lire. » aLexandre duMas Alexandre Dumas (père) est un écrivain français né en 1802 et mort en 1870. -
Margaret Tante Burk Papers MS.084
http://oac.cdlib.org/findaid/ark:/13030/kt7t1nf4km No online items Inventory of the Margaret Tante Burk Papers MS.084 Clay Stalls, Christine Bennett, Liliana Mariscal, Gia Forsythe William H. Hannon Library, Archives & Special Collections, Manuscripts © 2009 Loyola Marymount University William H. Hannon Library, Archives and Special Collections 1 LMU Dr. Los Angeles, CA 90045 [email protected] URL: http://library.lmu.edu/archivesandspecialcollections/ Inventory of the Margaret Tante MS.084 1 Burk Papers MS.084 Language of Material: English Contributing Institution: William H. Hannon Library, Archives & Special Collections, Manuscripts Title: Margaret Tante Burk Papers creator: Burk, Margaret Tante Identifier/Call Number: MS.084 Physical Description: 102 archival boxes15 oversize boxes,; 1 map case drawer Date (inclusive): 1921-2008 Date (bulk): 1921-2008 Abstract: This collection consists of the personal papers of Margaret Tante Burk, author, and long-time publicist and champion of Los Angeles' famed Ambassador Hotel. Besides these notable accomplishments, Margaret Tante Burke served as the first female vice-president of a financial institution in Los Angeles and the first female president of the Wilshire Chamber of Commerce. In addition Margaret Tante Burk was co-founder of the literary forum, the Round Table West. The Burk Papers consist of correspondence, photographs, flyers, brouchures, postcards, memoranda, and ephemera. Collection stored on site. Appointment is necessary to consult the collection. Language of Material: Languages represented in the collection: English Processed by: Clay Stalls, Christine Bennett, Gia Forsythe, Liliana Mariscal Date Completed: 2010 Encoded by: Christine Bennett, Gia Forsythe, Liliana Mariscal, and Natalie Sims Access Collection is open to research under the terms of use of the Department of Archives and Special Collections, Loyola Marymount University. -
In Alexandre Dumas' Novel the Man in the Iron Mask
English Language Teaching; Vol. 6, No. 10; 2013 ISSN 1916-4742 E-ISSN 1916-4750 Published by Canadian Center of Science and Education Index in Alexandre Dumas’ Novel the Man in the Iron Mask: A Semiotic Analysis Salmia Syarifuddin1, Andi Rukayah Alim Yahya1, Kamaruzaman Jusoff2 & Abdul Makhsud3 1 Department of English, Faculty of Letters, Universitas Muslim Indonesia, Indonesia 2 Department of Forest Production, Faculty of Forestry, Universiti Putra Malaysia, Malaysia 3 Mechanical Engineering Department, Faculty of Engineering, Universitas Muslim Indonesia, Indonesia Correspondence: Kamaruzaman Jusoff, Department of Forest Production, Faculty of Forestry, Universiti Putra Malaysia, 43400 UPM Serdang, Selangor, Malaysia. Tel: 603-89-467-176. E-mail: [email protected] Received: June 22, 2013 Accepted: July 31, 2013 Online Published: September 4, 2013 doi:10.5539/elt.v6n10p228 URL: http://dx.doi.org/10.5539/elt.v6n10p228 Abstract Novel as a literary work can be analyzed by using semiotic analysis. This article aims to analyze the meaning of index found in characterizations in the novel the Man in the Iron Mask by Alexandre Dumas. This article involved the descriptive qualitative method. The results revealed that there are many causal relations between the index and the characterization of the characters found in that novel. It contained 24 characterizations from eight major and five minor characters that had been representative of this article. From this article, it is obtained more information about the identified characterizations found in the novel and its index analysis that showed its causalities relation between the sign and the object (index and characterization) in a more comprehensive meaning. Since semiotics is the study of signs and novel is a literary work, it is recommended to English literature lecturers and students to enrich knowledge of analyzing literary works through semiotic analysis. -
The Fall of the Bastille: the Voice and Power of Paris
