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Gay Subculture Identification: Training Counselors to Work with Gay Men
Article 22 Gay Subculture Identification: Training Counselors to Work With Gay Men Justin L. Maki Maki, Justin L., is a counselor education doctoral student at Auburn University. His research interests include counselor preparation and issues related to social justice and advocacy. Abstract Providing counseling services to gay men is considered an ethical practice in professional counseling. With the recent changes in the Defense of Marriage Act and legalization of gay marriage nationwide, it is safe to say that many Americans are more accepting of same-sex relationships than in the past. However, although societal attitudes are shifting towards affirmation of gay rights, division and discrimination, masculinity shaming, and within-group labeling between gay men has become more prevalent. To this point, gay men have been viewed as a homogeneous population, when the reality is that there are a variety of gay subcultures and significant differences between them. Knowledge of these subcultures benefits those in and out-of-group when they are recognized and understood. With an increase in gay men identifying with a subculture within the gay community, counselors need to be cognizant of these subcultures in their efforts to help gay men self-identify. An explanation of various gay male subcultures is provided for counselors, counseling supervisors, and counselor educators. Keywords: gay men, subculture, within-group discrimination, masculinity, labeling Providing professional counseling services and educating counselors-in-training to work with gay men is a fundamental responsibility of the counseling profession (American Counseling Association [ACA], 2014). Although not all gay men utilizing counseling services are seeking services for problems relating to their sexual orientation identification (Liszcz & Yarhouse, 2005), it is important that counselors are educated on the ways in which gay men identify themselves and other gay men within their own community. -
Madonna Now President's Report 2012-2013
MADONNA NOW The Magazine of Madonna University PRESIDENT’S REPORT 2012 & 2013 LIVING OUR VALUES On campus, in our community and around the world Thank You to our Generous Sponsors of the 2012 Be Polish for a Night IRA Charitable Rollover Extended Scholarship Dinner and Auction A great way to give to Madonna! If you’re 70 ½ or over, you can make a Diamond Sponsors – $5,000 GoldCorp Inc. tax free gift from your IRA: MJ Diamonds • Direct a qualified distribution (up to $100,000) directly to Madonna Platinum Sponsor – $2,500 • This counts toward your required minimum distribution Felician Sisters of North America • You’ll pay no federal income tax on the distribution Lorraine Ozog • Your gift makes an immediate impact at Madonna Gold Sponsor – $1,000 Comerica Contact us to discuss programs and initiatives DAK Solutions you might want to support. Doc’s Sports Retreat Dean Adkins, Director of Gift Planning Dunkin Donuts/BP Friends of Representative Lesia Liss 734-432-5856 • [email protected] Laurel Manor Miller Canfield Polish National Alliance Lodge 53 Linda Dzwigalski-Long Daniel and Karen Longeway Ray Okonski and Suzanne Sloat SHOW YOUR Leonard C. Suchyta MADONNA PRIDE! Rev. Msgr. Anthony M. Tocco Leave your mark at Madonna with a CBS 62 Detroit/CW50 Legacy Brick in the Path of the Madonna Silver Sponsor – $500 or get an Alumni Spirit Tassel Catholic Vantage Financial Marywood Nursing Center Bricks with your personalized Schakolad Chocolate Factory message are $150 for an 8x8 with SmithGroupJJR Stern Brothers & Co. M logo, and $75 for a 4x8. Spirit Tassels are only $20.13 Bronze Sponsor – $250 Paul and Debbie DeNapoli E & L Construction FOCUS Facility Consulting Services Inc Dr. -
The Waterville Mail (Waterville, Maine) Waterville Materials
Colby College Digital Commons @ Colby The Waterville Mail (Waterville, Maine) Waterville Materials 7-28-1893 The Waterville Mail (Vol. 47, No. 09): July 28, 1893 Prince & Wyman Follow this and additional works at: https://digitalcommons.colby.edu/waterville_mail Part of the Agriculture Commons, American Popular Culture Commons, Journalism Studies Commons, and the United States History Commons Recommended Citation Prince & Wyman, "The Waterville Mail (Vol. 47, No. 09): July 28, 1893" (1893). The Waterville Mail (Waterville, Maine). 1498. https://digitalcommons.colby.edu/waterville_mail/1498 This Newspaper is brought to you for free and open access by the Waterville Materials at Digital Commons @ Colby. It has been accepted for inclusion in The Waterville Mail (Waterville, Maine) by an authorized administrator of Digital Commons @ Colby. VrOLUME XLVII. WATERVILLE, MAI FRIDAY, JULY 28, t893. NO. 9. wewaUc into the but (Captain came to my knowTedgo, and I wondet just lovo to have your A lohg walk ah>no in wldcli to rend my- TIIK.SK riCKRUKL AHR nKALTlIY. Sang. He told ns ‘ made their that yon can Indnlge yourself in inch “Well, ond here I imi." said sho. "So Pclf n leclun*. II-e j' bail I taki-n uinh-r rrntlilfil ilip Thf>y Hava May mn in the most * lie brief time, baimly whims. Here is a young lady that’s soon settUnl." iny ro<*f a young laxM e.Mremely iH-niui- Mrrvn nn a TriiNlwnrthy Symptom. II they reached the wind holding fltrong that was the best friend in the world to I knew 1 was in duty boiimloii to have ful. -
