DOCSLIB.ORG

Mgmt Albums Ocular Spectacle Mgmt Free Download MGMT – MGMT (2013) [Qobuz FLAC 24/96] MGMT Are Back with Their Self-Titled Third Studio Album

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Mgmt Albums Ocular Spectacle Mgmt Free Download MGMT – MGMT (2013) [Qobuz FLAC 24/96] MGMT Are Back with Their Self-Titled Third Studio Album mgmt albums ocular spectacle mgmt free download MGMT – MGMT (2013) [Qobuz FLAC 24/96] MGMT are back with their self-titled third studio album. The successor to 2008’s Oracular Spectacular and 2010 s Congratulations, MGMT finds Andrew VanWyngarden and Ben Goldwasser continuing to push themselves to expand the boundaries of modern pop music. Returning to Tarbox Road Studios to work with longtime collaborator Dave Fridmann (Co-producer and mixer of Oracular Spectacular and Congratulations, The Flaming Lips, Tame Impala), Andrew and Ben experimented with various in-studio writing processes, allowing the music to tell them where it wanted to go. The result is a diverse and powerful collection of 10 songs (including a cover of “Introspection” by 1960’s psych band Faine Jade) that directly mirrors the duo’s encompassing surrealist view of the everyday. Over the course of their last two albums, MGMT have shown themselves to be as comfortable crafting a solid hook as they are heading off into more psychedelic excursions, often bringing those two sides of themselves together to create an eclectic sound that often feels like the musings of a glam pop band on a peyote-fueled vision quest. After two exploratory albums, MGMT return with their eponymous third album, which finds them continuing to push their sound forward as they return to working with producer Dave Fridmann, who worked on the band’s debut, Oracular Spectacular. While Fridmann is definitely associated with a sense of spaciousness, thanks to his work with iconic acts like the Flaming Lips and Mercury Rev, he’s also a producer who is more about capturing what MGMT are doing than making decisions for them, so while his sonic stamp could be heard on their earlier work, it was clear they weren’t quite making the most of the experience. Six years later, MGMT return to Tarbox Road Studios a more confident and self-assured band, and the difference is palpable. Like Congratulations, MGMT is an album that continues to eschew hooky singles for pop experimentation that isn’t afraid to stay melodic, at least initially. While the album feels daring all the way through, early tracks like “Alien Days” feel relatively straightforward, mining the ornate pop sound of their previous effort. As MGMT continues, though, an unraveling process starts to happen, with the songs becoming increasingly strange as the album progresses through its latter half. It’s in this section that the band makes the most of Fridmann’s talents as a producer and engineer, sending the songs into outer space with layers of reverb-drenched synths and crunchy electronics. Although it’s clear that their infectious, single-heavy debut was no accident, the more experimental aspect of MGMT seems to be their dominant side. While this might be bad news for radio DJs out there praying for another “Kids” or “Electric Feel,” it’s a blessing for music fans desperately waiting for a modern answer to pop experimenters like David Bowie and Sparks. Tracklist: 01 – Alien Days 02 – Cool Song No. 2 03 – Mystery Disease 04 – Introspection 05 – Your Life Is A Lie 06 – A Good Sadness 07 – Astro-Mancy 08 – I Love You Too, Death 09 – Plenty Of Girls In The Sea 10 – An Orphan Of Fortune. Oracular Spectacular. © 2021 Rhapsody International Inc., a subsidiary of Napster Group PLC. All rights reserved. Napster and the Napster logo are registered trademarks of Rhapsody International Inc. Napster. Music Apps & Devices Blog Pricing Artist & Labels. About Us. Company Info Careers Developers. Resources. Account Customer Support Redeem Coupon Buy a Gift. Legal. Terms of Use Privacy Policy End User Agreement. © 2021 Rhapsody International Inc., a subsidiary of Napster Group PLC. All rights reserved. Napster and the Napster logo are registered trademarks of Rhapsody International Inc. Sign in to Myspace. Don't have a Myspace account yet? No worries, joining is easy. Forgot your password? Password request sent. Join Myspace. Getting in is easy. Use one of your social networks or start fresh with an email address. Already have a Myspace account? Sign in. Join with your email address. You're almost ready. We loaded your account with your Facebook details. Help us with just a few more questions. You can always edit this or any other info in settings after joining. You're almost ready. We loaded your account with your Twitter details. Help us with just a few more questions. Oracular Spectacular. Your search did not return any results. Please try again. You're now in slide show mode. Hitting < pauses the slideshow and goes back. Hitting > pauses the slideshow and goes forward. SPACEBAR resumes the slideshow. Press ESC to exit. Sign in to Myspace. Use Facebook, Twitter or your email to sign in. Don't have a Myspace account yet? No worries, joining is easy. Forgot your password? Password request sent. Join Myspace. Getting in is easy. Use one of your social networks or start fresh with an email address. Already have a Myspace account? Sign in. Join with your email address. You're almost ready. We loaded your account with your Facebook details. Help us with just a few more questions. You can always edit this or any other info in settings after joining. You're almost ready. We loaded your account with your Twitter details. Help us with just a few more questions. Ocular Spectacular. Scrobbling is when Last.fm tracks the music you listen to and automatically adds it to your music profile. Recent Listening Trend. Day Listeners Friday 12 February 2021 0 Saturday 13 February 2021 0 Sunday 14 February 2021 0 Monday 15 February 2021 0 Tuesday 16 February 2021 0 Wednesday 17 February 2021 0 Thursday 18 February 2021 0 Friday 19 February 2021 0 Saturday 20 February 2021 0 Sunday 21 February 2021 0 Monday 22 February 2021 0 Tuesday 23 February 2021 0 Wednesday 24 February 2021 0 Thursday 25 February 2021 0 Friday 26 February 2021 0 Saturday 27 February 2021 0 Sunday 28 February 2021 0 Monday 1 March 2021 0 Tuesday 2 March 2021 0 Wednesday 3 March 2021 0 Thursday 4 March 2021 0 Friday 5 March 2021 1 Saturday 6 March 2021 0 Sunday 7 March 2021 0 Monday 8 March 2021 1 Tuesday 9 March 2021 0 Wednesday 10 March 2021 0 Thursday 11 March 2021 0 Friday 12 March 2021 0 Saturday 13 March 2021 0 Sunday 14 March 2021 0 Monday 15 March 2021 0 Tuesday 16 March 2021 0 Wednesday 17 March 2021 0 Thursday 18 March 2021 0 Friday 19 March 2021 