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Understanding the Current State of Toxicity in Battlefield V
“ROFL F*ck You”: Understanding the Current State of Toxicity in Battlefield V By Justin Juvrud Supervisor: Dr Susann Baez Ullberg 2020 Nr 99 2 Abstract: With the birth of “virtual worlds,” created a new space for social norms to evolve and change within a subset community. This thesis focuses on toxicity within the virtual world of EA DICE’s Battlefield V title. The goal of this research is to understand toxicity on a micro scale inside the world of Battlefield V from a gaming anthropological perspective. Along with understanding what toxicity looked like within the virtual world ofBattlefield V, the thesis obtained data for how the community and EA DICE employees perceived toxicity. This research has components of interviews with these members of the communities/staff as well as a netnography of the virtual world of Battlefield V gameplay. Findings and analysis were categorized under the themes of toxic language, power/freedom, virtual world creation, and gender toxicity. Battlefield V toxicity is ever evolving and shaped by player techne (player actions). Player chat consumes the majority of toxicity and therefore diving into toxic language was vital. Understanding the player perspective of power and freedom while gaming was just the first step as the thesis also dove into the developer’s perspective and analyzed the interviews with the backbone of Malaby’s (2009) contingency concepts to see how the developers have a large role to play when it comes to toxicity in games, even if they may not realize it. Just as in the “real world” the virtual world of Battlefield V also had a major theme of gender discrimination winessed and discussed via both community members and staff members of EA DICE. -
Microsoft Xbox One
Microsoft Xbox One Last Updated on September 26, 2021 Title Publisher Qty Box Man Comments #IDARB Other Ocean 8 To Glory: Official Game of the PBR THQ Nordic 8-Bit Armies Soedesco Abzû 505 Games Ace Combat 7: Skies Unknown Bandai Namco Entertainment Aces of the Luftwaffe: Squadron - Extended Edition THQ Nordic Adventure Time: Finn & Jake Investigations Little Orbit Aer: Memories of Old Daedalic Entertainment GmbH Agatha Christie: The ABC Murders Kalypso Age of Wonders: Planetfall Koch Media / Deep Silver Agony Ravenscourt Alekhine's Gun Maximum Games Alien: Isolation: Nostromo Edition Sega Among the Sleep: Enhanced Edition Soedesco Angry Birds: Star Wars Activision Anthem EA Anthem: Legion of Dawn Edition EA AO Tennis 2 BigBen Interactive Arslan: The Warriors of Legend Tecmo Koei Assassin's Creed Chronicles Ubisoft Assassin's Creed III: Remastered Ubisoft Assassin's Creed IV: Black Flag Ubisoft Assassin's Creed IV: Black Flag: Walmart Edition Ubisoft Assassin's Creed IV: Black Flag: Target Edition Ubisoft Assassin's Creed IV: Black Flag: GameStop Edition Ubisoft Assassin's Creed Syndicate Ubisoft Assassin's Creed Syndicate: Gold Edition Ubisoft Assassin's Creed Syndicate: Limited Edition Ubisoft Assassin's Creed: Odyssey: Gold Edition Ubisoft Assassin's Creed: Odyssey: Deluxe Edition Ubisoft Assassin's Creed: Odyssey Ubisoft Assassin's Creed: Origins: Steelbook Gold Edition Ubisoft Assassin's Creed: The Ezio Collection Ubisoft Assassin's Creed: Unity Ubisoft Assassin's Creed: Unity: Collector's Edition Ubisoft Assassin's Creed: Unity: Walmart Edition Ubisoft Assassin's Creed: Unity: Limited Edition Ubisoft Assetto Corsa 505 Games Atari Flashback Classics Vol. 3 AtGames Digital Media Inc. -
Epic Games and EA Announce 'Bulletstorm Epic Edition' With
Epic Games and EA Announce ‘Bulletstorm Epic Edition' With Exclusive Early Access to Gears of War 3 Beta REDWOOD CITY, Calif.--(BUSINESS WIRE)-- People Can Fly, Epic Games, Electronic Arts Inc. (NASDAQ:ERTS) and Microsoft Game Studios today announced the "Epic Edition" of Bulletstorm™, the highly anticipated new action shooter from the makers of the award-winning Unreal Tournament and Gears of War series of games. In this unique promotion, Epic Games and EA are blowing out the launch of Bulletstorm with access to the public beta for Gears of War 3, the spectacular conclusion to one of the most memorable and celebrated sagas in video games. Players that purchase the Epic Edition are guaranteed early access to the Gears of War 3 beta*. Pre-order now to reserve a copy of the Epic Edition which will be available on Feb. 22, 2011 for MSRP $59.99, only for the Xbox 360® video game and entertainment system, while supplies last. "Epic is poised to break new ground in 2011 with Gears of War 3 and Bulletstorm," said Dr. Michael Capps, president of Epic Games. "With these two highly anticipated triple-A experiences comes a unique opportunity to do something to really excite players, and that's what we intend to accomplish with the support of Microsoft Game Studios and EA. This is for the shooter fans." In addition to access to the beta, the Epic Edition gives players bonus in-game Bulletstorm content when playing online, including 25,000 experience points, visual upgrades for their iconic leash, deadly Peace Maker Carbine, boots and armor. -
