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CURRICULUM VITAE Takeshi Inomata Address Positions
Inomata, Takeshi - page 1 CURRICULUM VITAE Takeshi Inomata Address School of Anthropology, University of Arizona 1009 E. South Campus Drive, Tucson, AZ 85721-0030 Phone: (520) 621-2961 Fax: (520) 621-2088 E-mail: [email protected] Positions Professor in Anthropology University of Arizona (2009-) Agnese Nelms Haury Chair in Environment and Social Justice University of Arizona (2014-2019) (Selected as one of the four chairs university-wide, that were created with a major donation). Associate Professor in Anthropology University of Arizona (2002-2009) Assistant Professor in Anthropology University of Arizona (2000-2002) Assistant Professor in Anthropology Yale University (1995-2000) Education Ph.D. Anthropology, Vanderbilt University (1995). Dissertation: Archaeological Investigations at the Fortified Center of Aguateca, El Petén, Guatemala: Implications for the Study of the Classic Maya Collapse. M.A. Cultural Anthropology, University of Tokyo (1988). Thesis: Spatial Analysis of Late Classic Maya Society: A Case Study of La Entrada, Honduras. B.A. Archaeology, University of Tokyo (1986). Thesis: Prehispanic Settlement Patterns in the La Entrada region, Departments of Copán and Santa Bárbara, Honduras (in Japanese). Major Fields of Interest Archaeology of Mesoamerica (particularly Maya) Politics and ideology, human-environment interaction, household archaeology, architectural analysis, performance, settlement and landscape, subsistence, warfare, social effects of climate change, LiDAR and remote sensing, ceramic studies, radiocarbon dating, and Bayesian analysis. Inomata, Takeshi - page 2 Extramural Grants - National Science Foundation, research grant, “Preceramic to Preclassic Transition in the Maya Lowlands: 1100 BC Burials from Ceibal, Guatemala,” (Takeshi Inomata, PI; Daniela Triadan, Co-PI, BCS-1950988) $298,098 (2020/6/3-8/31/2024). -
With the Protection of the Gods: an Interpretation of the Protector Figure in Classic Maya Iconography
University of Central Florida STARS Electronic Theses and Dissertations, 2004-2019 2012 With The Protection Of The Gods: An Interpretation Of The Protector Figure In Classic Maya Iconography Tiffany M. Lindley University of Central Florida Part of the Anthropology Commons Find similar works at: https://stars.library.ucf.edu/etd University of Central Florida Libraries http://library.ucf.edu This Masters Thesis (Open Access) is brought to you for free and open access by STARS. It has been accepted for inclusion in Electronic Theses and Dissertations, 2004-2019 by an authorized administrator of STARS. For more information, please contact [email protected]. STARS Citation Lindley, Tiffany M., "With The Protection Of The Gods: An Interpretation Of The Protector Figure In Classic Maya Iconography" (2012). Electronic Theses and Dissertations, 2004-2019. 2148. https://stars.library.ucf.edu/etd/2148 WITH THE PROTECTION OF THE GODS: AN INTERPRETATION OF THE PROTECTOR FIGURE IN CLASSIC MAYA ICONOGRAPHY by TIFFANY M. LINDLEY B.A. University of Alabama, 2009 A thesis submitted in partial fulfillment of the requirements for the degree of Master of Arts in the Department of Anthropology in the College of Sciences at the University of Central Florida Orlando, Florida Spring Term 2012 © 2012 Tiffany M. Lindley ii ABSTRACT Iconography encapsulates the cultural knowledge of a civilization. The ancient Maya of Mesoamerica utilized iconography to express ideological beliefs, as well as political events and histories. An ideology heavily based on the presence of an Otherworld is visible in elaborate Maya iconography. Motifs and themes can be manipulated to convey different meanings based on context. -
Pre-Columbian, Mesoamerican Art & Artifacts
