DOCSLIB.ORG

4K/HD Live Server System

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
4K/HD Live Server System 4K/HD Live Server System PWS-4400 PWS-100PR1 Multi Port AV Storage Unit Production Control Station PWSK-4403 PWS-100MG1 PWS System Version 1.4 USB Control Device Media Gateway Station 4K Live - Reality, Emotion, Excitement 4K Live Production Delivers True-to-life Entertainment 4K/HD Live Server System Suitable for both 4K and HD production, this server records 4K and HD video using as many as four 4K channels through the very efficient XAVC™ video format. In 4K workflow, a 4K XAVC file is generated Multi Port AV Storage Unit USB Control Device and is easily handled in a non-linear editing system PWS-4400 PWSK-4403 (NLE). A smooth and intuitive user interface is provided by control software with touch panel operation and an attached controller. 4K and HD video clips can be transferred interactively to and from external recording media through media operation software. High-frame- rate recording and slow-motion replay are also available. Production Control Station Media Gateway Station PWS-100PR1 PWS-100MG1 3 Multi Port AV Storage Unit PWS-4400 Large internal storage capacity The PWS-4400 provides 2 TB of storage as standard, with the option to increase this up to 8 TB by adding three 2 TB memory boards. Efficient XAVC video format This server supports the very efficient XAVC video format. In 4K workflow, the unit generates a 4K XAVC file that can be handled easily in an NLE. Easy to operate Supports XAVC recording with up to four simultaneous 4K channels As smooth and intuitive user interface is provided by the PWS- Suitable for both 4K and HD production, the PWS-4400 XAVC server 100PR1 production control station with touch panel operation and records 4K and HD video and can be configured for up to four recording PWSK-4403 USB control device. channels. The unit provides 2 TB of internal storage as standard (and up to 8 TB as an option), supporting around 6 to 7 hours of storage @ 4K 50p/59.94p 600 Mbps (Class 300) using the very efficient XAVC video format. In 4K workflow, the unit generates a 4K XAVC file that can be easily handled in an NLE. 4 Features 4K x 4 I/O (input/output is switchable) Expandable internal memory storage for recording 4IN, 3IN/1OUT, 2IN/2OUT, 1IN/3OUT, 4OUT 2 TB as standard 6H @ 4K 59p Class 300/ 27H @ HD 59i Class 100 HD x 8 I/O (input/ output is switchable) Expandable up to 8 TB (optional) 6IN/2OUT (in V1.4) , 4IN/2OUT 4K and HD simultaneous recording An HD proxy (XAVC) can be created from a 4K camera feed. Network interface GbE as standard / 10GbE as an option 4K 4K HD Video and audio format Video: XAVC-I 4K/QFHD (Class 300), 2K/HD (Class 100) Avid DNxHD® (220,145) with optional codec PWS-CD401 Audio: LPCM 24-bit 8CH/16CH High-frame-rate and normal-speed simultaneous recording The PWS-4400 can record both a high-frame-rate image and a normal- speed image from the same camera source. Simply connect both HD 8x super slow-motion replay camera outputs at high frame rate and normal speed from the BPU-4000 Images captured at high frame rates by Sony’s live camera systems baseband processor unit in the system camera. can be recorded to the PWS-4400. This achieves extremely smooth slow-motion replay at a maximum of 8x (HD) and 2x (4K). 240i (4x HFR) 4x 1x Normal 4K to HD Cutout for live zoom HFR 60i (1x Normal speed) A full HD picture can be cutout from recorded 4K sources to playback with live-zooming. 5 Production Control Station PWS-100PR1 4-Split Mode Clip Management Mode Playlist Mode CutOut Mode The PWS-100PR1 is a 1U rack-mount server with pre-installed PWS-PRC1 control software, which enables touch panel operation. Live slow control can be operated by using the PWSK-4403. GUI supports • 4-Split Mode – use this to operate the control panel and SDI monitor • Clip Management Mode – use this to operate the control panel and clip management tool • Playlist Mode – use this to make a playlist • CutOut Mode – use this to operate HD CutOut from a 4K signal 6 In addition, V1.4 provides you with preview control. Media Gateway Station PWS-100MG1 Clip Transfer Display Material Preview Display The PWS-100MG1 is a 1U rack-mount server with pre-installed PWA-MGW1 media gateway software, which enables file transfer from a PWS-4400 to removable media such as a USB HDD and *1Sony’s Optical Disk Archive. Additionally, you can retrieve content from the removable media to the PWS-4400. Other available features include ISO recording, check-in to NLE, and material previews. By installing optional PWA-MGW1B video transcode software on the PWS-100MG1, you can also achieve video transcoding (e.g., XAVC HD MXF files recorded on the PWS-4400 can be transcoded to XDCAM® MPEG (50 Mbps/422) MXF files when those files are archived to external recording media). 