You ARE the Support, Son! Pp
You ARE the Support, Son! Supporting your team on the “road to ship”. By Chris Mielke – Producer, Epic Games About me • Started in the game industry at Day 1 Studios in 2003 - MechAssault 2: Lone Wolf – Content Manager About me • Started in the game industry at Day 1 Studios in 2003 - MechAssault 2: Lone Wolf – Content Manager - F.E.A.R.– Associate Producer About me • Started in the game industry at Day 1 Studios in 2003 - MechAssault 2: Lone Wolf – Content Manager - F.E.A.R.– Associate Producer - F.E.A.R. Files – Associate Producer About me • Started in the game industry at Day 1 Studios in 2003 - MechAssault 2: Lone Wolf – Content Manager - F.E.A.R.– Associate Producer - F.E.A.R. Files – Associate Producer • Went to Epic Games in 2007 - Gears of War 2 – Art Production Manager About me • Started in the game industry at Day 1 Studios in 2003 - MechAssault 2: Lone Wolf – Content Manager - F.E.A.R.– Associate Producer - F.E.A.R. Files – Associate Producer • Went to Epic Games in 2007 - Gears of War 2 – Art Production Manager - Shadow Complex – Production Manager About me • Started in the game industry at Day 1 Studios in 2003 - MechAssault 2: Lone Wolf – Content Manager - F.E.A.R.– Associate Producer - F.E.A.R. Files – Associate Producer • Went to Epic Games in 2007 - Gears of War 2 – Art Production Manager - Shadow Complex – Production Manager - Gears of War 3 - Producer Introduction The ultimate Producer interview question: -How do you close down a project? • It may seem basic, but even the easiest things are often hard to do correctly -
Are We Done with Ray Tracing? State-Of-The-Art and Challenges in Game Ray Tracing
Are We Done With Ray Tracing? State-of-the-Art and Challenges in Game Ray Tracing Colin Barré-Brisebois, @ZigguratVertigo SEED – Electronic Arts How did we get here? GDC 2018 – DXR Unveiled “Ray tracing is the future and ever will be” [Electronic Arts, SEED] [Epic Games, NVIDIA, ILMxLAB] [SEED 2018] Real-Time Ray Tracing in Software and Hardware Real-Time Hybrid Ray Tracing in Unreal Engine 4 [https://docs.unrealengine.com/en-US/Engine/Rendering/RayTracing/index.html] [Courtesy of Epic Games, Goodbye Kansas, Deep Forest Films] [Courtesy of Epic Games, Goodbye Kansas, Deep Forest Films] [Tatarchuk 2019, Courtesy of Unity Technologies] Left: real-world footage. Right rendered with Unity [Tatarchuk 2019, Courtesy of Unity Technologies] Left: real-world footage. Right rendered with Unity [Tatarchuk 2019, Courtesy of Unity Technologies] Left: real-world footage. Right rendered with Unity [Tatarchuk 2019, Courtesy of Unity Technologies] [Christophe Schied, NVIDIA Lightspeed Studios™] SIGGRAPH 2019 – Are We Done With Ray Tracing? – State-of-the-Art and Challenges in Game Ray Tracing And many more… ▪ Assetto Corsa ▪ JX3 ▪ Atomic Heart ▪ Mech Warrior V: Mercenaries ▪ Call of Duty: Modern Warfare ▪ Project DH ▪ Cyberpunk 2077 ▪ Stay in the Light ▪ Enlisted ▪ Vampire: The Masquerade – Bloodlines 2 ▪ Justice ▪ Watch Dogs: Legion ▪ Wolfenstein: Youngblood Just the beginning of real-time ray tracing making its way into game products We’re in for a great ride, and the work is not done! This is super exciting! ☺ SIGGRAPH 2019 – Are We Done With Ray Tracing? -
AI for Testing:The Development of Bots That Play 'Battlefield V' Jonas
AI for Testing:The Development of Bots that Play 'Battlefield V' Jonas Gillberg Senior AI Engineer, Electronic Arts Why? ▪ Fun & interesting challenges ▪ At capacity ▪ We need to scale Why? Battlefield V Multiplayer at launch Airborne Breakthrough Conquest Domination FinalStand Frontlines Team Deathmatch Aerodrome 64 64 32 64 32 32 Arras 64 64 32 64 32 32 Devastation 64 64 32 64 32 32 Fjell 652 64 64 32 64 32 32 Hamada 64 64 64 32 32 32 Narvik 64 64 64 32 32 32 Rotterdam 64 64 64 32 32 32 Twisted Steel 64 64 64 32 32 32 Test 1 hour per level / mode – 2304 hours Proof of Concept - MP Client Stability Testing Requirements ▪ All platforms ▪ Player similar ▪ Separate from game code ▪ No code required ▪ DICE QA Collaboration Stability Previously... Technical Lead AI Programmer Tom Clancy’s The Division Behavior Trees, server bots etc.. GDC 2016: Tom Clancy’s The Division AI Behavior Editing and Debugging Initial Investigation ▪ Reuse existing AI? ▪ Navmesh – Not used for MP ▪ Player scripting, input