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L&O Acts on Road and Sidewalk Repair Stabilization Fund
TONIGHT Mostly Cloudy. Low of 22. The WestfieldNews Search for The Westfield News Search for The Westfield News Westfield350.com The Westfield “IT’S EASY TO BE INDEPENDENT News WHEN YOU VE GOT MONEY ’ . “TIME IS THE ONLY Serving Westfield, Southwick, and surrounding Hilltowns BUT TO BE INDEPENDENT WHEN WEATHER CRITIC WITHOUT YOU HAVEN’ T GOT A TH ING — TONIGHT THAT’S AMBITIONTHE LORD.”’ S TEST.” Partly Cloudy. JOHN STEINBECK —Search MaH AforLI TheA JA WestfieldCKSON News Westfield350.comWestfield350.orgLow of 55. Thewww.thewestfieldnews.com WestfieldNews Serving Westfield, Southwick, and surrounding Hilltowns “TIME IS THE ONLY WEATHERVOL. 86 NO. 151 TUESDAY, JUNE 27, 2017 75 centsCRITIC WITHOUT VOL.88TONIGHT NO. 64 MONDAY, MARCH 18, 2019 75AMBITION Cents .” Partly Cloudy. JOHN STEINBECK Low of 55. www.thewestfieldnews.com L&OVOL. 86 NO. 151 acts on road TUESDAY, JUNE 27, 2017 75 cents and sidewalk repair stabilization fund By AMY PORTER Correspondent WESTFIELD – The Legislative & Ordinance Committee took up several motions that have been before the City Council since March of last year. The first was to accept the fourth paragraph of Mass. General Law (MGL) Chapter 40 Section 5B, which William Onysk Andrew K. Surprise allows cities and towns to create one or Ward 6 City Ward 3 Annual St. Patrick’s Day Breakfast more special purpose stabilization Councilor Councilor Above, new Chamber members, Laurie DeBruin, John Richards, Phyl Phillips, Chris Thompson, funds. the new paragraph in the MGL, brought and Harlene Simmons attend the Greater Westfield Chamber of Commerce’s annual St. Patrick’s The second motion before the com- Day Breakfast. -
Interview with Lush's Frontwoman Miki Berenyi
Interview with Lush's frontwoman Miki Berenyi musicophile97.blogspot.co.uk/2016/08/interview-with-lushs-frontwoman-miki.html It’s a regular Tuesday night in everything but the fact that I am currently sat opposite Miki Berenyi, the returned frontwoman of Lush. After nearly a 20-year break, the 90s favourite indie kids make their return. Much has changed for the band in the interim: Elastica’s Justin Welch replaces Chris Acland on drums after Acland committed suicide in 1996; Berenyi all but disappeared from the music scene to start a family and hold down a regular job. In spite of this, she remains the same at the core: she sips on white wine that she brought over, and intermittently takes a few drags on an e-cigarette. When she speaks of how it feels to be back, Berenyi says it’s ‘really quite odd actually […] I was losing sleep about having agreed to do this. I suddenly thought, “fuck, I haven’t played in twenty years, this is going to be a disaster.” And actually, it was really good to just go into the studio and sing and play guitar and think, “ok, I can still do this!”’ In spite of having been out of the game for so long, there is a clear sense of anticipation to play live again [I spoke to Berenyi before Lush’s headline shows at the Roundhouse]. ‘It’s a bit weird cos we haven’t played yet […] I went on the radio and they were like “ooh so how’s it going?” and all I can really talk about is rehearsals. -
From Reluctance to Reunion Interview | Under the Radar
Lush: From Reluctance to Reunion Interview | Under the Radar undertheradarmag.com /interviews/lush/ Lush From Reluctance to Reunion Jul 01, 2016 By Frank Valish Photography by James Loveday Issue # 57 - M83 Back in 2014, when Lush's Miki Berenyi and Emma Anderson spoke with Under the Radar about the band's seminal albums Split and Lovelife, the idea of getting the band back together was something of a pipe dream. The London outfit, which formed out of friendship in the late '80s, rode a wave of shoegaze and Britpop to success in the decade that followed. But after disbanding in the wake of the suicide of founding drummer Chris Acland in 1996, Berenyi and Anderson moved