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Marion Scott Gleichzeitig Engagierte Sich Marion M
Scott, Marion Marion Scott Gleichzeitig engagierte sich Marion M. Scott musikpoliti- sch in zahlreichen Verbänden und Organisationen, dar- * 16. Juli 1877 in London, England unter die Royal Musical Association, die Royal Philhar- † 24. Dezember 1953 in London, England monic Society und der Forum Club. Eines ihrer Lebens- werke war die Gründung der „Society of Women Musici- Violinistin, Kammermusikerin, Konzertmeisterin, ans“, die sie ab 1911 gemeinsam mit der Sängerin Gertru- Komponistin, Musikwissenschaftlerin, Musikkritikerin, de Eaton und der Komponistin Katharine Eggar aufbau- Förderin (ideell), Musikjournalistin, te – mit eigenem Chor und Orchester, einer Bibliothek (Musik-)Herausgeberin, Konzertorganisatorin, sowie Konzert- und Vortragsreihen. Die Organisation un- Musikpolitikerin, Gründerin und zeitweise Präsidentin terstützte Musikerinnen im britischen Musikleben, führ- der Society of Women Musicians, Schriftstellerin te die Werke von Komponistinnen auf und bemühte sich u. a. darum, die Aufnahme von Musikerinnen in profes- „Unstinted service in the cause of music was the keynote sionelle Orchester zu ermöglichen. Die „Society of Wo- of her life. Countless musicians owe an incalculable debt men Musicians“ blieb bis 1972 bestehen. of gratitude to the fragile little woman who lent them sympathetic and practical aid in their struggles and re- Ab den 1920er-Jahren wandte sich Marion M. Scott dem joiced whole-heartedly in their successes. As a friend she Schreiben über Musik zu. Sie arbeitete als Musikkritike- is irreplaceable.” („Uneingeschränkte Hingabe an die Ar- rin u. a. für die „Musical Times“ und verstärkte mit Arti- beit um der Sache der Musik willen, war der Grundton ih- keln über die Geschichte des Violinspiels, über Auffüh- res Lebens. Unzählige Musiker empfinden der kleinen rungspraxis und Violinliteratur sowie über zeitgenössi- zerbrechlichen Frau gegenüber eine unendliche Dankbar- sche Komponistinnen und Komponisten ihre musikwis- keit, die ihre Arbeit verständnisvoll und tatkräftig unter- senschaftlichen Tätigkeiten. -
Roger Steptoe, Including a Performance Diary, May Be Found at for News of Recent Works, Please See
ROGE R STEPTOE Stainer & Bell CONTENTS Biographical Note .............................................................2 Orchestral Works ..............................................................3 Solo Voice and Orchestra ..................................................3 Solo Instrument and Orchestra .........................................4 Chorus and Orchestra ......................................................5 Works for Choir ................................................................6 Vocal Works......................................................................7 Chamber Music ................................................................8 Music for Strings ............................................................11 Music for Wind ...............................................................12 Music for Solo Piano .......................................................12 Discography....................................................................13 Note biographique ...........................................................14 Alphabetical List of Works ..............................................16 Please see the back cover for Ordering Information. Further information about the music of Roger Steptoe, including a performance diary, may be found at www.stainer.co.uk/steptoe.html For news of recent works, please see www.rogersteptoe.com September 2015 1 ROGER STEPTOE In a postmodern era often characterised by various aesthetic movements, it is especially enriching to encounter an artist like Roger Steptoe, -
Guitar Syllabus