7 *1: Sony’s Optical Disk Archive cannot be used for the ISO REC feature in the PWS-4400. Recording Control Software PWA-RCT1 The PWA-RCT1 is Windows-running (Embedded 8 and 8.1) application software designed to trigger REC/PLAY/STOP/File transfer to the PWS-4400. With its intuitive and user-friendly GUI, this software allows you to easily control each PWS-4400 port and to easily manage recorded materials so that they can actually utilize the PWS-4400 as a ‘multi-port storage unit’ in both 4K and HD production environments. The auto chase transfer function enables effective recording and archiving. It can be implemented when you start recording to the PWS-4400. 8 USB Control Device Internal Memory Array (2 TB) PWSK-4403 PWSK-4401 Internal Memory •2 TB standard • Optional 8 TB max. If you require live slow operation, this function can be The PWS-4400 is equipped as standard with a 2 TB simply achieved by using PWA-PRC1 production control memory board. As three additional memory slots are software and the PWSK-4403 USB control device. available, you can expand storage capacity up to 8 TB by adding three optional PWSK-4401 2 TB memory boards. • Slow-motion replay • Clipping and management • Playlist highlight editing Optional Avid DNxHD® Codec PWA-CD401 The PWA-CD401 is the option that allows PWS-4400 to record images in Avid DNxHD® codec. *Note In HFR mode, the Avid DNxHD® codec cannot be used. Only XAVC can be used for HFR recording. 4K Live Workflow BNC × 4 BNC × 8 4K/60p 4K 4K/120p 120p F65 + SKC-4065 + CA-4000 BPU-4000 + HDCU-2000 BNC × 4 BNC × 4 BNC × 4 4K/60p 4K/60p 4K/60p 4K 60p BNC × 4 BNC × 4 MVS-8000X + BZS-8570X 4K/60p 4K/60p MVS-7000X + BZS-7570X Monitor 10GbE HDC-4300 USB3.0 BPU-4000 + HDCU-2000 PWS-4400 + PWS-100PR1 PWSK-4403, PC Monitor PWS-100MG1 HDD Optical Disc Archive BNC × 4 BNC × 4 4K/60p 4K/60p 4K 60p BNC × 4 BNC × 4 4K/60p 4K/60p 10GbE PMW-F55 + CA-4000 BPU-4000 + HDCU-2000 PWS-4400 + PWS-100PR1 PWSK-4403, PC Monitor HD Live Workflow PWS-4400 + PWS-100PR1, PWSK-4403, PC Monitor BNC x 1 BNC × 1 HD/60p HD/60p/i F65 + SKC-4065 + CA-4000 BPU-4000 + HDCU-2000 BNC × 1 HD BNC x 1 HD/60p/i Cutout HD/60p HDC-4300 BPU-4000 + HDCU-2000 BNC × 1 BNC x 1 HD/60p/i HD/60p BNC × 1 PMW-F55 + CA-4000 HD/60p/i BPU-4000 + HDCU-2000 MVS-8000X BNC × 1 BNC × 8, 6, 4, 3, 2 or1 MVS-7000X Monitor HD HD/60p/i 480, 360, HD/ MVS-6500 Series 480p/i MVS-3000 Series 240, 180, 120, 60p/i HDC-4300 BPU-4000 + HDCU-2000 USB3.0 BNC × 1 BNC × 6, 4, 2 or 1 HD/60p/i PWS-100MG1 HD HD/ HDD Optical Disc Archive 360, 240, 360p/i 120, 60p PMW-F55 + CA-4000 BPU-4000 + HDCU-2000 BNC × 1 BNC × 1 HD/60p/i HD/ BNC × 1 HD 120i, 60p HD/60p/i 60i/120i HD/ 10GbE 120i, 60p HDC-2500 + HDCU-2000 BNC × 1 Related products Shooting 4K/HD System Camera PMW-F55 Live Camera HDC-4300 4K Camera PMW-F55 Camera System Adaptor CA-4000 The HDC-4300 delivers superb 4K images thanks to its three 2/3-inch The PMW-F55 4K camera utilizes a modular design, allowing quick 4K imagers with Sony’s recently designed optical system, supporting setup changes between movie and live modes. It supports live 4K ITU-R BT.2020 and providing a wide color gamut. It works directly with shooting when used in combination with other live 4K production B4 lenses (supporting both HD and 4K lenses), allowing you to use B4- equipment. mount high power large lenses to capture sports scenes with a deep When you attach the CA-4000 to the PMW-F55, this works as a 4K depth of field. live camera with the combination of a BPU-4000. It captures 1920x1080 high definition images up to 3x super slow motion as standard and up to 8x super slow motion with an optional • PMW-F55 super 35mm 4K CMOS image sensor accepts PL lenses software upgrade. • Superb frame image scan for high quality HD cutout in live events • Exceptionally small, light and modular letting you built up the right • Three 2/3-inch 4K imagers for 4K and HD multi-platform output configuration for each shot • Direct installation of B4-mount lenses • Sends 4K data from the CA-4000 to the BPU-4000 via an SMPTE • HD 8x super slow motion fiber cable and supports camera system operations (Intercom, Tally, and Return) • HD 6x super slow motion Processing F65 Live Camera Baseband Processor Unit 4K Camera BPU-4000 F65 Camera Control Unit F65 Adaptor HDCU-2000 SKC-4065 Camera Power Boost Kit The BPU-4000 offers real-time 4K digital signal processing and the SKC-PB40 signal can be simultaneously down-converted to an HD signal and Camera System Adaptor output when connected to the HDC-4300, the PMW-F55 live camera, or F65 live camera via an optical fiber cable.