injection... ▪ Parallel implementation Machine Learning? Experimental Self-Learning AI in Battlefield 1 Implementation Functionality Fun Fidelity Single Client Control Inputs? Input (abstract) Movement Game • Yaw/Pitch Player Hardware Context • Fire Code • Actions • Jump • Etc • Etc UI Combat ▪ Weapon data=>Behavior ▪ Simple representation ▪ Closest target only ▪ Very cheap – good enough ▪ Blacklist invalid targets Navigation ▪ Server Pathfinding ▪ Not to be trusted ▪ Monitor progress ▪ No progress ▪ Button Spam (Jump, interact, open door) Navigation ▪ Server Pathfinding ▪ Not to be trusted ▪ Monitor progress ▪ No progress ▪ Button Spam (Jump, interact, open door) ▪ Still stuck - Teleport Visual Scripting – Frostbite Schematics AutoPlayer Objectives Objective Parameters ▪ MoveMode • Aggressive: Chase everything • Defensive: Keep moving – shoot if able • Passive: Stay on path – ignore all ▪ Other Parameters: • Unlimited Ammo • GodMode • Teleportation.. -
1 ELECTRONIC ARTS Q4 FY16 PREPARED COMMENTS May 10
ELECTRONIC ARTS Q4 FY16 PREPARED COMMENTS May 10, 2016 Chris: Thank you. Welcome to EA’s fiscal 2016 fourth quarter earnings call. With me on the call today are Andrew Wilson, our CEO, and Blake Jorgensen, our CFO. Please note that our SEC filings and our earnings release are available at ir.ea.com. In addition, we have posted earnings slides to accompany our prepared remarks. After the call, we will post our prepared remarks, an audio replay of this call, and a transcript. A couple of quick notes on our calendar: we plan to deliver our next earnings report on Tuesday, August 2. And our press conference at EA PLAY will take place at 1pm Pacific Time on Sunday, June 12. Coming up next week, on Tuesday, May 17, is our Investor Day – if you haven’t registered already, please contact me so that we can send you an invitation. This presentation and our comments include forward-looking statements regarding future events and the future financial performance of the Company. Actual events and results may differ materially from our expectations. We refer you to our most recent Form 10-Q for a discussion of risks that could cause actual results to differ materially from those discussed today. Electronic Arts makes these statements as of May 10, 2016 and disclaims any duty to update them. During this call unless otherwise stated, the financial metrics will be presented on a non-GAAP basis. Our earnings release and the earnings slides provide a reconciliation of our GAAP to non-GAAP measures. These non-GAAP measures are not intended to be considered in isolation from, as a substitute for, or superior to our GAAP results. -
Mba Canto C 2019.Pdf (3.357Mb)
The Effect of Online Reviews on the Shares of Video Game Publishing Companies Cesar Alejandro Arias Canto Dissertation submitted in partial fulfilment of the requirements for the degree of Master of Business Administration (MBA) in Finance at Dublin Business School Supervisor: Richard O’Callaghan August 2019 2 Declaration I declare that this dissertation that I have submitted to Dublin Business School for the award of Master of Business Administration (MBA) in Finance is the result of my own investigations, except where otherwise stated, where it is clearly acknowledged by references. Furthermore, this work has not been submitted for any other degree. Signed: Cesar Alejandro Arias Canto Student Number: 10377231 Date: June 10th, 2019 3 Acknowledgments I would like to thank all the lecturers whom I had the opportunity to learn from. I would like to thank my lecturer and supervisor, Richard O’Callaghan. One of the best lecturers I have had throughout my education and a great person. I would like to thank my parents and family for the support and their love. 4 Contents Table of Contents Declaration ................................................................................................................................... 2 Acknowledgments ...................................................................................................................... 3 Contents ....................................................................................................................................... 4 Tables and figures index .......................................................................................................... -
Ray-Traced Reflections in 'Battlefield V'