Guide to Research at Hirsch Library Pre-Columbian, Mesoamerican Art & Artifacts Before researching a work of art from the MFAH collection, the work should be viewed in the museum, if possible. The cultural context and descriptions of works in books and journals will be far more meaningful if you have taken advantage of this opportunity. Most good writing about art begins with careful inspections of the objects themselves, followed by informed library research. If the project includes the compiling of a bibliography, it will be most valuable if a full range of resources is consulted, including reference works, books, and journal articles. Listing on-line sources and survey books is usually much less informative. To find articles in scholarly journals, use indexes such as Art Abstracts or, the Bibliography of the History of Art. Exhibition catalogs and books about the holdings of other museums may contain entries written about related objects that could also provide guidance and examples of how to write about art. To find books, use keywords in the on-line catalog. Once relevant titles are located, careful attention to how those items are cataloged will lead to similar books with those subject headings. Footnotes and bibliographies in books and articles can also lead to other sources. University libraries will usually offer further holdings on a subject, and the Electronic Resources Room in the library can be used to access their on-line catalogs. Sylvan Barnet’s, A Short Guide to Writing About Art, 6th edition, provides a useful description of the process of looking, reading, and writing. -
The Rulers of Palenque a Beginner’S Guide
The Rulers of Palenque A Beginner’s Guide By Joel Skidmore With illustrations by Merle Greene Robertson Citation: 2008 The Rulers of Palenque: A Beginner’s Guide. Third edition. Mesoweb: www. mesoweb.com/palenque/resources/rulers/PalenqueRulers-03.pdf. Publication history: The first edition of this work, in html format, was published in 2000. The second was published in 2007, when the revised edition of Martin and Grube’s Chronicle of the Maya Kings and Queens was still in press, and this third conforms to the final publica- tion (Martin and Grube 2008). To check for a more recent edition, see: www.mesoweb.com/palenque/resources/rulers/rulers.html. Copyright notice: All drawings by Merle Greene Robertson unless otherwise noted. Mesoweb Publications The Rulers of Palenque INTRODUCTION The unsung pioneer in the study of Palenque’s dynastic history is Heinrich Berlin, who in three seminal studies (Berlin 1959, 1965, 1968) provided the essential outline of the dynasty and explicitly identified the name glyphs and likely accession dates of the major Early and Late Classic rulers (Stuart 2005:148-149). More prominent and well deserved credit has gone to Linda Schele and Peter Mathews (1974), who summarized the rulers of Palenque’s Late Classic and gave them working names in Ch’ol Mayan (Stuart 2005:149). The present work is partly based on the transcript by Phil Wanyerka of a hieroglyphic workshop presented by Schele and Mathews at the 1993 Maya Meet- ings at Texas (Schele and Mathews 1993). Essential recourse has also been made to the insights and decipherments of David Stuart, who made his first Palenque Round Table presentation in 1978 at the age of twelve (Stuart 1979) and has recently advanced our understanding of Palenque and its rulers immeasurably (Stuart 2005). -
CROSSING Boundaries
(( o)) •(( o)) •(( o)) •(( o)) •(( o)) •(( o)) •(( o)) •(( o)) •(( o))(( o)) •(( o)) •(( o)) CROSSING Boundaries Maya Censers from the Guatemala Highlands by sarah kurnick k c i n r u K h a r a S (( o)) •(( o)) •(( o)) •(( o)) •(( o)) •(( o)) •(( o)) •(( o)) •(( o))(( o)) •(( o)) •(( o)) www.museum.upenn.edu/expedition 25 (( o)) •(( o)) •(( o)) •(( o)) •(( o)) •(( o)) •(( o)) •(( o)) •(( o))(( o)) •(( o)) •(( o)) he ancient maya universe consists of three realms—the earth, the sky, and the Under- world. Rather than three distinct domains, these realms form a continuum; their bound - aries are fluid rather than fixed, permeable Trather than rigid. The sacred Tree of Life, a manifestation of the resurrected Maize God, stands at the center of the universe, supporting the sky. Frequently depicted as a ceiba tree and symbolized as a cross, this sacred tree of life is the axis-mundi of the Maya universe, uniting and serving as a passage between its different domains. For the ancient Maya, the sense of smell was closely related to notions of the afterlife and connected those who inhabited the earth to those who inhabited the other realms of the universe. Both deities and the deceased nour - ished themselves by consuming smells; they consumed the aromas of burning incense, cooked food, and other organic materials. Censers—the vessels in which these objects were burned—thus served as receptacles that allowed the living to communicate with, and offer nour - ishment to, deities and the deceased. The University of Pennsylvania Museum of Archaeology and Anthropology currently houses a collection of Maya During the 1920s, Robert Burkitt excavated several Maya ceramic censers excavated by Robert Burkitt in the incense burners, or censers, from the sites of Chama and Guatemala highlands during the 1920s. -
