Washington Honors 5 in the Arts

Total Page:16

File Type:pdf, Size:1020Kb

Washington Honors 5 in the Arts THE NEW YORK TIMES, MONDAY, DECEMBER 4, 1978 W ashington Honors 5 in the Arts By BARBARA GAMAREKIAN Special to The New York Times WASHINGTON, Dec. 3 — As legend­ ary and luminous figures from the musical comedy, opera, the dance, theater, film and classical music streamed into the John F. Kennedy Center for the Performing Arts in their black-tie finery this evening, one be­ came convinced that footlights across the countryside must be dimmed — and Broadway dark. For the entire per­ forming arts community appeared to have gathered for one momentous sen­ timental evening under one roof. The occasion was to honor five art­ ists who had been chosen as the first re­ cipients of the annual Kennedy Center Honors: Marian Anderson, Fred As­ taire, George Balanchine, Richard Rodgers and Arthur Rubinstein. As they sat in the box tier of the Opera House — to the right of Presi­ dent and Mrs. Carter — their friends, colleagues and admirers, whose lives had been influenced and touched by their brilliance, paid tribute to them through film, song and the dance. Personal Tributes There were verbal offerings as well. Old friends with personal words for their mentors: Edward Villella to Mr. Balanchine; Harry Belafonte to Miss Anderson; Douglas Fairbanks Jr. to Fred Astaire; Isaac Stem to Mr. Rubinstein, and Mary Martin to Mr. Rodgers. “He’s the one person I will never, never wash out of my hair,” said Mary Martin of Richard Rodgers. And Harry Belafonte, looking up to Marian Ander­ The New York Times/Teresa Zabala son, said, “For us who raise our voices Arthur and Aniela Rubinstein as they were greeted by President and Mrs. Carter at the White House last night. Mr. in song, there is one person who has Rubinstein, the composer, was one of five artists chosen as the first recipients of the Kennedy Center Honors. been both an artistic pioneer and a spiritual inspiration.” But Mr. Stem’s remarks perhaps blond tresses could be glimpsed over know, the more I think about it the the Todd Duncans, the Eugene Isto-* conveyed best the sense of continuity Walter Cronkite’s shoulder, and Vera more I feel that it is a bit difficult to put mins, Melissa Hayden, Estelle Par­ and inspiration that artists had discov­ Zorina chatted with the Jody Powells. into words all the things you actually sons, Twyla Tharp, Jacques d’Amboise ered in the work of these five, when he Roger L. Stevens, chairman of the feel. It is wonderful to say we are very and Gian Carlo Menotti. said of Mr. Rubinstein, “Any musician Kennedy Center, said the idea behind grateful and thankful for this great honor, but that does not touch exactly Putting the evening together was an when he plays has somewhere in the the honors program, initiated this year, enormous undertaking, likened to back of his ears the influence and the “is to help build more enthusiasm for the spring from which my feelings “choreographing a hurricane” by Wil­ sound of Rubinstein.” the performing arts and bring the pub­ come — there are many many words, liam Harbach, the television producer The two-hour program, divided into lic’s attention to the artist’s true place but none are adequate.” in society.” who joined Nick Vanoff and George five segments each focusing on one of "It’s wonderful, wonderful,” said Stevens Jr. to lend a hand with the Ken­ the honorees, ranged from Grace Bum­ ‘They Honor Us’ Mr. Rodgers who learned esophageal ney Center production, which will be bry singing “Vissi d’Arte” and Aretha At an earlier White House reception speech after his laryngectomy four shown on CBS-TV Tuesday evening. Franklin and the Howard University proceeding the gala, President Carter years