PRIMORDIAL, INSIDIOUS DISEASE and SLAGMAUR to INFERNO 2017 Once Again Inferno Metal Festival Announces Some Kick-Ass Metal for the 2017 Edition

Total Page:16

File Type:pdf, Size:1020Kb

PRIMORDIAL, INSIDIOUS DISEASE and SLAGMAUR to INFERNO 2017 Once Again Inferno Metal Festival Announces Some Kick-Ass Metal for the 2017 Edition PRIMORDIAL, INSIDIOUS DISEASE AND SLAGMAUR TO INFERNO 2017 Once again Inferno Metal Festival announces some kick-ass metal for the 2017 edition. First out is Ireland's finest black metal band; PRIMORDIAL. Then we have the death metal super group INSIDIOUS DISEASE with members and ex- members from bands like Napalm Death, Nile and Dimmu Borgir. Finally; returning to Inferno Metal Festival for a unique concert is avantgarde black metal band SLAGMAUR. INFERNO METAL FESTIVAL 2017: CARCASS – ABBATH – BORKNAGAR – PRIMORDIAL - RED HARVEST – HELHEIM – INSIDIOUS DISEASE – SLAGMAUR – FURZE – INFERNAL WAR – ZHRINE – PILLORIAN – TANGORODRIM – WHIP – NACHASH PRIMORDIAL Irish black metal band Primordial started in 1987 under the moniker Forsaken, covering classics from bands like Bathory and Venom. In 1993 the band changed the name to Primordial and in 1995 their debut album "Imrama" saw the light of day. The band was critical acclaimed from the very start, but not until 2007, when the release of "To the Nameless Dead", hit the streets, the band conquered the world. From then on the band has played in every corner of the world and it is time for Primordial to return to Inferno Metal Festival for the 2017 edition! https://www.facebook.com/primordialofficial/ INSIDIOUS DISEASE Insidous Disease was formed in late 2004 by Silenoz (Dimmu Borgir) and Jardar (Old Man’s Child) with drummer extraordinary Tony Laureano (Angelcorpse, Nile). Later Shane Embury (Napalm Death, Brujeria, Lock Up) joined the fold to complete the pounding pulse and rhythm section. The band later on found their distinct main voice in non other than Marc Grewe (of former German death metal cult act Morgoth) to handle vocal duties since his maniacal screams perfectly fit the rabid sound of the band. Musically, lyrically and visually the 2010 album “Shadowcast” is one hell of a ride down to the core of honest, brutal and violent death metal at its very best, and should leave no fan of the genre dissatisfied. The band has been working on the long awaited as of yet untitled follow up album which will finally hit the streets in 2017. Expect an even more refined back to basics groovy old school approach, and sick, filthy, twisted abhorrence! This will be their first appearance at Inferno Metal Festival. https://www.facebook.com/InsidiousDisease SLAGMAUR Those battle ants are back again! With a new album called “Thill Smitts Terror”, soon to be released on Osmose, Slagmaur will enter the stage at Inferno Metal Festival for the second time. For those who were lucky enough to witness this band live the last time you know that Slagmaur delivers some scary, dark, heavy and creepy Norwegian black metal. Don't expect the band to be ordinary in any way. This band know how to make the visuals right for the perfect mood for their weird and creepy kind of music. Welcome to an extraordinary show with Slagmaur at Inferno Metal Festival 2017! https://www.facebook.com/slagmaurofficial/ INFERNO METAL FESTIVAL 2017 Inferno Metal Festival is the longest running and most extreme metal festival in Norway and one of the most important extreme metal festivals in the world. We are very proud of this position and we will continue fronting Norwegian metal and bringing bands from all over the world to Norway. 2017 will be our 17th edition of the festival that keeps on growing. TICKETS 4 days festival pass (including club night): 1800,- (including ticket fee) http://www.ticketmaster.no/event/inferno-festival-2017-4-dagers-pass-billetter/509769 3 days festival pass (without club night): 1500,- NOK. (including ticket fee) http://www.ticketmaster.no/event/inferno-festival-2017-3-dagers-pass-billetter/509781 Tickets available at Billettservice (http://www.billettservice.no/). Phone: +47 81533133 http://www.infernofestival.net / http://www.facebook.com/InfernoMetalFestival .