Robert M. Rosenswig
FAMSI © 2004: Robert M. Rosenswig El Proyecto Formativo Soconusco Traducido del Inglés por Alex Lomónaco Año de Investigación: 2002 Cultura: Olmeca Cronología: Pre-Clásico Ubicación: Soconusco, Chiapas, México Sitio: Cuauhtémoc Tabla de Contenidos Introducción El Proyecto Formativo Soconusco 2002 Análisis en curso Conclusion Lista de Figuras Referencias Citadas Entregado el 6 de septiembre del 2002 por: Robert M. Rosenswig Department of Anthropology Yale University [email protected] Introducción El sitio de Cuauhtémoc está ubicado dentro de una zona del Soconusco que no ha sido documentada con anterioridad y que se encuentra entre las organizaciones estatales del Formativo Temprano de Mazatlán (Clark y Blake 1994), el centro del Formativo Medio de La Blanca (Love 1993) y el centro del Formativo Tardío de Izapa (Lowe et al. 1982) (Figura 1). Aprovechando la refinada cronología del Soconusco (Cuadro 1), el trabajo de campo que se describe a continuación aporta datos que permiten rastrear el desarrollo de Cuauhtémoc durante los primeros 900 años de vida de asentamiento en Mesoamérica. Este período de tiempo está dividido en siete fases cerámicas, y de esta forma, permite que se rastreen, prácticamente siglo por siglo, los cambios ocurridos en todas las clases de cultura material. Estos datos están siendo utilizados para documentar el surgimiento y el desarrollo de las complejidades sociopolíticas en el área. Además de los procesos locales, el objetivo de esta investigación es determinar la naturaleza de las relaciones cambiantes entre las élites de la Costa del Golfo de México y el Soconusco. El trabajo también apunta a ser significativo en lo que respecta a cruzamientos culturales, dado que Mesoamérica es sólo una entre un puñado de áreas del mundo donde la complejidad sociopolítica surgió independientemente, y el Soconusco contiene algunas de las sociedades más tempranas en las que esto ocurrió (Clark y Blake 1994; Rosenswig 2000). -
Cacao Use and the San Lorenzo Olmec
Cacao use and the San Lorenzo Olmec Terry G. Powisa,1, Ann Cyphersb, Nilesh W. Gaikwadc,d, Louis Grivettic, and Kong Cheonge aDepartment of Geography and Anthropology, Kennesaw State University, Kennesaw, GA 30144; bInstituto de Investigaciones Antropológicas, Universidad Nacional Autónoma de México, Mexico City, Mexico 04510; cDepartment of Nutrition and dDepartment of Environmental Toxicology, University of California, Davis, CA 95616; and eDepartment of Anthropology, Trent University, Peterborough, ON, Canada K9J 7B8 Edited by Michael D. Coe, Yale University, New Haven, CT, and approved April 8, 2011 (received for review January 12, 2011) Mesoamerican peoples had a long history of cacao use—spanning Selection of San Lorenzo and Loma del Zapote Pottery Samples. The more than 34 centuries—as confirmed by previous identification present study included analysis of 156 pottery sherds and vessels of cacao residues on archaeological pottery from Paso de la Amada obtained from stratified deposits excavated under the aegis of on the Pacific Coast and the Olmec site of El Manatí on the Gulf the San Lorenzo Tenochtitlán Archaeological Project (SLTAP). Coast. Until now, comparable evidence from San Lorenzo, the pre- Items selected represented Early Preclassic occupation contexts mier Olmec capital, was lacking. The present study of theobromine at two major Olmec sites, San Lorenzo (n = 154) and Loma del residues confirms the continuous presence and use of cacao prod- Zapote (n = 2), located in the lower Coatzacoalcos drainage ucts at San Lorenzo between 1800 and 1000 BCE, and documents basin of southern Veracruz State, Mexico (Fig. 1). Sample se- assorted vessels forms used in its preparation and consumption. -
Manufactured Light Mirrors in the Mesoamerican Realm