ago. “Presenting medals and making Choir singing gospel music to 83-year- told the assembled throng of 700 “these It was Alberta Hunter’s first visit to speeches is not what this is all about,” old Alberta Hunter, whose hot rendition five people — Americans, great,be­ the White House and “I’m thrilled to be said Mr. Stevens. “It is to celebrate the of “I Cried for You” sent the crowd into loved — come here tonight to be hon­ able to say hello to my President,” she performing arts and to honor these five a frenzy of stomping, and Leonard ored through the auspices of the said. people — these definitive artists who Bernstein and the entire company of Kennedy Center, but as a matter of fact ’’It gives the arts some aristocracy,” have set the pace. ” “A Chorus Line.” they come here to honor us and all the said Alan Lerner of the occasion. “ I He recalled the words of President A Rodgers medley was sung by Tony le of the world.” think it is the best thing that has hap­ Kennedy at a fund-raiser for the pro­ Bennett, Florence Henderson and John e five honorees had arrived at the pened in the arts in this country — you posed center when it was but a dream: Raitt, and Peter Martins and Suzanne White House wearing their rather can be knighted in England and they “I look forward to an America which Farrell of the New York City Ballet .avant-garde medal with its garland of have the Legion de Honore in France, will not be afraid of grace and beauty danced a pas de deux. seven ribbons in brilliant hues except but this is the first time we have had ... which will reward achievement in In the audience of 2,000, Swifty Lazar for Mr. Rubinstein who said that “it national recognition for excellence in the arts as we reward achievement in sat elbow to elbow with David Brink- makes me look like a prize bull. ’ ’ the arts in this country. business or statecraft. ” ley; Gerald Rafshoon found himself on Miss Anderson was asked how she Glimpsed in the milling crowd were “That’s what it is really all about,” Alicia Alonso’s right; Ginger Rogers’s felt about the evening. She said: “You the Neil Diamonds, the Ben Vereens, said Mr. Stevens..
Recommended publications
  • Broadway the BROAD Way”
    MEDIA CONTACT: Fred Tracey Marketing/PR Director 760.643.5217 [email protected] Bets Malone Makes Cabaret Debut at ClubM at the Moonlight Amphitheatre on Jan. 13 with One-Woman Show “Broadway the BROAD Way” Download Art Here Vista, CA (January 4, 2018) – Moonlight Amphitheatre’s ClubM opens its 2018 series of cabaret concerts at its intimate indoor venue on Sat., Jan. 13 at 7:30 p.m. with Bets Malone: Broadway the BROAD Way. Making her cabaret debut, Malone will salute 14 of her favorite Broadway actresses who have been an influence on her during her musical theatre career. The audience will hear selections made famous by Fanny Brice, Carol Burnett, Betty Buckley, Carol Channing, Judy Holliday, Angela Lansbury, Patti LuPone, Mary Martin, Ethel Merman, Liza Minnelli, Bernadette Peters, Barbra Streisand, Elaine Stritch, and Nancy Walker. On making her cabaret debut: “The idea of putting together an original cabaret act where you’re standing on stage for ninety minutes straight has always sounded daunting to me,” Malone said. “I’ve had the idea for this particular cabaret format for a few years. I felt the time was right to challenge myself, and I couldn’t be more proud to debut this cabaret on the very stage that offered me my first musical theatre experience as a nine-year-old in the Moonlight’s very first musical Oliver! directed by Kathy Brombacher.” Malone can relate to the fact that the leading ladies she has chosen to celebrate are all attached to iconic comedic roles. “I learned at a very young age that getting laughs is golden,” she said.