on—they had children and got day jobs. Other than Anderson's stint in Sing-Sing in the late '90s and early '00s, they had been out of music completely. "It's so difficult," said Berenyi at the time. "There's part of me that thinks that it would be nice or it would be fun. I don't know. I feel very confused about the issue, if I'm honest. I don't play music. I'm not in a band. I haven't been 1/3 since Lush. The actual logistics of getting it together are pretty phenomenal. It scares me a bit." For Anderson, a single mother who found herself moving around a bit in the years prior, the demands of life made reformation tricky: "Having a young child is very, very time-consuming and exhausting and there's not a lot of brain space for anything else right now," she said at the time. -
ROCK 'DO: RESURGENCE of a RESILIENT SOUND in U.S., Fresh Spin Is Put on Format Globally, `No- Nonsense' Music Thrives a Billboard Staff Report
$5.95 (U.S.), $6.95 (CAN.), £4.95 (U.K.), Y2,500 (JAPAN) ZOb£-L0906 VO H3V38 9N01 V it 3AV W13 047L£ A1N331J9 A1NOW 5811 9Zt Z 005Z£0 100 lllnlririnnrlllnlnllnlnrinrllrinlrrrllrrlrll ZL9 0818 tZ00W3bL£339L080611 906 1I9I0-£ OIE1V taA0ONX8t THE INTERNATIONAL NEWSWEEKLY OF MUSIC, VIDEO, AND HOME ENTERTAINMENT r MARCH 6, 1999 ROCK 'DO: RESURGENCE OF A RESILIENT SOUND In U.S., Fresh Spin Is Put On Format Globally, `No- Nonsense' Music Thrives A Billboard staff report. with a host of newer acts being pulled A Billboard international staff Yoshida says. in their wake. report. As Yoshida and others look for NEW YORK -In a business in which Likewise, there is no one defining new rock -oriented talent, up -and- nothing breeds like success, "musical sound to be heard Often masquerading coming rock acts such as currently trends" can be born fast and fade among the pack, only as different sub-gen- unsigned three -piece Feed are set- faster. The powerful resurgence of the defining rock vibe res, no-nonsense rock ting the template for intelligent, rock bands in the U.S. market -a and a general feeling continues to thrive in powerful Japanese rock (Global phenomenon evident at retail and that it's OK to make key markets. Music Pulse, Billboard, Feb. 6) with radio, on the charts, and at music noise again. "For the THE FLYS Here, Billboard cor- haunting art rock full of nuances. video outlets -does not fit the proto- last few years, it wasn't respondents take a Less restrained is thrashabilly trio typical mold, however, and shows no cool to say you were in a global sound -check of Guitar Wolf, whose crazed, over -the- signs of diminishing soon. -
Adyslipper Music by Women Table of Contents
.....••_•____________•. • adyslipper Music by Women Table of Contents Ordering Information 2 Arabic * Middle Eastern 51 Order Blank 3 Jewish 52 About Ladyslipper 4 Alternative 53 Donor Discount Club * Musical Month Club 5 Rock * Pop 56 Readers' Comments 6 Folk * Traditional 58 Mailing List Info * Be A Slipper Supporter! 7 Country 65 Holiday 8 R&B * Rap * Dance 67 Calendars * Cards 11 Gospel 67 Classical 12 Jazz 68 Drumming * Percussion 14 Blues 69 Women's Spirituality * New Age 15 Spoken 70 Native American 26 Babyslipper Catalog 71 Women's Music * Feminist Music 27 "Mehn's Music" 73 Comedy 38 Videos 77 African Heritage 39 T-Shirts * Grab-Bags 82 Celtic * British Isles 41 Songbooks * Sheet Music 83 European 46 Books * Posters 84 Latin American . 47 Gift Order Blank * Gift Certificates 85 African 49 Free Gifts * Ladyslipper's Top 40 86 Asian * Pacific 50 Artist Index 87 MAIL: Ladyslipper, PO Box 3124, Durham, NC 27715 ORDERS: 800-634-6044 (Mon-Fri 9-8, Sat'11-5) Ordering Information INFORMATION: 919-683-1570 (same as above) FAX: 919-682-5601 (24 hours'7 days a week) PAYMENT: Orders can be prepaid or charged (we BACK-ORDERS AND ALTERNATIVES: If we are FORMAT: Each description states which formats are don't bill or ship C.O.D. except to stores, libraries and temporarily out of stock on a title, we will automati available. LP = record, CS = cassette, CD = com schools). Make check or money order payable to cally back-order it unless you include alternatives pact disc. Some recordings are available only on LP Ladyslipper, Inc. -