Edited by Emiliano Gallaga M. and Marc G. Blainey MANUFACTURED MIRRORS IN THE LIGHT MESOAMERICAN REALM COPYRIGHTED MATERIAL NOT FOR DISTRIBUTION UNIVERSITY PRESS OF COLORADO Boulder Contents List of Figures vii List of Tables xiii Chapter 1: Introduction Emiliano Gallaga M. 3 Chapter 2: How to Make a Pyrite Mirror: An Experimental Archaeology Project Emiliano Gallaga M. 25 Chapter 3: Manufacturing Techniques of Pyrite Inlays in Mesoamerica Emiliano Melgar, Emiliano Gallaga M., and Reyna Solis 51 Chapter 4: Domestic Production of Pyrite Mirrors at Cancuén,COPYRIGHTED Guatemala MATERIAL Brigitte KovacevichNOT FOR DISTRIBUTION73 Chapter 5: Identification and Use of Pyrite and Hematite at Teotihuacan Julie Gazzola, Sergio Gómez Chávez, and Thomas Calligaro 107 Chapter 6: On How Mirrors Would Have Been Employed in the Ancient Americas José J. Lunazzi 125 Chapter 7: Iron Pyrite Ornaments from Middle Formative Contexts in the Mascota Valley of Jalisco, Mexico: Description, Mesoamerican Relationships, and Probable Symbolic Significance Joseph B. Mountjoy 143 Chapter 8: Pre-Hispanic Iron-Ore Mirrors and Mosaics from Zacatecas Achim Lelgemann 161 Chapter 9: Techniques of Luminosity: Iron-Ore Mirrors and Entheogenic Shamanism among the Ancient Maya Marc G. Blainey 179 Chapter 10: Stones of Light: The Use of Crystals in Maya Divination John J. McGraw 207 Chapter 11: Reflecting on Exchange: Ancient Maya Mirrors beyond the Southeast Periphery Carrie L. Dennett and Marc G. Blainey 229 Chapter 12: Ritual Uses of Mirrors by the Wixaritari (Huichol Indians): Instruments of Reflexivity in Creative Processes COPYRIGHTEDOlivia Kindl MATERIAL 255 NOTChapter FOR 13: Through DISTRIBUTION a Glass, Brightly: Recent Investigations Concerning Mirrors and Scrying in Ancient and Contemporary Mesoamerica Karl Taube 285 List of Contributors 315 Index 317 vi contents 1 “Here is the Mirror of Galadriel,” she said. -
Runggaldier Curriculum Vitae August 2019
ASTRID M. RUNGGALDIER Department of Art and Art History, University of Texas at Austin 2301 San Jacinto Blvd., STOP D1300, ART 1.412C, Austin, TX 78712 Tel: 617-780-7826, [email protected] EDUCATION AND DEGREES Boston University, Department of Archaeology Boston MA • Ph.D. in Mesoamerican Archaeology, May 2009. Dissertation: Memory and Materiality in Monumental Architecture: Construction and Reuse of a Late Preclassic Maya Palace at San Bartolo, Guatemala (published by ProQuest/UMI, Ann Arbor, 2009. Publication No. AAT 3363637) • M.A. in Archaeology, Sept. 2002. Thesis: The Louisville Stuccoes: Recontextualizing Maya Architectural Sculptures from Northern Belize (published by BAR, Oxford, 2004) • B.A. in Archaeological Studies, Department of Archaeology; Minor in Geology, Department of Earth and Environment, January 1997 PROFESSIONAL RECORD HIGHER EDUCATION APPOINTMENTS: UNIVERSITY OF TEXAS AT AUSTIN, AUSTIN, TX 2012–PRESENT • Assistant Director of The Mesoamerica Center, Department of Art and Art History http://www.utmesoamerica.org/. Oversee current initiatives and develop new Center programming and special projects (including organizing yearly conferences and speaker series; updating website, social media and publications; collaborating with non-profit organizations; designing public outreach programs; and creating and implementing new digital initiatives for both campus Center and Casa Herrera in Guatemala); oversee budgets and financial procedures; manage all aspects of Casa Herrera including contracts, personnel, maintenance, -
Undergraduate Survey Project
PROYECTO ARQUEOLÓGICO REGIONAL SAN BARTOLO Proposal Acceptance Letter The undersigned, appointed by the Guatemalan Department of Archaeology, have examined a project proposal entitled “Xultun Tree, Mapping, and Excavation Project” presented by Alex Kara and hereby certify that it is worthy of acceptance. Signature______________________ Co-director William Saturno Signature______________________ Co-director Patricia Castillo Xultun Tree, Mapping, and Excavation Project an archaeological survey proposal by Alex Kara Boston University Boston, Massachusetts December 17th, 2012 Introduction The ancient Maya emerged from a dense tropical forest to establish a civilization that has long captivated the modern imagination. The Maya lowlands featured a population that numbed in the millions during its Classic Period fluorescence, which is impressive considering the seasonal droughts and lack of permanent, natural water sources that characterize the region. Prolific excavations of their urban centers have revealed much about ancient Maya culture, including their cosmological, artistic, political, and scientific institutions. On the other hand, comparatively little is known about larger Maya population dynamics or land use. The dense vegetation that characterizes this region prevents the kind of intensive archaeological survey