    [Show full text]
  • 8.112023-24 Bk Menotti Amelia EU 26-03-2010 9:41 Pagina 16
    8.112023-24 bk Menotti Amelia_EU 26-03-2010 9:41 Pagina 16 Gian Carlo MENOTTI Also available The Consul • Amelia al ballo LO M CAR EN N OT IA T G I 8.669019 19 gs 50 din - 1954 Recor Patricia Neway • Marie Powers • Cornell MacNeil 8.669140-41 Orchestra • Lehman Engel Margherita Carosio • Rolando Panerai • Giacinto Prandelli Chorus and Orchestra of La Scala, Milan • Nino Sanzogno 8.112023-24 16 8.112023-24 bk Menotti Amelia_EU 26-03-2010 9:41 Pagina 2 MENOTTI CENTENARY EDITION Producer’s Note This CD set is the first in a series devoted to the compositions, operatic and otherwise, of Gian Carlo Menotti on Gian Carlo the occasion of his centenary in 2011. The recordings in this series date from the mid-1940s through the late 1950s, and will feature several which have never before appeared on CD, as well as some that have not been available in MENOTTI any form in nearly half a century. The present recording of The Consul, which makes its CD début here, was made a month after the work’s (1911– 2007) Philadelphia première. American Decca was at the time primarily a “pop” label, the home of Bing Crosby and Judy Garland, and did not yet have much experience in the area of Classical music. Indeed, this recording seems to have been done more because of the work’s critical acclaim on the Broadway stage than as an opera, since Decca had The Consul also recorded Arthur Miller’s Death of a Salesman with members of the original cast around the same time.
    [Show full text]
  • Hw Biography 2021
    HUGH WOOLDRIDGE Director and Lighting Designer; Visiting Professor Hugh Wooldridge has produced, directed and devised theatre and television productions all over the world. He has taught and given master-classes in the UK, Europe, the US, South Africa and Australia. He trained at the London Academy of Music and Dramatic Art (LAMDA) and made his West End debut as an actor in The Dame of Sark with Dame Celia Johnson. Subsequently he performed with the London Festival Ballet / English National Ballet in the world premiere production of Romeo and Juliet choreographed by Rudolph Nureyev. At the age of 22, he directed The World of Giselle for Dame Ninette de Valois and the Royal Ballet. Since this time, he has designed lighting for new choreography with dance companies around the world including The Royal Ballet, Dance Theatre London, Rambert Dance Company, the National Youth Ballet and the English National Ballet Company. He directed the world premieres of the Graham Collier / Malcolm Lowry Jazz Suite Under A Volcano and The Undisput’d Monarch of the English Stage with Gary Bond portraying David Garrick; the Charles Strouse opera, Nightingale with Sarah Brightman at the Buxton Opera Festival; Francis Wyndham’s Abel and Cain (Haymarket, Leicester) with Peter Eyre and Sean Baker. He directed and lit the original award-winning Jeeves Takes Charge at the Lyric Hammersmith; the first productions of the Andrew Lloyd Webber and T. S. Eliot Cats (Sydmonton Festival), and the Andrew Lloyd Webber / Don Black song-cycle Tell Me 0n a Sunday with Marti Webb at the Royalty (now Peacock) Theatre; also Lloyd Webber’s Variations at the Royal Festival Hall (later combined together to become Song and Dance) and Liz Robertson’s one-woman show Just Liz compiled by Alan Jay Lerner at the Duke of York’s Theatre, London.
