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(Aamir Khan) Adalah Mantan Atlet Gulat Yang Mengingink
BAB IV DESKRIPSI OBJEK PENELITIAN 4.1. Sinopsis Film Mahavir Singh Phogat (Aamir Khan) adalah mantan atlet gulat yang menginginkan anak laki-laki untuk dapat mewujudkan impiannya menjadikan anaknya sebagai pegulat agar memperoleh medali emas untuk Negara India, tetapi istrinya Daya Shobha Kaur (Sakshi Tanwar) melahirkan empat anak perempuan, sejak itu Mahavir Singh Phogat mengubur impiannya memiliki anak laki-laki. Keajaiban muncul ketika Geeta Kumari Phogat (anak pertama) dan Babita Kumari Phogat (anak kedua) memukul anak laki-laki tetangganya hingga luka parah, hal ini membuat Mahavir Singh Phogat kembali menjadikan kedua anaknya sebagai pegulat walaupun perempuan. 76 Mahavir Singh mulai melatihan gulat secara rutin kedua anak perempuannya, Geeta Kumari Phogat dan Babita Kumari Phogat, harus bangun jam 5 pagi latihan kemudian kembali dari sekolah lanjut latihan hingga malam bahkan Ayahnya berpesan pada istrinya untuk tidak melibatkan kedua putrinya dalam membantu pekerjaan rumah karena hanya akan fokus pada latihan gulat.77 Suatu ketikan kedua anak perempuan itu merasa jenuh dengan latihan terus-menerus dan dirampas dunia masa anak-anaknya untuk bermain bersama 76https://sinopsisfilmbioskopterbaru.com/dangal-2016-sinopsis-lengkap-film-dan/ diakses pada 26 Desember 2017 pkl 18.50 WIB. 77https://sinopsisfilmbioskopterbaru.com/dangal-2016-sinopsis-lengkap-film-dan/ diakses pada 26 Desember 2017 pkl 18.50 WIB. 46 teman-teman perempuannya bahkan rambut panjangnya dipotong agar tidak mengganggu dalam latihan gulat, dengan itu mereka mencari -
REFERENCES Bharucha Nilufer E. ,2014. 'Global and Diaspora
REFERENCES Bharucha Nilufer E. ,2014. ‘Global and Diaspora Consciousness in Indian Cinema: Imaging and Re-Imaging India’. In Nilufer E. Bharucha, Indian Diasporic Literature and Cinema, Centre for Advanced Studies in India, Bhuj, pp. 43-55. Chakravarty Sumita S. 1998. National Identity in Indian Popular Cinema: 1947-1987. Texas University Press, Austin. Dwyer Rachel. 2002. Yash Chopra. British Film Institute, London. ___________. 2005. 100 Bollywood Films. British Film Institute, London. Ghelawat Ajay, 2010. Reframing Bollywood, Theories of Popular Hindi Cinema. Sage Publications, Delhi. Kabir Nasreen Munni. 1996. Guru Dutt, a Life in Cinema. Oxford University Press, Delhi. _________________. 1999/2005. Talking Films/Talking Songs with Javed Akhtar, Oxford University Press, Delhi. Kaur Raminder and Ajay J. Sinha (Eds.), 2009. Bollywood: Popular Indian Cinema through a Transnational Lens, Sage Publications, New Delhi. Miles Alice, 2009. ‘Shocked by Slumdog’s Poverty Porn’. The Times, London 14 January 2009 Mishra Vijay, 2002. Bollywood Cinema, Temples of Desire. Psychology Press, Rajyadhaksha Ashish and Willeman Paul (Eds.), 1999 (Revised 2003). The Encyclopedia of Indian Cinema. Routledge, U.K. Schaefer David J. and Kavita Karan (Eds.), 2013. The Global Power of Popular Hindi Cinema. Routledge, U.K. Sinha Nihaarika, 2014. ‘Yeh Jo Des Hain Tera, Swadesh Hain Tera: The Pull of the Homeland in the Music of Bollywood Films on the Indian Diaspora’. In Sridhar Rajeswaran and Klaus Stierstorfer (Eds.), Constructions of Home in Philosophy, Theory, Literature and Cinema, Centre for Advanced Studies in India, Bhuj, pp. 265- 272. Virdi Jyotika, 2004. The Cinematic ImagiNation: Indian Popular Films as Social History. Rutgers University Press, New Jersey. -
