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9781474437257 Refocus The
ReFocus: The Films of Andrei Tarkovsky 66616_Toymentsev.indd616_Toymentsev.indd i 112/01/212/01/21 111:211:21 AAMM ReFocus: The International Directors Series Series Editors: Robert Singer, Stefanie Van de Peer, and Gary D. Rhodes Board of advisors: Lizelle Bisschoff (University of Glasgow) Stephanie Hemelryck Donald (University of Lincoln) Anna Misiak (Falmouth University) Des O’Rawe (Queen’s University Belfast) ReFocus is a series of contemporary methodological and theoretical approaches to the interdisciplinary analyses and interpretations of international film directors, from the celebrated to the ignored, in direct relationship to their respective culture—its myths, values, and historical precepts—and the broader parameters of international film history and theory. The series provides a forum for introducing a broad spectrum of directors, working in and establishing movements, trends, cycles, and genres including those historical, currently popular, or emergent, and in need of critical assessment or reassessment. It ignores no director who created a historical space—either in or outside of the studio system—beginning with the origins of cinema and up to the present. ReFocus brings these film directors to a new audience of scholars and general readers of Film Studies. Titles in the series include: ReFocus: The Films of Susanne Bier Edited by Missy Molloy, Mimi Nielsen, and Meryl Shriver-Rice ReFocus: The Films of Francis Veber Keith Corson ReFocus: The Films of Jia Zhangke Maureen Turim and Ying Xiao ReFocus: The Films of Xavier Dolan -
Siberian Mentality Studies" (In Honor of the 90-Th Anniversary of the Birth of Vasily Shukshin) (SHUKSHIN-2019)
The Government of Altai Krai Shukshin Altai State Humanities Pedagogical University Shukshin Memorial Museum in Srostki International Conference on Humanities "Siberian Mentality Studies" (in honor of the 90-th anniversary of the birth of Vasily Shukshin) (SHUKSHIN-2019) Biysk (Srostki), Altai Krai, Russia June 27-29, 2019 Shukshin Altai State Humanities Pedagogical University invites researchers, writers and literary translators to take part in the International Conference on Humanities "Siberian Mentality Studies" (in honor of the 90-th anniversary of the birth of Vasily Shukshin) which will take place in the village of Srostki, Biysk, Altai Krai, Russia on June 27-29, 2019. Shukshin (1929-1974) was one of the unique Russian authors of "village prose". But what is the actual state of the art in Russian village prose studies around the world? What are the language, cultural and psychological features of the prototype heroes of Russian village prose in contemporary Siberian people? The conference aims to discuss the actual issues of Russian and Siberian mentality in philological and cultural studies, philosophy, psychology, history, anthropology, ethnology, cinema and arts. The conference is also aimed at introducing the culture of the contemporary Russian village to the world research and writing communities around the world. The conference is held in the following areas (but not limited to them): Philology Literary translation Russian and Slavic Studies (Slavistics) Language and Literature Cultural studies Cross-cultural communication Philosophy Psychology History Anthropology Ethnology Cinema and arts. Conference working languages: Russian, English, German. REGISTRATION The deadline for registration is May 1, 2019 via e-mail [email protected] Application form 1. -
People Power the Recent Soviet Elections Marked a Decisive Moment in the Process of Reform
People Power The recent Soviet elections marked a decisive moment in the process of reform. It is no longer a revolution simply from above. The people are now the actors. Monty Johnstone reports Boris Yeltsin: Keeping a cool head at the centre of controversy ith this spring's elections be subject to the people's support or in the USSR perestroika rejection, depending on whether or not has entered a new stage. it succeeds in bringing about the impro- For the first time since vements in their lives to which it is WGorbachev in 1985 launched the drive to committed. An increasingly active restructure Soviet society, the people public opinion is concerned to ensure have made an independent entry into that the power of the people, long pro- the political arena. They have sought to claimed in the constitution, becomes a speed up the sluggish pace of promised reality. changes by voting against Communist All this makes a reversal of pere- Party and state officials identified with stroika by conservative forces much conservative policies and bureaucratic more difficult. At the same time it in- practices. The unexpected defeat of 34 troduces new and unpredictable ele- out of 157 regional party secretaries ments into a situation where the tradi- represents a vote of no confidence in tional hegemony of the Communist Par- important sections of the party apparat. ty, whose ranks are now deeply divided, It would be wrong to see this as essen- is badly dented, although no counter- tially a vote against the party itself, hegemonic force has emerged seriously since most of those who beat them are to challenge it. -
RAFA 2015.Pdf