    [Show full text]
  • Finding Aid for Bolender Collection
    KANSAS CITY BALLET ARCHIVES BOLENDER COLLECTION Bolender, Todd (1914-2006) Personal Collection, 1924-2006 44 linear feet 32 document boxes 9 oversize boxes (15”x19”x3”) 2 oversize boxes (17”x21”x3”) 1 oversize box (32”x19”x4”) 1 oversize box (32”x19”x6”) 8 storage boxes 2 storage tubes; 1 trunk lid; 1 garment bag Scope and Contents The Bolender Collection contains personal papers and artifacts of Todd Bolender, dancer, choreographer, teacher and ballet director. Bolender spent the final third of his 70-year career in Kansas City, as Artistic Director of the Kansas City Ballet 1981-1995 (Missouri State Ballet 1986- 2000) and Director Emeritus, 1996-2006. Bolender’s records constitute the first processed collection of the Kansas City Ballet Archives. The collection spans Bolender’s lifetime with the bulk of records dating after 1960. The Bolender material consists of the following: Artifacts and memorabilia Artwork Books Choreography Correspondence General files Kansas City Ballet (KCB) / State Ballet of Missouri (SBM) files Music scores Notebooks, calendars, address books Photographs Postcard collection Press clippings and articles Publications – dance journals, art catalogs, publicity materials Programs – dance and theatre Video and audio tapes LK/January 2018 Bolender Collection, KCB Archives (continued) Chronology 1914 Born February 27 in Canton, Ohio, son of Charles and Hazel Humphries Bolender 1931 Studied theatrical dance in New York City 1933 Moved to New York City 1936-44 Performed with American Ballet, founded by
    [Show full text]
  • BEYOND the BASICS Supplemental Programming for Leonard Bernstein at 100
    BEYOND THE BASICS Supplemental Programming for Leonard Bernstein at 100 BEYOND THE BASICS – Contents Page 1 of 37 CONTENTS FOREWORD ................................................................................. 4 FOR FULL ORCHESTRA ................................................................. 5 Bernstein on Broadway ........................................................... 5 Bernstein and The Ballet ......................................................... 5 Bernstein and The American Opera ........................................ 5 Bernstein’s Jazz ....................................................................... 6 Borrow or Steal? ...................................................................... 6 Coolness in the Concert Hall ................................................... 7 First Symphonies ..................................................................... 7 Romeos & Juliets ..................................................................... 7 The Bernstein Beat .................................................................. 8 “Young Bernstein” (working title) ........................................... 9 The Choral Bernstein ............................................................... 9 Trouble in Tahiti, Paradise in New York .................................. 9 Young People’s Concerts ....................................................... 10 CABARET.................................................................................... 14 A’s and B’s and Broadway ....................................................
    [Show full text]
  • Westchester Music Man Harold Rosenbaum Shares His Alphabetical Favorites
    Subscribe Digital Edition Give a Gift Customer Service WestchesterBest Places To Live Today's Music News What To Do ManLocal Business Harold Guide Blogs Real Estate Top Doctors Top Dentists High School Chart Take Our Reader Survey Rosenbaum Shares His Alphabetical Favorites ® County people and places that strike a chord with renowned choral conductor Harold Rosenbaum. BY HAROLD ROSENBAUM; LLUSTRATION BY CAITLIN KUHWALD EAT & DRINK LIFE & STYLE ARTS & CULTURE INSIDER GUIDES BEST OF WESTCHESTER® Facebook Twitter Google+ Pinterest Ancient houses. Not by European RELATED STORIES standards, but who cares? Barber in Cross River, who also replaces watchbands. It reminds me of the Wild West, where barbers also extracted teeth! Copland House in Cortlandt Manor. Yes, Aaron actually lived there. I conducted his choral Urban Planning Pioneer Seeks To Upgrade masterpiece In the Beginning at his 80th birthday Playland celebration at Symphony Space in NYC. Dirt roads. Sure, they can be a muddy mess when it rains, but they are a nice reminder of our past. Edie, my amazing, talented, beautiful, kind wife, who, among many other things, runs our youth choir, The Canticum Novum Singers. How Baseball Sparked Doris Kearns Goodwin's Love Of History Farms. Real ones. One can join some of them to obtain organic produce weekly. Grandsons. My three—who force me to be normal at times (well, at least goofy and regressive). Horse & Hound Inn, which accommodates my diet every time (I haven’t had meat, fish, dairy, or grains for decades). Idealists. There are plenty of them here, with solar panels, food-producing farm animals, and world-class gardens.
