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Copyright © 2020 The President and Fellows of Harvard College Tatiana Proskuouriakoff at Piedras Negras, 1937 Gift of Ian Graham, 1993 PM 993-25-20/74021 Courtesy of the Peabody Museum of Archaeology & Ethnology, Harvard University Illustration of West Group, restoration of Acropolis from South Gift of the Carnegie Institution of Washington, 1958 PM 58-34-20/56362 © President and Fellows of Harvard College, Peabody Museum of Archaeology & Ethnology The brilliant architect Tatiana Proskouriakoff (1909–1985) painted this memorable watercolor reconstruction of Piedras Negras, a Maya site in northeastern Guatemala, as it might have appeared in Classic Maya times. It is one of many she admirably produced while accompany- ing expeditions to sites all over Mesoamerica for her book, An Album of Maya Architecture (1946). The history of the Peabody Museum is deeply interwoven with that of Maya research and hieroglyphic decipherment. While at the Peabody Museum in the 1960s, Proskouriakoff studied the texts from Piedras Negras. She daringly proposed that dates in the inscriptions corresponded to key events in the lives of historical individuals, not to astronomical phenomena, as was widely thought at the time. One of her foremost accomplishments was a breakthrough that established the historical nature of the inscriptions, and paved the way for future decipherments. In 1998, colleagues interred her ashes among these buildings at Piedras Negras, overlooking the beautiful Usumacinta River. Harvard Museums of Science & Culture (HMSC) is a partnership of four Harvard museums that present captivating programming for all ages and a dynamic array of permanent and changing exhibits. HMSC invites you to connect with Harvard Universityʼs distinctive collections and vital research on human civilizations, biodiversity, and the history of Earth and science. Share your creations with us on social media #ColorOurCollections and #HMSCconnects Continue exploring our museums: HMSC connects! Collection of Historical Scientific Instruments Harvard Museum of the Ancient Near East Harvard Museum of Natural History Peabody Museum of Archaeology & Ethnology Copyright © 2020 The President and Fellows of Harvard College .

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Maya Architecture
1 Uxmal, Kabah, Sayil, and Labná http://academic.reed.edu/uxmal/ return to Annotated Bibliography Architecture, Restoration, and Imaging of the Maya Cities of UXMAL, KABAH, SAYIL, AND LABNÁ The Puuc Region, Yucatán, México Charles Rhyne Reed College Annotated Bibliography Maya Architecture . This is not a general bibliography on Maya Architecture. This section lists publications on Maya Architecture that include attention to the Puuc Region. Publications on individual Puuc sites are usually listed only in their own sections of this subject matter bibliography. Publications by and about early explorers and scholars are listed in that section, even though they sometimes deal extensively with Puuc architecture. A Abrams, Elliot Marc How the Maya Built Their World: Energetics and Ancient Architecture. Austin: University of Texas Press, 1994. Based on a study of the residential architecture at Copán, the author attempts to demonstrate the usefulness of “architectural energetics” in understanding ancient civilizations. As the author writes: “By converting buildings into the energy and labor expended in their construction, a series of reconstructions concerning social power, labor organization, and economics can be generated.” Thus, the book includes 12 tables with titles such as “Operations, Tasks, and Costs per Task in Construction”, “Cumulative Energy Cost per Major Construction Episode”, and Hierarchic Social structure based on Residential Cost”. The few conclusions reached regarding the Maya at Copån do not seem to need the elaborate structure of the book. For example, the first conclusion states that “in addition to their greater symbolic value, improved 2 residential structures provided their occupants with an enhanced biopsychological quality of life, particularly in terms of health and comfort.