0 Saturday 20 March 2021 0 Sunday 21 March 2021 0 Monday 22 March 2021 0 Tuesday 23 March 2021 0 Wednesday 24 March 2021 0 Thursday 25 March 2021 0 Friday 26 March 2021 0 Saturday 27 March 2021 0 Sunday 28 March 2021 0 Monday 29 March 2021 0 Tuesday 30 March 2021 0 Wednesday 31 March 2021 0 Thursday 1 April 2021 0 Friday 2 April 2021 0 Saturday 3 April 2021 0 Sunday 4 April 2021 0 Monday 5 April 2021 0 Tuesday 6 April 2021 0 Wednesday 7 April 2021 0 Thursday 8 April 2021 0 Friday 9 April 2021 0 Saturday 10 April 2021 0 Sunday 11 April 2021 0 Monday 12 April 2021 0 Tuesday 13 April 2021 0 Wednesday 14 April 2021 0 Thursday 15 April 2021 0 Friday 16 April 2021 0 Saturday 17 April 2021 0 Sunday 18 April 2021 0 Monday 19 April 2021 0 Tuesday 20 April 2021 0 Wednesday 21 April 2021 0 Thursday 22 April 2021 0 Friday 23 April 2021 0 Saturday 24 April 2021 0 Sunday 25 April 2021 0 Monday 26 April 2021 0 Tuesday 27 April 2021 0 Wednesday 28 April 2021 0 Thursday 29 April 2021 0 Friday 30 April 2021 0 Saturday 1 May 2021 0 Sunday 2 May 2021 0 Monday 3 May 2021 0 Tuesday 4 May 2021 0 Wednesday 5 May 2021 0 Thursday 6 May 2021 0 Friday 7 May 2021 0 Saturday 8 May 2021 0 Sunday 9 May 2021 0 Monday 10 May 2021 0 Tuesday 11 May 2021 0 Wednesday 12 May 2021 0 Thursday 13 May 2021 0 Friday 14 May 2021 0 Saturday 15 May 2021 0 Sunday 16 May 2021 0 Monday 17 May 2021 0 Tuesday 18 May 2021 0 Wednesday 19 May 2021 0 Thursday 20 May 2021 0 Friday 21 May 2021 0 Saturday 22 May 2021 0 Sunday 23 May 2021 0 Monday 24 May 2021 0 Tuesday 25 May 2021 0 Wednesday 26 May 2021 0 Thursday 27 May 2021 0 Friday 28 May 2021 0 Saturday 29 May 2021 0 Sunday 30 May 2021 0 Monday 31 May 2021 0 Tuesday 1 June 2021 0 Wednesday 2 June 2021 0 Thursday 3 June 2021 0 Friday 4 June 2021 0 Saturday 5 June 2021 0 Sunday 6 June 2021 0 Monday 7 June 2021 0 Tuesday 8 June 2021 0 Wednesday 9 June 2021 0 Thursday 10 June 2021 0 Friday 11 June 2021 0 Saturday 12 June 2021 0 Sunday 13 June 2021 0 Monday 14 June 2021 0 Tuesday 15 June 2021 0 Wednesday 16 June 2021 0 Thursday 17 June 2021 0 Friday 18 June 2021 0 Saturday 19 June 2021 0 Sunday 20 June 2021 0 Monday 21 June 2021 0 Tuesday 22 June 2021 0 Wednesday 23 June 2021 0 Thursday 24 June 2021 0 Friday 25 June 2021 0 Saturday 26 June 2021 0 Sunday 27 June 2021 0 Monday 28 June 2021 0 Tuesday 29 June 2021 0 Wednesday 30 June 2021 0 Thursday 1 July 2021 0 Friday 2 July 2021 0 Saturday 3 July 2021 0 Sunday 4 July 2021 0 Monday 5 July 2021 0 Tuesday 6 July 2021 0 Wednesday 7 July 2021 0 Thursday 8 July 2021 0 Friday 9 July 2021 0 Saturday 10 July 2021 0 Sunday 11 July 2021 0 Monday 12 July 2021 0 Tuesday 13 July 2021 0 Wednesday 14 July 2021 0 Thursday 15 July 2021 0 Friday 16 July 2021 0 Saturday 17 July 2021 0 Sunday 18 July 2021 0 Monday 19 July 2021 0 Tuesday 20 July 2021 0 Wednesday 21 July 2021 0 Thursday 22 July 2021 0 Friday 23 July 2021 0 Saturday 24 July 2021 0 Sunday 25 July 2021 0 Monday 26 July 2021 0 Tuesday 27 July 2021 0 Wednesday 28 July 2021 0 Thursday 29 July 2021 0 Friday 30 July 2021 0 Saturday 31 July 2021 0 Sunday 1 August 2021 0 Monday 2 August 2021 0 Tuesday 3 August 2021 0 Wednesday 4 August 2021 0 Thursday 5 August 2021 0 Friday 6 August 2021 0 Saturday 7 August 2021 0 Sunday 8 August 2021 0 Monday 9 August 2021 0 Tuesday 10 August 2021 0 Wednesday 11 August 2021 0 Thursday 12 August 2021 0.