Recommended publications
  • Napalm Death Live Corruption Mp3, Flac, Wma
    Napalm Death Live Corruption mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Rock Album: Live Corruption Country: US Released: 1990 Style: Grindcore, Death Metal MP3 version RAR size: 1456 mb FLAC version RAR size: 1567 mb WMA version RAR size: 1177 mb Rating: 4.3 Votes: 450 Other Formats: FLAC MIDI DTS MP2 AIFF AU DXD Tracklist 1 Control 2 Walls Of Confinement 3 Unchallenged Hate 4 Life? 5 The Kill 6 Scum 7 If The Truth Be Known 8 Lucid Fairytale 9 Malicious Intent 10 Social Sterility 11 Suffer The Children 12 From Enslavement To Obliteration 13 Dead 14 Practise What You Preach 15 Mentally Murdered 16 Extremity Retained 17 Mind Snare 18 Success? 19 Rise Above 20 Instinct Of Survival 21 Siege Of Power 22 You Suffer 23 Deceiver Credits Bass – Shane Embury Drums – Mick Harris Guitar – Jesse Pintado, Mitch Harris Vocals – Mick "Barney" Greenway* Notes Recorded live at the Salisbury Arts Centre June 30, 1990. Barcode and Other Identifiers Barcode: 0 95492-2113-3 1 Other versions Category Artist Title (Format) Label Category Country Year Napalm Live Corruption (VHS, LFV 115 Fotodisk Video LFV 115 UK 1990 Death PAL) Napalm Live Corruption (VHS, Video Fan VF 157 VF 157 Poland Unknown Death Unofficial, PAL) Music Video Napalm Live Corruption (VHS, Metal Mania TEVP-38028 TEVP-38028 Japan 1990 Death NTSC) Vision Napalm Live Corruption (VHS, MOSH 193 V Earache MOSH 193 V Europe 1997 Death RE, PAL) Napalm TELP48028 Live Corruption (VCD) Fotodisk Video TELP48028 UK 1990 Death Related Music albums to Live Corruption by Napalm Death 1.
    [Show full text]
  • AGALLOCH and ANAAL NATHRAKH at the INFERNO FESTIVAL 2012!
    AGALLOCH and ANAAL NATHRAKH at the INFERNO FESTIVAL 2012! The american avant garde folk metal band AGALLOCH and Britains most necro black metal band ANAAL NATHRAKH are the next band on the bill for the INFERNO festival 2012. Together with the legendary BORKANAGAR, ARCTURUS and WITCHERY the 2012 edition of the INFERNO METAL FESTIVAL will be extreme. The countdown to the true black easter has begun - Get ready for four unholy days - and a hell of lot of bands! THE INFERNO METAL FESTIVAL has become a true black Easter tradition for metal fans, bands and music industry from all over the world with nearly 50 concerts every year since the start back in 2001. The festival offers exclusive concerts in unique surroundings with some of the best extreme metal bands and experimental artists in the world, from the new and underground to the legendary giants. At INFERNO you meet up with fellow metalheads for four days of head banging, party, black- metal sightseeing and expos, horror films, art exhibitions and all the unholy treats your dark heart desires. THE INFERNO METAL FESTIVAL invites you all to the annual black Easter gathering of metal, gore and extreme in Oslo, Norway from April 4. -7.april 2011. - Four days and a hell of a lot of bands! AGALLOCH: Agalloch is an American metal band formed in 1995 in Portland, Oregon. The band is led by vocalist and guitarist John Haughm and so far have released four limited EPs, four full-length albums. Inspired from bandS like ULVER and KATATONIA, Agalloch performs a progressive and avant-garde style of folk metal that encompasses an eclectic range of tendencies including neofolk, post-rock, black metal and doom metal.