MOVIE NAME SONG NAME Naina's Theme (Instrumental) Oye Hichki
MOVIE NAME SONG NAME War Ghungroo Nawab Ft. Gima Ashi (Album) Tattoo Bohemia Ft. Sidhu Moosewala (Album) Same Beef Manzoor-e-Khuda Thugs Of Hindostan Vashmalle Suraiyya Chaav Laaga Khatar Patar Sui Dhaaga Tu Hi Aham Title Track Sab Badiya Hai Naina's Theme (Instrumental) Oye Hichki Madamji Go Easy Hichki Khol De Par Teri Dastaan Phir Kya Hai Gham Soul of Hichki Tiger Zinda Hai Theme Swag Se Swagat Dil Diyan Gallan Tiger Zinda Hai Zinda Hai Daata Tu Tera Noor Tiger Zinda Hai - Trailer Soundtrack I Am India Hulchul Phir Nayi Junooni Qaidi Band Udanchoo Jag Mag Poshampa Phir Wohi I Am India (Escape) Hum Hain Bank Chor Bank Chor Tashreef Maana ke hum yaar nahin Haareya Ye Jawani Teri Meri Pyari Bindu Iss Tarah Khol De Baahein Afeemi Meri Pyaari Bindu (2017) Labon Ka Karobaar Nashe Si Chadh Gayi Ude Dil Befikre Befikre Je T'aime You And Me Khulke Dulke Love Is A Dare Sultan Trailer Baby Ko Bass Pasand Hai Jag Ghoomeya 440 Volt Sultan Sachi Muchi Bulleya Tuk Tuk Sultan Jag Ghoomeya (Female) Rise of Sultan Baby Nu Bass Pasand Hai - Salman Khan Version Jag Ghoomeya - Salman Khan Version 440 Volt - Salman Khan Version Sultan - Salman Khan Version Sultan Mashup Baby Ko Bass Pasand Hai - Remix Jabra Fan Byapok Fan - Bengali Version Jabardast Fan - Bhojpuri Version Jabro Fan - Gujarati Version Jabraa Fan - Marathi Version Ghaint Fan - Punjabi Version Fan Takkara Fan - Tamil Version Veera Fan - Telugu Version Jabar Fan - Odia Version Jabara Fan - Arabic Version Lokuma Fan - Sinhala Version Fan Theme Jabra Fan Mashup Calcutta Kiss Bach Ke Bakshy Byomkesh -
FILM FOKUS EZEBHANYABHANYA Bollywood Comes Alive
FILM FOKUS EZEBHANYABHANYA bollywood comes alive NEVILLE ADONIS DVD Selector, Acquisitions Section that, this being a Yash Raj production, family values will eventually triumph, the fi lm serves up a bonny, bouncing two-and-a-half hours any people confuse the terms of dialogue-driven entertainment. Hollywood and Bollywood. The ‘Khan, who since Hum tum is proving perception is that Bollywood has M to be a real leading man, plays Nikhil ‘Nick’ its origin from Hollywood, but in fact the Arora, a failed architecture student turned only thing the two names have in common chef who is a minor celebrity in Melbourne. is that both have to do with the fi lm industry. Zinta, the most substantial actress among Hollywood is a place and Bollywood is the younger Bollywood group, plays the role Indian cinema. Although Bollywood used to of Ambar Malhotra, a medical student from be mainly shown in India, more and more combines a comedy about Indians Down Bangalore who moonlights at a local radio western countries have shown interest in Under with a dramedy about a yuppie facing station, Salaam Namaste, to pay for her edu- this cinema genre. In my opinion, Bollywood up to fatherhood. With two of the brightest cation. In typical romantic-comedy style, the plots are a little melodramatic with themes of young stars of Hindi cinema, Saif Ali Khan two self-obsessed leads get off on the wrong love-triangles, kidnapping, corrupt politicians and Preity Zinta in Hugh Grant and Julianne foot when Nikhil is late for an interview on and angry parents and, yes, it also features Moore roles, plus the comforting realisation Ambar’s radio show. -
Yönetmen VIJAY KRISHNA ACHARYA Yapımcılar ADITYA
