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Islamic Art from the Collection, Oct. 23, 2020 - Dec
It Comes in Many Forms: Islamic Art from the Collection, Oct. 23, 2020 - Dec. 18, 2021 This exhibition presents textiles, decorative arts, and works on paper that show the breadth of Islamic artistic production and the diversity of Muslim cultures. Throughout the world for nearly 1,400 years, Islam’s creative expressions have taken many forms—as artworks, functional objects and tools, decoration, fashion, and critique. From a medieval Persian ewer to contemporary clothing, these objects explore migration, diasporas, and exchange. What makes an object Islamic? Does the artist need to be a practicing Muslim? Is being Muslim a religious expression or a cultural one? Do makers need to be from a predominantly Muslim country? Does the subject matter need to include traditionally Islamic motifs? These objects, a majority of which have never been exhibited before, suggest the difficulty of defining arts from a transnational religious viewpoint. These exhibition labels add honorifics whenever important figures in Islam are mentioned. SWT is an acronym for subhanahu wa-ta'ala (glorious and exalted is he), a respectful phrase used after every mention of Allah (God). SAW is an acronym for salallahu alayhi wa-sallam (may the blessings and the peace of Allah be upon him), used for the Prophet Muhammad, the founder and last messenger of Islam. AS is an acronym for alayhi as-sallam (peace be upon him), and is used for all other prophets before him. Tayana Fincher Nancy Elizabeth Prophet Fellow Costume and Textiles Department RISD Museum CHECKLIST OF THE EXHIBITION Spanish Tile, 1500s Earthenware with glaze 13.5 x 14 x 2.5 cm (5 5/16 x 5 1/2 x 1 inches) Gift of Eleanor Fayerweather 57.268 Heavily chipped on its surface, this tile was made in what is now Spain after the fall of the Nasrid Kingdom of Granada (1238–1492). -
The Charles Walker Collection of Mystery, Myth and Magic the CHARLES WALKER COLLECTION LIST of CATEGORIES
The Charles Walker Collection of Mystery, Myth and Magic THE CHARLES WALKER COLLECTION LIST OF CATEGORIES ACUPUNCTURE AUTOMATA FLOWER REMEDIES MAGIC SYMBOLS RENNES-LE-CHATEAU AFRICAN ARTEFACTS AURA FLOWERS MAGIC ROBIN HOOD AND MAGIC AUTOMATIC WRITING FORTUNE STICKS MAGICAL CLOTHING ROMAN MYTHOLOGY AGES OF MAN FORTUNE TELLING MAGICAL RITUAL OBJECTS ROSICRUCIAN ALBEROBELLO BABYLONIAN MYTHS FRANCE MAGICIANS & INVOCATIONS RUNES ALCHEMY BARROWS FRANKENSTEIN MAGIC SPHERES ALPHABETS (MAGICAL) BEAUTY TREATMENTS FRENCH MYTHOLOGY MAJORCA SAINTS AMULETS BELGIUM MALAYSIA SCIENCE FICTION ANGELS BIOENERGY GAMES MALTA (PREHISTORIC & HORROR MAGS ANIMALS (BIRDS, FISH BLACK MAGIC GARGOYLES TEMPLES) SCIENTIFIC CURIOSITIES AND BEASTS) BLACK VIRGIN GEMS AND STONES MANDALAS SCREAMING SKULLS ANTHROPOSOPHY BRITAIN GEOMANCY MAORI MYTH SCRYING ARTHURIAN BRITISH MYTHS GERMANY MASKS SEANCES AROMATHERAPY BUDDHISM GHOSTS MASONS SEASONS ASTRAL AND ETHERIC BURMESE MYTHS GHOSTLY DOGS & MASSAGE SERPENT POWER ASTROLOGY: BLACK DOGS MAZES SHAKESPEARE AMERICAN (USA) CABBALA GIANTS MEDICAL SHAMAN ASTROLOGY CANDLE MAGIC GLASTONBURY MEDITATION SHEELA-NA-GIG ARABIC ASTROLOGY CARTOMANCY GOLDEN DAWN (ORDER OF) MERMAIDS & MERMEN SICILY ASTROLABES CATHARS & ALBIGENSIANS GOTHIC METAMORPHIC TECHNIQUE SIMULACRA ASTROLOGERS CATS (included in ANIMALS) GRAPHOLOGY MEXICAN ARCHAEOILOGY SKULLS ASTROLOGY (GENERAL) CAVE ART GRAVEYARDS MEXICAN MYTHOLOGY SNAKE CHARMERS BRITISH ASTROLOGY CELTIC GREECE MEXICO SPACE MEN CALENDARS CELTIC HEADS GREEK MYTHOLOGY MINORCA (ARCHAEOLOGY) SPAIN CHARTS (see -
The Theosophical Seal by Arthur M. Coon the Theosophical Seal a Study for the Student and Non-Student