Load more

Recommended publications
  • Umphrey's Mcgee
    Umphrey’s McGee Brendan Bayliss: Guitar, vocals Jake Cinninger: Guitar, vocals Joel Cummins: Keyboard, piano, vocals Andy Farag: Percussion Kris Myers: Drums, vocals Ryan Stasik: Bass After 18-plus years of performing more than 100 concerts annually, releasing nine studio albums and selling more than 4.2 million tracks online, Umphrey’s McGee might be forgiven if they chose to rest on their laurels. But then that wouldn’t be consistent with the work ethic demonstrated by the band, which consistently attempts to raise the bar, setting and achieving new goals since forming on the Notre Dame campus in South Bend, Indiana, in 1997. After releasing their eighth studio album, Similar Skin, the first for their own indie label, Nothing Too Fancy (N2F) Music (distributed by RED), the group continued to push the envelope and test the limits. The London Session, was a dream come true for the members having been recorded at the legendary Studio Two at historic Abbey Road. The stealth recording session yielded 10 tracks in a single day, proving once again, the prolific UM waits for no one. As a follow up to The London Session, the envelope pushing continues with the November 11th release of ZONKEY. Umphrey’s McGee has been arranging and performing original mashups live for over eight years. It was only a matter of when, not if, some of those innovative concoctions would find their way into a studio. An album of 12 unique mashups, conceived and arranged by the band, ZONKEY is as seamless as it bizarre, playful as it is razor sharp.
    [Show full text]
  • Midnight Special Songlist
    west coast music Midnight Special Please find attached the Midnight Special song list for your review. SPECIAL DANCES for Weddings: Please note that we will need your special dance requests, (I.E. First Dance, Father/Daughter Dance, Mother/Son Dance etc) FOUR WEEKS in advance prior to your event so that we can confirm that the band will be able to perform the song(s) and that we are able to locate sheet music. In some cases where sheet music is not available or an arrangement for the full band is need- ed, this gives us the time needed to properly prepare the music and learn the material. Clients are not obligated to send in a list of general song requests. Many of our clients ask that the band just react to whatever their guests are responding to on the dance floor. Our clients that do provide us with song requests do so in varying degrees. Most clients give us a handful of songs they want played and avoided. Recently, we’ve noticed in increase in cli- ents customizing what the band plays and doesn’t play with very specific detail. If you de- sire the highest degree of control (allowing the band to only play within the margin of songs requested), we ask for a minimum of 100 requests. We want you to keep in mind that the band is quite good at reading the room and choosing songs that best connect with your guests. The more specific/selective you are, know that there is greater chance of losing certain song medleys, mashups, or newly released material the band has.
    [Show full text]
  • Hanks: a Festival Everyone Can Enjoy
    Hanks: A festival everyone can enjoy http://www.statesman.com/opinion/hanks-a-festival-everyone-can-enjoy-... Print this page Close Hanks: A festival everyone can enjoy Anna Hanks, LOCAL CONTRIBUTOR Published: 6:45 p.m. Tuesday, Oct. 12, 2010 I had an unexpected realization during the Flaming Lips set at the Austin City Limits Music Festival. Watching the Oklahoma-based band closing their show with "Do You Realize??" I discovered tears steaming down my face. I was so embarrassed that I quickly donned my sunglasses, hoping no one noticed. The song includes the following lyrics sung slowly by the Lips' frontman Wayne Coyne: "Do you realize — that everyone you know someday will die And instead of saying all of your goodbyes — let them know You realize that life goes fast It's hard to make the good things last ... " Listening to the lyrics, I started thinking about how fragile our bodies really are. They bleed. Things break. They don't especially enjoy the unaccustomed exercise of traipsing around Zilker Park for three days in the sun. I spent a lot of time thinking about bodies and physical limitations while talking to people using the festival's accommodations for people with disabilities. Yet it wasn't until seeing the Flaming Lips play that song that I examined why I had chosen to write about this issue. A dozen years ago, my father started using a wheelchair. Since then, I've spent considerable time determining what's really accessible for a large man in a power chair. Thus, I often notice curb cuts, handicap bathrooms and well-located wheelchair ramps.