Load more

Recommended publications
  • Avid Supported Video File Formats
    Avid Supported Video File Formats 04.07.2021 Page 1 Avid Supported Video File Formats 4/7/2021 Table of Contents Common Industry Formats ............................................................................................................................................................................................................................................................................................................................................................................................... 4 Application & Device-Generated Formats .................................................................................................................................................................................................................................................................................................................................................................. 8 Stereoscopic 3D Video Formats ...................................................................................................................................................................................................................................................................................................................................................................................... 11 Quick Lookup of Common File Formats ARRI..............................................................................................................................................................................................................................................................................................................................................................4
    [Show full text]
  • PWS-100TD1 Tape Digitizing Station Simple-To-Use Tape Digitizing Server for Efficient Migration of Legacy Videotape Archives
    PWS-100TD1 Tape Digitizing Station Simple-to-use tape digitizing server for efficient migration of legacy videotape archives ©2014 Sony Corporation. All rights reserved. Background Over the past few decades, broadcasting and production houses across the world have accumulated a massive quantity video tape. To manage this, the market has an immediate need for a reliable, easy to operate digitized archive system. "PWS-100TD1" is a system to efficiently digitize video legacy tape- based assets for digital archives. Product Concept Various Situation ・ Assist “Cost saving” tape migration by simple and ・ Customer who just needs to preserve existing tape to intuitive GUI stable media ・ Provide “Secure archive” by channel condition monitoring ・ Customer who owns content rights and archiving to Optical Disc Archive media ・ Any customers who owns professional tape content, ・ Easy to configure – provide 1 box product with required broadcaster, production, education, religious, corporate, application pre-installed in the factory government, etc. 2 Benefits Confident Tape Cost Saving Quick Start Migration Role and Workflow based All necessary software is Monitor channel condition output concept assists user to make an embedded on Sony’s server and from VTR during ingest. Once it’s effective tape migration plan and doesn’t need all green status, system can save migration cost drastically. In to do complex configuration. In guarantee all of VTR signal is OK. addition, approx. addition, application GUI is In addition, this product embeds 40 - 50 tapes
    [Show full text]
  • Frequently Asked Questions