TheThe LLeinsteinsteerr SScchoolhool ooff MusMusiicc && DDrramama Established 1904 Singing Grade Examinations Syllabus The Leinster School of Music & Drama Singing Grade Examinations Syllabus Contents The Leinster School of Music & Drama ____________________________ 2 General Information & Examination Regulations ____________________ 4 Grade 1 ____________________________________________________ 6 Grade 2 ____________________________________________________ 9 Grade 3 ____________________________________________________ 12 Grade 4 ____________________________________________________ 15 Grade 5 ____________________________________________________ 19 Grade 6 ____________________________________________________ 23 Grade 7 ____________________________________________________ 27 Grade 8 ____________________________________________________ 33 Junior & Senior Repertoire Recital Programmes ________________________ 35 Performance Certificate __________________________________________ 36 1 The Leinster School of Music & Drama Singing Grade Examinations Syllabus TheThe LeinsterLeinster SchoolSchool ofof MusicMusic && DraDrammaa Established 1904 "She beckoned to him with her finger like one preparing a certificate in pianoforte... at the Leinster School of Music." Samuel Beckett Established in 1904 The Leinster School of Music & Drama is now celebrating its centenary year. Its long-standing tradition both as a centre for learning and examining is stronger than ever. TUITION Expert individual tuition is offered in a variety of subjects: • Singing and -
Children in Opera
Children in Opera Children in Opera By Andrew Sutherland Children in Opera By Andrew Sutherland This book first published 2021 Cambridge Scholars Publishing Lady Stephenson Library, Newcastle upon Tyne, NE6 2PA, UK British Library Cataloguing in Publication Data A catalogue record for this book is available from the British Library Copyright © 2021 by Andrew Sutherland Front cover: ©Scott Armstrong, Perth, Western Australia All rights for this book reserved. No part of this book may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without the prior permission of the copyright owner. ISBN (10): 1-5275-6166-6 ISBN (13): 978-1-5275-6166-3 In memory of Adrian Maydwell (1993-2019), the first Itys. CONTENTS List of Figures........................................................................................... xii Acknowledgements ................................................................................. xxi Chapter 1 .................................................................................................... 1 Introduction What is a child? ..................................................................................... 4 Vocal development in children ............................................................. 5 Opera sacra ........................................................................................... 6 Boys will be girls ................................................................................. -
Thomas Augustine Arne: a Bicentenary Appreciation Author(S): Frank Kidson Source: the Musical Times, Vol
Thomas Augustine Arne: A Bicentenary Appreciation Author(s): Frank Kidson Source: The Musical Times, Vol. 51, No. 805 (Mar. 1, 1910), pp. 153-154 Published by: Musical Times Publications Ltd. Stable URL: http://www.jstor.org/stable/906730 Accessed: 03-12-2015 02:14 UTC Your use of the JSTOR archive indicates your acceptance of the Terms & Conditions of Use, available at http://www.jstor.org/page/ info/about/policies/terms.jsp JSTOR is a not-for-profit service that helps scholars, researchers, and students discover, use, and build upon a wide range of content in a trusted digital archive. We use information technology and tools to increase productivity and facilitate new forms of scholarship. For more information about JSTOR, please contact [email protected]. Musical Times Publications Ltd. is collaborating with JSTOR to digitize, preserve and extend access to The Musical Times. http://www.jstor.org This content downloaded from 138.73.1.36 on Thu, 03 Dec 2015 02:14:37 UTC All use subject to JSTOR Terms and Conditions THE MUSICAL TIMES.-MARCH I, I9Io. I53 THOMAS AUGUSTINE ARNE: determination to become a musician, and wisely gave in. Free to make music his profession, he A BICENTENARY APPRECIATION. taught his sister and his brother the art, and BY FRANK KIDSON. with much success. The former, Susanna Maria Arne, who married the brutal Theophilus Cibber What was the state and condition of English in haste, had, perhaps, leisure to regret her music in the year I 7 1 ? I do not ask what was the matrimonial choice: she became a singer and an appreciation of music in England, but how it was actress of great merit. -