www.mkrf.ru RAFA is Russian animated film association. RAFA represents the interests of the Russian animation industry and helps to create favorable conditions for the effective development of anima tion in Russia and worldwide. RAFA represents the interests of animation studios of all sizes, as well as individual flmmakers working in animation, including indep endent directors, production designers, animators etc. The association also includes organizations which are involved in animation: TV networks with an interest in animation,distribution companies and Internet companies, that is, all organizations whose business is related to the field of animation and who are interested in joining forces. • If you need to communicate with any Russian studio, organization or animator, • If you need assistance in participation in festivals and film markets in Russia, • If you need to organize the presentation of your services to Russian partners, • If you need talents and studios for co-production JUST CONTACT RAFA! RAFA is proud to present opportunity of Russian animation to you. Today RAFA is 40 best Russian studios that able for cooperation with you and 200 animators, composers, producers etc that would like to join your team. 4 5 CONTENTS RAFA 3 OPENING WORD 7 RUSSIAN ANIMATION TODAY 8 STUDIOS 10 SHORTS 180 ALPHABETICAL LIST 200 ON THE CATALOG WORKED 203 6 7 Dear friends, Russian Animated Film Association offers you the fourth edition of a catalogue of current animated films. In the new release, you will find information on all latest releases in the Russian animated film industry in 2014 and early in 2015. The new catalogue fundamentally differs from its predecessors. -
Party Conference Did Not Help Gorbachov
Click here for Full Issue of EIR Volume 15, Number 29, July 22, 1988 whelming majority of speeches at the conference were a catalogue of statements demanding that measures be taken to stop the worst food and consumer goods shortages in dec ades, to tum around the collapse in living and health stan dards, and to establish rigid autarchy (including "food self Party Conference did sufficiency," i.e., to eliminate large-scale food imports from the West) as soon as possible. not help Gorbachov The intersection of this crisis with the political faction fight was highlighted by the fact that Ligachov, in his capac ity as head of the Central Committee Secretariat, was con by Konstantin George firmed to be in overall charge of economic policy. Three days after the conference, on July 4, the Politburo Contrary to most Western media, the Soviet Party Confer convened for an emergency discussion on the economic cri ence which began in Moscow on June 28 marked a stinging sis. That meeting produced an announcement that a Central defeat for Mikhail Gorbachov. The conference certified the Committee Plenum to deal with the economic crisis would removal of the general secretary from exercising any real be held "at the end of July," with a bare three weeks' notice. power, by passing a resolution on establishing a "new" pres Several commissions were announced, each consisting of idency, under which Gorbachov will be kicked upstairs into leading members of the Politburo and Central Committee that new post. The conference also marked a resounding Secretariat, to draft measures to deal with the economic mess, victory for the hardline, Russian chauvinist party majority, for submission to the plenum. -
Музеи И Этнокультурный Туризм Museums and Ethnocultural Tourism
Международный совет International Counsil музеев ЮНЕСКО for Museums UNESCO Комитет музеологии International Committee Международного совета музеев for Museology Сибирское отделение Siberian branch Российской академии наук of the Russian Academy of Sciences Научный совет по музеям Scientifi c Counsil of Museums Институт истории СО РАН Institute of History of SB RAS Комитет музеологии International Committee Сибири for Museology of Siberia МУЗЕИ MUSEUMS И ЭТНОКУЛЬТУРНЫЙ AND ETHNOCULTURAL ТУРИЗМ TOURISM III Ежегодный симпозиум ИКОФОМСИБ III Annual Simposium ICOFOMSIB Шанхай, Китай Shanghai, China 7–12 ноября 2010 7–12 November 2010 Novosibirsk 2010 ББК 79.1 УДК 069.01 М 89 Approved for publishing by Scientifi c Council of Institute of History SB RAS Reviewers: М. А. Demin, Doctor of Science, Professor, Dean of History Department of Altai State Pedagogical Academy, N. M. Shcherbin, Candidate of historical sciences, manager of Museum department of SB RAS, G. М. Zaporozhchenko, Candidate of historical sciences, chief scientifi c associate of Museum department of SB RAS. Museums and Ethnocultural Tourism: collection of materials of the IIId Annual International Sympo- sium ICOFOM SIB / Under the editorship of О. N. Truevtseva, О. N. Shelegina. Novosibirsk, 2010. 168 p. ISBN 978-5-94356-868-8 The collection includes articles of the participants of the 3d Annual International Symposium of ICOFOM SIB and International Committee of Museum of UNESCO on the topic “Museums and Ethnocultural Tour- ism”. The symposium is organized and held within the framework of the XXIInd General Conference of ICOM “Museums for harmonious society” on November 6–12, 2010, Shanghai, China. The authors pay considerable attention to studying the history of museology in Siberia, integration of museums into tourist business, develop- ment and strengthening of international cooperation, studying cultural heritage of Siberian peoples, adaptation of museums to the conditions of globalization and searching for new forms of activity. -