Lush - Miki Berenyi and Emma Anderson on 1996 Album “Lovelife” and the Last Days of the Band
Lush - Miki Berenyi and Emma Anderson on 1996 Album “Lovelife” and the Last Days of the Band undertheradarmag.com /interviews/lush_- _miki_berenyi_and_emma_anderson_on_1996_album_lovelife_and_the_last_d/ "Lush was so tied up with Chris, and without him, it's just really, really difficult to consider [a reunion]." - Miki Berenyi Apr 28, 2015 By Frank Valish Issue #51 - September/October 2014 - alt-J The year was 1996. Lush had released its third full-length album, Lovelife. Although their shoegaze-crossed-with- pop songwriting never truly fit into Britain's chart-centric musical atmosphere, the band was finally getting its due, with Lovelife cracking the Top 10 on Britain's album charts and spawning three charting singles, "Single Girl," "Ladykiller," and "500 (Shake Baby Shake)." The band was in demand for concerts across the U.S. and Europe. On the surface, it seemed like things couldn't get any better. But within a year, it would all be over. 1/4 Lush formed in London in 1988, fronted by school friends Emma Anderson (guitars/vocals) and Miki Berenyi (vocals/guitars), along with Chris Acland (drums) and Steve Rippon (bass). After releasing a series of EPs that garnered Lush attention in the U.K., including 1990 cover stories for both Melody Maker and NME, Rippon left and was replaced by Philip King just prior to the release of the band's full-length debut. Spooky, released in 1992, was an album that showcased the dream-pop soundscapes and ethereal melodies of the band's two frontwomen and propelled Lush to recognition in America with a gig on 1992's Lollapalooza festival. -
Lush: Shoegaze, Blind Spot and Reunions
Lush: Shoegaze, Blind Spot and Reunions theskinny.co.uk /music/interviews/lush-interview Lush Editor's Choice "You know, I hate the term shoegazing." Emma Anderson laughs but she's frustrated rather than amused as she reflects on the continuing and uncomfortable packaging of the scene her band Lush helped kick-start a mere quarter century ago. That time might have flown but the lazy compartmentalising has remained. "The scene was ridiculed to some extent," she continues, "but if you go back to the 90s, a lot of stuff hasn’t stood the test of time very well at all, and I can see why this has. It has a slightly other-worldly quality, I guess. It's very musical. That might sound really silly but it's not lyric-driven, it's certainly not scene-driven. It's based in music and genuine, real emotion." Hear hear. And her band's lasting qualities go some considerable way towards explaining why their unexpected regrouping late last year was greeted with such immediate warmth. With the likes of Ride and Slowdive's returns leading to a thoughtful re-evaluation of their back catalogues, Lush begin again with their credibility secure, despite elements of a largely supportive press at the time throwing them the odd bitchy barb. As we talk by phone ahead of the band's first release in 20 years – the tremendous Blind Spot EP – and a run of live shows that include two headline performances at London's vast Roundhouse, Anderson recalls those slyly negative notices with bemusement. "This has come up quite a lot actually," she says. -
Am 2,1 Layout.Indd