    [Show full text]
  • Apex Predator – Easy Meat”
    “Apex Predator – Easy Meat” Ltd. Mediabook CD, CD, LP, MC, Boxset, Digital Download European street date: January 26th, 2015 Art reflects life. Extreme times demand extreme responses. Silence sucks. Noise is always the answer. And yes, NAPALM DEATH continue to be one of the few bands on this planet that adhere to all these principles and more. For the last three decades, their name as been synonymous with heavy music taken to the extreme – music that confronts, confounds and eviscerates in equal measure. NAPALM DEATH’s enduring impact on the world of sonic savagery began in earnest in the late 80s, when the band’s first two albums – 1987’s Scum and its 1988 follow-up From Enslavement To Obliteration – refined and redefined the notion of brutality and velocity in the worlds of punk, hardcore and metal. Endorsed by legendary and much-missed DJ John Peel, the Brummie grindcore pioneers were such an exhilarating and yet alien dose of jolting adrenaline that even the mainstream media were forced to prick up their ears and take note. Throw in the fact that NAPALM DEATH were – and still are – driven by a ferocious intelligence and a genuine desire to make the world a better place through the promotion of rational thought and respect for all fellow humans, they stood apart from the often nihilistic and intellectually bankrupt underground metal scene and have re- mained unique and unerring ever since. While grind purists may point to those earliest records as evidence of the band’s signifi- cance, it is the tireless and terrorising exploits of the now classic line-up of vocalist Mark ‘Barney’ Greenway, bassist Shane Embury, guitarist Mitch Harris and drummer Danny Herrera that have cemented NAPALM DEATH’s status as extreme music leg- ends.
    [Show full text]
  • Issue Is Now
    with: Agathocles Agnostic Front Armored Saint Asphyx for 15 years Assück Atheist Autopsy Bolt Thrower Cannibal Corpse Carcass Cattle Press Coroner Crawl/Child Dead Body Love Defiance Desperate Corruption The Dream Is Dead Drowning In Solitude Championing the musically jaded Exit-13 Extreme Noise Terror Genital Deformities God Forsaken Gore Beyond Necropsy Gorguts The Haunted Hypocrisy Incarnis Indecision Intruder Inverted Japanische Kamphörspiele Kreator L.D. Kids Medussa Monstrosity Morbid Angel Mutilated Napalm Death Nekhei Naatza Obituary Overkill Observations and Confessions on Politics Pestilence Prong Resist Sacrifice Sepultura Sick Of It All Slug & Lettuce Snapcase Spine Across the International Extreme Music Landscape Suppression Terrible Headache Unbroken Unleashed Vermin olume 15 Number 37 FREE from Wormhole V DISPOSABLE UNDERGROUND ZINE’S first issue is now. appeared in the fall of 1991, and from the What I’ve done is I’ve gone through all of the beginning, musicians and other personalities in the back issues of Disposable Underground and music business have been talking politics in these excerpted any interview content that had to do with pages, whether it pertains to their band or their politics of any subject and collected these excerpts community or their country or the world. here. I conducted these interviews in person, over Many people don’t like to see music and politics the phone, through the mail, or via the internet mixed, but just as many people are inspired by the from 1990 to 2005, with the exception of The two together, or at the least have an interest in what Haunted’s interview, which is a new piece the bands they look up to have to say about the appearing here for the first time.
    [Show full text]
  • CRIPPLE BASTARDS Biography 1988-2018
    CRIPPLE BASTARDS biography 1988-2018 “In being a surviving unit like Cripple Bastards for some 30 odd years, it takes much persistance, perserverance and an undying spirit to wreck yourself, all out with Brutal- Fucking-Grind. Yeah, I said it. I said Brutal, so what. Brutal. That’s the supposed overused adjective that most ‘heavy’ band bios and descriptions overlook nowadays for fear of oversaturation or an unoriginal ‘old school’ repetitiveness. Thats the one word in the dictionary that C.B. should have fucking copywritten a long time ago. It fits them. It defines them. It IS them. Cripple Bastards are indelibly BRUTAL. In all ways; music, violence, artwork, attitude, politics. All born of this represenatitive and passionately destructive word. The mere fact that C.B. even exist confirms they OWN the goddamn word. C.B. are B-R-U-T-A-L. Understand it NOW. “ (Mike IX Williams, EyeHateGod / Arson Anthem / Outlaw Order 00%) Asti. Northern Italy. March 1988. The consolidation of the friendship and the common passion for extreme violence between drummer/vocalist Giulio the Bastard (aged 14) and guitarist Alberto the Crippler (aged 17), both coming from local thrash/punk bands that didn’t fit their tastes and didn’t match their ambitions, spawned the CRIPPLE BASTARDS. The initial aim of the two youngsters was to keep alive the legendary Italian hardcore spirit of CCM, Negazione, Raw Power, Wretched etc. and to mix it with the fresh extremism of the fastcore / grindcore pioneers releasing records through revolutionary labels like Children of Revolution, Selfish/Japan, Earache, Peaceville and Manic Ears.