    [Show full text]
  • Examensuppsats På Kandidatnivå Nedskalad Truminspelning Med Ett Stort Sound
    ! Examensuppsats på kandidatnivå Nedskalad truminspelning med ett stort sound Om Kevin Parker och hans sätt att producera trummor Författare: Andreas Troedsson Handledare: Berk Sirman Seminarieexaminator: Thomas Von Wachenfeldt Formell kursexaminator: Thomas Florén Ämne/huvudområde: Ljud- och musikproduktion Kurskod: LP2005 Ljudproduktion, fördjupningskurs Poäng: 30 hp Examinationsdatum: 2017-01-13 Jag/vi medger publicering i fulltext (fritt tillgänglig på nätet, open access): Ja Abstract Producenten Kevin Parker har onekligen fått igenkänning för sitt trumsound. Som huvudsaklig låtskrivare och producent i rockbandet Tame Impala har han skapat sig ett ”signature sound”. Eftersom många gillar hur Parkers trummor låter har det förts långa diskussioner angående produktionsprocessen. Uppsatsen ämnade att ta reda på hur Parkers produktion sett ut och vilka ljudliga artefakter det är som utgör hans sound. Resultatet visar på en väldigt nedskalad inspelning. Ofta med ett enkelt vintage-trumkit och tre till fyra mikrofoner, dämpade skinn samt en hel del kompression och distorsion. Soundet kan beskrivas som väldigt energiskt, mycket tack vare just hård kompression och distorsion. Parkers sound känns igen även utanför Tame Impala. Trummorna upplevs i många fall som mycket mer än bara ett rytminstrument. Uppsatsen förklarar hur okonventionella produktionsprocesser kan ge upphov till originella ljudliga karaktärer, vilket i slutändan kan anses en positiv konsekvens. Keywords Kevin Parker, Tame Impala, producent, inspelning, trummor, musikanalys. Innehållsförteckning
    [Show full text]
  • The Freshers' Soundtrack | Nouse
    Nouse Web Archives The Freshers’ Soundtrack Page 1 of 5 News Comment MUSE. Politics Business Science Sport Roses Freshers Freshers › Colleges Societies YUSU Campus City Domestic Survival Sport The Freshers’ Soundtrack Music Editor Chris Owen offers some album recommendations for your first weeks at University, whether you’re studying, partying or missing home Tuesday 29 September 2015 There are lots of decisions to make in your first weeks at university: what should I wear, which societies should I join, what should I eat, would it be a good idea to jump in the lake, et cetera, et cetera. As seasoned students, we hope that we can impart some wisdom to make things easier (the answers to those questions are anything, all of them especially Nouse, anything, and absolutely not, in case you were wondering). As the paper’s resident Music nerd, I’ve taken it upon myself to help with some choices of a musical nature, so you can concentrate on deciding the important things. Below are some albums that might come in handy for various points in your first few weeks at university – and if you absolutely have to jump in the lake, do it to some Queen. For pre-drinking Arriving at agreement for the pre-drinks music can be trickier than you’d think, especially in the face of that overbearing Music student flatmate and the wasted one who only wants to listen to ‘Uptown Funk’. But there are plenty of agreeable options to flesh out a playlist to appeal to all. The Killers – Hot Fuss You’ll be hearing ‘Mr Brightside’ at least twice a night each time you go out, so you’d better make sure you learn all the words beforehand if you don’t know them already.