    [Show full text]
  • Distribution Agreement in Presenting This Thesis As A
    Distribution Agreement In presenting this thesis as a partial fulfillment of the requirements for a degree from Emory University, I hereby grant to Emory University and its agents the non-exclusive license to archive, make accessible, and display my thesis in whole or in part in all forms of media, now or hereafter now, including display on the World Wide Web. I understand that I may select some access restrictions as part of the online submission of this thesis. I retain all ownership rights to the copyright of the thesis. I also retain the right to use in future works (such as articles or books) all or part of this thesis. Naomi P. Newton April 12, 2016 Storytelling In Opera, Operetta, and American Musical Theater A Research-Performance Honors Thesis by Naomi P. Newton Kristin Wendland, PhD Adviser Bradley Howard, MM Adviser Department of Music Kristin Wendland, PhD Adviser Bradley Howard, MM Adviser Stephen Crist, PhD Committee Member Arri Eisen, PhD Committee Member 2016 Storytelling In Opera, Operetta, and American Musical Theater A Research-Performance Honors Thesis By Naomi P. Newton Kristin Wendland, PhD Adviser Bradley Howard, MM Adviser Department of Music An abstract of a thesis submitted to the Faculty of Emory College of Arts and Sciences of Emory University in partial fulfillment of the requirements of the degree of Bachelor of Arts with Honors. Department of Music 2016 Abstract Storytelling In Opera, Operetta, and American Musical Theater A Research-Performance Honors Thesis By Naomi P. Newton This thesis represents one aspect of my dual research-performance honors project.
    [Show full text]
  • Marriage Record Index 1922-1938 Images Can Be Accessed in the Indiana Room
    Marriage Record Index 1922-1938 Images can be accessed in the Indiana Room. Call (812)949-3527 for more information. Groom Bride Marriage Date Image Aaron, Elza Antle, Marion 8/12/1928 026-048 Abbott, Charles Ruby, Hallie June 8/19/1935 030-580 Abbott, Elmer Beach, Hazel 12/9/1922 022-243 Abbott, Leonard H. Robinson, Berta 4/30/1926 024-324 Abel, Oscar C. Ringle, Alice M. 1/11/1930 027-067 Abell, Lawrence A. Childers, Velva 4/28/1930 027-154 Abell, Steve Blakeman, Mary Elizabeth 12/12/1928 026-207 Abernathy, Pete B. Scholl, Lorena 10/15/1926 024-533 Abram, Howard Henry Abram, Elizabeth F. 3/24/1934 029-414 Absher, Roy Elgin Turner, Georgia Lillian 4/17/1926 024-311 Ackerman, Emil Becht, Martha 10/18/1927 025-380 Acton, Dewey Baker, Mary Cathrine 3/17/1923 022-340 Adam, Herman Glen Harpe, Mary Allia 4/11/1936 031-273 Adam, Herman Glenn Hinton, Esther 8/13/1927 025-282 Adams, Adelbert Pope, Thelma 7/14/1927 025-255 Adams, Ancil Logan, Jr. Eiler, Lillian Mae 4/8/1933 028-570 Adams, Cecil A. Johnson, Mary E. 12/21/1923 022-706 Adams, Crozier E. Sparks, Sarah 4/1/1936 031-250 Adams, Earl Snook, Charlotte 1/5/1935 030-250 Adams, Harry Meyer, Lillian M. 10/21/1927 025-376 Adams, Herman Glen Smith, Hazel Irene 2/28/1925 023-502 Adams, James O. Hallet, Louise M. 4/3/1931 027-476 Adams, Lloyd Kirsch, Madge 6/7/1932 028-274 Adams, Robert A.
    [Show full text]
  • East by Northeast the Kingdom of the Shades (From Act II of “La Bayadère”) Choreography by Marius Petipa Music by Ludwig Minkus Staged by Glenda Lucena
    2013/2014 La Bayadère Act II | Airs | Donizetti Variations Photo by Paul B. Goode, courtesy of the Paul Taylor Dance Company East by Spring Ballet Northeast Seven Hundred Fourth Program of the 2013-14 Season _______________________ Indiana University Ballet Theater presents Spring Ballet: East by Northeast The Kingdom of the Shades (from Act II of “La Bayadère”) Choreography by Marius Petipa Music by Ludwig Minkus Staged by Glenda Lucena Donizetti Variations Choreography by George Balanchine Music by Gaetano Donizetti Staged by Sandra Jennings Airs Choreography by Paul Taylor Music by George Frideric Handel Staged by Constance Dinapoli Michael Vernon, Artistic Director, IU Ballet Theater Stuart Chafetz, Conductor Patrick Mero, Lighting Design _________________ Musical Arts Center Friday Evening, March Twenty-Eighth, Eight O’Clock Saturday Afternoon, March Twenty-Ninth, Two O’Clock Saturday Evening, March Twenty-Ninth, Eight O’Clock music.indiana.edu The Kingdom of the Shades (from Act II of “La Bayadère”) Choreography by Marius Petipa Staged by Glenda Lucena Music by Ludwig Minkus Orchestration by John Lanchbery* Lighting Re-created by Patrick Mero Glenda Lucena, Ballet Mistress Violette Verdy, Principals Coach Guoping Wang, Ballet Master Phillip Broomhead, Guest Coach Premiere: February 4, 1877 | Imperial Ballet, Bolshoi Kamenny Theatre, St. Petersburg Grand Pas de Deux Nikiya, a temple dancer . Alexandra Hartnett Solor, a warrior. Matthew Rusk Pas de Trois (3/28 and 3/29 mat.) First Solo. Katie Zimmerman Second Solo . Laura Whitby Third
    [Show full text]
  • SOME AMERICAN OPERAS/COMPOSERS October 2014
    SOME AMERICAN OPERAS/COMPOSERS October 2014 Mark Adamo-- Little Women, Lysistrata John Adams—Nixon in China, Death of Klinghoffer, Doctor Atomic Dominick Argento—Postcard From Morocco, The Aspern Papers William Balcom—A View From the Bridge, McTeague Samuel Barber—Antony and Cleopatra, Vanessa Leonard Bernstein— A Quiet Place, Trouble in Tahiti Mark Blitzstein—Regina, Sacco and Venzetti, The Cradle Will Rock David Carlson—Anna Karenina Aaron Copland—The Tender Land John Corigliano—The Ghosts of Versailles Walter Damrosch—Cyrano, The Scarlet Letter Carlisle Floyd—Susannah, Of Mice and Men, Willie Stark, Cold Sassy Tree Lukas Foss—Introductions and Goodbyes George Gershwin—Porgy and Bess Philip Glass—Satyagraha, The Voyage, Einstein on the Beach, Akhnaten Ricky Ian Gordon—Grapes of Wrath Louis Gruenberg—The Emperor Jones Howard Hanson—Merry Mount John Harbison—The Great Gatsby, Winter’s Tale Jake Heggie—Moby Dick, Dead Man Walking Bernard Hermann—Wuthering Heights Jennifer Higdon—Cold Mountain (World Premiere, Santa Fe Opera, 2015) Scott Joplin—Treemonisha Gian Carlo Menotti—The Consul, The Telephone, Amahl and the Night Visitors Douglas Moore—Ballad of Baby Doe, The Devil and Daniel Webster, Carrie Nation Stephen Paulus—The Postman Always Rings Twice, The Woodlanders Tobias Picker—An American Tragedy, Emmeline, Therese Racquin Andre Previn—A Streetcar Named Desire Ned Rorem—Our Town Deems Taylor—Peter Ibbetson Terry Teachout—The Letter Virgil Thompson—Four Saints in Three Acts, The Mother of Us All Stewart Wallace—Harvey Milk Kurt Weill—Street Scene, Rise and Fall of the City of Mahagonny .