Yönetmen VIJAY KRISHNA ACHARYA Yapımcılar ADITYA CHOPRA Türü Aksiyon Oyuncular AAMIR KHAN KATRINA KAIF TABRETT BETHELL Yapım Yılı / Süre 2013 / 172’ İthalat / Dağıtım Pinema “Soluksuz izleyeceğiniz bir Bollywood filmi!” Vizyon Tarihi: SİNOPSİS Sahir (Aamir Khan) sahibi oldukları sirkte babası ile birlikte gösteriler yapan yetenekli bir çocuktur. Sirkin kapanmaması için Batı Chicago Bankası’ndan kredi çeken babanın bu borcu ödemesi mümkün olmayacaktır. Alacaklıların baskısı üzerine çaresizce intihar etmeye mecbur bırakılır. Sahir ise babasının intiharına şahit olmuş ve tüm hayatını bu olayın intikamını almaya adamıştır. İntikam yolu ise soygun yapmaktan geçecektir. Fakat o bir palyaço, illüzyonist ve bir sihirbaz olarak büyümüştür bu yüzden soygunlar da hiç sıradan olmayacaktır. Jai Dixit (Abhishek Bachchan) ve Ali Akbar (Uday Chopra) ise Sahir’i durdurmak için görevlendirilen 2 özel polistir. Sahir’e bu macerada ise Aaliyah (Katrina Kaif) eşlik edecektir. Aaaliyah gelmiş geçmiş en iyi akrobattır ve Sahir’in sevdiği kadındır. PRODÜKSİYON NOTLARI Dhoom serisine ait ilk çalışmalar 2003 yılında başladı. Serinin ilk filmi Dhoom (2004) ve Dhoom 2 (2006) klasik Bollywood Sineması’ndan farklılığını, çekimleri ve konusuyla daha o yıllarda kanıtladı. Aksiyon ve alışagelmiş Hint dansı sahnelerinin ötesinde teknik ve koreografi açısından diğer filmlerden oldukça üstün bir çizgi sergilemektedir. Dhoom 3, 25 Milyon $ bütçeyle çekildi ve gösterime girdiği 2. Haftada 60 Milyon $ hasılata ulaşmış durumda. Dhoom 6,5 milyon $, Dhoom 2 ise 2006 yılında 33 milyon $ hasılata ulaşmıştı. Serinin son filminde Aamir Khan’ın başrolde yer alması bu başarıda en büyük etkenlerden biri. Dhoom ve Dhoom 2 filmlerinin senaristi Vijay Krishna Acharya ise bu kez yönetmenlik koltuğunda. OYUNCULAR HAKKINDA Aamir Khan 14 Mart 1965 Mumbai’de doğan Aamir Khan ilk oyunculuk deneyimini 1973 yılında “Yaadon Ki Baar”da ki rolüyle kazanmıştır. -
Nowadays, the Meaning of Comedy Is Changed: Krushna Abhishek Krushna Abhishek Is Known for His Comic Roles in the films and TV
TM Volume 5 I Issue 08 I March 2020 I Film Review p27 John Abraham to produce well-known social entrepreneur Revathi Roy’s biopic p06 Social values and cinema p25 Nowadays, the meaning of Sanjay Dutt sets the bar high as the quintessential villain. Check the list! comedy is changed: p08 KRUSHNA ABHISHEK #BOLLYWOODTOWN CONTENTSCONTENTS ¡ Sanjay Dutt sets the bar high as the ¡ Karisma Kapoor along with ACE quintessential villain. Check the list! Business Awards to felicitate Achievers p08 p20 p34 Small Screen ¡ John Abraham to produce well-known social entrepreneur p30 Revathi Roy’s biopic Fashion & Lifestyle p06 ¡ "Now people are curious and they want to watch such films", Fatima Sana Shaikh spills beans on the shift in Bollywood p14 ¡ Social values and cinema p25 ¡ Himansh Kohli on break up with Neha Kakkar: She would cry on shows and people would blame me! p16 p10 Cover Story ¡ Film Review p27 From the publisher's desk Editor : Tarakant D. Dwivedi ‘Akela’ Editor-In-Chief : Yogesh Mishra Dear Readers, Sr. Columnist : Nabhkumar ‘Raju’ The month of February was an average month for many of the filmmakers. Spl. Correspondent : Dr. Amit Kr. Pandey (Delhi) Movies released in the month were- Shikara, Malang, Hacked, Love Aaj Kal, Graphic Designer : Punit Upadhyay Bhoot Part One: The Haunted Ship, Shubh Mangal Zyada Saavdhan, The Sr. Photographer : Raju Asrani Hundred Bucks, Thappad, Guns of Banaras, Doordarshan and O Pushpa I Hate Tears etc. COO : Pankaj Jain Hardly few of the movies did an average business on box office, rest of the Executive Advisor : Vivek Gautam movie could not do well on box office. -