    [Show full text]
  • Where Is Anne Frank
    WHERE IS ANNE FRANK a film by ARI FOLMAN PURPLE WHALE FILMS, WALKING THE DOG, SAMSA FILM, BRIDGIT FOLMAN FILM GANG, SUBMARINE AMSTERDAM, LE PACTE, DOGHOUSE FILMS and MAGELLAN FILMS present WHERE IS ANNE FRANK un film de ARI FOLMAN INTERNATIONAL SALES: U.S. AND INTERNATIONAL PRESS: FRENCH PRESS: [email protected] [email protected] CAA [email protected] [email protected] www.wildbunch.biz [email protected] TAGLINE Kitty, Anne Frank’s imaginary friend to whom Anne devoted her Diary, magically comes to life in present-day Amsterdam. Kitty sets out on a relentless quest to find Anne Frank. It’s the beginning of an adventurous journey. SYNOPSIS WHERE IS ANNE FRANK begins with a miracle: Kitty, the imaginary friend to whom Anne Frank wrote in her famous Diary, comes to life in present-day Amsterdam. Unaware that 75 years have gone by, Kitty is convinced that if she is alive, then Anne must be alive too. WHERE IS ANNE FRANK tells the story of Kitty’s quest across contemporary Europe to find her beloved friend. Armed with the precious Diary and with help from her friend Peter, who runs a secret shelter for undocumented refugees, Kitty follows Anne’s traces, from the Annex to her tragic end in the Holocaust. Disoriented by our broken world, and the injustices that child refugees endure, Kitty wants to fulfill Anne’s cause. Through her honesty, she presents a message of hope and generosity addressed to future generations. STATEMENT FROM ANNE FRANK FONDS BASEL Shortly after Otto Frank published the Diary of his daughter Anne Frank in 1947 for the first time, he decided to have it adapted for stage and film.
    [Show full text]
  • The Dark Side User Manual
    USER MANUAL 1.0.2 EASTWEST | THE DARK SIDE IMPORTANT COMPATIBILITY NOTE! Our Revolutionary New Opus Software Engine Our brand new Opus software engine has been years in development, and replaces the Play engine. All EastWest Libraries (with the exception of the original Hollywood Orchestra, the original Hollywood Solo Instruments, and the MIDI Guitar Series) are supported in Opus, allowing them to take advantage of a faster, more powerful, more flexible, and better looking software engine. Opus comes with some incredible new features such as individual instrument down- loads, customized key-switches, new effects for the mixer page, scalable retina user interface upgrades for legacy products, a powerful new script language, and many more features that allow you to completely customize the sound of each instrument. It’s one of the most exciting developments in the history of our company and will be the launching pad for many exciting new products in the future. Using Opus and Play Together Opus and Play are two separate software products, anything you have saved in your projects will still load up inside the saved Play version of the plugins. You can update your current/existing projects to Opus if you so choose, or leave them saved within Play. After purchasing or upgrading to Opus you do not need to use Play, but it may be more convenient to make small adjustments to an older composition in your DAW loading the instruments saved in Play instead of replacing them with Opus. For any new composi- tion, just use Opus. A Note About User Manuals All EastWest Libraries have their own user manuals (like this one) that refer to instru- ments and controls that are specific to their respective libraries, as well as referencing the Play User Manual for controls that are common to all EastWest Libraries.
    [Show full text]
  • MGMT: Little Dark Age
    MGMT: Little Dark Age spectrumculture.com/2018/02/11/mgmt-little-dark-age-review/ Daniel Bromfield One imagines a pang of dread shooting through the members of MGMT as their debut album, Oracular Spectacular, turned 10 last month. For better or for worse, Oracular Spectacular is now a classic, and its three titanic hit singles—“Kids,” “Time to Pretend” and “Electric Feel”—show no signs of going away. Most bands would be pleased to have a legacy set in stone, but MGMT have spent the better part of the last decade trying to distance themselves from pop stardom and prove to the world—or to themselves— that they’re a serious experimental band. They’ve succeeded, sort of. Though most of the world will always know MGMT for their hits, we no longer have any safe expectations for the “next MGMT album,” and it makes perfect sense that they’re ditching the psych-poppet affectations to reposition themselves as compadres of Ariel Pink and John Maus. Little Dark Age, the duo’s long-gestating fourth album, casts them as graveyard goths whose madcap sense of humor barely keeps the bad vibes at bay. That it works is a testament to just how unpredictable this band has become in its experimental period. This feels like the logical endpoint of the band’s hermeticism. While Andrew VanWyngarden and Ben Goldwasser once presented themselves as cult leaders, with “the handshake under our tongue,” here they’re more like mad prophets broadcasting their ravings to the world from a dingy basement. The music is mid-fi, shrouded in filters that feel like the musical embodiment of the band’s misanthropy, and the dominant instrument isn’t synth or guitar but Matt Asti’s bass, which burbles nauseously out of the gloom.