The Songs of Michael Head: the Georgian Settings (And Song Catalogue)
Louisiana State University LSU Digital Commons LSU Historical Dissertations and Theses Graduate School 1990 The onS gs of Michael Head: The Georgian Settings (And Song Catalogue). Loryn Elizabeth Frey Louisiana State University and Agricultural & Mechanical College Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_disstheses Recommended Citation Frey, Loryn Elizabeth, "The onS gs of Michael Head: The Georgian Settings (And Song Catalogue)." (1990). LSU Historical Dissertations and Theses. 4985. https://digitalcommons.lsu.edu/gradschool_disstheses/4985 This Dissertation is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Historical Dissertations and Theses by an authorized administrator of LSU Digital Commons. For more information, please contact [email protected]. INFORMATION TO USERS The most advanced technology has been used to photograph and reproduce this manuscript from the microfilm master. UMI films the text directly from the original or copy submitted. Thus, some thesis and dissertation copies are in typewriter face, while others may be from any type of computer printer. The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleedthrough, substandard margins, and improper alignment can adversely affect reproduction. In the unlikely event that the author did not send UMI a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material had to be removed, a note will indicate the deletion. Oversize materials (e.g., maps, drawings, charts) are reproduced by sectioning the original, beginning at the upper left-hand corner and continuing from left to right in equal sections with small overlaps. -
The Perfect Fool (1923)
The Perfect Fool (1923) Opera and Dramatic Oratorio on Lyrita An OPERA in ONE ACT For details visit https://www.wyastone.co.uk/all-labels/lyrita.html Libretto by the composer William Alwyn. Miss Julie SRCD 2218 Cast in order of appearance Granville Bantock. Omar Khayyám REAM 2128 The Wizard Richard Golding (bass) Lennox Berkeley. Nelson The Mother Pamela Bowden (contralto) SRCD 2392 Her son, The Fool speaking part Walter Plinge Geoffrey Bush. Lord Arthur Savile’s Crime REAM 1131 Three girls: Alison Hargan (soprano) Gordon Crosse. Purgatory SRCD 313 Barbara Platt (soprano) Lesley Rooke (soprano) Eugene Goossens. The Apocalypse SRCD 371 The Princess Margaret Neville (soprano) Michael Hurd. The Aspern Papers & The Night of the Wedding The Troubadour John Mitchinson (tenor) The Traveller David Read (bass) SRCD 2350 A Peasant speaking part Ronald Harvi Walter Leigh. Jolly Roger or The Admiral’s Daughter REAM 2116 Narrator George Hagan Elizabeth Maconchy. Héloïse and Abelard REAM 1138 BBC Northern Singers (chorus-master, Stephen Wilkinson) Thea Musgrave. Mary, Queen of Scots SRCD 2369 BBC Northern Symphony Orchestra (Leader, Reginald Stead) Conducted by Charles Groves Phyllis Tate. The Lodger REAM 2119 Produced by Lionel Salter Michael Tippett. The Midsummer Marriage SRCD 2217 A BBC studio recording, broadcast on 7 May 1967 Ralph Vaughan Williams. Sir John in Love REAM 2122 Cover image : English: Salamander- Bestiary, Royal MS 1200-1210 REAM 1143 2 REAM 1143 11 drowned in a surge of trombones. (Only an ex-addict of Wagner's operas could have 1 The WIZARD is performing a magic rite 0.21 written quite such a devastating parody as this.) The orchestration is brilliant throughout, 2 WIZARD ‘Spirit of the Earth’ 4.08 and in this performance Charles Groves manages to convey my father's sense of humour Dance of the Spirits of the Earth with complete understanding and infectious enjoyment.” 3 WIZARD. -
MUI Demands Restoration of RTÉ NSO Posts
