How to Bead Crochet
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Crochet for Beginners : the Complete Guide on the Basics of Crochet Pdf, Epub, Ebook
CROCHET FOR BEGINNERS : THE COMPLETE GUIDE ON THE BASICS OF CROCHET PDF, EPUB, EBOOK Dorothy Wilks | 58 pages | 28 Jan 2015 | Createspace Independent Publishing Platform | 9781507755631 | English | none Crochet for Beginners : The Complete Guide on the Basics of Crochet PDF Book All images for patterns can be found at the pattern link provided in the text. And using thicker yarn helps your project grow more quickly! On the other hand if your gauge is less than the pattern either loosen up your tension or use a larger hook. In addition, you can use the stitch in rows to create a dense material. Check out the Blankets, the toys and the fabulous hats. Friday 15 January Goats produce the fibers used for mohair yarn. Show More. For now stick to mid-range yarns that are easy to work with and easy to care for. The second block is formed. I spend most of my time blogging, hiking, and drinking coffee. Shell Stitch Shell stitches make a very pretty edging for lots of projects. Chain 3 and work two double crochet into the same stitch, chain 1, skip next double crochet, work 3 double crochet into the next chain 1 space, chain 1. Many thanks go out to the wonderful designers and teachers who have help add to the wonderful content in this book they have shared for free. Turning Chains: A chain made at the start of a row with your hook to bring the yarn up to the height of the next row. Continue to crochet the beginning stitches of the first round around the loop. -
On the Mechanics of the Bow and Arrow 1
On the Mechanics of the Bow and Arrow 1 B.W. Kooi Groningen, The Netherlands 1983 1B.W. Kooi, On the Mechanics of the Bow and Arrow PhD-thesis, Mathematisch Instituut, Rijksuniversiteit Groningen, The Netherlands (1983), Supported by ”Netherlands organization for the advancement of pure research” (Z.W.O.), project (63-57) 2 Contents 1 Introduction 5 1.1 Prefaceandsummary.............................. 5 1.2 Definitionsandclassifications . .. 7 1.3 Constructionofbowsandarrows . .. 11 1.4 Mathematicalmodelling . 14 1.5 Formermathematicalmodels . 17 1.6 Ourmathematicalmodel. 20 1.7 Unitsofmeasurement.............................. 22 1.8 Varietyinarchery................................ 23 1.9 Qualitycoefficients ............................... 25 1.10 Comparison of different mathematical models . ...... 26 1.11 Comparison of the mechanical performance . ....... 28 2 Static deformation of the bow 33 2.1 Summary .................................... 33 2.2 Introduction................................... 33 2.3 Formulationoftheproblem . 34 2.4 Numerical solution of the equation of equilibrium . ......... 37 2.5 Somenumericalresults . 40 2.6 A model of a bow with 100% shooting efficiency . .. 50 2.7 Acknowledgement................................ 52 3 Mechanics of the bow and arrow 55 3.1 Summary .................................... 55 3.2 Introduction................................... 55 3.3 Equationsofmotion .............................. 57 3.4 Finitedifferenceequations . .. 62 3.5 Somenumericalresults . 68 3.6 On the behaviour of the normal force -
Simply String Art Carol Beard Central Michigan University, [email protected]
International Textile and Apparel Association 2015: Celebrating the Unique (ITAA) Annual Conference Proceedings Nov 11th, 12:00 AM Simply String Art Carol Beard Central Michigan University, [email protected] Follow this and additional works at: https://lib.dr.iastate.edu/itaa_proceedings Part of the Fashion Design Commons Beard, Carol, "Simply String Art" (2015). International Textile and Apparel Association (ITAA) Annual Conference Proceedings. 74. https://lib.dr.iastate.edu/itaa_proceedings/2015/design/74 This Event is brought to you for free and open access by the Conferences and Symposia at Iowa State University Digital Repository. It has been accepted for inclusion in International Textile and Apparel Association (ITAA) Annual Conference Proceedings by an authorized administrator of Iowa State University Digital Repository. For more information, please contact [email protected]. Santa Fe, New Mexico 2015 Proceedings Simply String Art Carol Beard, Central Michigan University, USA Key Words: String art, surface design Purpose: Simply String Art was inspired by an art piece at the Saint Louis Art Museum. I was intrigued by a painting where the artist had created a three dimensional effect with a string art application over highlighted areas of his painting. I wanted to apply this visual element to the surface of fabric used in apparel construction. The purpose of this piece was to explore string art as unique artistic interpretation for a surface design element. I have long been interested in intricate details that draw the eye and take something seemingly simple to the realm of elegance. Process: The design process began with a research of string art and its many interpretations. -