    [Show full text]
  • Indie Mixtape 20 Q&A Is with Big Wild, Who Is Poised and Ready to Vote for the Rock in 2024
    :: View email as a web page :: In a recent edition of Uproxx’s “Ask A Music Critic” column, we were asked about our favorite “career-killer follow-up” albums. You know what we’re talking about: A band has a huge hit debut, and then instead of making another record that attempts to replicate that success, the band goes the opposite way and alienates many of the people who originally loved them. One album that came immediately to mind was Congratulations, the 2010 LP by MGMT that essentially transformed them from the kings of late-aughts dorm-room indie-pop — it can’t be overstated how popular songs like “Kids” and “Electric Feel” still are — to a weird outsider psych outfit who never regained the mainstream popularity they once had. Congratulations arrived at a moment when the indie wave of the aughts was about to crash against the critical vogue of poptimism and the commercial consolidation around massive pop stars that has defined the corporate and homogenized streaming era. What I love about Congratulations is that MGMT steered into the crash. Read more here. -- Steven Hyden, Uproxx Cultural Critic and author of This Isn't Happening: Radiohead's "Kid A" And The Beginning Of The 21st Century In case you missed it... Our YouTube channel just added a handful of new videos from late-'80s era The Replacements. Settle into a nice audiobook with St. Vincent, who was announced as the latest artist featured on Audible's Words And Music series. We're getting new Sufjan Stevens solo music for the first time since we cried while looking into a fire to his Call Me By Your Name soundtrack contributions.
    [Show full text]
  • Client and Artist List
    STUDIO AT THE PALMS Client List 2 Cellos David Copperfield Jeff Timmons 50 Cent Death Cab for Cutie Jersey Boys (Broadway) Aaron Lewis Diplo Joe Bonamassa Akina Nakamori Disturbed Joe Jonas Akon Divinyls Joey Fatone Al B Sure Dizzy Wright Joey McIntyre Alabama DJ Mustard John Fogarty Alan Parsons Doc McStuffins John Legend Ali Lohan Donny & Marie Johnny Gill Alice in Chains Dr. Dre JoJo Alicia Keys Dr. Luke Jordin Sparks Andrea Bocelli Duck Commander Josh Gracin Annie Leibovitz Eddie Levert Jose “Pepe” Quintano Ashley Tinsdale Ellie Goulding Journey Barry Manilow Elton John Jr. Sanchez Beauty of Magic (Broadway) Eminem (Grammy) Juan Montero Beyonce Ennio Morricone Juicy J Bianca Ryan Eric Benet Justin Timberlake Big Sean Evanescence K Camp Billy Bob Thornton Eve Katy Perry Birdman Family Feud (TV) Keith Galliher Bird and the Bee Family Guy (TV) Kelly Rowland Black Eyed Peas Far East Movement Kendrick Lamar Black Stone Cherry Frankie Moreno Keri Hilson Blue Man Group (Broadway) Franky Perez Keyshia Cole Bobby Valentino Future Kool & the Gang Bone, Thugs & Harmony Gavin Rossdale Kris Kristofferson Boyz II Men Ghostface Killa Kyle Cousins Brandon Flowers Gloriana Hinder Britney Spears Great Big World Lady Gaga Busta Rhymes Goo Goo Dolls Lang Lang Carnage Graham Nash Larry Goldings Charise Guns n’ Roses Lee Carr Cassie Gucci Mane Lee Hazelwood Cedric the Entertainer Gym Class Heroes Lil Jon Cee-lo Haley Reinhart Lil Wayne Celine Dion Hinder Limp Bizkit Charlie Wilson Human Nature LL Cool J Chevelle Ice-T LMFAO Chris Daughtry Icona Pop Los
    [Show full text]
