Styles of Script by Dr
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Ballpoint Basics 2017, Ballpoint Pen with Watercolor Wash, 3 X 10
Getting the most out of drawing media MATERIAL WORLD BY SHERRY CAMHY Israel Sketch From Bus by Angela Barbalance, Ballpoint Basics 2017, ballpoint pen with watercolor wash, 3 x 10. allpoint pens may have been in- vented for writing, but why not draw with them? These days, more and more artists are decid- Odyssey’s Cyclops by Charles Winthrop ing to do so. Norton, 2014, ballpoint BBallpoint is a fairly young medium, pen, 19½ x 16. dating back only to the 1880s, when John J. Loud, an American tanner, Ballpoint pens offer some serious patented a crude pen with a rotat- advantages to artists who work with ing ball at its tip that could only make them. To start, many artists and collec- marks on rough surfaces such as tors disagree entirely with Koschatzky’s leather. Some 50 years later László disparaging view of ballpoint’s line, Bíró, a Hungarian journalist, improved finding the consistent width and tone Loud’s invention using quick-drying of ballpoint lines to be aesthetically newspaper ink and a better ball at pleasing. Ballpoint drawings can be its tip. When held perpendicular to composed of dense dashes, slow con- its surface, Bíró’s pen could write tour lines, crosshatches or rambling smoothly on paper. In the 1950s the scribbles. Placing marks adjacent to one Frenchman Baron Marcel Bich pur- another can create carefully modu- chased Bíró’s patent and devised a lated areas of tone. And if you desire leak-proof capillary tube to hold the some variation in line width, you can ink, and the Bic Cristal pen was born. -
19Th Century Writing Activity: Pen &
Lesson Plan: #NoyesArtatHome 19th Century Writing Activity: Pen & Ink Activity based on letters on display in the Noyes Museum’s Estell Empire Exhibition For ages 12 & up Experience with cursive* writing not necessary Assistance from an adult would be helpful. Overview: Round Hand Script: This was the dominant cursive* writing style among 19th century writing “masters,” whose An account book from John Estell’s general store models were engraved on metal. Letters Circa 1836 – 1837 sloped to the right, and thick lines were © Collection of Stockton University produced on the downstrokes using a flexible, straight-edged (not pointed) pen nib (tip). Thin lines were made by using the corner of the nib. Round hand included decorative swirls referred to as “command of hand.” Copperplate: This type of writing was made with a flexible, pointed metal pen. Copperplate script differs from round hand in the gradual swelling of the broad strokes on curved forms and the narrowness of the backstrokes of b, e, and o. Definitions from Britannica.com: https://www.britannica.com/topic/black-letter Project Description: This lesson provides a brief overview of handwriting in the 19th century and a hands-on writing activity. First, paint with a teabag to make “old” looking paper. To write, use a quill** pen with black ink or watered-down paint, or a marker. Try to read and copy the example of 19th century writing. Can you write your own name, or a whole letter to a friend? Supplies: 8.5 x 11” piece of paper A tea bag; preferably a darker tea such as black tea (Lipton, Red Rose) A watercolor brush Your choice of: a quill** pen and black ink, watered-down black paint with a fine-tipped brush, or a black marker (for example: Crayola – “broad line” or Sharpie – “fine point,” the newer, the better) *Cursive writing is a style of writing in which all of the letters in a word are connected. -
Writing Instruments 1.800.877.8908 93