Bollywood Sounds
Bollywood Sounds Bollywood Sounds The Cosmopolitan Mediations of Hindi Film Song Jayson Beaster-Jones 1 1 Oxford University Press is a department of the University of Oxford. It furthers the University’s objective of excellence in research, scholarship, and education by publishing worldwide. Oxford New York Auckland Cape Town Dar es Salaam Hong Kong Karachi Kuala Lumpur Madrid Melbourne Mexico City Nairobi New Delhi Shanghai Taipei Toronto With offices in Argentina Austria Brazil Chile Czech Republic France Greece Guatemala Hungary Italy Japan Poland Portugal Singapore South Korea Switzerland Thailand Turkey Ukraine Vietnam Oxford is a registered trademark of Oxford University Press in the UK and certain other countries. Published in the United States of America by Oxford University Press 198 Madison Avenue, New York, NY 10016 © Oxford University Press 2015 All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, without the prior permission in writing of Oxford University Press, or as expressly permitted by law, by license, or under terms agreed with the appropriate reproduction rights organization. Inquiries concerning reproduction outside the scope of the above should be sent to the Rights Department, Oxford University Press, at the address above. You must not circulate this work in any other form and you must impose this same condition on any acquirer. Library of Congress Cataloging-in-Publication Data Beaster-Jones, Jayson. Bollywood sounds : the cosmopolitan mediations of Hindi film song / Jayson Beaster-Jones. pages cm Includes bibliographical references and index. ISBN 978–0–19–986254–2 (pbk. -
Analisis Semiotika Ketidakadilan Gender Dalam Film Dangal Karya Amir Khan Production
ANALISIS SEMIOTIKA KETIDAKADILAN GENDER DALAM FILM DANGAL KARYA AMIR KHAN PRODUCTION Skripsi Diajukan kepada Fakultas Ilmu Dakwah dan Ilmu Komunikasi untuk Memenuhi Persyaratan Memperoleh Gelar Sarjana Sosial (S.Sos) Oleh: Yulia Nur Shofiani NIM: 11130510000129 JURUSAN KOMUNIKASI DAN PENYIARAN ISLAM FAKULTAS ILMU DAKWAH DAN ILMU KOMUNIKASI UNIVERSITAS ISLAM NEGERI SYARIF HIDAYATULLAH JAKARTA 1439H/2017M 9 i ABSTRAK Yulia Nur Shofiani (1113051000129) Analisis Semiotika Ketidakadilan Gender Dalam Film Dangal Karya Amir Khan Production Sebagai media yang menampilkan realitas kehidupan yang nyata, film mencoba meyakinkan penonton dengan persoalan yang ada di masyarakat. Salah satu persoalan yang menjadi pedebatan berbagai kalangan adalah ketimpangan gender. Film Dangal yang rilis pada 23 Desember 2016 ini menggambarkan ketimpangan gender yang diterima oleh Mahavir dan kedua anak perempuannya karena bergulat. Film Bollywood ini berbeda dengan film Bollywood lainnya, pasalnya film-film Bollywood lain yang diketahui masyarakat mengedepankan cerita cinta, nyanyian dan tarian, sedangkan film Dangal menampilkan cerita yang menarik, dan penuh dengan makna didalamnya. Berdasarkan latar belakang di atas, pertanyaan dalam penelitian ini adalah bagaimana makna denotasi ketidakadilan gender yang terkandung dalam film Dangal? Bagaimana makna konotasi ketidakadilan gender yang terkandung dalam film Dangal? Bagaimana makna mitos ketidakadilan gender yang terkandung dalam film Dangal? Penelitian ini menggunakan paradigma kontruktivisme dimana bahasa tidak -