Russian Politics and Society, Fourth Edition
Russian Politics and Society Having been fully revised and updated to reflect the considerable changes in Russia over the last decade, the fourth edition of this classic text builds on the strengths of the previous editions to provide a comprehensive and sophisticated analysis on Russian politics and society. In this edition, Richard Sakwa seeks to evaluate the evidence in a balanced and informed way, denying simplistic assumptions about the inevitable failure of the democratic exper- iment in Russia while avoiding facile generalisations on the inevitable triumph of global integration and democratisation. New to this edition: • Extended coverage of electoral laws, party development and regional politics • New chapter on the ‘phoney democracy’ period, 1991–3 • Historical evaluation of Yeltsin’s leadership • Full coverage of Putin’s presidency • Discussion of the development of civil society and the problems of democratic consolidation • Latest developments in the Chechnya conflict • More on foreign policy issues such as Russia’s relationship with NATO and the EU after enlargement, Russia’s relations with other post-Soviet states and the problem of competing ‘near abroads’ for Russia and the West • The re-introduction of the Russian constitution as an appendix • An updated select bibliography • More focus on the challenges facing Russia in the twenty-first century Written in an accessible and lively style, this book is packed with detailed information on the central debates and issues in Russia’s difficult transformation. This makes it the best available textbook on the subject and essential reading for all those concerned with the fate of Russia, and with the future of international society. -
Public Demonstrations and the Rule of Law in the Age of Glasnost and Perestroika Ralph Ruebner
American University International Law Review Volume 5 | Issue 1 Article 2 1989 Public Demonstrations and the Rule of Law in the Age of Glasnost and Perestroika Ralph Ruebner Follow this and additional works at: http://digitalcommons.wcl.american.edu/auilr Part of the International Law Commons Recommended Citation Ruebner, Ralph. "Public Demonstrations and the Rule of Law in the Age of Glasnost and Perestroika." American University International Law Review 5, no. 1 (1989): 13-71. This Article is brought to you for free and open access by the Washington College of Law Journals & Law Reviews at Digital Commons @ American University Washington College of Law. It has been accepted for inclusion in American University International Law Review by an authorized administrator of Digital Commons @ American University Washington College of Law. For more information, please contact [email protected]. ARTICLE PUBLIC DEMONSTRATIONS AND THE RULE OF LAW IN THE AGE OF GLASNOST AND PERESTROIKA Ralph Ruebner* INTRODUCTION It goes without saying that in a democratic society persons who share common interests and goals, whether of political, cultural, ethnic, reli- gious, social, fraternal, benevolent, or any other nature, have the right to form interest groups, engage in private and public assembly, and express themselves publicly on important issues of the day. One com- monly recognized mode of expression is that of a public demonstration. It is equally clear that in a democratic society, the role of the govern- ment is to respect the right of group association and public expression, not to prohibit or frustrate it; there is little room for governmental in- terference with this basic right. -
The Politics of Soviet Literature Since Brezhnev
Sigma: Journal of Political and International Studies Volume 5 Article 2 1-1-1987 The Politics of Soviet Literature Since Brezhnev Bradley D. Woodworth Follow this and additional works at: https://scholarsarchive.byu.edu/sigma Recommended Citation Woodworth, Bradley D. (1987) "The Politics of Soviet Literature Since Brezhnev," Sigma: Journal of Political and International Studies: Vol. 5 , Article 2. Available at: https://scholarsarchive.byu.edu/sigma/vol5/iss1/2 This Article is brought to you for free and open access by the Journals at BYU ScholarsArchive. It has been accepted for inclusion in Sigma: Journal of Political and International Studies by an authorized editor of BYU ScholarsArchive. For more information, please contact [email protected], [email protected]. THE POLITICS OF SOVIET LITERATURE SINCE BREZHNEV Throughout the history of the Soviet Union, liter atUl'e and the a.·ts have played a significant role in the formation of Soviet citizens' perceptions of their na tion, their heritage, their leaders, and the world outside Soviet borders. Both Soviet and pre-revolu tionary Russian political leaders have felt an over whelming need to control dissent against their regimes. Because literature and freedom of speech have been vigilantly monitored, and often directly controlled, the written word in Russia has a significance and an im mediacy which writing in the West has never acquired. Since the early 1930s, when the Communist Party re placed the previously existing and relatively indepen dent writers' organizations VSP (All-Russian Union of Writel's), RAPP (Russian Association of Proletarian Writers) and Left Front with its own Union of Soviet Write.·s, official writing and publication of Soviet liter ature have been in the secure grip of the Party. -