    [Show full text]
  • Mieszko Talarczyk 2
    a tribute to Nasum’s Mieszko Talarczyk (1974–2004) 2 Friends and former bandmates remember their brother in grind. b y albert mudrian ] [48 may 05 hen the most powerful earthquake in more than 40 years struck deep under the Indian Ocean on December 26, 2004, it trig- W gered massive tsunamis that demolished entire cities throughout South East Asia, killing nearly 300,000 people in a dozen countries. One of the victims was Mieszko Talarczyk, frontman of Swedish grindcore band Nasum. After nearly two months of silence follow- ing the disaster, Talarczyk’s body was finally identified going there with his girlfriend. I told him he shouldn’t on February 17, providing a sense of closure to friends be going to Phuket, or the west coast because it’s too and family, but leaving a massive void in their hearts, crowded, too touristy. You should go to the east coast and in the Swedish underground music scene. where it’s a little more alternative. He ended up on the Talarczyk was on the island of Phuket, vacationing in Phuket side anyway.” Nasum circa 2000 Thailand with his girlfriend (who survived, but suffered To most American extreme music fans, Talarczyk was (l t r) Jesper Liveröd, Mieszko serious injuries) when the tsunami struck. According only known as the frontman of Nasum. But his impact Talarczyk, Anders Jakobson to Robban Becirovic, editor-in-chief of popular Swedish on the Swedish scene stretches all the way back to the extreme metal magazine Close-Up, Thailand is actually late ‘80s—several years before he joined Nasum with Nasum circa 1993 a huge tourist destination for many Scandinavian resi- founding drummer Anders Jakobson (who declined to be dents during the Christmas holiday.
    [Show full text]
  • Brujería Regresa a México Con Concierto En La Carpa
    SÁBADO 29 DE JULIO DE 2017 12 www.opinion.com.mx ANIVERSARIO Carlos´ Linares Mendoza HOY GRAN MARATÓN DE EL SECRETO DE FERIHA Ciudad de México.- HOY sábado 29 de julio de las 20:00 a las 23:00 horas, podremos disfrutar de la telenovela turca “El secreto de Feriha” con un maratón de sus primeros 50 capítulos de esta bella historia llena de romance y drama, donde se desarrolla la vida de Feriha Yilmaz una chica hermosa e inteligente que vive en el sótano de un lujoso condominio. Feriha siempre ha ambicionado pertenecer a la alta sociedad y gracias a su inteligencia consigue una beca para ingresar a una universidad de prestigio donde se hace pasar por una chica de clase alta, todos saben que habita en una de las mejores zonas de Estambul, sin embargo, desconocen su realidad y el que sus padres, son los encargados de la limpieza y mantenimiento de este inmueble. Las cosas comienzan a complicarse mucho más, cuando el chico más codiciado de la universidad Emir Sarrafoglu, se interesa en ella intentando conquistarla. La chica se encontrará con distintos obstáculos que la harán caer en una red de sus propias mentiras. Esta programación especial, dará la oportunidad para que nueva audiencia pueda disfrutar de la telenovela y adentrarse en esta historia de amor y engaños que giran en torno a la protagonista. (Pat Hoed), “El Cynico” (Jeffrey Walker), Hongo Jr. (Nick Barker), “Pinche Peach”, “Pititis” (Gaby Dominguez), “A Kuerno” (Chris Paccou) y el Sangrón. Brujería es una banda mexicana de grindcore y death metal formada en BRUJERÍA REGRESA A MÉXICO CON Estados Unidos en 1989 y que históricamente ha estado conformada por miembros de otras bandas destacadas como Dino Cazares (de Fear Factory y actualmente también en Divine Heresy y Asesino), Billy Gould (de Faith No More), Raymond Herrera (ex Fear Factory, actualmente en Arkaea), Shane Embury (de Napalm Death) y Jello Biafra (ex Dead Kennedys).