Blssm Paper Artist Statement
!1 of !7 Simon DeBevoise Artist Statement Prof. Maria Sonevytsky 12.12.15 blssm: An Exploration of Cuteness, Consumer Culture and PC Music blssm is an experiment in aesthetics. Tackling a genre of unlimited ambition and excess, I realized quickly that my project could not be a limp imitation of PC Music; the music mandates instead a full-fledged devotion to the “kitsch imagery, catchy hooks, synthetic colours” (Tank Magazine, AG Cook) so central to figures like AG Cook, Hannah Diamond, SOPHIE and GFOTY. I used Hannah Diamond’s “Every Night” as an aural point of reference, reinterpreting the song’s poppy chord progression and setting my tempo to an upbeat 128 bpm. Layering big, shimmering, sawtooth synths over a syncopated kick drum and bass, I created a foundation with which I could engage with the camp and consumerism typically antithetical to the underground music scene yet so integral to the PC Music label. Recreating PC Music’s visual and aural aesthetic, I aim to consider the issues of gender and sexuality at play by framing the genre within discourses on Studio Audio Art, Cyborg Feminism, Japanese Kawaii culture, consumerism, and post-irony. To best introduce the uninformed listener to PC Music (which, importantly, stands for computer music and not politically correct music), I’ve included lyrics from Hannah Diamond’s “Pink and Blue:” We look good in pink and blue You love me, maybe it's true You say, ‘Baby, how are you?’ I’m okay, how about you? DeBevoise !2 of !7 Diamond’s facile rhymes and innocent lyrics craft an image of cuteness and middle-school naivety that play into PC Music’s brand of femininity. -
Joséphine Magnard Tim Burton's Charlie and the Chocolate Factory
Joséphine Magnard Tim Burton’s Charlie and the Chocolate Factory: A Fairy Tale between Tradition and Subversion ---------------------------------------------------------------------------------------------------------------------------------------------- MAGNARD Joséphine. Tim Burton’s Charlie and the Chocolate Factory: A Fairy Tale between Tradition and Subversion, sous la direction de Mehdi Achouche. - Lyon : Université Jean Moulin (Lyon 3), 2018. Mémoire soutenu le 18/06/2019. ---------------------------------------------------------------------------------------------------------------------------------------------- Document diffusé sous le contrat Creative Commons « Paternité – pas d’utilisation commerciale - pas de modification » : vous êtes libre de le reproduire, de le distribuer et de le communiquer au public à condition d’en mentionner le nom de l’auteur et de ne pas le modifier, le transformer, l’adapter ni l’utiliser à des fins commerciales. Master 2 Recherche Etudes Anglophones Tim Burton’s Charlie and the Chocolate Factory: A Fairy Tale between Tradition and Subversion A dissertation presented by Joséphine Magnard Year 2017-2018 Under the supervision of Mehdi Achouche, Senior Lecturer ABSTRACT The aim of this Master’s dissertation is to study to what extent Tim Burton plays with the codes of the fairy tale genre in his adaptation of Roald Dahl’s children’s book Charlie and the Chocolate Factory (1964). To that purpose, the characteristics of the fairy tale genre will be treated with a specific focus on morality. The analysis of specific themes that are part and parcel of the genre such as childhood, family and home will show that Tim Burton’s take on the tale challenges the fairy tale codes, providing its viewers with a more Tim Burtonesque, subversive approach where things are not as definable as they might seem. -
Adonna Atters