The Theosophical Seal by Arthur M. Coon The Theosophical Seal A Study for the Student and Non-Student by Arthur M. Coon This book is dedicated to all searchers for wisdom Published in the 1800's Page 1 The Theosophical Seal by Arthur M. Coon INTRODUCTION PREFACE BOOK -1- A DIVINE LANGUAGE ALPHA AND OMEGA UNITY BECOMES DUALITY THREE: THE SACRED NUMBER THE SQUARE AND THE NUMBER FOUR THE CROSS BOOK 2-THE TAU THE PHILOSOPHIC CROSS THE MYSTIC CROSS VICTORY THE PATH BOOK -3- THE SWASTIKA ANTIQUITY THE WHIRLING CROSS CREATIVE FIRE BOOK -4- THE SERPENT MYTH AND SACRED SCRIPTURE SYMBOL OF EVIL SATAN, LUCIFER AND THE DEVIL SYMBOL OF THE DIVINE HEALER SYMBOL OF WISDOM THE SERPENT SWALLOWING ITS TAIL BOOK 5 - THE INTERLACED TRIANGLES THE PATTERN THE NUMBER THREE THE MYSTERY OF THE TRIANGLE THE HINDU TRIMURTI Page 2 The Theosophical Seal by Arthur M. Coon THE THREEFOLD UNIVERSE THE HOLY TRINITY THE WORK OF THE TRINITY THE DIVINE IMAGE " AS ABOVE, SO BELOW " KING SOLOMON'S SEAL SIXES AND SEVENS BOOK 6 - THE SACRED WORD THE SACRED WORD ACKNOWLEDGEMENT Page 3 The Theosophical Seal by Arthur M. Coon INTRODUCTION I am happy to introduce this present volume, the contents of which originally appeared as a series of articles in The American Theosophist magazine. Mr. Arthur Coon's careful analysis of the Theosophical Seal is highly recommend to the many readers who will find here a rich store of information concerning the meaning of the various components of the seal Symbology is one of the ancient keys unlocking the mysteries of man and Nature. -
Lo Shu, Window to the World of the Wondrous: Bragdon, Lissitzky, Malevich
Lo Shu, Window to the World of the Wondrous: Bragdon, Lissitzky, Malevich Eugenia Victoria Ellis Architect and doctoral student, Virginia Tech Introduction The architectural imagination is a transcendental space of four-dimensions. When lost in thought, when vision is turned inward and becomes blind to the world outside, one's entire body—intellect, soul, and sexuality—transcends the rational and approaches a meditative state where intellectuality, emotionality, and sexuality are merged into an inseparable unity. When architects design, they conceptualize: a type of spatial visualization that takes ideas as three-dimensional constructs, and continuously combines and recombines them in a non-linear, non-rational thought process where time is suspended in the inner landscape of the mind's eye. The mental movement or rotation of objects is a dreamlike, analogical process—a Tantric dimension of inward contemplation—that provides visual-spatial insights for the architectural imagination, opening a window to the world of the wondrous. To follow will be an investigation into the relationship between the fourth dimension and the architectural imagination: the mechanism behind an architect's ability to imagine the spatial relationships possible through the mental rotation and spatial transformation of two-dimensional objects, such as the transformation of plan, section and elevation to occupiable architectural space, and then to imagine walking through the resultant three-dimensionality. The Magic of the Square [Magic squares] are conspicuous instances of the intrinsic harmony of number, and as such serve as an interpreter to man of that cosmic order which permeates all existence. Claude Bragdon, The New Image, “Man: the Magic Square” 1 At the turn of the century there was a surprising interest in the occult and eastern spirituality that oftentimes was expressed in mathematical terms in order to make it scientific, and therefore rational, and in so doing to make it palatable to those less inclined to venture into the unknown. -
{PDF} the Ring of Solomon Ebook, Epub