that has revolutionized landscape archaeology in more arid regions during the late twentieth century. To further complicate studies of ancient demography, the soil in the Peten is usually very acidic; most organic matter, such as human and plant remains, does not appear the archaeological record. Despite these obstacles to studying the material remains of past societies at a large spatial scale, these broader questions cannot be ignored. Archaeology needs to dissect evidence of human behavior as completely as possible in any given environmental context, and local emphases on geographically convenient data types will skew holistic analyses of how things work. -
Changes and Continuities in Ritual Practice at Chechem Ha Cave, Belize
FAMSI © 2010: Esperanza Elizabeth Jiménez García Sculptural-Iconographic Catalogue of Tula, Hidalgo: The Stone Figures Research Year: 2007 Culture : Toltec Chronology : Post-Classic Location : México, Hidalgo Site : Tula Table of Contents Abstract Resumen Introduction The Tula Archaeological Zone The Settlement Tula's Sculpture 1 The Conformation of the Catalogue Recording the Materials The Formal-architectural Classification Architectural Elements The Catalogue Proposed Chronological Periods Period 1 Period 2 Period 3 Acknowledgments List of Figures Sources Cited Abstract The goal of this study was to make a catalogue of sculptures integrated by archaeological materials made of stone from the Prehispanic city of Tula, in the state of Hidalgo, Mexico. A total of 971 pieces or fragments were recorded, as well as 17 panels or sections pertaining to projecting panels and banquettes found in situ . Because of the great amount of pieces we found, as well as the variety of designs we detected both in whole pieces and in fragments, it was necessary to perform their recording and classification as well. As a result of this study we were able to define the sculptural and iconographic characteristics of this metropolis, which had a great political, religious, and ideological importance throughout Mesoamerica. The study of these materials allowed us to have a better knowledge of the figures represented, therefore in this study we offer a tentative periodic scheme which may reflect several historical stages through which the city's sculptural and architectural development went between AD 700-1200. Resumen El objetivo de este trabajo, fue la realización de un catálogo escultórico integrado por materiales arqueológicos de piedra que procedieran de la ciudad prehispánica de Tula, en el estado de Hidalgo, México. -
Olmecs: Where the Sidewalk Begins Jeffrey Benson Western Oregon University
Western Oregon University Digital Commons@WOU Student Theses, Papers and Projects (History) Department of History 2005 Olmecs: Where the Sidewalk Begins Jeffrey Benson Western Oregon University Follow this and additional works at: https://digitalcommons.wou.edu/his Part of the Latin American History Commons Recommended Citation Benson, Jeffrey, "Olmecs: Where the Sidewalk Begins" (2005). Student Theses, Papers and Projects (History). 126. https://digitalcommons.wou.edu/his/126 This Paper is brought to you for free and open access by the Department of History at Digital Commons@WOU. It has been accepted for inclusion in Student Theses, Papers and Projects (History) by an authorized administrator of Digital Commons@WOU. For more information, please contact [email protected]. Olmecs: Where the Sidewalk Begins By Jeffrey Benson Western Oregon University An In Depth Look at the Olmec Controversy Mother Culture or Sister Culture 1 The discovery of the Olmecs has caused archeologists, scientists, historians and scholars from various fields to reevaluate the research of the Olmecs on account of the highly discussed and argued areas of debate that surround the people known as the Olmecs. Given that the Olmecs have only been studied in a more thorough manner for only about a half a century, today we have been able to study this group with more overall gathered information of Mesoamerica and we have been able to take a more technological approach to studying the Olmecs. The studies of the Olmecs reveals much information about who these people were, what kind of a civilization they had, but more importantly the studies reveal a linkage between the Olmecs as a mother culture to later established civilizations including the Mayas, Teotihuacan and other various city- states of Mesoamerica.