    Frequently Asked Questions Support & Resources How do I contact customer support? If you need assistance, please reach out to the Corel Customer Support team using the contact information provided below. User Guide | Access step-by-step instructions to install the software and complete the most popular workflows. Open the user guide at any time from within the product by pressing F1, and use the search tool to explore information Corel Support on popular tools and techniques. How-to Guides | Learn how to leverage all our tools— [email protected] from basic editing to advanced special effects—with our library of written instructional guides. Explore the full list 1-877-582-6735 on our website! Discovery Center | Master VideoStudio using Corel’s official learning platform, the Discovery Center. Beginners to advanced users will enjoy a wide selection of video tutorials on a range of topics. Where can I get additional information and support? YouTube | Keep abreast of new tutorials, techniques, The answers to common questions about the product may and get project inspiration when you subscribe to our be found in this FAQ document. If you can’t find the answers VideoStudio channel on YouTube. you are looking for, check out these additional resources to Knowledgebase | Connect with other users and ask learn more. questions, get tips and tricks, and browse additional FAQ. Installation What are the System Requirements? Operating system: Windows 10, Windows 8, Windows 7, 64-bit only Processor: Core i3 or AMD A4 series for standard videos. Intel
    [Show full text]
  • Sony Creative Software Inc
    Vegas® Pro 13.0 — Steam Powered June 2015 Contents This document contains information on the following topics: 1.0 Welcome 2.0 What's New 3.0 Known Issues 4.0 System Requirements 5.0 Installation 6.0 Vegas Pro User Manual 7.0 Demos 8.0 Contacting Sony Creative Software Inc. Applicable to boxed products only. If you've purchased a downloadable product, an Adobe Acrobat (PDF) version of the product documentation is available from our Web site. 1.0 Welcome Thank you for purchasing Vegas Pro 13.0 software. This document contains information about installing and using Vegas Pro software on your computer. 2.0 What's New Notable fixes/changes version 13.0 (Build 453) Fixed a bug that could cause the application to crash when using the Median or Min and Max video effects with an NVIDIA GPU. Fixed an issue that prevented Vegas Pro 13 from importing XAVC-L files recorded by the PXW-X70 camera. Fixed a bug that prevented XAVC long-GOP files rendered by Vegas Pro from playing on the PXW-X180 camera. Fixed an issue that caused the Wave Hammer Surround plug-in to run in Demo mode. The plug-in is now enabled in Vegas Pro. Improved playback performance for some MP4 video clips recorded by GoPro Hero cameras. Notable fixes/changes version 13.0 (build 444) Added templates for rendering XAVC long-GOP files. Fixed a bug that prevented closed captions from displaying in the Video Preview window. Fixed a bug that prevented shot marks from being read in 4K XAVC clips.
    [Show full text]
  • PXW-FS7M2/FS7M2K Solid-State Memory Camcorder
    PXW-FS7M2/FS7M2K Solid-State Memory Camcorder Shotgun microphone is sold separately. FS7 II dramatically improves the experience of shooting with Sony’s ultimate documentary camcorder and simply one of the world’s most versatile Super 35mm camcorders. A host of enhancements, from world-leading Electronic Variable ND system to lever lock type E-mount and enhanced ergonomics, transform the possibilities of what you can do. Shoot and move. Handheld, shoulder-mount or suspended from a gimbal. FS7 II delivers the spectacular imagery you expect from Sony. Electronic Variable ND Filter Freedom to shoot and move with Electronic Auto Variable ND Shooting with FS7 II is a truly liberating experience. Sony's unrivalled technology, the Electronic Variable ND Filter, can be manually controlled from 1/4ND to 1/128ND linearly either by the dial on the operator's side of the camera or via the front wheel on the SmartGrip. In addition, you can choose Auto Variable ND mode and let the camera adjust for ideal exposure - shoot and move with no need to worry about changing light conditions, no time wasted fiddling with exposure settings or changing filters. Variable ND filter can also compensate for exposure changes caused by iris control while adjusting the depth of field (details in the chart below). Alternatively, the operator can adjust exposure while keeping the same depth of field in changing shooting or Seamless DoF (Depth of Field) transition(Footage) lighting environments. ND Darker ND Clearer Automatic ND control for constant exposure. Seamless DoF (Depth of Field) transition(Chart) High Performance Super 35mm with Ultimate Versatility Lever Lock Type E-mount E-mount flexibility extended E-mount oers unsurpassed compatibility with Sony lenses.