THE RING OF SOLOMON PDF, EPUB, EBOOK Jonathan Stroud | 398 pages | 24 Jan 2012 | Hyperion | 9781423124047 | English | New York, United States The Ring of Solomon PDF Book The Almadel is a very enlightening experience and puts the magician in touch with the aspects of virtue within the psyche of the individual. Original cover. These cookies will be stored in your browser only with your consent. We must unlock the brass vessel of our own unconscious mind releasing all the aspects of ourselves we care not to let out. Another unpleasant element is that one of his fellow slaves is his old rival Faquarl. Thinking that they contained gold, the soldiers opened the bottles, thus releasing the demons back into world. Asmodeus is said to be thwarted by the Archangel Raphael who binds him. Nah, seperti budaknya yang lain, Si Barty diperintahkan untuk ikut kerja dalam pembangunan istana bagi Raja Solomon. Featuring an all-new setting, and Bartimaeus at the height of his powers, The Ring of Solomon is the most action-packed Bart book so far. I believe King Solomon was chosen by Christians as the Master Magician because of his close association with the worship of Pagan gods to please his many foreign wives. The City of Death. The trilogy does a better. The story is set in a fantasy version of ancient Jerusalem , during the reign of biblical King Solomon , about BCE. Download Hi Res. View all 7 comments. For the book, see The Ring of Solomon. This is where the legend of the Goetia and the Masonic system begin to meet. -
The Sign of the Cross on the Early Medieval Axes – a Symbol of Power, Magic Or Religion?
PIOTR N. KOTOWICZ THE SIGN OF THE CROSS ON THE EARLY MEDIEVAL AXES – A SYMBOL OF POWER, MAGIC OR RELIGION? INTRODUCTION The tradition of adorning of weapons goes back In comparison to the total number of early medi- into the distant past. In the early Middle Ages people eval axes found in the territory of Europe, the arte- also tried to make their weapons look impressive. facts marked with the sign of the cross are very rare. Among numerous motifs used to decorate swords, It is clearly visible for example in Poland, where over spears, spurs and others military accessories, a special 900 battle-axes and axes are known from the period position is held by the sign of the cross (Kurasiński of the 6th–the 1st half of the 13th cent.,2 but only 2006). The main aim of this paper is the analysis of 27 specimens were ornamented (Kotowicz 2011). a group of early medieval axes marked with this sign Among these artefacts only four were marked with and discovered in the territory of Europe. Then, it the sign of the cross. It is only 0.45% of all the axes would be explained why this holy symbol was put discovered in Poland. on such a murderous weapon as the axe.1 The chronology of this group of items encom- Among several dozens of ornamented early me- passes almost the whole early medieval period. The dieval axes, the group decorated with the signs of the earliest specimen with this type of ornamentation cross is not very impressive. The general number of comes from Horland in Norway. -
Goetia Vel Clavicula Salamonis Regis
GOETIAVELCLAVICULASALOMONISREG ISGOETIAVELCLAVICULASALOMONISR EGISGOETIAVELCLAVICULASALOMONIS REGISGOETIAVELCLAVICULASALOMONI SREGISGOETIAVELCLAVICULASALOMO NISREGISGOETIAVELCLAVICULASALOM ONISREGISGOETIAVELCLAVICULASALO MONISREGISGOETIAVELCLAVICULASAL OMONI SREGI SGOET GOETIA IAVEL CLAVICULASALOMONISREGISGOETIAVE LCLAVICULASALOMONISREGISGOETIAV ELCLAVICULASALOMONISREGISGOETIA VELCLAVICULASALOMONISREGISGOETI AVELCLAVICULASALOMONISREGISGOET IAVELCLAVICULASALOMONISREGISGOE TIAVELCLAVICULASALOMONISREGISGO ETIAVELCLAVICULASALOMONISREGIS 1 GOETIA EPIKALOUMAI SE TON EN TW KENEO PNEUMATI, DEINON, AORAUON, PANTOKRATORA, QEON QEOU, FQEROPOION, KAI ERHMOPOION, O MISWN OIKIAN EUSTAQOUSAN, WS EXEBRSQHS EK UHS AIGUPUIOU KAI EXO CWRAS. EPONOMASQHS O PANTA RHSSWN KAI MH NIKWMENOS. EPIKALOUMAI SE TUFWN SHQ TAS SES MANTEIAS EPITELW, OTI EPIKALOUMAI SE TO SON AUQENTIKO SOU ONOMA EN OIS OU DUNE PARAKOUSAI IWERBHQ, IWPAKERBHQ, IWBOLCWSHQ, IWPATAQNAX, IWSWRW, IWNEBOUTOSOUALHQ, AKTIWFI, ERESCIGAL, NEBOPOWALHQ, ABERAMENTQOWU, LERQEXANAX, EQRELUWQ, NEMAREBA, AEMINA, OLON HKE MOI KAI BADISON KAI KATEBALE TON DEINON MAQERS. RIGEI KAI PUREIW AUTOS HDIKHSEN TON ANQRWPON KAI TO AIMA TOU TUFWNOS EXECUSEN PAR' EAUTW. DIA TOUTO TAUTA POIEW KOINA. THE BOOK OF THE GOETIA OF SOLOMON THE