Adonna atters Spread love everywhere you go. Let no one ever come to you without leaving better and happier. ~ Mother Teresa MADONNA CATHOLIC SECONDARY SCHOOL 20 Dubray Avenue Toronto, ON M3K 1V5 416 393-5506 Message from the Administration Dear Parents/Guardians and Students: move on to the next chapter of your life...may it be filled with all that you desire and more! Thank-you Madonna for another outstanding year! September will bring further new opportunities as we The end of a school year welcome several new students and staff members. In affords us the opportunity to addition to welcoming our new Madonna girls in grade look back and reflect upon nine, we also look forward to the launch of our new what we have SHSM program in the Non-Profit sector for students achieved. Indeed we are a in grade eleven. very busy place! We wish you all a very happy and safe summer holiday. Our accomplishments as a We pray that everyone can take some time this summer community, speaks to the to relax, rejuvenate, and reflect on our many amazing and wonderful achievements. staff of Madonna, and how Thank-you for a fantastic 2014-2015 school year! they have collaborated to achieve some astounding God Bless, and remarkable work. This newsletter consists of Ms. Wilson and Ms. Mammone many different examples of the activities and people that make Madonna a great place to be! We hope you enjoy reading about us now and in the years to come. Year End Prayer Thank you also to all our parents and guardians who God of summertime blessing, touch us with your so willingly and consistently support our school, warmth. -
Deconstructing Willy Wonka's Chocolate Factory: Race, Labor
Chryl Corbin Deconstructing the Oompa-Loompas Deconstructing Willy Wonka’s Chocolate Factory: Race, Labor, and the Changing Depictions of the Oompa-Loompas Chryl Corbin Mentor: Leigh Raiford, Ph.D. Department of African American Studies Abstract In his 1964 book Charlie and the Chocolate Factory Roald Dahl de- picts the iconic Oompa-Loompas as A!ican Pygmy people. Yet, in 1971 Mel Stuart’s "lm Willy Wonka and the Chocolate Factory the Oompa- Loompas are portrayed as little people with orange skin and green hair. In Dahl’s 1973 revision of this text he depicts the Oompa-Loompas as white. Finally, in the "lm Charlie and the Chocolate Factory (2005) Tim Burton portrays the Oompa-Loompas as little brown skin people. #is research traces the changing depictions of the Oompa-Loompas throughout the written and "lm text of the Charlie and the Chocolate Factory narra- tive while questioning the power dynamics between Willy Wonka and the Oompa-Loompas characters. #is study mo$es beyond a traditional "lm analysis by comparing and cross analyzing the narratives !om the "lms to the original written texts and places them within their political and his- torical context. What is revealed is that the political and historical context in which these texts were produced not only a%ects the narrative but also the visual depictions of the Oompa-Loompas. !e Berkeley McNair Research Journal 47 Chryl Corbin Deconstructing the Oompa-Loompas Introduction In 1964 British author, Roald Dahl, published the !rst Charlie and the Chocolate Factory book in which the Oompa-Loompas are depicted as black Pygmy people from Africa. -
BANGKOK 101 Emporium at Vertigo Moon Bar © Lonely Planet Publications Planet Lonely © MBK Sirocco Sky Bar Chao Phraya Express Chinatown Wat Phra Kaew Wat Pho (P171)
© Lonely Planet Publications 101 BANGKOK BANGKOK Bangkok In recent years, Bangkok has broken away from its old image as a messy third-world capital to be voted by numerous metro-watchers as a top-tier global city. The sprawl and tropical humidity are still the city’s signature ambassadors, but so are gleaming shopping centres and an infectious energy of commerce and restrained mayhem. The veneer is an ultramodern backdrop of skyscraper canyons containing an untamed universe of diversions and excesses. The city is justly famous for debauchery, boasting at least four major red-light districts, as well as a club scene that has been revived post-coup. Meanwhile the urban populous is as cosmopolitan as any Western capital – guided by fashion, music and text messaging. But beside the 21st-century façade is a traditional village as devout and sacred as any remote corner of the country. This is the seat of Thai Buddhism and the monarchy, with the attendant splendid temples. Even the modern shopping centres adhere to the old folk ways with attached spirit shrines that receive daily devotions. Bangkok will cater to every indulgence, from all-night binges to shopping sprees, but it can also transport you into the old-fashioned world of Siam. Rise with daybreak to watch the monks on their alms route, hop aboard a long-tail boat into the canals that once fused the city, or forage for your meals from the numerous and lauded food stalls. HIGHLIGHTS Joining the adoring crowds at Thailand’s most famous temple, Wat Phra Kaew (p108) Escaping the tour -
Terminology Packet