Russian Cinema: a Very Short Story
Zhurnal ministerstva narodnogo prosveshcheniya, 2018, 5(2) Copyright © 2018 by Academic Publishing House Researcher s.r.o. Published in the Slovak Republic Zhurnal ministerstva narodnogo prosveshcheniya Has been issued since 2014. E-ISSN: 2413-7294 2018, 5(2): 82-97 DOI: 10.13187/zhmnp.2018.2.82 www.ejournal18.com Russian Cinema: A Very Short Story Alexander Fedorov a , a Rostov State University of Economics, Russian Federation Abstract The article about main lines of russian feature film history: from 1898 to modern times. The history of Russian cinema goes back more than a century, it knew the stages of rise and fall, ideological repression and complete creative freedom. This controversial history was studied by both Russian and foreign scientists. Of course, Soviet and Western scientists studied Soviet cinema from different ideological positions. Soviet filmmakers were generally active in supporting socialist realism in cinema, while Western scholars, on the contrary, rejected this method and paid great attention to the Soviet film avant-garde of the 1920s. After the collapse of the Soviet Union, the situation changed: russian and foreign film historians began to study cinema in a similar methodological manner, focusing on both ideological and socio-cultural aspects of the cinematographic process. Keywords: history, film, movie, cinema, USSR, Russia, film historians, film studies. 1. Introduction Birth of the Russian "Great Mute" (1898–1917). It is known that the French brought the movies to Russia. It was at the beginning of 1896. However, many Russian photographers were able to quickly learn a new craft. Already in 1898, documentary plots were shot not only by foreign, but also by Russian operators. -
The Myth of Russian Stupidity in Rfl Lessons
International Scientific-Pedagogical Organization of Philologists (ISPOP) DOI: THE MYTH OF RUSSIAN STUPIDITY IN RFL LESSONS Natalia V. Roitberg PhD in Philology, lecturer University of Haifa (Haifa, Israel) e-mail: [email protected] Abstract. This study addresses the use of folklore materials among advanced and intermediate-level students of Russian. Special attention is devoted to the Russian folk character Ivan the Fool, the myth of Russian stupidity, and mechanisms by which the theme of foolishness presented in Russian folklore and literature. The paper focuses on the reading Russian fairy folk tales of Ivan the Fool (Leo Tolstoy’s “The Tale of Ivan the Fool and his two brothers” and the tale “Before the Cock Crows Thrice” by Vasily Shukshin) and the interpreting Russian proverbs and sayings about fools which are shown as conceptions of the myth of Russian stupidity. It was determined that the use of Russian folktales and proverbs as curriculum materials have a great educational significance, linguistic importance on Russian language teaching, as well as on the Russian language acquisition. Furthermore, folklore materials are considered efficient tools for foreign students’ deeper insight into Russian mentality and folk lore. Keywords: Russian as a foreign language lesson (RFL lesson), folklore materials, fairy tales, Ivan the Fool, the myth of Russian stupidity МИФ О РУССКОЙ ГЛУПОСТИ НА УРОКАХ РКИ Наталья Владимировна Ройтберг Кандидат филологических наук, лектор Хайфский Университет (Хайфа, Израиль) e-mail: [email protected] Аннотация. В статье рассматривается использование материалов устного народного творчества на уроках русского языка как иностранного студентам среднего и продвинутого уровней. Отдельное внимание уделено образу Ивана-дурака, мифу о русской глупости и способам репрезентации темы «простофильства» в русском фольклоре и литературе. -
Barbican October Highlights
For immediate release: Thursday 29 August 2019 Barbican October highlights • Into the Night: Cabarets and Clubs in Modern Art, a new Barbican Art Gallery exhibition explores the social and artistic role of cabarets, cafés and clubs around the world, spanning the 1880s to the 1960s. • The second New Suns: A Feminist Literary Festival – a book fair and day of talks, workshops and screenings – explores feminist approaches to technology. • Continuing our commitment to bring Russia’s finest acting ensembles to London, Moscow’s prestigious Theatre of Nations makes its Barbican debut, performing two UK premieres: Shukshin’s Stories, and Chekhov’s enigmatic play Ivanov. • Cyberfeminism on Film: Gender, Sexuality, Technology curated by author So Mayer, takes author Donna Haraway’s The Cyborg Manifesto as a starting point to explore still radical ways of thinking about gender, sexuality and technology. • The Australian Chamber Orchestra conducted by Richard Tognetti return to the Barbican for three performances, in their second year as the resident International Associate Ensemble at Milton Court. CINEMA Hidden Figures: Euzhan Palcy Sun 6 Oct–Sat 26 Oct 2019, Cinema 1 & 2 Despite winning the Silver Lion at the Venice Film Festival, directing Marlon Brando to an Oscar nomination, and having created a range of acclaimed dramas that explore race and liberation across the world, Euzhan Palcy’s work remains neglected in the UK, and her films are rarely shown. The season includes her feature debut, Sugar Cane Alley (Martinque/France 1983), which remains one of cinema’s great coming-of-age films about a mischievous orphan and his indomitable grandmother.