Volume 10 No. 4 | Winter 2012 Sound Post | Winter 2012 INTERVAL QUIZ FIM Pursuing 1. Where are the Irish composers, Michael Balfe and William Wallace, buried? Musicians’ Grievance 2. At which venue did the Beatles appear in Dublin in the early with Airlines 1960s? 3. Which former Irish Government minister wrote a biography Despite the fact that the petition launched this summer by the entitled, The Great Melody? International Federation of Musicians (FIM) has already collected more than 40,000 signatures, EU Commissioner for Transport, 4. Who composed the well-known Siim Kallas, is still refusing to include specific provisions which waltz, Waves of the Danube? take account of problems encountered by musicians travelling by 5. With which instrument was NEWSLETTER • OF • THE • MUI: MUSICIANS’ UNION OF IRELAND plane with their instrument into the revised 261/2004 regulation George Formby associated? on passenger rights. IN THIS ISSUE: 6. Which musical instrument is MUI demands restoration of full In a letter dated 24th July, 2012, mobility is restricted and their mentioned in the title of the 2001 strength NSO he nevertheless indicates that he activity consequently curtailed. film starring Nicholas Cage and understands these problems and Pénelope Cruz? FIM is continuing in its efforts, in MUI Demands Peter Healy, former MUI RTÉ CO recognises that, on account of Officer, retires unforeseeable situations with which liaison with others, including Euro- 7. What is the stage name of the pean MP, Georges Bach, to deter- American singer and songwriter, musicians are faced during check- MUI RTÉ freelance orchestral mine the most suitable means for Stefani Joanne Angelina German- in or boarding, their professional otta? Restoration of rates making headway on this issue. -
Anathema of Venice: Lorenzo Da Ponte, Mozart's
Click here for Full Issue of EIR Volume 33, Number 46, November 17, 2006 EIRFeature ANATHEMA OF VENICE Lorenzo Da Ponte: Mozart’s ‘American’ Librettist by Susan W. Bowen and made a revolution in opera, who was kicked out of Venice by the Inquisition because of his ideas, who, emigrating to The Librettist of Venice; The Remarkable America where he introduced the works of Dante Alighieri Life of Lorenzo Da Ponte; Mozart’s Poet, and Italian opera, and found himself among the circles of the Casanova’s Friend, and Italian Opera’s American System thinkers in Philadelphia and New York, Impresario in America was “not political”? It became obvious that the glaring omis- by Rodney Bolt Edinburgh, U.K.: Bloomsbury, 2006 sion in Rodney Bolt’s book is the “American hypothesis.” 428 pages, hardbound, $29.95 Any truly authentic biography of this Classi- cal scholar, arch-enemy of sophistry, and inde- As the 250th anniversary of the birth of Wolfgang Amadeus fatigable promoter of Mozart approached, I was happy to see the appearance of this creativity in science and new biography of Lorenzo Da Ponte, librettist for Mozart’s art, must needs bring to three famous operas against the European oligarchy, Mar- light that truth which riage of Figaro, Don Giovanni, and Cosi fan tutte. The story Venice, even today, of the life of Lorenzo Da Ponte has been entertaining students would wish to suppress: of Italian for two centuries, from his humble roots in the that Lorenzo Da Ponte, Jewish ghetto, beginning in 1749, through his days as a semi- (1749-1838), like Mo- nary student and vice rector and priest, Venetian lover and zart, (1756-91), was a gambler, poet at the Vienna Court of Emperor Joseph II, product of, and also a through his crowning achievement as Mozart’s collaborator champion of the Ameri- in revolutionizing opera; to bookseller, printer, merchant, de- can Revolution and the voted husband, and librettist in London in the 1790s, with Renaissance idea of man stops along the way in Padua, Trieste, Brussels, Holland, Flor- that it represented. -
John Stanley a Miracle of Art and Nature
John Stanley, “A Miracle of Art and Nature”: The Role of Disability in the Life and Career of a Blind Eighteenth-Century Musician by John Richard Prescott Doctor of Philosophy in Music in the Graduate Division of the University of California, Berkeley Committee in charge: Professor Davitt Moroney, Chair Professor James Davies Professor Susan Schweik Fall 2011 Abstract John Stanley, “A Miracle of Art and Nature”: The Role of Disability in the Life and Career of a Blind Eighteenth-Century Musician by John Richard Prescott Doctor of Philosophy in Music University of California, Berkeley Professor Davitt Moroney, Chair This dissertation explores the life and career of John Stanley, an eighteenth-century blind organist, composer, conductor and impresario. Most historians of blindness discuss Stanley but