    [Show full text]
  • Solutions FOR-A System Integration Video Switchers
    FOR-A YEM ELETEX FOR-A System Processors Virtual Studio / Character Generators Video over IP File Based Products Camera / High Speed Cameras Solutions Integration Video Switchers Routing Switchers Multi Viewers On-Air Graphics FLOVEL Products Products 02 Solutions Solutions FOR-A YEM ELETEX FOR-A System Processors Virtual Studio / Character Generators Video over IP File Based Products Camera / High Speed Cameras Solutions Integration Video Switchers Routing Switchers Multi Viewers On-Air Graphics FLOVEL Products Products 03 04 FOR-A System Integration Link Source Names and Tally Signals • Offers integrated management of source name signals from MFR routing switchers, which HVS Series automatically send names to HVS switchers and MV → p. 05, 07 multi viewers. • HVS tally signals are automatically sent to MFR routing switchers and MV multi viewers for Crosspoint Source name Tally control signals signals signals coordinated display. • Crosspoint control from both HVS switchers and MFR routing switchers. MFR Series → p. 08, 09 Source name Tally signals signals MV Series → p. 10, 11 Integrated Control Software GearLink™ Provides centralized visual control of video switchers and other peripherals. Buttons and screen layouts can be customized for a bird’s-eye view of workflows and convenient system control. Video Wall Control Software FLEXaVISION™ <Preliminary> Studio Studio camera Studio control room Material recaptured in the studio CG Material from character generators Video material Character generator MBP series clip server PGM CG material CG HVS-2000 Linked to source material 3D CG Video signals FLEXaVISION (recapturing) GearLink™ Control signals Ideal for controlling video walls in broadcast studios and large screens at arenas, stadiums and other event venues.
    [Show full text]
  • Interplay | Production Readme
    Avid® Interplay® | Production Version 2017.2 ReadMe Important Information Avid recommends that you read all the information in this ReadMe file thoroughly before installing or using any new software release. If you are upgrading to this version of the Interplay software, see “Database Changes for c Upgrading to v2017.2” on page 15. Also refer to “Important Information in This ReadMe” on page 8. n Product release numbering has changed. The previous version was Interplay Production v3.8. Revision History Date Revised Changes Made April 12, 2018 Added exceptions to “Support for Windows Server 2016 Standard” on page 9. March 29, 2018 Added “Manually Uninstall Interplay Production Components Before Upgrading” on page 13 and page 30. March 27, 2018 Added “AS3000 Support for Interplay 2017.2.x” on page 9. March 15, 2018 • Clarified “Support for Avid Editing Clients” on page 9. • Added documentation change: “Do Not Disable Indexing of Custom Properties Unless Instructed” on page 30. • Added documentation change: “Interplay Transcode Video Targets” on page 31. January 18, 2018 Added “Fixed in v2017.2” on page 31. December 22, 2017 First published. Legal Notices Legal Notices Product specifications are subject to change without notice and do not represent a commitment on the part of Avid Technology, Inc. This product is subject to the terms and conditions of a software license agreement provided with the software. The product may only be used in accordance with the license agreement. This product may be protected by one or more U.S. and non-U.S patents. Details are available at www.avid.com/patents.