Ars Medica Volume 2, Number 1, Fall 2005 Editorial Board Allison Crawford Managing editor Robin Roger Senior editor Rex Kay Founding editor Allan Peterkin Founding editor Ronald Ruskin Founding editor Advisory Board Guy Allen Jacalyn Duffin Jock Murray Jeff Nisker Thomas Ogden Adam Phillips Mary V. Seeman Anne Marie Todkill Legal Advisors Stanley Kugelmass Adrian Zahl Publishing Ian MacKenzie Copy editor and designer Natalie Ruskin Copy editor Beth Sadavoy Copy editor Liz Konigshaus Executive administrator Web Robert Tomas Designer We are grateful for the generous financial assistance of the Mount Sinai Hospital Foundation. Ars Medica: A Journal of Medicine, the Arts, and Humanities Department of Psychiatry Mount Sinai Hospital 600 University Avenue Toronto, Canada m5G 1X5 For subscription information or to submit a manuscript, contact [email protected], or visit www.ars-medica.ca. contents editorial ....................................................3 featured pieces Table of Unidentified Contents ...........Doug Guildford .......5 Returning to My Mother’s City ...........Alison Pryer . 56 Daughter Cells ...........................Jessica Handler ......64 Short Fiction Mice ....................................Anne Marie Todkill ...8 It’s Not a Headache ......................Matt Oakes .........72 The Remainder ..........................Herman Gottlieb.....83 Creative Non-fiction A Life on the Road .......................Gretchen Roedde ..... 15 Funeral Music ...........................Robert Maunder .....24 A Picture Made of Sound.................Anne -
The Guardian, July 22, 1992
Wright State University CORE Scholar The Guardian Student Newspaper Student Activities 7-22-1992 The Guardian, July 22, 1992 Wright State University Student Body Follow this and additional works at: https://corescholar.libraries.wright.edu/guardian Part of the Mass Communication Commons Repository Citation Wright State University Student Body (1992). The Guardian, July 22, 1992. : Wright State University. This Newspaper is brought to you for free and open access by the Student Activities at CORE Scholar. It has been accepted for inclusion in The Guardian Student Newspaper by an authorized administrator of CORE Scholar. For more information, please contact [email protected]. The Guardian ISSUE NO. 2. VOL. 28 WRIGHT STATE UNIVERSITY WEDNESDAY, JULY 22, 1992 O RECYCLED PAP!!* Oops, watch that turn Students to pay more in the fall By THOMAS J. LUCENTE News Editor Wright State University, for the third time in the last four quarters, has raised tuition. Full-time, undergraduate stu- dents will begin paying $979 per quarter this fall. On July 13, the state Con- trolling Board voted to allow universities to raise their tu- ition as much as 9 percent. The previous cap was 7 percent. Am The cap increase came af- ter Gov. George Voinovich, a graduate of Ohio University and The Ohio State Univer- sity. cut $170.2 million from the budget for higher educa- Paige E. Mulhollan The Falrbom fire department had trouble maneuvering their truck earlier this month, tion. damaging the quad and a trash can. Voinovich, who ran for election as the "education gover- education could be facing an- nor," has now cut the higher educa- other 5 percent in cuts at the end tion budget three times since tak- of the calendar year if no im- INSIDE ing office in January 1991. -
DOSSIER DE PRESSE NOX ORAE FESTIVAL 8Ème Édition 25+26.08.2017 Jardin Roussy La Tour-De-Peilz (CH) SOMMAIRE
DOSSIER DE PRESSE NOX ORAE FESTIVAL 8ème édition 25+26.08.2017 Jardin Roussy La Tour-de-Peilz (CH) SOMMAIRE 3 Nox Orae • 8ème édition • 25 et 26 août 2017 4 Programme et horaires 5 L’édition 2017 6 A propos du festival 7 Informations pratiques 8 SLOWDIVE UK 9 THE JESUS AND MARY CHAIN UK 10 FOXYGEN US 11 TY SEGALL US 12 MOON DUO US 13 FAIRE FR 14 SERVICE FUN CH 15 THE CATS NEVER SLEEP CH 16 Contacts NOX ORAE 8EME EDITION 25 ET 26 AOUT 2017 La 8ème édition du festival Nox Orae aura lieu les vendredi 25 et samedi 26 août à La Tour-de-Peilz (Suisse), en bordure du lac Léman. Du coucher du soleil au lever des étoiles, huit concerts feront vibrer les herbes du site du Jardin Roussy à l’occasion de deux soirées électriques de haute voltige. Six groupes internationaux (dont quatre qui se produiront en exclusivité helvétique), un groupe suisse et une formation locale prometteuse sont à l’affiche de la cuvée 2017. La ligne artistique du festival est résolument éclectique et navigue en dehors des autoroutes de la musique commerciale. L’événement, convivial et ouvert à tous, réserve cette année une place de choix aux mastodontes du rock shoegaze. 