    [Show full text]
  • Hellbound in El Salvador: Heavy Metal As a Philosophy of Life in Central America
    HELLBOUND IN EL SALVADOR: HEAVY METAL AS A PHILOSOPHY OF LIFE IN CENTRAL AMERICA by Christian Pack A dissertation submitted to Johns Hopkins University in conformity with the requirements for the degree of Doctor of Philosophy Baltimore, Maryland October, 2018 © 2018 Christian Pack All Rights Reserved Abstract Heavy Metal in El Salvador has been a driving force of the underground culture since the Civil War in the 1980s. Over time, it has grown into a large movement that encompasses musicians, producers, promoters, media outlets and the international exchange of music, ideas and live shows. As a music based around discontent with society at large, Heavy Metal attempts to question the status quo through an intellectual exploration of taboo subjects and the presentation of controversial live shows. As an international discourse, Heavy Metal speaks to ideas of both socio-political and individual power based around a Philosophy of Life that exalts personal freedoms and personal responsibility to oneself and their society. As a community, it represents a ‘rage’ group, as defined by Peter Sloterdijk, that questions Western epistemologies and the doctrines of Christian Philosophy. This is done in different ways, by different genres, but at the heart is the changing of macro- (international) discourses into micro- (local) discourses that focus on those issues important to the geographic specificity of the region. In the case of Black Metal, born in Norway, it is interpreted in El Salvador through the similarities between the doctrines of Hitler and those of the most famous dictator in the country’s history – General Maximiliano Hernandez – and then applied, ironically, to the local phenomena of the Salvadoran Street Gangs (MS-13 and 18s) and their desired extermination.
    [Show full text]
  • No Front Zine N 009 Fev 2021
    Massacrando tudo Destruindo todos... Sumário: “Discursos nefastos Enganando a nação iolenta Matando e destruíndo Discarga V Em nome do poder Para Ver E São os parasitas E são eleitos por você...” Ouvir no Fronte Bandas: Discharge #9 Mau Maus Abril/Maio Books rd Junho / Julho Chaotic Discho MMXX Crude SS Napalm D eath StäLäg 13 Crazy Trash HC - Comix Editado por: Aldo & Fred R u s No Facebook: Atitude Consciente Records Crazy or Lixo Urban Street Books Editorial O No Front Zine surgiu no período da pandemia, em meados de 2020. Um projeto meu e de Fred... Queríamos registrar o underground menos divulgado, o mais subterrâneo, aquele que conhecemos através de zines, fitas K7, LPs e parecia esquecido, perdido no passado - e falar sobre como fomos motivados por tudo isso; de como toda essa “cena” se tornou motivação para uma infinidades de pessoas - deu personalidade a muitas gerações de jovens que, com isso, montaram bandas, escreveram zines e criaram tudo o que conhecemos hoje - uma “cena” que ainda está em movimento... falar sobre o que essa “cena” se tornou e, assim, falar de quem somos nós. Do que gostamos. No que acreditamos. O que nos motivou. O que nos inspirou e o que aprendemos com cada parte dessas “pequenas cena” amadoras e inconformistas - rústicas e honestas. Nós queremos preservar a história! A história subterrânea, marginalizada e deturpada - a história de pessoas e suas ideias, e suas ideologias... a história de movimentos que usaram a “música” como plataforma para discursos humanitários, antiguerra, críticos, anarquistas, antifascistas e etc... Que lutam contra maus tratos aos animais e proteção de florestas; que lutam por todos os tipos de minorias, pelo direito dos povos indígenas - pessoas que gritavam alto a indignação de uma política mercantilista e escravista; de um mundo onde somos meras mercadorias, onde a grande maioria é gado, é alienada, e é enganada diariamente por um sistema que esmaga e oprime.