”It Just Works”: Ray-Traced Reflections in ’Battlefield V’ Johannes Deligiannis Jan Schmid EA DICE *PLACEHOLDER* * PLAY GAMESCOM TRAILER OR SIMILAR * TODAY we present Raytracing • Project background • GPU Raytracing Pipeline • Engine integration of DXR • GPU Performance Battlefield V • FPS set in WWII • Released Nov 2018 • Raytracing work began Dec 2017 • First DXR game released! Project Background • ~10 months dev time • Engineering • Use DXR in Battlefield V • Yasin Uludag (EA DICE) • AO • Johannes Deligiannis (EA DICE) • GI • Jiho Choi (NVIDIA) • Shadows • Pawel Kozlowski (NVIDIA) • Reflections • And a bunch of other people! ☺ Main Challanges • Not a Tech Demo • Early adopter tax • Content is set • API not final • Game in full production • Driver hang/bugs • BSoD • Scope of Engine changes • No capture tool (Nsight, Pix) • Performance • But we shipped it☺ • Denoising vs Ray Count • No RTX cards 10 11 (simple) raytracing pipeline Intersect/Material Generate Rays Light Rays Light Combine Data 12 Generate Rays Lookup Texture G Buffer *Tomasz Stachowiak and Yasin Uludag, Siggraph 2015. “Stochastic Screen-Space Reflections” 13 Raytracing MAGIC 14 Light Rays float4 light(MaterialData surfaceInfo, float3 rayDir) { foreach (light : pointLights) radiance += calcPoint(surfaceInfo, rayDir, light); foreach (light : spotLights) radiance += calcSpot(surfaceInfo, rayDir, light); foreach (light : reflectionVolumes) radiance += calcReflVol(surfaceInfo, rayDir, light); … } 15 Light Combine Lookup Texture Lit Raster result 16 Rays Contributeunhappy Less -
Gears of War Judgment Baird Figure
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Sven Dwulecki, ''I Am Thou… Thou Art I…''—How Persona 4'S Young Adult
“I am thou… Thou art I…”—How Persona 4’s Young Adult Fiction Communicates Japanese Values Sven Dwulecki Abstract Life is Strange, INSIDE, Oxenfree—all these video games represent a seem- ingly entirely new genre. Young Adult videogames diverge from the male, gloomy grown-up stereotypes and replace them with adolescent protago- nists in their coming of age stories. Their commercial success seem to val- idate their endeavors. However, YA narratives are hidden in plain sights for many years within JRPGs. Shin Megami Tensei – Persona 4 (short Persona 4 or P4) is a cultural ambassador. This paper examines how the game’s pro- cedural rhetoric in combination with its Young Adult story advocate in fa- vor of specific Japanese values. The time structure of P4 reinforces a long- term orientation and requires strategic planning as well as tactical flexibil- ity. So-called “Social Links” represents Japan unique take on collectivism. Each link encapsulates a small YA narrative and offers different benefits to social-active protagonist. Finally, grinding mechanics reflect the notion of repetition-based learning. Japanese schools teach through engaging with developing several solutions to a singular problem. The same holds true for the grinding process. All these elements combined create a game rhet- oric promoting these aspects of Japanese culture. Sven Dwulecki is a PhD candidate at the University of Tübingen and former market researcher at Crytek; his research is focused on the rhetoric of video games and their influence upon consumers; in his field of expertise he combines business and digital rhetoric with a focus on marketing strategy, innovation, and the role of entertainment industry. -
The Afghanistan Question and the Reset in US-Russian Relations
The Afghanistan Question and the Reset in U.S.-Russian Relations Richard J. Krickus J. Richard Relations U.S.-Russian and Resetthe in Question Afghanistan The etortThe LPapers THE AFGHANISTAN QUESTION AND THE RESET IN U.S.-RUSSIAN RELATIONS U.S. ARMY WAR COLLEGE Richard J. Krickus Visit our website for other free publication downloads http://www.StrategicStudiesInstitute.army.mil/ To rate this publication click here. U.S. ARMY WAR COLLEGE Strategic Studies Institute U.S. Army War College, Carlisle, PA The Letort Papers In the early 18th century, James Letort, an explorer and fur trader, was instrumental in opening up the Cumberland Valley to settlement. By 1752, there was a garrison on Letort Creek at what is today Carlisle Barracks, Pennsylvania. In those days, Carlisle Barracks lay at the western edge of the American colonies. It was a bastion for the protection of settlers and a departure point for further exploration. Today, as was the case over two centuries ago, Carlisle Barracks, as the home of the U.S. Army War College, is a place of transition and transformation. In the same spirit of bold curiosity that compelled the men and women who, like Letort, settled the American West, the Strategic Studies Institute (SSI) presents The Letort Papers. This series allows SSI to publish papers, retrospectives, speeches, or essays of interest to the defense academic community which may not correspond with our mainstream policy-oriented publications. If you think you may have a subject amenable to publication in our Letort Paper series, or if you wish to comment on a particular paper, please contact Dr.