92 Russell-Hampton Company WRITING INSTRUMENTS www.ruh.com 1.800.877.8908 93 Waterman Pens Detail 92 Russell-Hampton Company www.ruh.com 1.800.877.8908 93 Serving Rotarians Since 1920 A. R66032 Quill® Heritage Roller Ball Pen Features include: newly designed teardrop clip & inlaid feather band, high gloss black lacquer cap, gold accents, fine-point black Roller Ball refill, with full-color slant top Rotary International logo, & handsome display box. Lifetime guarantee. Unit Price $34.95 • Buy 3 $32.95 ea. • Buy 6 $30.95 ea. • Buy 12+ $29.95 ea. B. R66040 Quill® Heritage Roller Ball Pen Elegant teardrop clip and inlaid feather band highlight this beautiful brushed chrome, smooth writing Quill® rollerball pen. Rotary International emblem in crown. Lifetime guarantee. Gift Boxed. Unit Price $34.95 • Buy 3 $33.20 ea. • Buy 6 $31.45 ea. • Buy 12+ $29.70 ea. C. R66012 Waterman® Hemisphere Black Pen & Pencil Set • Classic high gloss black lacquer finish complimented with 23.3-karat gold electroplated clip & trim. Die-struck Rotary emblems affixed to the crowns. Ball pen is fitted with a black ink, medium point refill. Pencil is fitted with 0.5mm lead. Waterman Signature Presentation Blue Box with satin lining. Unit Price $107.95 • Buy 2 $102.50 ea. • Buy 3+ $97.25 ea. D. R66011 Waterman® Hemisphere Black Ball Pen • Same ball pen as sold in above set. Water- man Signature Presentation Blue Box with satin lining. Unit Price $51.95 • Buy 3 $49.35 ea. • Buy 6 $46.85 ea. • Buy 12+ $44.55 ea. -
SDC Books Jun2010 Updated Jan2012
Société des calligraphes de Montréal Livres - Books Livres qui appartiennent à la Société des calligraphes de Montréal. La majorité a été donnée à la Société par Mme Fred Felsky et Mme Eddie Prévost en mémoire de leurs époux. Les commentaires ont été rédigés par d’anciens membres de la Société (anglophones). Books belonging to the Société des Calligraphes de Montréal. Most were given to the Société by Mrs. Fred Fesky and Mrs. Eddie Prévost, in memory of their husbands. All comments were written by past members of the Society. Note: Vivien Lappa et Saskia Latendresse ont révisé la liste en 2010; les titres en rouge sont ceux dont la Société pourrait se départir. Les livres achetés par la Société en 2011 ont été ajoutés. Auteur / Author Titre / Title Éditeur, ville / Publisher, City Année de publication / Nombre de pages / Description Langue / Publication year Number of pages Language - Calligrapher's Handbook, New Burlington Books, London 1987 English The AARON, W.M. Italic Writing: A Concise Alec Tiranti, London 1971 110 pages A complete guide to learning Italic from materials through English Guide letterforms to cursive. Good-looking calligraphy examples throughout with some interesting letter-combination exercises. A useful alternative for learning or improving your Italic. (K. Poulsen) ALEXANDER, J.J.G. Decorated letter, The Thames & Hudson, London 1978 The Decorated Letter is a sketchy but scholarly discussion English of some of the decorated letters to be found in European manuscripts from the 4th to 15th Centuries. There are forty excellent coloured reproductions of initial letters from the Lindesfarne Gospels to Miroir de la Salvation Humaine by Jean Mielot (1448-49). -
Multi-Functions Pen
Use and Care Guide MULTI-FUNCTIONS PEN http://www.pilot.co.jp/ PILOT 2+1, 3+1 and 4+1 Series-a combination of mechanical pencil and ballpoint pen, all in one. Total of 4 kinds of PILOT 2+1, 3+1 and 4+1 Series are available : Revolving type, Retractable & Twist type, Retractable & Button and Lever Slide type. Revolving (4 +1 . 3 +1 . 2 +1 ) ●How to use the ballpoint pen (1) Turn the upper barrel to make the tip come out. Lower Barrel Upper Barrel Eraser Cap (2) To retract the tip, turn the upper barrel to the opposite direction. ●How to use the mechanical pencil (1) Turn the upper barrel to make the mechanical 2+1 (Mechanical pencil, Black ink ballpoint pen & Red ink ballpoint pen) 3+1 (Mechanical pencil, Black ink ballpoint pen, Red ink ballpoint pen & Blue ink ballpoint pen) pencil come out. Press the eraser cap to make the 4+1 (Mechanical pencil, Black ink ballpoint pen, Red ink ballpoint pen, Blue ink ballpoint pen & lead come out. Green ink ballpoint pen) (2) To retract the lead , press the lead onto the paper while pushing the eraser cap down. (3) To retract the writing unit to its original position, turn the upper barrel anticlockwise. (4) Unscrew the eraser cap off to use the eraser. Retractable & Twist Type ( 3 +1 . 2 +1) ●How to use the ballpoint pen (1) While seeing the indication mark, press the eraser Lower Barrel Upper Barrel Eraser Cap cap and a tip of the colour of the indication mark 0.5 comes out. -
Quill Pen and Nut Ink