This symbol recognizes that the term is a caution term. This term may be a derogatory term or should be used with caution. Terminology Packet This is a packet full of LGBTQIA+ terminology. This packet was composed from multiple sources and can be found at the end of the packet. *Please note: This is not an exhaustive list of terms. This is a living terminology packet, as it will continue to grow as language expands. This symbol recognizes that the term is a caution term. This term may be a derogatory term or should be used with caution. A/Ace: The abbreviation for asexual. Aesthetic Attraction: Attraction to someone’s appearance without it being romantic or sexual. AFAB/AMAB: Abbreviation for “Assigned Female at Birth/Assigned Male at Birth” Affectionional Orientation: Refers to variations in object of emotional and sexual attraction. The term is preferred by some over "sexual orientation" because it indicates that the feelings and commitments involved are not solely (or even primarily, for some people) sexual. The term stresses the affective emotional component of attractions and relationships, including heterosexual as well as LGBT orientation. Can also be referred to as romantic orientation. AG/Aggressive: See “Stud” Agender: Some agender people would define their identity as not being a man or a woman and other agender people may define their identity as having no gender. Ally: A person who supports and honors sexual diversity, acts accordingly to challenge homophobic, transphobic, heteronormative, and heterosexist remarks and behaviors, and is willing to explore and understand these forms of bias within themself. -
Rising Hyperpop Star Elyotto Releases “Sugarcrash!” Feat
RISING HYPERPOP STAR ELYOTTO RELEASES “SUGARCRASH!” FEAT. KIM PETRAS AND CURTIS WATERS (Los Angeles, CA – April 23rd, 2021) - Rising Hyperpop star ElyOtto releases a new version of his hit song “SugarCrash!” featuring pop sensation Kim Petras and on-the-rise artist/producer Curtis Waters via RCA Records. Listen HERE. ElyOtto says, “I never thought my own song could sound this good. Kim and Curtis added so much energy to it, it gives me goosebumps every time I listen.” Kim Petras says, “I heard “SugarCrash!” and, like anyone who’s ever been on TikTok, had it on repeat for a while. When ElyOtto reached out I immediately said yes, wrote the verse, and sent it in. And ElyOtto loved it. I love ElyOtto as an artist and feel really proud to be a part of this.” Elliott Platt, the 17-year-old singer, songwriter and producer from Calgary, Canada known as ElyOtto, has taken the internet by storm with his insanely catchy earworm of a song “SugarCrash!” which has reached #11 on the TikTok Viral Charts and has garnered over 8M creations. The hyperpop bop has bounced off the platform and is a streaming juggernaut with 100M streams on Spotify to date, peaked at #43 on the Spotify U.S. chart and reached No. 1 on Spotify’s U.S. Viral 50 playlist in February. ElyOtto, who has been called “the New Face of Hyperpop” by SPIN Magazine, is looking forward to releasing new music under his newly inked deal with RCA Records. Photo Credit: Sami Drasin About Kim Petras: Fast-rising international pop sensation Kim Petras has become one of music’s most buzzed-about artists. -
Chubby Men for Sex Dating
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Concert Introductions
CINEMA IN THE PARK DOLLAR BANK CINEMA IN THE PARK Schenley Park, Flagstaff Hill Sundays and Wednesdays, June 8 – August 31 dusk June 8 ......................................................... Here Comes the Boom (PG) June 11 ....................................................... Man of Steel (PG-13) June 15 ........................................................ The Little Mermaid (G) June 18 ........................................................ Iron Man 3 (PG-13) June 22 ....................................................... Monsters University (G) June 25 ........................................................ Gravity (PG-13) June 29 ........................................................ E.T. the Extra-Terrestrial (PG) July 2 ........................................................... Last Vegas (PG-13) July 6 ........................................................... Space Jam (PG) July 9 ........................................................... Thor: The Dark World (PG-13) July 13 ........................................................ Despicable Me 2 (PG) July 16 ......................................................... Saving Mr. Banks (PG-13) July 20 ........................................................ Mary Poppins (not rated) July 23 ......................................................... The Hunger Games: Catching Fire (PG-13) July 27 ......................................................... Big Miracle (PG) July 30 ......................................................... 42 (PG-13) August 3......................................................