Radial Weavings
Radial Weavings Mandalas are a form of art that uses radial symmetry and geometric shape. This work, Mandala Cosmic Tapestry in the 9th Roving Moon Up-Close, features complex crocheted patterns, colors, and textures. The artist, Xenobia Bailey is known for their textile works, especially crocheted mandalas. Bailey famously draws inspiration from funk music and Native American, African, Hindu, and Buddhist cultures when creating her work. Experiment with radial symmetry and textile techniques to create a radial weaving. Supplies Needed: Xenobia Bailey (American, born 1955) Mv:#9 (Mandala Cosmic Tapestry in the 9th Roving Moon Up-Close) from • Cardboard or paper plate the series Paradise Under Reconstruction in the Aesthetic of Funk, Phase II, 1999, Crochet, acrylic and cotton yarn, • A circle tracer or compass beads and cowrie shell. Purchase: The Reverend and Mrs. • Yarn, string or fabric scraps Van S. Merle-Smith, Jr. Endowment Fund, 2000. • Scissors (2000.17.2) Follow these steps to make your radial weaving: Step 1: Trace and cut out a cardboard circle. You can also use a paper plate or paper bowl. This will be your loom. Step 2: Use your scissors to make an odd number of cuts into the edge of your loom. They should be evenly spaced out, like slices of pizza. Your cuts should be about an inch long. Step 3: Tie a knot at the end of a long piece of string. Slide it through the back of one of the cuts in your cardboard. Thread your loom by running the long piece of yarn through all of the cuts in the loom. -
Plastic Canvas Patterns
Crochet & Craft Crochet & Craft Catalog Craft Store MAY 2015 OVER 300 Step Into NEW ITEMS! Springin Style! AnniesCraftStore.com CROCHET | KNITTING | BEADING | PLASTIC CANVAS | YARN CSC5 Crazy for ➤ Crochet Chevrons page 34 Southwest Tissue Plastic Covers Canvas page 56 ➤ Isadora Scarf page 79 Paper Crafts Knit Washi Tape Cards ➤ page 53 Inside Skill Level Key 3–40 Crochet Beginner: For first-time stitchers 41–44 Crochet Supplies Easy: Projects using basic stitches 45 Crochet World & Creative Knitting Special Issues Intermediate: Projects with a variety of stitches 46–49 Home Solutions and mid-level shaping 50–53 Drawing, Painting, Paper Crafts Experienced: Projects using advanced 54 Plastic Canvas Supplies techniques and stitches 55–57 Plastic Canvas 58 Cross Stitch 59 Embroidery 60 & 61 Beading Our Guarantee If you are not completely satisfied with your 62–69 Yarn purchase, you may return it, no questions 70–72 Knit Supplies asked, for a full and prompt refund. 73–83 Knit 2 ANNIESCRAFTSTORE.COM (800) 582-6643 7 a.m.–9 p.m. (CT) Monday–Friday • 7 a.m.–5 p.m. (CT) Saturday • 9 a.m.–5 p.m. (CT) Sunday New Spring Designs for Kids! NEW! CROCHET Slumber Party for 18" Dolls The girls are having fun at their sleepover. Pattern features 4 different sleep sets, all made from baby/sport-weight and DK-weight yarns with some trims in size 10 crochet cotton or novelty yarn. Designs NEW! CROCHET Bridal Party include: a granny gown Every little girl dreams of that special wedding day. with booties, a vintage Crochet a bridal party for your 18" dolls. -
Bath Time Travellers Weaving
Bath Time Travellers Weaving Did you know? The Romans used wool, linen, cotton and sometimes silk for their clothing. Before the use of spinning wheels, spinning was carried out using a spindle and a whorl. The spindle or rod usually had a bump on which the whorl was fitted. The majority of the whorls were made of stone, lead or recycled pots. A wisp of prepared wool was twisted around the spindle, which was then spun and allowed to drop. The whorl acts to keep the spindle twisting and the weight stretches the fibres. By doing this, the fibres were extended and twisted into yarn. Weaving was probably invented much later than spinning around 6000 BC in West Asia. By Roman times weaving was usually done on upright looms. None of these have survived but fortunately we have pictures drawn at the time to show us what they looked like. A weaver who stood at a vertical loom could weave cloth of a greater width than was possible sitting down. This was important as a full sized toga could measure as much as 4-5 metres in length and 2.5 metres wide! Once the cloth had been produced it was soaked in decayed urine to remove the grease and make it ready for dying. Dyes came from natural materials. Most dyes came from sources near to where the Romans settled. The colours you wore in Roman times told people about you. If you were rich you could get rarer dyes with brighter colours from overseas. Activity 1 – Weave an Owl Hanging Have a close look at the Temple pediment. -
Beginner Basics Illustrated Stitches Updated Techniques