Children of Early Appalachia Quill Pen and Nut Ink Grades 3 and up Early writing tools were made from materials people could find or easily make themselves. Children used a slate with chalk and stone to write lessons at schools. They also practiced drawing and writing with a stick in dirt. Penny pencils for slates were available at general stores. Paper was purchased at stores too. Before the invention of pencils and pens, children used carved twigs or goose-quill pens made by the teacher. Ink was made at home from various ingredients (berries, nuts, roots, and soot) and brought to school. Good penmanship was highly valued but difficult to attain. Objective: Students will make pen and ink from natural materials and try writing with these old- fashioned tools. Materials: Pen: feathers, sharp scissors or a pen knife (Peacock or pheasant feathers make wonderful pens, but any large feather from a goose or turkey works well too.) Ink: 10 walnut shells, water, vinegar, salt, hammer, old cloth, saucepan, small jar with lid, strainer. (After using the homemade ink, students make like to continue practicing writing with the quill, so you may want to provide a bottle of manufactured ink for further quill writings.) Plan: Pen: Cut off the end of the feather at a slant. Then cut a narrow slit at the point of the pen. Ink: 1. Crush the shells in cloth with a hammer. 2. Put shells in saucepan with 1 cup of water. Bring to a boil, and then simmer for 45 minutes or until dark brown. -
Six Basic Factors in Handwriting Classification Theodora Leh
Journal of Criminal Law and Criminology Volume 44 | Issue 6 Article 14 1954 Six Basic Factors in Handwriting Classification Theodora LeH. Smith Follow this and additional works at: https://scholarlycommons.law.northwestern.edu/jclc Part of the Criminal Law Commons, Criminology Commons, and the Criminology and Criminal Justice Commons Recommended Citation Theodora LeH. Smith, Six Basic Factors in Handwriting Classification, 44 J. Crim. L. Criminology & Police Sci. 810 (1953-1954) This Criminology is brought to you for free and open access by Northwestern University School of Law Scholarly Commons. It has been accepted for inclusion in Journal of Criminal Law and Criminology by an authorized editor of Northwestern University School of Law Scholarly Commons. SIX BASIC FACTORS IN HANDWRITING CLASSIFICATION Theodora LeH. Smith Mrs. Smith's interest in handwriting began before 1925. For a time she studied under Dr. Robert Saudek in London and subsequently resumed her work with the problem of handwriting classification. This work has engaged her attentions for the last fifteen years, and her present paper describes the six basic factors, which she has found useful in classifying large volumes of handwriting.-E OR. Effective scientific investigation of any subject depends upon the development of a highly reliable and differentiating set of measures which will form the means by which specified aspects of the problem at hand may be formulated and checked and gradually a body of depend- able information can be accumulated. This is true of handwriting as of any other subject. It was felt to be necessary to examine the whole field by achieving some sort of systematic order. -
Monoline Quill
MONOLINE Monoline pen is a high quality gel pen. It is the more affordable of the two options; however, we do not recommend it on shimmer paper or dark envelopes as it does not show true to color. It can also appear streaky on those paper finishes. Monoline ink cannot be mixed to match specific colors. I have attached a photo to show you what monoline pen would look like. As you can see from the photo, there is no variation in line weight. QUILL Quill is the traditional calligrapher's pen. It uses a metal nib that is dipped in an ink bottle before each stroke. It is the more luxurious of the options. On certain paper, you can feel the texture of the ink once it dries. Quill ink can also be mixed to match certain colors. As you can see from the photo, there is variation in line weight. Disclaimer: The majority of our pieces are individually handmade and handwritten (unless it is a printed mass production) therefore, the artwork in each piece