    [Show full text]
  • Napalm Death
    Napalm Death Poziom trudności: Średni 1. W którym roku powstał zespół? A - 1981 B - 1982 C - 1983 D - 1984 2. Jaki jest tytuł pierwszego samodzielnego wydawnictwa zespołu? A - Halloween B - Hatred Surge C - From Enslavement To Obliteration D - Scum 3. Podaj ogólną liczbę osób, które brały udział w sesji nagraniowej albumu "Scum". A - 4 B - 5 C - 6 D - 7 4. Który utwór zespołu trafił do Księgi Rekordów Guinessa? A - Dead B - You suffer C - Suffer The Children D - Scum 5. Który film fabularny wpłynął na wybór nazwy zespołu? A - Pluton B - Czas Apokalipsy C - Good Morning, Vietnam D - Łowca jeleni Copyright © 1995-2021 Wirtualna Polska 6. Ile razy zespół koncertował w Polsce? A - 7 B - 9 C - 11 D - 13 7. Który muzyk gra najdłużej w zespole? A - Mark 'Barney' Greenway B - Shane Embury C - Mitch Harris D - Danny Herrera 8. Na którym albumie znajduje się utwór "Clutching at Barbs"? A - Inside The Torn Apart B - Words From The Exit Wound C - Enemy Of The Music Business D - Order Of The Leech 9. Napalm Death nigdy nie nagrał własnej wersji utworu jednego z poniższych zespołów. Którego? A - Death B - Slayer C - Kreator D - Sepultura 10. W którym mieście spoza Wielkiej Brytanii, zespół zagrał swój pierwszy koncert? A - Chemnitz B - Berlin C - Hamburg D - Kassel 11. Wokół jakiej tematyki koncentruje się zawartość liryczna albumu "Smear Campaign"? Copyright © 1995-2021 Wirtualna Polska A - Krytyka kampanii wojennej USA i UK B - Krytyka instytucji Kościoła i religii C - Alienacja i zagubienie jednostki w społeczeństwie D - Krytyka plutokracji i chciwości międzynarodowych korporacji 12.
    [Show full text]
  • PRECIOUS METAL “This Page Left Intentionally Blank.” 0306818066-Mudrian 01:Layout 1 5/4/09 1:28 PM Page Iii
    0306818066-Mudrian_01:Layout 1 5/4/09 1:28 PM Page i PRECIOUS METAL “This page left intentionally blank.” 0306818066-Mudrian_01:Layout 1 5/4/09 1:28 PM Page iii PRECIOUS METAL ø DECIBEL Presents the Stories Behind 25 Extreme Metal Masterpieces Edited by ALBERT MUDRIAN DA CAPO PRESS A Member of the Perseus Books Group 0306818066-Mudrian_01:Layout 1 5/4/09 1:28 PM Page iv Copyright © 2009 by Decibel magazine All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording, or otherwise, without the prior written permission of the publisher. Printed in the United States of America. For information, address Da Capo Press, 11 Cambridge Center, Cambridge, MA 02142. Designed by Jeff Williams Set in 11 point Adobe Caslon by the Perseus Books Group Library of Congress Cataloging-in-Publication Data Precious metal : Decibel magazine presents the oral histories of 25 extreme metal essentials / edited by Albert Mudrian. p. cm. Includes index. ISBN 978-0-306-81806-6 (alk. paper) 1. Extreme metal (Music)—History and criticism. 2. Death metal (Music)—History and criticism. 3. Heavy metal (Music)—History and criticism. 4. Rock musicians—Interviews. I. Mudrian, Albert, 1975– II. Decibel (Philadelphia, Pa.) ML3534.P73 2009 781.66--dc22 2009007835 Published by Da Capo Press A Member of the Perseus Books Group www.dacapopress.com Da Capo Press books are available at special discounts for bulk purchases in the U.S. by corpo- rations, institutions, and other organizations.
    [Show full text]
  • Issue 29 Pages.Qxd
    Volume 16 Number 39 FREE Championing the musically jaded for over 15 years DISCORDANCE AXIS WAS A BAND not to be trifled with. Their brand of extremely As for the rest of Rob’s equipment, when Discordance Axis would play live harsh grindcore and cutting-edge guitar work has yet to be outdone. shows, he describes, “I have an Ampeg SS 150 guitar head and a Charvel Discordance Axis released a number of earth-shattering albums, the last of Model Five guitar, neck-through body, one of the ones I used. And I would which was the posthumous Our Last Day for Hydra Head. Years after they usually find a Mesa Boogie [cabinet] from somewhere to borrow.” When broke up in 2001, it was Dave Witte’s legwork that made an assemblage of the Discordance Axis recorded, the method was different. For one thing, Rob original members in 2004 at a Mexican restaurant in their native New Jersey would lay down a number of guitar tracks in the studio. happen. In Discordance Axis, Dave blasted the drums, Jon Chang screamed Rob: Umm ... I think it was two, actually. I used the SS 150 Ampeg amp and and growled his highly intelligent lyrics, and Rob Marton made mincemeat out a Mesa Boogie at the same time, and we would then split the guitar cable into of distorted guitar chords. each head. Dave casts his mind back to the last time the three of them were all in the Jon: He had two cabs he’d be playing out simultaneously, so it was actually same room together.
    [Show full text]