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Breaking the Maya Code : Michael D. Coe Interview (Night Fire Films)
BREAKING THE MAYA CODE Transcript of filmed interview Complete interview transcripts at www.nightfirefilms.org MICHAEL D. COE Interviewed April 6 and 7, 2005 at his home in New Haven, Connecticut In the 1950s archaeologist Michael Coe was one of the pioneering investigators of the Olmec Civilization. He later made major contributions to Maya epigraphy and iconography. In more recent years he has studied the Khmer civilization of Cambodia. He is the Charles J. MacCurdy Professor of Anthropology, Emeritus at Yale University, and Curator Emeritus of the Anthropology collection of Yale’s Peabody Museum of Natural History. He is the author of Breaking the Maya Code and numerous other books including The Maya Scribe and His World, The Maya and Angkor and the Khmer Civilization. In this interview he discusses: The nature of writing systems The origin of Maya writing The role of writing and scribes in Maya culture The status of Maya writing at the time of the Spanish conquest The impact for good and ill of Bishop Landa The persistence of scribal activity in the books of Chilam Balam and the Caste War Letters Early exploration in the Maya region and early publication of Maya texts The work of Constantine Rafinesque, Stephens and Catherwood, de Bourbourg, Ernst Förstemann, and Alfred Maudslay The Maya Corpus Project Cyrus Thomas Sylvanus Morley and the Carnegie Projects Eric Thompson Hermann Beyer Yuri Knorosov Tania Proskouriakoff His own early involvement with study of the Maya and the Olmec His personal relationship with Yuri
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Redalyc.The Caracol Disk of Chichén Itzá (929-932 CE)
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Tatiana Proskouriakoff Papers 1116
Tatiana Proskouriakoff Papers 1116 Last updated on March 02, 2017. University of Pennsylvania, Penn Museum Archives Tatiana Proskouriakoff Papers Table of Contents Summary Information....................................................................................................................................3 Biography/History..........................................................................................................................................4 Scope and Contents....................................................................................................................................... 4 Administrative Information........................................................................................................................... 5 Controlled Access Headings..........................................................................................................................5 Collection Inventory...................................................................................................................................... 6 Alphabetical Correspondence.................................................................................................................. 6 - Page 2 - Tatiana Proskouriakoff Papers Summary Information Repository University of Pennsylvania: Penn Museum Archives Title Tatiana Proskouriakoff Papers Call number 1116 Date [inclusive] 1944-1958 Extent 0.75 linear feet Language English Abstract Born in Russia in 1909, Tatiana Proskouriakoff came to the United States in 1916.
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A Re-Examination of the Mesoamerican Chacmool
A Re-examination of the Mesoamerican Chacmool Mary EllenMiller Although chacmool literally means "red or great jaguar court receptions."3 paw" in Yucatec Maya, it has become the terminology used Once he had excavated the sculpture, Le Plongeon sought to refer to the large number of three-dimensional sculptures to remove it from Mexico and take it to Philadelphia for of reclining male figures in Precolumbian Mesoamerican the Centennial Exhibition of 1876. The Mexican govern- art (Figs. 1, 4, 15, 16, 19-24). The expression was coined ment took exception to those plans, and gunships removed by Augustus Le Plongeon, a roguish explorer and master the sculpture to the National Museum of Anthropology in of self-deception who in the 1870's and eighties invented a Mexico City, where it remains today (Fig. 1).4 Upon its ar- fictitious drama supposed to have taken place at a handful rival there, Jesus Sanchez, a zoological taxonomist in the of Maya cities in northern Yucatan during the last few cen- museum, noted its similarity to two sculptures from Cen- turies before the Spanish Conquest. In this story, three tral Mexico, and the pan-Mesoamerican identity of the brothers, Aac, Cay, and Coh, had lived at the large site of chacmool was born.5 Perhaps because no other name had Chichen Itza. Prince Coh married Kinich Kakmo and to- convincingly been assigned to this class of sculpture, the gether they ruled Chichen. Cay became the high priest, and name chacmool has persisted despite its inappropriate- Aac, the youngest brother, held sway over Uxmal, some ness.