beginner basics illustrated stitches 8 NEW updated techniques PROJECTS Crochet Made Easy Using this Book Crochet Made Easy is written for beginners, and features easy-to- understand diagrams and step-by-step instructions to illustrate crochet stitches and techniques. When you have mastered the basic techniques, try the projects included at the back of this book—they're designed especially for beginners! Products All of the projects in this book were designed and made with products from Coats & Clark—Red Heart yarns and Aunt Lydia's threads. General information is included about yarn, thread and crochet hooks. We recommend reading through the book to become familiar with terminology before picking up your hook and yarn. When you're ready, use a Medium Worsted Weight yarn (size 4 on chart at right) and a 5 mm (US-H-8) or 5.5 mm (US-I-9) hook to learn to crochet. Diagrams and Instructions Diagrams are shown for right-handers. Because of space limitations, it is not possible to show left-handed diagrams. If you are a left-hander and are hav- ing trouble understanding the diagrams, try tracing the diagrams and then turning the tracing paper over and looking at the reversed image. When read- ing instructions, substitute "left" for "right" and "right" for "left" where it appears. The abbreviation and its accompanying symbol are shown with the instruc- tions for each stitch. Visit www.redheart.com for more information and inspiration! We also recommend these sites. For additional patterns: www.coatsandclark.com For magazine information: www.crochettoday.com For television show information: www.knitandcrochettoday.com Distributed in the USA by Coats & Clark, Greer SC 29650 Learn to Crochet Yarn Yarns are available in a variety of weights. -
The Musical Kinetic Shape: a Variable Tension String Instrument
The Musical Kinetic Shape: AVariableTensionStringInstrument Ismet Handˇzi´c, Kyle B. Reed University of South Florida, Department of Mechanical Engineering, Tampa, Florida Abstract In this article we present a novel variable tension string instrument which relies on a kinetic shape to actively alter the tension of a fixed length taut string. We derived a mathematical model that relates the two-dimensional kinetic shape equation to the string’s physical and dynamic parameters. With this model we designed and constructed an automated instrument that is able to play frequencies within predicted and recognizable frequencies. This prototype instrument is also able to play programmed melodies. Keywords: musical instrument, variable tension, kinetic shape, string vibration 1. Introduction It is possible to vary the fundamental natural oscillation frequency of a taut and uniform string by either changing the string’s length, linear density, or tension. Most string musical instruments produce di↵erent tones by either altering string length (fretting) or playing preset and di↵erent string gages and string tensions. Although tension can be used to adjust the frequency of a string, it is typically only used in this way for fine tuning the preset tension needed to generate a specific note frequency. In this article, we present a novel string instrument concept that is able to continuously change the fundamental oscillation frequency of a plucked (or bowed) string by altering string tension in a controlled and predicted Email addresses: [email protected] (Ismet Handˇzi´c), [email protected] (Kyle B. Reed) URL: http://reedlab.eng.usf.edu/ () Preprint submitted to Applied Acoustics April 19, 2014 Figure 1: The musical kinetic shape variable tension string instrument prototype. -
Spanish Moss Shawl
SPANISH MOSS SHAWL Designed and woven by John Mullarkey Overview: Inspired by a gift skein of sock yarn from a friend, and enhanced by not being able to find the same dye lot, this shawl was woven with a Zoom Loom and joined with crochet. The color and drape reminded me of the Spanish moss I saw hanging in trees when I lived in East Texas. Difficulty rating: Easy weaving with crochet join Size: 70” width; short edges 50” Yarn: Dream in Color Smooshy (450yds/4 oz.), Cloud Jungle, 1 skein (MC). Dream in Color Smooshy, either a different dye lot of Cloud Jungle, or a different but analogous colorway (CC). Crochet thread, #10 (350 yards), black or coordinating color. Other notions, equipment or tools: size 6 crochet hook; tapestry or yarn needle; scissors. Weaving and Assembly: ■ Weave 56 squares using the Zoom Loom in color MC. Work in all ends as you weave. ■ Weave 22 squares in color CC. Work in all ends as you weave. Total of 78 squares woven. ■ Using the layout chart below, join the squares by crochet- ing a single crochet (sc) in each loop pair. ■ Chain (ch) 3, sc in loop pair of adjoining square using cro- chet thread. ■ Repeat above for all rows and columns of squares. ■ After all squares have been joined, crochet a border of sc in loop pair, ch 3 around. You may want to do ch 2 where cor- ners meet to tighten up the joined edges. Finishing: Hand wash in lukewarm water. Roll in a towel to remove excess water. -
Bead Crochet / Knitting / Tatting