INDIAN OTT PLATFORMS REPORT 2019 New Regional Flavours, More Entertaining Content
INDIAN OTT PLATFORMS REPORT 2019 New Regional Flavours, more Entertaining Content INDIAN TRENDS 2018-19 Relevant Statistics & Insights from an Indian Perspective. Prologue Digital technology has steered the third industrial revolution and influenced human civilization as a whole. A number of industries such as Media, Telecom, Retail and Technology have witnessed unprecedented disruptions and continue to evolve their existing infrastructure to meet the challenge. The telecom explosion in India has percolated to every corner of the country resulting in easy access to data, with Over-The-Top (OTT) media services changing how people watch television. The Digital Media revolution has globalized the world with 50% of the world’s population going online and around two-thirds possessing a mobile phone. Social media has penetrated into our day-to-day life with nearly three billion people accessing it in some form. India has the world’s second highest number of internet users after China and is fully digitally connected with the world. There is a constant engagement and formation of like-minded digital communities. Limited and focused content is the key for engaging with the audience, thereby tapping into the opportunities present, leading to volumes of content creation and bigger budgets. MICA, The School of Ideas, is a premier Management Institute that integrates Marketing, Branding, Design, Digital, Innovation and Creative Communication. MICA offers specializations in Digital Communication Management as well as Media & Entertainment Management as a part of its Two Year Post Graduate Diploma in Management. In addition to this, MICA offers an online Post-Graduate Certificate Programme in Digital Marketing and Communication. -
Thugs of Hindostan & Festivals: It's Celebration Time for In-Cinema
Publication: Exchange4Media.com Date: 09/11/2018 Thugs of Hindostan & festivals: It's celebration time for in-cinema advertising industry Players expect 50-100% increase in revenues during the festival period Misbaah Mansuri Over the years, films riding on big stars and cashing in on festive weekends of Diwali, Christmas and Eid have brought much joy to the exhibition and distribution services across the industry as far as in-cinema advertising is concerned. Making the most of the festive holiday, YRF slotted the release of Thugs of Hindostan a day after Diwali. Starring Aamir Khan, Amitabh Bachchan and Katrina Kaif, the adventure drama is expected to write new records for Bollywood films. Industry experts predict that the big release combined with the festive time will result in considerable increase in the advertiser interest and in-cinema advertising revenues. Talking about the trend, Devang Sampat, Director – Strategic Initiatives, Cinépolis India, said, “We expect this to be an excellent week for our advertising business. Typically, we see a spike in inquiries during such festive weekends to the tune of 50-70 per cent over the average weeks.” Sampat said with 350 screens of Cinèpolis, they are expecting to reach the highest ever Diwali week advertising revenue this time. “With the release of Thugs of Hindostan during the festive week, we expect the advertising revenues to grow three fold as compared to our average weeks,” he said. Rahul Puri, Managing Director at Mukta A2 Cinemas, asserted that there will be a large increase in advertiser interest as well as revenues. “The festive period is one of the key advertising periods in the year across all media platforms and vehicles, and in-film advertising will be no different as media planners and buyers allocate their budgets to make a larger impact on the minds of potential customers. -