3 PROGRAMME ET HORAIRES VENDREDI 25.08.2017 18:30 OUVERTURE DU SITE 19:30 SERVICE FUN CH 20:45 FOXYGEN US 22:45 SLOWDIVE UK 00:45 MOON DUO US 04:00 FERMETURE DU SITE SAMEDI 26.08.2017 18:30 OUVERTURE DU SITE 19:30 THE CATS NEVER SLEEP CH 20:45 TY SEGALL US 22:45 THE JESUS AND MARY CHAIN UK 00:45 FAIRE FR 04:00 FERMETURE DU SITE 4 L’EDITION 2017 Participer à Nox Orae, c’est prolonger l’été et faire une cure de bonnes vibrations dans un cadre unique, à quelques jours du mois de septembre. -
Chorus by Lush | Box Set Review
Chorus by Lush | Box Set Review thelineofbestfit.com /reviews/albums/lushs-chorus-anthology-is-a-lexicon-of-love/ Ed Nash Chorus is the perfect title for an anthology of Lush’s relentlessly infectious songs. Their studio albums, 1992s Spooky, 1994s Split and 1996s Lovelife are topped and tailed by here two compilations, Gala and Topolino, as well as everything else they recorded. A mammoth 105 tracks are spread over five lovingly packaged discs. Prior to their very welcome live return next year - their first shows since the tragic passing of drummer Chris Acland twenty years ago - Chorus is timely reminder of how wonderful Lush were. Whether pedaling the space rock which saw them lumped in with Shoegaze initially or their spikier later material, the theme of love runs consistently through their songs. They wrote about it quite brilliantly, be that the rancour of “Bitter” or the melancholy of “Nothing Natural.” Calling themselves Lush proved to be a double edged sword. On one hand, it fitted with the beauty of their initially dreamy, gauzy songs. They didn’t look like your typical indie band either - Acland and bassist Phil King were such a pair of handsome devils they could have been Gap models. However the flipside to the name was their joy of enjoying a beer and letting their hair down, which unfairly saw singing guitarists Miki Berenyi and Emma Anderson being written about in gossip columns almost as much as they were for their music. For all their down to earthness (Berenyi was hilariously dismissive about her treatment at the hands of male musicians in the recent Girl In A Band documentary), Lush were incredibly serious about the music they made, which shines through in Chorus. -
234 MOTION for Permanent Injunction.. Document Filed by Capitol
Arista Records LLC et al v. Lime Wire LLC et al Doc. 237 Att. 12 EXHIBIT 12 Dockets.Justia.com CRAVATH, SWAINE & MOORE LLP WORLDWIDE PLAZA ROBERT O. JOFFE JAMES C. VARDELL, ID WILLIAM J. WHELAN, ffl DAVIDS. FINKELSTEIN ALLEN FIN KELSON ROBERT H. BARON 825 EIGHTH AVENUE SCOTT A. BARSHAY DAVID GREENWALD RONALD S. ROLFE KEVIN J. GREHAN PHILIP J. BOECKMAN RACHEL G. SKAIST1S PAULC. SAUNOERS STEPHEN S. MADSEN NEW YORK, NY IOOI9-7475 ROGER G. BROOKS PAUL H. ZUMBRO DOUGLAS D. BROADWATER C. ALLEN PARKER WILLIAM V. FOGG JOEL F. HEROLD ALAN C. STEPHENSON MARC S. ROSENBERG TELEPHONE: (212)474-1000 FAIZA J. SAEED ERIC W. HILFERS MAX R. SHULMAN SUSAN WEBSTER FACSIMILE: (212)474-3700 RICHARD J. STARK GEORGE F. SCHOEN STUART W. GOLD TIMOTHY G. MASSAD THOMAS E. DUNN ERIK R. TAVZEL JOHN E. BEERBOWER DAVID MERCADO JULIE SPELLMAN SWEET CRAIG F. ARCELLA TEENA-ANN V, SANKOORIKAL EVAN R. CHESLER ROWAN D. WILSON CITYPOINT RONALD CAM I MICHAEL L. SCHLER PETER T. BARBUR ONE ROPEMAKER STREET MARK I. GREENE ANDREW R. THOMPSON RICHARD LEVIN SANDRA C. GOLDSTEIN LONDON EC2Y 9HR SARKIS JEBEJtAN DAMIEN R. ZOUBEK KRIS F. HEINZELMAN PAUL MICHALSKI JAMES C, WOOLERY LAUREN ANGELILLI TELEPHONE: 44-20-7453-1000 TATIANA LAPUSHCHIK B. ROBBINS Kl ESS LING THOMAS G. RAFFERTY FACSIMILE: 44-20-7860-1 IBO DAVID R. MARRIOTT ROGER D. TURNER MICHAELS. GOLDMAN MICHAEL A. PASKIN ERIC L. SCHIELE PHILIP A. GELSTON RICHARD HALL ANDREW J. PITTS RORYO. MILLSON ELIZABETH L. GRAYER WRITER'S DIRECT DIAL NUMBER MICHAEL T. REYNOLDS FRANCIS P. BARRON JULIE A.