    [Show full text]
  • Program Notes | Amahl and the Night Visitors
    23 Season 2018-2019 Thursday, December 13, at 7:30 The Philadelphia Orchestra Saturday, December 15, at 8:00 Bramwell Tovey Conductor and Narrator Dante Michael DiMaio Boy Soprano (Amahl) Renée Tatum Mezzo-soprano (His Mother) Andrew Stenson Tenor (King Kaspar) Brandon Cedel Bass-baritone (King Melchior) David Leigh Bass (King Balthazar) Kirby Traylor Bass (The Page) Philadelphia Symphonic Choir (Shepherds and Villagers) Amanda Quist Director Omer Ben Seadia Stage Director Walton Crown Imperial (Coronation March) Britten The Young Person’s Guide to the Orchestra, Op. 34 Intermission Menotti Amahl and the Night Visitors First complete Philadelphia Orchestra performances Ryan Howell, designer Chris Frey, lighting desig This program runs approximately 1 hour, 45 minutes. These concerts are part of the Fred J. Cooper Memorial Organ Experience, supported through a generous grant from the Wyncote Foundation. The December 15 concert is sponsored by Medcomp. Philadelphia Orchestra concerts are broadcast on WRTI 90.1 FM on Sunday afternoons at 1 PM, and are repeated on Monday evenings at 7 PM on WRTI HD 2. Visit www.wrti.org to listen live or for more details. PO Book 16_Home.indd 23 12/7/18 10:35 AM 24 The Philadelphia Orchestra Jessica Griffin The Philadelphia Orchestra Philadelphia is home and orchestra, and maximizes is one of the preeminent the Orchestra continues impact through Research. orchestras in the world, to discover new and The Orchestra’s award- renowned for its distinctive inventive ways to nurture winning Collaborative sound, desired for its its relationship with its Learning programs engage keen ability to capture the loyal patrons at its home over 50,000 students, hearts and imaginations of in the Kimmel Center, families, and community audiences, and admired for and also with those who members through programs a legacy of imagination and enjoy the Orchestra’s area such as PlayINs, side-by- innovation on and off the performances at the Mann sides, PopUP concerts, concert stage.
    [Show full text]
  • Dave Gergen to Dave Parker Re
    MEf\IOR/\NIHJM THE WHITE HOUSE WASIIINGTON May 3, 1972 MEMORANDUM FOR: DAVE PARKER FROM: DAVE GERGEN SUBJECT: Prominent Wome~l Last year, you were int( rested in some recomrrj "c1ations of women who might be invited to a special dinner with the President. That idea never got off the ground, and I understand that there are no plans for such a dinner at :lis time. In looking through our past files, however, I have come upon the list which we compiled at that time, and it occurs to me that there Inay still be a number of opportunities when you would want to have prominent wom.en invited to st~~ dinners on an individual basis. For that purpose: I am sending along to you a copy of some other li i~S we once compiled. It would probably be an easy task to come up with additional nm, ~cs if you so desire. cc: Barbara Franklin r-------------------------------------------------------------- Acaflemic Hanna Arendt - Politic'al Scientist/Historian Ar iel Durant - Histor ian Gertrude Leighton - Due to pub lish a sem.ina 1 work on psychiatry and law, Bryn Mawr Katherine McBride - Retired Bryn Mawr President Business Buff Chandler - Business executive and arts patron Sylvia Porter - Syndicated financial colun1.nist Entertainment Mar ian And ",r son l Jacqueline I.. upre - British cellist Joan Gan? Cooney - President, Children1s Television Workshop; Ex(,cutive Producer of Sesaxne St., recently awarded honorary degre' fron'l Oberlin Agnes DeMille - Dance Ella Fitzgerald Margot Fonteyn - Ballerina Martha Graham. - Dance Melissa Hayden - Ballerina Helen Hayes Katherine Hepburn Jv1ahilia Jackson Mary Martin 11ary Tyler Moore Leontyne Price Martha Raye B(~verley Sills - Has appeared at "\V1-I G overnmcnt /Politics ,'.
    [Show full text]