merely repeat biographical material without adding any particular insights relating to his blindness. As for twentieth-century musicologists, they have largely ignored Stanley’s blindness. The conclusion is that Stanley’s blindness, despite being present in most of his reception, is not treated as a defining factor. This study pursues new questions about Stanley’s blindness. His disability is given pride of place, and perspectives from the fields of disability studies and minority studies are central to the work. A biographical sketch precedes a discussion of the role of Stanley’s blindness in his reception. The central role of Stanley’s amanuensis and sister-in-law, Anne Arlond, leads to a discussion of issues of gender, and the general invisibility of caregivers. Chapter 2 explores those aspects of Stanley’s life that required an engagement with literate music. -
Information to Users
INFORMATION TO U SER S This manuscript has been reproduced from the microfilm master UMl films the text directly from the original or copy submitted. Thus, some thesis and dissertation copies are in typewriter face, while others may be from any type of computer printer The quality of this reproduction is dependent upon the quality of the copy submitted.Broken or indistinct phnt, colored or poor quality illustrations and photographs, print bleedthrough. substandard margins, and improper alignment can adversely affect reproduction In the unlikely event that the author did not send UMl a complete manuscript and there are missing pages, these will be noted. Also, if unauthonzed copyright material had to be removed, a note will indicate the deletion Oversize materials (e g . maps, drawings, charts) are reproduced by sectioning the original, beginning at the upper left-hand comer and continuing from left to right in equal sections with small overlaps. ProQuest Information and Learning 300 North Zeeb Road. Ann Arbor. Ml 48106-1346 USA 800-521-0600 UMl® UNIVERSITY OF OKLAHOMA GRADUATE COLLEGE MICHAEL HEAD’S LIGHT OPERA, KEY MONEY A MUSICAL DRAMATURGY A Document SUBMITTED TO THE GRADUATE FACULTY In partial fulfillment of the requirements for the degree of DOCTOR OF MUSICAL ARTS By MARILYN S. GOVICH Norman. Oklahoma 2002 UMl Number: 3070639 Copyright 2002 by Govlch, Marilyn S. All rights reserved. UMl UMl Microform 3070639 Copyright 2003 by ProQuest Information and Learning Company. All rights reserved. This microform edition is protected against unauthorized copying under Title 17. United States Code. ProQuest Information and Learning Company 300 North Zeeb Road P.O. -
Musica Britannica
T69 (2021) MUSICA BRITANNICA A NATIONAL COLLECTION OF MUSIC Vauxhall Pleasure Gardens c.1750 Stainer & Bell Ltd, Victoria House, 23 Gruneisen Road, London N3 ILS England Telephone : +44 (0) 20 8343 3303 email: [email protected] www.stainer.co.uk MUSICA BRITANNICA A NATIONAL COLLECTION OF MUSIC Musica Britannica, founded in 1951 as a national record of the British contribution to music, is today recognised as one of the world’s outstanding library collections, with an unrivalled range and authority making it an indispensable resource both for performers and scholars. This catalogue provides a full listing of volumes with a brief description of contents. Full lists of contents can be obtained by quoting the CON or ASK sheet number given. Where performing material is shown as available for rental full details are given in our Rental Catalogue (T66) which may be obtained by contacting our Hire Library Manager. This catalogue is also available online at www.stainer.co.uk. Many of the Chamber Music volumes have performing parts available separately and you will find these listed in the section at the end of this catalogue. This section also lists other offprints and popular performing editions available for sale. If you do not see what you require listed in this section we can also offer authorised photocopies of any individual items published in the series through our ‘Made- to-Order’ service. Our Archive Department will be pleased to help with enquiries and requests. In addition, choirs now have the opportunity to purchase individual choral titles from selected volumes of the series as Adobe Acrobat PDF files via the Stainer & Bell website.