    [Show full text]
  • SD Card for Professional 128GB, 64GB and 32GB Ultra High Durability Memory Cards
    SD Card for Professional 128GB, 64GB and 32GB ultra high durability Memory Cards Overview Sony SD Card for Professional is specially designed for professional camcorders, featuring outstanding physical strength and enhanced file recovery software*1. The SD Card for Professional comes in three sizes and supports the most advanced video formats, such as AVCHD, XAVC S and XAVC Long. *1 Free download at: http://www.sony.net/Products/memorycard/datarescue/download3d.html Note: We do not guarantee the recovery of all data. Some files may not be recoverable due to their data status. The damaged or defective memory card itself cannot be recovered. The SD Card for Professional is 10x tougher*2 than Sony’s regular SD cards thanks to the use of special materials and double-welding injection manufacturing process. *2 Results from Sony’s internal bending test as of May 2016. © 2004 - 2021 Sony Corporation. All rights reserved. 1 Reproduction in whole or in part without written permission is prohibited. Features and specifications are subject to change without notice. The values for mass and dimension are approximate. All trademarks are the property of their respective owners. Sony’s free file rescue software applies a special algorithm for high rate of recovery of AVCHD/XAVC S video files taken with Sony’s video cameras*3. It is available to download at www.sony.net/products/memorycard/datarescue/download3d.html *3 Based on Sony’s internal testing in recovery after quick format 128GB SF-G1P SDXC UHS-I Memory Card 64GB SF-64P SDXC UHS-I Memory Card 32GB SF-32P SDHC UHS-I Memory Card Features The SD Card for Professional is the toughest, most durable Memory Card to date*1.
    [Show full text]
  • Born-Digital Camera Original Video Formats in the Archives
    Not Normalized Born-Digital Camera Original Video Formats in the Archives by Claire Fox A thesis submitted in partial fulfillment of the requirements for the degree of Master of Arts Moving Image Archiving and Preservation Department of Cinema Studies New York University May 4, 2020 Advisor: Nicole Martin Fox 2 Table of Contents Abstract 3 Acknowledgements 4 Author’s Note: Designated Community 5 Introduction 6 Chapter 1: Definitions and Context 12 Chapter 2: The Lifecycle of a Born-Digital Camera Original Video Clip 21 Chapter 3: Format History 30 Chapter 4: Format Documentation 42 Conclusion 45 Appendix A: Images 46 Appendix B: Format Documentation 51 Works Cited 60 Fox 3 Abstract Born-digital camera original video formats may be the most proprietary, unstable, and fleeting of audiovisual formats. Archivists are responsible for understanding these tricky formats’ structures, their dependencies, and their ability to be preserved and maintained over time. Without an archivist’s understanding of how to maintain these formats, institutions and individuals alike face the potential loss of an unknowable amount of audiovisual cultural heritage materials. If archivists do understand these formats and their needs, they gain the tools necessary to fulfill their mandate as archivists within an ever-changing realm of proliferating digital formats. Fox 4 Acknowledgements Thank you to the Moving Image Archiving and Preservation program faculty and administration for their support throughout this research process. A special thank you to my MIAP 2020 cohort, for all of it. In addition, a warm thank you to: S.O. O’Brien, Dave Rice, Catriona Schlosser, Rachel Curtis, Laura Drake Davis, Sylvia Smith, Brendan Allen, Linda Tadic, Yvonne Ng, Crystal Sanchez, Taylor McBride, and Nick Krabbenhoeft for speaking with me about their work and the role of these formats within it.