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Tatiana Proskouriakoff Papers 1116
Tatiana Proskouriakoff Papers 1116 Last updated on March 02, 2017. University of Pennsylvania, Penn Museum Archives Tatiana Proskouriakoff Papers Table of Contents Summary Information...................................................................................................................................3 Biography/History.........................................................................................................................................4 Scope and Contents.......................................................................................................................................4 Administrative Information...........................................................................................................................5 Controlled Access Headings......................................................................................................................... 5 Collection Inventory..................................................................................................................................... 6 Alphabetical Correspondence................................................................................................................. 6 - Page 2 - Tatiana Proskouriakoff Papers Summary Information Repository University of Pennsylvania: Penn Museum Archives Title Tatiana Proskouriakoff Papers Call number 1116 Date [inclusive] 1944-1958 Extent 0.75 linear feet Language English Abstract Born in Russia in 1909, Tatiana Proskouriakoff came to the United States in 1916. She
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Mesoamerica Re-Explored a Symposium In
Jaguars, Eagles & Feathered Serpents: Dr. Michael D. Coe is Charles J. McCurdy Professor of Anthropology, Emeritus, Yale University. His research interests focus Mesoamerica Re-explored on the pre-Spanish civilizations of Mesoamerica, especially the Olmec and Maya; and on the Khmer civilization of Cambodia. He has A Symposium in Homage to also conducted archaeological excavations on forts of the French and Indian War in Massachusetts. Among his 20 published books are Dr. Michael D. Coe Mexico (1962, with 4 subsequent editions, two co-authored with Rex Koontz); The Maya (1966, with 7 subsequent editions); The Maya Scribe and His World (1973); Lords of the Underworld (1978); In the Land of the Olmec (1980, with Richard A. Diehl); Breaking the Maya Code (1992); The True History of Chocolate (1996, with Sophie D. Coe); The Art of the Maya Scribe (1997, with Justin Kerr); Reading the Maya Glyphs (2001, with Mark Van Stone); Angkor and the Khmer Civilization (2003); Final Report: An Archaeologist Excavates His Past (2006); The Line of Forts, Historical Archaeology on the Frontier of Massachusetts (2006). His newest book is Royal Cities of the Ancient Maya, (2012, with photographer Barry Brukoff). He has been a member of the National Academy of Sciences since 1986. He has been given the Tatiana Proskouriakoff Award by Harvard University (1989); the James D. Burke Prize in Fine Arts, Saint Louis Art Museum (2001); the Order of the Quetzal, Government of Guatemala (2004); the Orden del Pop, Museo Popol Vuh (2006); and the Linda Schele Award, University of Texas (2008). On April 13, 2013 he will be presented the Tlamatini Award by the Art History Society in conjunction with the Department of Art History at CSULA.
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The Temple 22 Façade Reconstruction Project, Copán, Honduras
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2009 Conference on Mesoamerica Continuity and Change in Mesoamerican History from the Pre-Classic to the Colonial Era a HOMAGE to TATIANA A
2009 Conference on Mesoamerica Continuity and Change in Mesoamerican History From the Pre-Classic to the Colonial Era A HOMAGE TO TATIANA A. PROSKOURIAKOFF Theatre, University-Student Union May 15-16, 2009 California State University, Los Angeles This cultural event is free and open to the public Conference Organizer Roberto Cantú, Ph.D. Professor of Chicano Studies and English California State University, Los Angeles Conference Co-Organizers Manuel Aguilar-Moreno, Ph.D. Professor of Art History California State University, Los Angeles Enrique Ochoa, Ph.D. Director of the Latin American Studies Program California State University, Los Angeles Aaron Sonnenschein, Ph.D. Assistant Professor of English California State University, Los Angeles Student Organizing Committee Cristina Arellano, Gloria Bautista, Audrey Benshoof, Jimmy Centeno, Lisbeth Espinosa, Rebeca Jaramillo, Roxana Landaverde, Elaine Olea, Stevie Parsons, Ana Peralta, Adán Ríos, Marisol Rojas, Isabel Rojas-Williams, Diana Santillano, and Steven Trujillo. Conference Administrative Assistant Velia Murillo Administrative Support Coordinator Department of Chicano Studies California State University, Los Angeles Acknowledgments We would like to thank Dr. Alfredo O. Morales for a generous donation to the Gigi Gaucher- Morales Memorial Lecture Fund. We are also grateful to Dr. James Henderson, Dean of the College of Natural and Social Sciences, for the funds and trust he gave to this project from the beginning. Our expression of gratitude to Michael Soldatenko, Chair of the Department of Chicano Studies; to Yolanda Galván in the Department of English; to Peter Díaz and the amazing staff at Reprographics, for their contributions and prompt assistance on short-term notice. Thank you Michael Sedano of La Bloga and Flor y Canto Festivals; Joel Skidmore at Mesoweb; and Sean Kearns (Director of Media Relations at Cal State L.A.), for assisting us from the beginning of our project with media and blog publicity.
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Physical Deformities in the Ruling Lineage of Palenque, and the Dynastic Implications
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Copán: the History of an Ancient Maya Kingdom 1
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