will look different from each other. ORIGINAL Original has the standard amount of flourishes. CLEAN Clean has the least amount of flourishes. Disclaimer: The majority of our pieces are individually handmade and handwritten (unless it is a printed mass production) therefore, the artwork in each piece will look different from each other. FLOURISHED Extra flourishes are added. Fonts that can be flourished: **Royale, Eloise, Francisca, Luisa, and Theresa Classic UPRIGHT & ITALICIZED All fonts can be written upright or italicized. Disclaimer: The majority of our pieces are individually handmade and handwritten (unless it is a printed mass production) therefore, the artwork in each piece will look different from each other. -
Penmanship Activity Pack
A Day in a One-Room Schoolhouse Marathon County Historical Society Living History Learning Project Penmanship Lesson Activity Packet For Virtual Visits Project Coordinators: Anna Chilsen Straub & Sandy Block Mary Forer: Executive Director (Rev. 6/2020) Note to Participants This packet contains information students can use to prepare for an off-site experience of a one-room school. They may be used by classroom teachers to approximate the experience without traveling to the Little Red Schoolhouse. They are available here for students who might be unable to attend in person for any reason. In addition, these materials may be used by anyone interested in remembering or exploring educational experiences from more than a century ago. The usual lessons at the Little Red Schoolhouse in Marathon Park are taught by retired local school teachers and employees of the Marathon County Historical Society in Wausau, Wisconsin. A full set of lessons has been video-recorded and posted to our YouTube channel, which you can access along with PDFs of accompanying materials through the Little Red Schoolhouse page on our website. These PDFs may be printed for personal or classroom educational purposes only. If you have any questions, please call the Marathon County Historical Society office at 715-842-5750 and leave a message for Anna or Sandy, or email Sandy at [email protected]. On-Site Schoolhouse Daily Schedule 9:00 am Arrival Time. If you attended the Schoolhouse in person, the teacher would ring the bell to signal children to line up in two lines, boys and girls, in front of the door. -
Handwriting Today . . . and a Stolen American Relic
Reviews Handwriting Today... and A Stolen American Relic WILLIAM BUTTS FLOREY, Kitty Burns. Script and Scribble: The Rise and Fall of Handwriting. Brooklyn: Melville House Publishing, 2009. 8vo. Hardbound, dust jacket. 190pp. Illustrations. $22.95. HOWARD, David. Lost Rights: The Misadventures of a Stolen Ameri- can Relic. Boston: Houghton Mifflin Harcourt, 2010. Small 4to. Hardbound, dust jacket. 344pp. $26.00. If you’re anything like me, handling handwriting from many eras on a daily basis, you get sick and tired of the endless refrain from the general public when viewing old documents: “People all had such beautiful handwriting back then!” or, conversely, “No one writes like that today!” Et cetera—ad nauseum. I’ve almost given up refuting these gross generalizations, but “in the old days” I’d pull out letters from, say, Horace Greeley, the Duke of Wellington, a Civil War soldier and other notori- ously illegible scribblers to prove that every age has its share of beautiful penmanship, horrid penmanship and mediocre pen- manship. And as for modern penmanship, most of the examples of current penmanship I see are in the form of personal checks MANUSCRIPTS, VOL. 62 235 NO. 3, SUMMER 2010 236 MANUSCRIPTS (thankfully), and there too I find a mix of beautiful, horrid and mediocre penmanship. The more things change, the more they you-know-what. Which is one beef I have with Kitty Burns Florey in her oth- erwise enjoyable Script and Scribble: The Rise and Fall of Handwrit- ing. Other than the uninitiated general public cited above, the other group that unfairly bemoans current penmanship are the handwriting snobs (which I don’t consider Florey)—elit- ists whose devotion to pseudo-Palmerian calligraphy or other esoteric specialties blinds them to the simple, honest, unsophis- ticated attractiveness of the day-to-day script of ordinary persons who’ve never studied calligraphy. -