KING TRANSLATED INTO THE ENGLISH TONGUE BY A DEAD HAND AND ADORNED WITH DIVERS OTHER MATTERS GERMANE DELIGHTFUL TO THE WISE THE WHOLE EDITED, VERIFIED, INTRODUCED AND COMMENTED BY ALEISTER CROWLEY SOCIETY FOR THE PROPAGATION OF RELIGIOUS TRUTH BOLESKINE, FOYERS, INVERNESS 1904 This re-set electronic edition prepared by Celephaïs Press somewhere beyond the Tanarian Hills, 2003 E.V. Last revised August 2004 E.V. K O D S E LI M O H A B I O M O K PREFATORY NOTE A.G.R.C. A.R.G.C THIS translation of the First Book of the “Lemegeton” (now for the first time made accessible to English adepts and students of the Mysteries) was done, after careful collation and edition, from numer- ous MSS. in Hebrew, Latin, French and English, by G. -
Antique French Altar Corpus Christi Hardwood Cross & Base
anticSwiss 01/10/2021 06:45:41 http://www.anticswiss.com Antique French Altar Corpus Christi Hardwood Cross & Base FOR SALE ANTIQUE DEALER Period: 20° secolo - 1900 Regent Antiques London Style: Altri stili +44 2088099605 447836294074 Height:28cm Width:18cm Depth:9cm Price:300€ DETAILED DESCRIPTION: This is a distinctive antique French dark patinated altar Corpus Christi of Christ crucified on a hardwood cross, circa 1900 in date. The details are very impressive, the Corpus Christi is very life-like, wearing a flowing linen cloth, his eyes closed and head upper-turned. The hardwood cross and stepped base are highly evocative featuring suggestive stylized thorns - hence, recalling the woven crown of thorns that was placed on the head of Jesus during the events leading up to the crucifixion. Pieces like these really are in a class of their own, as such, work beautifully anywhere. The craftsmanship is second to none throughout all aspects of this magnificent altar Corpus Christi which is sure to add an unparalleled touch of sacred art to your home. Condition: In excellent condition, please see photos for confirmation. Dimensions in cm: Height 28 x Width 18 x Depth 9 Dimensions in inches: Height 11.0 x Width 7.1 x Depth 3.5 The Christian cross, seen as a representation of the instrument of the crucifixion of Jesus, is the best-known symbol of Christianity. It is related to the crucifix (a cross that includes a corpus, usually a three-dimensional representation of Jesus' body) and to the more general family of cross symbols, the term cross itself being detached from the original specifically Christian meaning in modern English (as in many other western languages). -
Master with Image and Desc1-1
Amulets 1 Guardian Angel pocket stone Love Angel pocket stone Peace Angel pocket stone This small stone is inscribed This small stone is inscribed This small stone is inscribed with an Angel and is quite with an Angel and is quite with an Angel and is quite useful in meditation and useful in meditation and useful in meditation and prayer. One amulet with prayer. One amulet with an prayer. One amulet with an an angel on one side and angel on one side and the angel on one side and the the word “Guardian” on word “Love” on the other. word “Peace” on the other. the other. Pewter. Made in Pewter. 1” x 5/8”. Made in Pewter. 1” x 5/8”. Made in $3.50 A4499GU $3.50 A4499LO $3.50 A4499PE Angel Buddha Clover Embossed with a angel, this This pewter pocket stone A favorite token of good pocket stone functions as a bears the image of the luck, the four leaf clover, powerful focus during your Buddha. This is intended has been engraved in this ritual magic and meditation. to remind you to seek inner pocket stone. Carry it with Pewter. 1” x 5/8” Made in peace and the middle way you for good luck. Pewter. USA in all things. Pewter. 3/4”. 5/8” x 1” Made in USA Made in USA $2.95 A4502A $2.95 A4502B $2.95 A4502C Cross Goddess Heart The cross pocket stone fea- The Goddess Pocket stone A small, heart shaped, pew- tures the cut out of a cross is a great focus to help you ter pocket stone decorated in a pewter stone. -
149064NCJRS.Pdf