Parkland College A with Honors Projects Honors Program 2014 The alF l of the Bastille: The oiceV and Power of Paris Harold Lowery Parkland College Recommended Citation Lowery, Harold, "The alF l of the Bastille: The oV ice and Power of Paris" (2014). A with Honors Projects. 119. http://spark.parkland.edu/ah/119 Open access to this Article is brought to you by Parkland College's institutional repository, SPARK: Scholarship at Parkland. For more information, please contact [email protected]. The Fall of the Bastille: The Voice and Power of Paris Harold Lowery History 102: Western Civilization II May 13th, 2014 The Fall of the Bastille: The Voice and Power of Paris When the research began into the fall of the Bastille on July 14, 1789, which has been called the beginning of the French Revolution that led to the fall of Louis XVI, the events that culminated in the storming of the Bastille was the combination of massive failures in agriculture, the use of military force in Paris, and the nobility’s efforts to undermine the commoners. The goal of this paper is to show the lengths humanity will go to bring about change and explain how the combinations of these events led to the storming of the Bastille. Prior to the fall of the Bastille, life within France was not one of commonality, "For all the patriots' talk about 'the nation,' there was little in the social and economic life of that nation that bound it together. Life experience was quite limited."[1] The statement shows the immensity of the events of July 14, which unified classes of people who had little in common before. -
The Innocence of Jacques-Pierre Brissot
This is a repository copy of The innocence of Jacques-Pierre Brissot. White Rose Research Online URL for this paper: http://eprints.whiterose.ac.uk/1194/ Article: Burrows, S. (2003) The innocence of Jacques-Pierre Brissot. The Historical Journal, 46 (4). pp. 843-871. ISSN 0018-246X https://doi.org/10.1017/S0018246X03003327 Reuse See Attached Takedown If you consider content in White Rose Research Online to be in breach of UK law, please notify us by emailing [email protected] including the URL of the record and the reason for the withdrawal request. [email protected] https://eprints.whiterose.ac.uk/ The Historical Journal, 46, 4 (2003), pp. 843–871 f 2003 Cambridge University Press DOI: 10.1017/S0018246X03003327 Printed in the United Kingdom THE INNOCENCE OF JACQUES-PIERRE BRISSOT* SIMON BURROWS University of Leeds ABSTRACT. Even during his lifetime, the French revolutionary Girondin leader Jacques-Pierre Brissot de Warville’s reputation was tarnished by allegations that, before 1789, he was a swindler, police spy, and political pornographer. These charges resurfaced in 1968 in a celebrated article by Robert Darnton, which found miscellaneous, fragmentary evidence to support them, above all in the papers of the pre-revolutionary police chief, Lenoir. Although Darnton’s view has been challenged by several historians, no critic has supplied any substantive new evidence, and hence the Brissot debate remains mired in assertions and counter- assertions. This article finally offers such evidence, drawing both on Darnton’s main source, the Lenoir papers, and on sources unavailable to him in 1968, notably records of Brissot’s Lice´e de Londres and his embastillement, now on deposit in the Archives Nationales. -
Greed for Power of Louise Xiv in Randall Wallace's Man in the Iron Mask Movie