Teacher Requisition Form
81075 Detach and photocopy—then give everyone their own form! Teacher Requisition Form Stop looking up individual items–our best-selling school supplies are all right here! Just fill in the quantity you want and total price! Here’s how to use this Teacher Requisition Form: 1. Distribute copies of this form to everyone making an order 2. For each item, fill in the quantity needed and the extended price 3. Attach completed Teacher Requisition Forms to your purchase order and account information, and return to Quill Important note: First column pricing 4. Attention School Office: We can hold your order for up to is shown on this form. 120 days and automatically release it and bill you on the day Depending on the total you specify. Just write Future Delivery on your purchase quantity ordered, your order, the week you want your order to ship, your receiving price may be even lower! hours and any special shipping instructions. Attach the Requisition Forms to your purchase order and account information Teacher Name:________________ School:__________________________ Account #: _________________ Email Address: Qty. Item Unit Total Qty. Item Unit Total Ord. Unit Number Description Price Price Ord. Unit Number Description Price Price ® PENCILS DZ 60139 uni-ball Vision, Fine, Red 18.99 DZ 60382 uni-ball® Vision, Fine, Purple 18.99 DZ T8122 Quill® Finest Quality Pencils, #2 1.89 DZ 60386 uni-ball® Vision, Fine, Green 18.99 DZ T812212 Quill® Finest Quality Pencils, #2.5 1.89 DZ 60387 uni-ball® Vision, Fine, Asst’d. Colors 18.99 DZ T8123 Quill® Finest Quality Pencils, #3 1.89 DZ 732158 Quill® Visible Ink Rollerball, Blue 9.99 DZ T7112 Quill® Standard-Grade Pencils, #2 1.09 DZ 732127 Quill® Visible Ink Rollerball, Black 9.99 DZ 13882 Ticonderoga® Pencils, #2 2.09 DZ 732185 Quill® Visible Ink Rollerball, Red 9.99 DZ 13885 Ticonderoga® Pencils, #2.5 2.09 DZ 84101 Flair Pens, Blue 13.99 DZ 13913 Ticonderoga® Pencils, #2, Black Fin. -
The History of the Ballpoint Pen
89 | Ezra’s Archives My Utilitarian Chinese Memento: The History of the Ballpoint Pen Robert Schur Made in China For all intents and purposes, my three-week sojourn through China should have given me an appreciation for the Chinese people and their culture, a more thorough understanding of life under a Communist regime, and perhaps some knowledge of handy Chinese phrases. Indeed, I left the country with all of those things, but I also found myself fascinated with the most mundane of souvenirs: the ballpoint pen, particularly the one that I acquired while studying at Zhejiang University in Hangzhou, China, during a trip with fifty other Cornell students sponsored by Cornell University and the Chinese government. When we arrived for our orientation, we found each place set with an array of official University and government forms. Next to these stacks of paper rested green triangular ballpoint pens filled with blue ink, sporting retractable points, each emblazoned with the university’s name, phone number and website. Considering my at-best-rudimentary Chinese language skills, this pen proved quite handy, as I would have been at a loss to ask a hotel clerk or cashier to borrow one. Beyond this small bit of good fortune, I thought little of the pen as I carried it in my pocket throughout the trip until I was making notes on a lecture by one Dr. Wu Xiaobo about the Chinese economy. As he detailed the various aspects of China’s post-Mao era economic reforms, he informed us that 80 percent of all of the world’s pens are made in China, and 70 percent of The History of the Ballpoint Pen | 90 worldwide pen components are made in a particular district, the name of which my sloppy handwriting ironically rendered unintelligible.1 While the veracity of Chinese economic statistics has been hotly contested recently, and reliable data on Chinese ballpoint pen manufacturing data is all but nonexistent, Wu’s remarks nonetheless made me reconsider the oft-overlooked history of the pen that I held in my hands, just one of the billions of ballpoints across the world.