If you have issues viewing or accessing this file contact us at NCJRS.gov. • THE CITY OF '. GLENDAIJE POLICE DEPARTMENT OCCULT CRIMINAL INVESTIGATION • 149064 U.S. Department of Justice National Institute of Justice This document has been reproduced exactly as received from the p~rson or organization originating it. Points of view or opinions stated in this document are those of the authors and-do not necessarily represent the official position or policies of the Nationallnslltute of Justice. Permission to reproduce this copyrighted material has been granted by City of Glendale Police Department to the National Criminal Justice Reference Service (NCJRS). Further reproduction outside of the NCJRS system requires permission of the copyright owner• • t TABLE OF CONTENTS (CONTINUED) TIPS FOR INVESTIGATING A RITUALISTIC • CRIME SCENE 44 Outside Crime Scene 44 Words of Warning 44 Inside Crime Scene 44 SYMPTOMS CHARACTERIZING SATANIC RITUAL ABUSE NOT USUALLY SEEN IN SEXUAL ABUSE CASES (PRESCHOOL AGE CHILDREN) 46 CRIMES AND PUNISHMENT 48 • • Page 1 •• The purpose of this training bulletin is to provide each officer with the necessary tools to become familiar with the terminology, artifacts and symbols relative to persons involved in crimes of occultic origin. Bringing to light the person· or persons involved in crimes from the satanic/occultic realm is not an easy task. The untrained investigator may find great difficulty understanding when an incident occurs from this area. We must remember that the First Amendment of the U.S. Constitution allows anyone the freedom to worship--GOD, PLANTS, SAT AN, ETC. A number of crimes within the past few years have come to our attention as these crimes have been flavored with involvement from the occult. -
University of Groningen the Metamorphosis of Magic from Late
University of Groningen The Metamorphosis of Magic from Late Antiquity to the Early Modern Period Bremmer, Jan N.; Veenstra, Jan R. IMPORTANT NOTE: You are advised to consult the publisher's version (publisher's PDF) if you wish to cite from it. Please check the document version below. Document Version Publisher's PDF, also known as Version of record Publication date: 2002 Link to publication in University of Groningen/UMCG research database Citation for published version (APA): Bremmer, J. N., & Veenstra, J. R. (2002). The Metamorphosis of Magic from Late Antiquity to the Early Modern Period. Peeters. Copyright Other than for strictly personal use, it is not permitted to download or to forward/distribute the text or part of it without the consent of the author(s) and/or copyright holder(s), unless the work is under an open content license (like Creative Commons). Take-down policy If you believe that this document breaches copyright please contact us providing details, and we will remove access to the work immediately and investigate your claim. Downloaded from the University of Groningen/UMCG research database (Pure): http://www.rug.nl/research/portal. For technical reasons the number of authors shown on this cover page is limited to 10 maximum. Download date: 28-09-2021 THE TESTAMENT OF SOLOMON FROM LATE ANTIQUITY TO THE RENAISSANCE Sarah Iles Johnston Introduction To work on the Testament of Solomon properly a scholar must acquire something like one of Solomon's legendary magical rings - not the ring that he used to imprison demons, which the Testament itself describes, but the one that enabled him to understand and speak the languages of all earth's creatures.' The Testament drew upon and in turn influenced so many cul- tures' folk beliefs, magical practices and literatures that unless a scholar is fluent in numerous languages, ancient and modem (Greek, Latin, Hebrew, Aramaic, Arabic and Persian as well as in all the contemporary European languages, just to name a few) it is impossible to present the text and its significance completely. -
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