GREED FOR POWER OF LOUISE XIV IN RANDALL WALLACE’S MAN IN THE IRON MASK MOVIE: AN INDIVIDUAL PSYCHOLOGICAL APPROACH Submitted as a Partial Fulfillment of the Requirements for getting Bachelor Degree in English Department TITIS HAERLIANA A 320 050 083 FACULTY OF TEACHER TRAINING AND EDUCATION MUHAMMADIYAH UNIVERSITY OF SURAKARTA 2009 CHAPTER I INTRODUCTION A. Background of the Study Novel is one of literary work which has contributed in making good film. Many directors try to realize novels into movie version. They want to make a film based on reader imagination and to illustrate it in visual image. There are many novels which are adapted to movie versions, such as, Cinderella, Great Expectation, Harry Potter, Pride and Prejudice, the three musketeers, Pinocchio, Gone with the Wind, Memoirs of Geisha, include Man in the Iron Mask. By using a novel as the main material source, the film maker hopes the viewer has a big curious feeling to the film which is adopted from their favorite novel. Man in the Iron Mask for example, it is presented to the movie version by Randall Wallace as the director and uses Alexandre Dumas Père’s novel with the same title. Before Man in the Iron Mask, Alexandre Dumas Père has been written “The Three Musketeers” in 19 century, and still in the same century then he wrote it. Man in the Iron Mask had been nearly twenty years since the last of Alexandre Dumas’ novels about the fames Musketeers was translated to the big screen. Randall Wallace chooses Leonardo DiCaprio, Gabriel Byrne, Anne Parillaud, Jeremy Iron, John Malkovich, and Gerard Dipardieu to play their role. -
Sans-Culottes and the Part That They Played in Tthe French Revolution.1 It Is Also a Book About Rousseau, And, No Less Centrally, a Book About Salons
�1� INTRODUCTION: “ONE OF THE MOST INTERESTING PAIRS OF BREECHES RECORDED IN MODERN HISTORY” HIS is a book about the sans-culottes and the part that they played in Tthe French Revolution.1 It is also a book about Rousseau, and, no less centrally, a book about salons. Its aim is to try to show how the three subjects were connected, and by doing so, to begin to piece together the historical and intellectual setting in which the republican politics of the French Revolution first acquired their content and shape. This, in the first instance, entails going back quite a long way into the eighteenth century. It also involves trying to get behind many of the events and images now associated with what the sans-culottes became. These centre mainly on the crowds who stormed the Bastille in Paris in July 1789 and, more specifically, on the mixture of direct democracy and physical force that, according to an established range of historical interpretations, either was orchestrated deliberately or erupted spontaneously among the artisans and small shop keepers of urban France during the violent period of political conflict that occurred after the Parisian insurrection of 10 August 1792, and the trial and execution of Louis XVI in January 1793. By then, France had become a republic and, again according to the same range of established historical interpretations, the sans-culottes are usually described either as its social and political vanguard, or as the largely unwitting instruments of its Jacobin dominated politics.2 In one guise or another, however, the sans-culottes 1 It is also an attempt to correct some of the gaps or mistakes in Michael Sonenscher, “The Sans-Culottes of the Year II: Rethinking the Language of Labour in Revolutionary France,” Social History 9 (1984): 301–28; Work and Wages: Politics, Natural Law and the Eighteenth- Century French Trades (Cambridge, CUP, 1989), ch. -
Alexandre Dumas
ALEX ANDRE DUMAS. IN T R O D U C T O RY N O T E S AND F L I S T S O C H A R A C T E R S . B O S T O N L ITTLE BRO N AN D COMPANY. , W , 1 8 9 5 . Co ri ht 1 892 1 8 93 1 89 py g , , 4, BY LITTLE BROW N AND M Y , , CO PAN UNIV E RSITY PRE SS I SO AND ON CAM B RIDG E U . S. A. J OHN W L N S , , C O N T E N T S. N THE TW O DIANA S . INTRODUCTORY OTE LIST OF CHARACT E RS TR D C T HE PAG E OF THE DUKE OF SA VOY . IN O U TORY NOTE LIST OF CHARACTERS D E I N E MARG UERIT E V ALOIS . NTRODUCTORY OT LIST OF LA DAM MONSOREAU I U N E DE . NTROD CTORY OTE LIST OF CHARACT ERS TY- I D TH E FOR FIVE . NTRO UCTORY NOTE LIST OF CHARACTERS E E N TH T HR E M USKE T EERS . INTRODUCTORY OTE LIST OF CHARACTERS TWENTY YEARS AFTER . INTRODUCTORY NOT E LIST OF CHARA CT ERS TH E V M E D E L ICO T BRAG E ONNE . INTRODUCTORY NOTE LIST OF CHARACTERS THE T U IP I BLACK L . NTRO D UCTORY NOTE LIST OF CH ARACT ER S LE C E D’ D N H VALIER HARM ENT AL . INTRO UCTORY OTE LIST OF CHARACT ERS C NEN S 4 O T T .