  • Music 5364 Songs, 12.6 Days, 21.90 GB
    Music 5364 songs, 12.6 days, 21.90 GB Name Album Artist Miseria Cantare- The Beginning Sing The Sorrow A.F.I. The Leaving Song Pt. 2 Sing The Sorrow A.F.I. Bleed Black Sing The Sorrow A.F.I. Silver and Cold Sing The Sorrow A.F.I. Dancing Through Sunday Sing The Sorrow A.F.I. Girl's Not Grey Sing The Sorrow A.F.I. Death of Seasons Sing The Sorrow A.F.I. The Great Disappointment Sing The Sorrow A.F.I. Paper Airplanes (Makeshift Wings) Sing The Sorrow A.F.I. This Celluloid Dream Sing The Sorrow A.F.I. The Leaving Song Sing The Sorrow A.F.I. But Home is Nowhere Sing The Sorrow A.F.I. Hurricane Of Pain Unknown A.L.F. The Weakness Of The Inn Unknown A.L.F. I In The Shadow Of A Thousa… Abigail Williams The World Beyond In The Shadow Of A Thousa… Abigail Williams Acolytes In The Shadow Of A Thousa… Abigail Williams A Thousand Suns In The Shadow Of A Thousa… Abigail Williams Into The Ashes In The Shadow Of A Thousa… Abigail Williams Smoke and Mirrors In The Shadow Of A Thousa… Abigail Williams A Semblance Of Life In The Shadow Of A Thousa… Abigail Williams Empyrean:Into The Cold Wastes In The Shadow Of A Thousa… Abigail Williams Floods In The Shadow Of A Thousa… Abigail Williams The Departure In The Shadow Of A Thousa… Abigail Williams From A Buried Heart Legend Abigail Williams Like Carrion Birds Legend Abigail Williams The Conqueror Wyrm Legend Abigail Williams Watchtower Legend Abigail Williams Procession Of The Aeons Legend Abigail Williams Evolution Of The Elohim Unknown Abigail Williams Forced Ingestion Of Binding Chemicals Unknown Abigail
    [Show full text]
  • University Center Plans to Expand by Fall 2016 Alvin Mathew Final Product
    Prepare for this week’s BOC iOS 7 brings major change Tartans win home football and TOC • A6 to Apple devices • A11 opener • A13 BOC/TOC FORUM SPORTS thetartan.org @thetartan September 16, 2013 Volume 108, Issue 4 Carnegie Mellon’s student newspaper since 1906 University Center plans to expand by fall 2016 ALVIN MATHEW final product. We want to hear Staffwriter from everybody.” Centor said that the project The Carnegie Mellon ad- showed a “commitment to stu- ministration hopes to develop dent experience.” the University Center into the The first level of the Uni- space facing Forbes Avenue versity Center addition will within the next three years, feature heavy and light free with additions including an weights, strength training, exercise area for strength service desk, locker rooms, training, cardio exercise and a meeting room. rooms, a cycling studio, and a Centor was a strong advo- multipurpose exercise studio. cate for a better weight room. A town hall presentation “Right now, our weight area was held by the University and is at the very back end. If you Cannon Design on Wednesday want to do serious strength in Rangos 3 to discuss Carn- training, you can’t do it.” The egie Mellon’s future University facility on the first floor will Center, part of the University’s therefore have newer, heavier 10-year master plan to expand weights and machinery. and renovate its facilities. The first floor will also Students and faculty at- house a new studio theater. tended the meeting, looking Elizabeth Vaughan, director to learn more about the proj- of student activities, said that ect and voice their concerns the studio theater would be and opinions.
    [Show full text]