    [Show full text]
  • Professional Camcorder Family XDCAM® Handy Camcorders NXCAM® Camcorders Accessories XDCAM® Full Line-Up
    Professional Camcorder Family XDCAM® Handy Camcorders NXCAM® Camcorders Accessories XDCAM® Full Line-up PXW-FS7M2/PXW-FS7M2K PXW-FS7 PXW-FS5/FS5K PMW-300K1 PXW-X200 PXW-X180/X160 Camera Section Camera Section Imaging Device (Type) Exmor Super35 CMOS Exmor Super35 CMOS Exmor Super35 CMOS Imaging Device (Type) 3-chip 1/2 type Exmor® CMOS 3-chip 1/3 type Exmor CMOS Approx. 8.3M (16:9) Approx. 8.3M (16:9) Approx. 8.3M (16:9) Effective Picture Elements Effective Picture Elements (Video) 1920 (H) x 1080 (V) Approx. 8.4M (17:9) Approx. 8.4M (17:9) Approx. 8.4M (17:9) (Video) Built-in Optical Filters Clear, 1/4, 1/16, 1/64 Clear, 1/4, 1/16, 1/64 Clear, 1/4, 1/16, 1/64, Variable (1/4 to 1/128) Built-in Optical Filters Clear, 1/4, 1/16, 1/64 Clear, 1/8, 1/64 Clear, 1/4, 1/16, 1/64, Variable (1/4-1/128) Slow & Quick Motion Function Yes Slow & Quick Motion Function Yes Yes Yes XAVC-I mode 1920x1080: 1 to 180 frames (59.94p, 29.97p, XAVC-I mode 1920x1080: 1 to 180 frames (59.94p, 29.97p, [60i] Frame rate selectable 120, 240, 480, 960 fps Super Slow Motion Function Super Slow Motion Function No No No 23.98p), 1 to 150 frames (50p, 25p) 23.98p), 1 to 150 frames (50p, 25p) [50i] Frame rate selectable 100, 200, 400, 800 fps Gain -3, 0, 3, 6, 9, 12, 18 dB, AGC -3, 0, 3, 6, 9, 12, 18 dB, AGC 0, 3, 6, 9, 12, 15, 18, 24, 27, 30 dB, AGC Gain -3, 0, 3, 6, 9, 12, 18 dB, AGC -3, 0, 3, 6, 9, 12, 18 dB, AGC -3, 0, 3, 6, 9, 12, 15, 18 dB, AGC Gamma Curve Selectable Gamma Curve Selectable 0.09 lx (typical, 1920 x 1080/59.94i) 0.16 lux [60i] (IRIS F1.4, GAIN Auto,
    [Show full text]
  • What Is the Maximum and Minimum USB Storage Device Size That Is Supported by Blu-Ray Disc Players & DVD Players?
    Questions & Answers: What is the maximum and minimum USB storage device size that is supported by Blu-ray Disc players & DVD players? The Blu-ray Disc player can support the following sizes of USB HDDs, USB memories, and file systems. NOTE: In the case of multiple partitions, only the first partition can be used. Any subsequent partitions cannot Frequently Asked Questions about Blu-ray Disc Player when using Network. This page introduces solution for Blu-ray Disc Player when using Network/Internet. Basic Information of Network/Internet Connection Unable to get the Blu-ray Disc Player or Network Media Player to communicate with Support for Sony's Wireless Audio and Multi-room solutions Introducing Sony Music CenterWelcome to the new Sony Music Center app: a revamped version of the Song pal application, which hosts an array of new features and will improve your listening experience. Main features Sony's Music center allows The USB memory device formatted using a computer is not recognized. If a USB memory device cannot be recognized by the Blu-ray Disc player or A/V Receiver, check if it was formatted as FAT32 or NTFS. These units will only recognize USB memory devices formatted as either FAT32 or This player cannot connect to smartphone, tablet or computer with Bluetooth This player does not connect to other Source devices like smartphone, tablet or computer with Bluetooth. This player mainly operates Bluetooth Tx (Transmitter). NOTE: Headphones and speakers mainly operates Bluetooth It takes a long time for the Blu-ray Disc player to start even though the Quick Start Mode setting is ON.
    [Show full text]
  • Video Information Pages5
    ! A Guide to the Basics of Video Compression! As background to this document I’d like to describe the reasons why I wrote it. I was asked to help a friend understand video compression for a potential job, and I know this is a subject that can be a cause of confusion for anyone who needs to use it with its excess of abbreviations, acronyms, file names etc. Therefore my intention is to explain and simplify this terminology and make it easier to understand for the ordinary reader who has little technical awareness.! ! I began by wanting to explain in basic terms, how video compression works but soon found that by necessity I also had to include some general technical information. I hope this clarifies the topics under discussion so that you can refer to this and it helps with your understanding. I’ve tried to use as many specific examples as I could so that each section is easily applicable to real life situations and scenarios and draws upon your prior experience in this field. This document covers a wide range of topics including: the difference between Interlaced and Progressive, an explanation of colour space, understanding codecs, how your editing system should be set up to prevent errors and !many others issues. ! The document has been written from my own experience of making short films and working in TV and feature films; but in order to be factually correct I have researched some sections of this document and have inserted a section from creativecow.net as they have explained the point better than I could.
    [Show full text]