Hindi DVD Database 2014-2015 Full-Ready
Malayalam Entertainment Portal Presents Hindi DVD Database 2014-2015 2014 Full (Fourth Edition) • Details of more than 290 Hindi Movie DVD Titles Compiled by Rajiv Nedungadi Disclaimer All contents provided in this file, available through any media or source, or online through any website or groups or forums, are only the details or information collected or compiled to provide information about music and movies to general public. These reports or information are compiled or collected from the inlay cards accompanied with the copyrighted CDs or from information on websites and we do not guarantee any accuracy of any information and is not responsible for missing information or for results obtained from the use of this information and especially states that it has no financial liability whatsoever to the users of this report. The prices of items and copyright holders mentioned may vary from time to time. The database is only for reference and does not include songs or videos. Titles can be purchased from the respective copyright owners or leading music stores. This database has been compiled by Rajiv Nedungadi, who owns a copy of the original Audio or Video CD or DVD or Blu Ray of the titles mentioned in the database. The synopsis of movies mentioned in the database are from the inlay card of the disc or from the free encyclopedia www.wikipedia.org . Media Arranged By: https://www.facebook.com/pages/Lifeline/762365430471414 © 2010-2013 Kiran Data Services | 2013-2015 Malayalam Entertainment Portal MALAYALAM ENTERTAINMENT PORTAL For Exclusive -
Building up Closer Cultural Bonds
The Leaves of Mutual Profound Dynamics Learning between India and China Vol.13 No.1 | January - February 2019 Building Up Closer Cultural Bonds 国内零售价:10 元 / India 100 www.chinaindiadialogue.com 可绕地球赤道栽种树木按已达塞罕坝机械林场的森林覆盖率寒来暑往,沙地变林海,荒原成绿洲。半个多世纪,三代人耕耘。牢记使命 80% , 1 米株距排开, 艰苦创业 12 圈。 绿色发展 Saihanba is a cold alpine area in northern Hebei Province bordering the Inner Mongolia Autonomous Region. It was once a barren land but is now home to 75,000 hectares of forest, thanks to the efforts make by generations of forestry workers in the past 55 years. Every year the forest purifies 137 million cubic meters of water and absorbs 747,000 tons of carbon dioxide. The forest produces 12 billion yuan (around US$1.8 billion) of ecological value annually, according to the Chinese Academy of Forestry. 可绕地球赤道栽种树木按已达塞罕坝机械林场的森林覆盖率寒来暑往,沙地变林海,荒原成绿洲。半个多世纪,三代人耕耘。牢记使命 CONTENTS CHINA-INDIA DIALOGUE ADMINISTRATIVE AGENCY: 主管: China International 中国外文出版发行事业局 80% CHINDIA NEWS / p.02 Publishing Group (中国国际出版集团) PUBLISHER: 主办、出版: China Pictorial 人民画报社 , ADDRESS: 地址: 33 Chegongzhuang Xilu, Haidian, 北京市海淀区 1 OPENING ESSAY 米株距排开, 艰苦创业 Beijing 100048, China 车公庄西路33号 12 CHINA AND INDIA: TORCHES OF THE EAST 04 圈。 PRESIDENT: Yu Tao 社长:于涛 EDITORIAL BOARD: 编委会: Yu Tao, Li Xia, 于 涛 、李 霞 、 He Peng, Bao Linfu, 贺 鹏 、鲍 林 富 、 Yu Jia, Yan Ying 于 佳 、闫 颖 EDITOR-IN-CHIEF: Li Xia 总编辑:李霞 EDITORIAL DIRECTORS: 编辑部主任: 绿色发展 Wen Zhihong, Qiao Zhenqi 温 志 宏 、乔 振 祺 ENGLISH EDITOR: 英文定稿: Xu Mingqiang 徐明强 EDITORIAL CONSULTANTS: 语言顾问: Scott Huntsman, Nathan Bennett 苏 格 、白 浩 天 EDITORS AND TRANSLATORS: