Skull Island: the Birth of Kong Pdf, Epub, Ebook
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Toho Co., Ltd. Agenda
License Sales Sheet October 2018 TOHO CO., LTD. AGENDA 1. About GODZILLA 2. Key Factors 3. Plan & Schedule 4. Merchandising Portfolio Appendix: TOHO at Glance 1. About GODZILLA About GODZILLA | What is GODZILLA? “Godzilla” began as a Jurassic creature evolving from sea reptile to terrestrial beast, awakened by mankind’s thermonuclear tests in the inaugural film. Over time, the franchise itself has evolved, as Godzilla and other creatures appearing in Godzilla films have become a metaphor for social commentary in the real world. The characters are no longer mere entertainment icons but embody emotions and social problems of the times. 2018 © TOHO CO., LTD. All rights reserved/ Confidential & Proprietary 4 About GODZILLA | Filmography Reigning the Kaiju realm for over half a century and prevailing strong --- With its inception in 1954, the GODZILLA movie franchise has brought more than 30 live-action feature films to the world and continues to inspire filmmakers and creators alike. Ishiro Honda’s “GODZILLA”81954), a classic monster movie that is widely regarded as a masterpiece in film, launched a character franchise that expanded over 50 years with 29 titles in total. Warner Bros. and Legendary in 2014 had reintroduced the GODZILLA character to global audience. It contributed to add millennials to GODZILLA fan base as well as regained attention from generations who were familiar with original series. In 2017, the character has made a transition into new media- animated feature. TOHO is producing an animated trilogy to be streamed in over 190 countries on NETFLIX. 2018 © TOHO CO., LTD. All rights reserved/ Confidential & Proprietary 5 Our 360° Business Film Store TV VR/AR Cable Promotion Bluray G DVD Product Exhibition Publishing Event Music 2018 © TOHO CO., LTD. -
Godzilla Music and Soundtracks
Godzilla music and soundtracks Alternate 1954-1975 01 - Akira Ifukube - Main Title (Godzilla; 1954) 02 - Akira Ifukube - Godzilla Comes Ashore (Godzilla; 1954) 03 - Akira Ifukube - End Title (Godzilla; 1954) 04 - Masaru Sato - Main Title (Godzilla Raids Again; 1955) 05 - Masaru Sato - End Title (Godzilla Raids Again; 1955) 06 - Akira Ifukube - Godzilla Rebirth (King Kong vs Godzilla; 1962) 07 - Akira Ifukube - Fumiko Delivery Plan (King Kong vs Godzilla; 1962) 08 - Akira Ifukube - King Kong Transportation Plan (King Kong vs Godzilla; 1962) 09 - Akira Ifukube - King Kong vs Godzilla (King Kong vs Godzilla; 1962) 10 - Akira Ifukube - Sacred Fountain (Mothra vs Godzilla; 1964) 11 - Akira Ifukube - Godzilla and Nagoya (Mothra vs Godzilla; 1964) 12 - Akira Ifukube - Mothra's Departure (Mothra vs Godzilla; 1964) 13 - Akira Ifukube - Kurobe Valley (Ghidorah, the Three-Headed Monster; 1964) 14 - Akira Ifukube - Birth of King Ghidorah (Ghidorah, the Three-Headed Monster; 1964) 15 - Akira Ifukube - Three Great Monsters Assembled (Ghidorah, the Three-Headed Monster; 1964) 16 - Akira Ifukube - Marsh Washigasawa and Lake Miyojin (Invasion of the Astro-Monsters; 1965) 17 - Akira Ifukube - Godzilla on the Lakebed (Invasion of the Astro-Monsters; 1965) 18 - Akira Ifukube - Saucer Appearance (Invasion of the Astro-Monsters; 1965) 19 - Akira Ifukube - Great Monster War March (Invasion of the Astro-Monsters; 1965) 20 - Masaru Sato - Yacht and Storm with Monster (Ebirah, Horror of the Deep; 1966) 21 - Masaru Sato - Flight (Ebirah, Horror of the Deep; 1966) -
You're Listening to Imaginary Worlds, a Show About How We Create Them
1 You’re listening to Imaginary Worlds, a show about how we create them and why we suspend our disbelief. I’m Eric Molinsky. When I was a kid, I used to watch something called the Creature Double Feature on Channel 56 every weekend afternoon. They were black and white monster movies from the ‘50s. The funny thing is, I didn’t really like them, but there was nothing else to watch in those days. The ones that used to freak me out the most were the movies about giant insects like “Them.” CLIP: THEM Usually on this show, I delve into genres that mean a lot to me. But I’m equally fascinated by the stuff that other people obsessed over. It adds another layer of mystery for me – like what is the cult following about? And in this case, I’m not talking about giant insects or the 50-foot woman or King Kong. There’s only one monster that matters. CLIP: GODZILLA DS: It was on Ch. 9, which is a local station in NY tri-state area, and my brother had been watching it, as with all things because I looked up to him, I started watching it, and it was like a real living dinosaur, which I also loved because I was 4 by the way who could shoot fire, I’m 43 and my feelings are still strong about this, who shot fire and destroy cities it was the best thing of all time. That’s my friend Dave Serchuck, who’s a journalist in Louisville. -
King Kong Free
FREE KING KONG PDF Anthony Browne | 96 pages | 03 Nov 2005 | Random House Children's Publishers UK | 9780552553841 | English | London, United Kingdom King Kong () Reviews - Metacritic We use cookies and other tracking technologies to improve your browsing experience on our site, show personalized content and targeted ads, analyze site traffic, and understand where our audiences come from. To learn more or opt-out, King Kong our Cookie Policy. King Kong towers in Kong: Skull Island. The next time we see him, his enormous figure all but blots out the sun. He stands next to mountains, and seems like he might be of the same species. In his prior screen incarnations, Kong has climbed skyscrapers; this Kong actually is one. InKing Kong was the only game in town. Skull Island has attempted to ward off the most common criticism of that film — the characters are boring — in the most Hollywood fashion possible, which is to say it has more people in it than Godzilla does, for more of its King Kong time. But none of them are as interesting as the big ape. Godzilla King Kong, for better or worse, was animated by a strong, central idea. Skull Island has no such core. The movie fitfully competes with the earlier film for sheer beauty, King Kong lacks a clear objective. Here are three things it badly King Kong. Konguntil the two presumably discover King Kong have more in common than they realized and unite to defeat [insert other giant monster here]. See how he might size up with Godzilla. King Kong pick up dry cleaning. -
A History of Astroworld
East Texas Historical Journal Volume 36 Issue 2 Article 12 10-1998 Judge Roy's Playground: A History of Astroworld Karen Guenther Follow this and additional works at: https://scholarworks.sfasu.edu/ethj Part of the United States History Commons Tell us how this article helped you. Recommended Citation Guenther, Karen (1998) "Judge Roy's Playground: A History of Astroworld," East Texas Historical Journal: Vol. 36 : Iss. 2 , Article 12. Available at: https://scholarworks.sfasu.edu/ethj/vol36/iss2/12 This Article is brought to you for free and open access by the History at SFA ScholarWorks. It has been accepted for inclusion in East Texas Historical Journal by an authorized editor of SFA ScholarWorks. For more information, please contact [email protected]. 58 EAST TEXAS HISTORICAL ASSOCIATION JUDGE ROY'S PLAYGROUND: A HISTORY OF ASTROWORLD by Karen Guenther On June I, 196R, Lt. Governor Preston Smith won the Democratic Party nomination, virtually becoming the next governor of Texas. Robert Kennedy and Eugene McCarthy agreed in a tclevised debate prior to the California primary that Secretary of State Dean Rusk would be replaced if either were elected president. Houston's newspapers, however, also touted on the front page the opening of Judge Roy Hotheinz's theme park, Astroworld. 1 The youngest judge in the county's history and a former mayor of Houston. Hofheinz had achieved fame and fortune through a varicty of business ventures. Earlier in the 1960s he succeeded in bringing major league baseball to Houston and, 'With the assistance of Harris County taxpayers, oversaw the construction of the "eighth wonder of the world," the Astrodome. -
1566563531375.Pdf
Introduction In the year 1954, the United States government performed 6 nuclear weapons tests in and around the Pacific Ocean. However, this is just the official story. The truth of the matter is that the U.S. Government and Monarch, a multinational, cryptozoological research organization, were trying to kill an ancient and terrifying apex predator. A Titan. This titans name is Titanus Gojira, more recognizably called Gojira or Godzilla. Godzilla’s species ruled the Earth hundreds of millions of years ago, when radiation levels on the planet were astronomically higher. The advent and testing of nuclear weapons awoke Godzilla from his hibernation on the bottom of Earth’s sea floor, where he was feeding off of the planets geothermal radiation. Despite being the first titan to awake, Godzilla is not the only titan that exists on Earth. There are countless others that still sleep or dwell in hidden areas around the world. You begin your stay within this world in 2014, just a scant few weeks before Joe and Ford Brody witness the awakening of the titan known as the MUTO. A scant few weeks before Godzilla becomes known to the world. Location San Francisco, California (1) San Francisco is a massive American metropolis with an area of about 231 square miles. It is bustling with a population nearing one million and holds some of America’s most iconic landmarks. However, this could all change very quickly in the coming years. This city will become the site of an incredible battle between Godzilla and the two MUTO in the year 2014, which will cause severe damage to the city as a whole. -
Ironic Identities and Earnest Desires: King Kong and the Desire To- Be-Looked-At Damon Young University of Sussex [email protected]
Conference Proceedings – Thinking Gender – the NEXT Generation UK Postgraduate Conference in Gender Studies 21-22 June 2006, University of Leeds, UK e-paper no. 26 Ironic Identities and Earnest Desires: King Kong and the Desire to- be-looked-at Damon Young University of Sussex [email protected] Abstract: Since the 1970s, feminist film theory has worked with the assumption that women’s objectification in films and images is the very index of their disempowerment. However, in equating ‘to-be-looked-at-ness’ with a loss of subjectivity, could such a formulation be seen to conceal the cultural privilege that inheres precisely in being looked at, and the seductiveness of this position for the subjects of an increasingly visual culture? In the light of recent claims that the work of feminist film criticism has been done – that ‘the battles have been won’ - this paper considers what there might still be left to say about the relationship between looking, being looked at, desire and power in contemporary culture. Who is looked at? Who looks? What does it mean to be invisible in a culture of images? If irony complicates our reading of the politics of representation, does it mask a deadly earnestness in the contemporary aspiration to be seen at any cost? These topics are broached across a comparative reading of King Kong in its original and contemporary incarnations. Keywords: feminist film theory; gaze; narrative cinema; King Kong; to-be-looked-at; Laura Mulvey; visual pleasure; irony; politics of representation; sublime The conference and -
00:00:00 Dan Host on This Episode of the Flop House We Discuss—Godzilla: King of the Monsters!
00:00:00 Dan Host On this episode of The Flop House we discuss—Godzilla: King of the Monsters! [Audience applauds, cheers.] 00:00:07 Stuart Host Cars!!! 00:00:11 Music Music Light, up-tempo, electric guitar with synth instruments. 00:00:37 Dan Host Hey, everyone, and welcome to The Flop House. I’m Dan McCoy. 00:00:40 Stuart Host I’m Stuart Wellington! 00:00:42 Elliott Host And I’m Elliott Kalan. And we’re in Boston again. [Audience cheers, applauds.] 00:00:46 Crosstalk Crosstalk Elliott and Stuart: Oh, boy! 00:00:50 Elliott Host And Dan? When we’re in Boston, what do we like to do on this podcast? 00:00:53 Dan Host [Laughs.] Well, we like to do the same thing as we normally do, but we wear— 00:00:58 Elliott Host “Try to take over the world.” Pinky and the Brain. Wonderful, yes. [Audience laughs.] 00:01:02 Dan Host We talk about— 00:01:03 Stuart Host Wait—was that set in Boston? 00:01:05 Elliott Host Yeah. It was originally called Pinky and the Brain’s Boston Adventure. [Stuart laughs.] And then they were like, “They never leave the cage, really. Or they rarely do. So why are we calling it out as Boston? If we just take Boston out of the title then people can imagine it’s happening in their town.” And then the executives were like, “That would be frightening. If I had super-intelligent mice in my town? But okay! You’re Steven Spielberg We’ll do it!” [Audience laughs.] 00:01:30 Dan Host Um, so— [Laughs.] [Audience laughs.] I’m sorry. -
KING KONG IS BACK! E D I T E D B Y David Brin with Leah Wilson
Other Titles in the Smart Pop Series Taking the Red Pill Science, Philosophy and Religion in The Matrix Seven Seasons of Buffy Science Fiction and Fantasy Writers Discuss Their Favorite Television Show Five Seasons of Angel Science Fiction and Fantasy Writers Discuss Their Favorite Vampire What Would Sipowicz Do? Race, Rights and Redemption in NYPD Blue Stepping through the Stargate Science, Archaeology and the Military in Stargate SG-1 The Anthology at the End of the Universe Leading Science Fiction Authors on Douglas Adams’ Hitchhiker’s Guide to the Galaxy Finding Serenity Anti-heroes, Lost Shepherds and Space Hookers in Joss Whedon’s Firefly The War of the Worlds Fresh Perspectives on the H. G. Wells Classic Alias Assumed Sex, Lies and SD-6 Navigating the Golden Compass Religion, Science and Dæmonology in Philip Pullman’s His Dark Materials Farscape Forever! Sex, Drugs and Killer Muppets Flirting with Pride and Prejudice Fresh Perspectives on the Original Chick-Lit Masterpiece Revisiting Narnia Fantasy, Myth and Religion in C. S. Lewis’ Chronicles Totally Charmed Demons, Whitelighters and the Power of Three An Unauthorized Look at One Humongous Ape KING KONG IS BACK! E D I T E D B Y David Brin WITH Leah Wilson BENBELLA BOOKS • Dallas, Texas This publication has not been prepared, approved or licensed by any entity that created or produced the well-known movie King Kong. “Over the River and a World Away” © 2005 “King Kong Behind the Scenes” © 2005 by Nick Mamatas by David Gerrold “The Big Ape on the Small Screen” © 2005 “Of Gorillas and Gods” © 2005 by Paul Levinson by Charlie W. -
Rebook: Re-Using Content in Bioconductor Books
Package ‘rebook’ September 21, 2021 Version 1.2.1 Date 2021-08-27 Title Re-using Content in Bioconductor Books Description Provides utilities to re-use content across chapters of a Bioconductor book. This is mostly based on functionality developed while writing the OSCA book, but generalized for potential use in other large books with heavy compute. Also contains some functions to assist book deployment. Imports utils, methods, knitr (>= 1.32), rmarkdown, CodeDepends, dir.expiry, filelock, BiocStyle Suggests testthat, igraph, XML, BiocManager, RCurl, bookdown, rappdirs, yaml, BiocParallel, OSCA.intro, OSCA.workflows License GPL-3 VignetteBuilder knitr biocViews Software, Infrastructure, ReportWriting RoxygenNote 7.1.1 git_url https://git.bioconductor.org/packages/rebook git_branch RELEASE_3_13 git_last_commit fd68600 git_last_commit_date 2021-08-28 Date/Publication 2021-09-21 Author Aaron Lun [aut, cre, cph] Maintainer Aaron Lun <[email protected]> R topics documented: bioc-images . .2 bookCache . .3 buildChapterGraph . .4 chapterPreamble . .5 collapseStart . .6 1 2 bioc-images compileBook . .7 compileChapter . .8 configureBook . .9 createMakefile . 10 createRedirects . 12 deployCustomCSS . 13 extractCached . 14 extractFromPackage . 16 link ............................................. 18 openingDetails . 19 prettySessionInfo . 20 rmd2id . 21 scrapeDependencies . 22 scrapeReferences . 23 setupHTML . 24 updateDependencies . 25 Index 27 bioc-images Get various Bioconductor images Description Helper functions to pull down images to use in the book. These aim to provide a sensible default for Bioconductor-related books. Usage BiocFavicon() BiocSticker(mode = c("static", "animated")) Arguments mode String specifying the type of sticker to show. Value BiocFavicon will return a path to a favicon.ico file. BiocSticker will return a URL or path to a sticker. Author(s) Aaron Lun bookCache 3 Examples BiocFavicon() BiocSticker() bookCache Get the local book cache Description Get the path to the cache directory in which the book will be built. -
1521931399033.Pdf
By Goji-Anon Godzilla. A legend with over 50 years of cinematic history under his belt. His popularity is undeniable around the world - Hell some places ran news stories about Godzilla’s death in Godzilla vs Destroyah. So, it only makes sense that he would break into the world of American comics. The company that produces the greatest number of these comics is IDW comics. They’ve created an expansive universe for Godzilla and other assorted characters. The majority of these comics are just small mini-series telling interesting stories with Godzilla as the principal character; however, there is one series they have that’s connected. Godzilla: Kingdom of Monsters, Godzilla: Ongoing, and Godzilla: Rulers of Earth. This will be the continuity that you start in Jumper. You start just before Godzilla awakens and all Hell breaks loose. You’ll need some help to survive in this world jumper. Have 1000 CP to help you out. Locations (Roll 1D8) Tokyo, Japan The classic start. Japan’s bustling metropolis and the world largest monster magnet. This city isn’t as prone to monster attack as it is in the movies but it is still by far the most active when it comes to kaiju activity. Washington D.C, USA America’s capital city. Strangely enough this place doesn’t get hit to often by Kaiju attacks. At least, it’s not the first target hit. Paris, France The City of Lights. It’s best to be careful around here jumper; the city is soon to come under attack by the kaiju Battra under the order of two psychic, psychopathic twins: Minnette and Mallorie. -
The Moving Picture Ship
THE MOVING PICTURE SHIP By PAUL ANTHONY JOHNSON A THESIS PRESENTED TO THE GRADUATE SCHOOL OF THE UNIVERSITY OF FLORIDA IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF ARTS UNIVERSITY OF FLORIDA 2005 TABLE OF CONTENTS page LIST OF FIGURES ........................................................................................................... iii ABSTRACT....................................................................................................................... iv CHAPTER 1 INTRODUCTION ........................................................................................................1 2 KONG ON TOP OF THE WORLD.............................................................................4 3 KONG THE MIRAGE .................................................................................................7 4 KONG HOLDS ANN.................................................................................................14 5 KONG LOOKS IN .....................................................................................................17 6 KONG ON DISPLAY ................................................................................................21 7 ANN EXPOSED.........................................................................................................25 8 KONG VERSUS THE DINOSAUR..........................................................................28 9 SKULL ISLAND........................................................................................................31 10 ANN’S