bead crochet / knitting / tatting Design Originals BEAD KNITTED BAGS BEAD CROCHET BASICS 10 Projects for Beaders & Knitters Beaded Bracelets, Necklaces, Jewelry and More! by Julia S. Pretl by Mary Libby Neiman . This book featured the historically rich technique of In no time at all anyone can make an entire bead knitting – a method of knitting beads directly wardrobe of beaded jewelry! The beautiful beaded into stitches to create a dense but supple tapestry- pieces explained in this book are so intricate like fabric, in the style of vintage or antique beaded looking, one could imagine they were made by bags. With detailed instructions and sequenced artisan master beaders. illustrations, the author provides clear, step-by-step BK2130 guidance, complemented by the 20 video tutorials Softcover, 96 pages on the accompanying DVD. Each of the 10 Includes Bonus DVD BK1213 projects contain a materials list, detailed knitting Sugg. Retail $21.95 Softcover, 36 pages instructions, and color-coded graphs of the entire Sugg. Retail $12.99 pattern or a repeating motif. Each project has a unique strap, closure, or edging and the author provides finishing suggestions and helpful hints throughout the book. A Beadwork® How-To Book KNIT AND CROCHET WITH BEADS BEAD CROCHET by Lily M. Chin by Bethany Barry . Nationally known knitwear designer and author Professional beader Bethany Barry shows you how Lily M. Chin introduces 23 original, fashion-savvy to combine a vibrant selection of seed and accent designs for knitters and crocheters of all skill levels. beads with simple crochet techniques to create an Features 16 techniques for knitting & crocheting enticing cache of jewelry, accessories and sculptural with beads; and 13 knitting & 10 crochet projects; pieces. -
A Gis Tool to Demonstrate Ancient Harappan
A GIS TOOL TO DEMONSTRATE ANCIENT HARAPPAN CIVILIZATION _______________ A Thesis Presented to the Faculty of San Diego State University _______________ In Partial Fulfillment of the Requirements for the Degree Master of Science in Computer Science _______________ by Kesav Srinath Surapaneni Summer 2011 iii Copyright © 2011 by Kesav Srinath Surapaneni All Rights Reserved iv DEDICATION To my father Vijaya Nageswara rao Surapaneni, my mother Padmaja Surapaneni, and my family and friends who have always given me endless support and love. v ABSTRACT OF THE THESIS A GIS Tool to Demonstrate Ancient Harappan Civilization by Kesav Srinath Surapaneni Master of Science in Computer Science San Diego State University, 2011 The thesis focuses on the Harappan civilization and provides a better way to visualize the corresponding data on the map using the hotlink tool. This tool is made with the help of MOJO (Map Objects Java Objects) provided by ESRI. The MOJO coding to read in the data from CSV file, make a layer out of it, and create a new shape file is done. A suitable special marker symbol is used to show the locations that were found on a base map of India. A dot represents Harappan civilization links from where a user can navigate to corresponding web pages in response to a standard mouse click event. This thesis also discusses topics related to Indus valley civilization like its importance, occupations, society, religion and decline. This approach presents an effective learning tool for students by providing an interactive environment through features such as menus, help, map and tools like zoom in, zoom out, etc. -
Archery Notes
Archery Notes Description: Archery is a sport that involves the use of a bow and a number of arrows. The bow is used to shoot the arrows at targets. We will be shooting at stationary targets. This is referred to as ‘Target Archery’. Equipment: Bow: Length and weight varies with the individual (18-25 lbs. for class use: 20-30 lbs. for club use) The style of the bows vary – straight or recurve in Fiberglass, wood, and metal. Arrows: length according to length of arms of the archer (24-28 “). Wood, fiberglass, aluminum, carbon/alloy composite, and carbon fiber. Targets (butts): circular or square targets made of dense Target Butt or buttress: Material that can sustain the impact of the arrow. Straw, Styrofoam, compressed cardboard. Bow strings: dacron- single or double loop according to the type of bow. The center part of the string is wolven thicker to accommodate the nocking of the arrow. This is referred to as the serving. Rubber finger tabs (rolls) are also attached to the serving. A single roller on the upper section and a double on the lower section. Target Faces: thick paper with concentric circles that vary in colour from the outside in. The target is divided into 5 different coloured sections. Safety tackle: Arm guard for the inside of the bow arm. Quivers: ‘Arrow Holder’. Used to organize and hold arrows for the archer. Stringing the bow: Step through method (push-pull) Instructions 1. Slide the top loop of your bow string over the nock and down the limb about halfway, or as far as the loop will allow.