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Michel GALABRU Philippe CAUBÈRE Reliaient
salle popesco MICHEL PHILIPPE GALABRU CAUBÈRE A partir du 21 septembre du mardi au samedi à 19h matinée dimanche 17h prix des places de 25 à 45 euros JULES& MARCEL (hors frais de réservations) d’après la correspondance de Jules RAIMU et Marcel PAGNOL Un spectacle créé au festival avec Jean-Pierre BERNARD de la correspondance de Grignan adaptation Pierre TRÉ-HARDY Cohen/Cosmos © Photo Serge Mise en espace Jean-Pierre BERNARD LOCATION 0 892 222 333* / FNAC 0 892 68 36 22* 19h MAGASINS FNAC - www.fnac.com / RÉSATHÉÂTRE 0 892 707 705* CONTACT PRESSE : Pierre Cordier, assisté de Guillaume Andreu CARREFOUR, AGENCES ET POINTS DE VENTE HABITUELS Tél. 01 43 26 20 22 - Fax : 01 43 29 54 59 - [email protected] /mn RCS PARIS B 572 123 792 - Licence 750 2656 - Saison 2010 - Photo Serge Cohen/Cosmos B 572 123 792 - Licence 750 2656 Saison 2010 Photo Serge RCS PARIS € www.theatremarigny.fr *0,34 JULES& MARCEL« Il est fâcheux d’être fâchés » Note d’intention Origine du spectacle Le spectacle « Mon cher Jules, il faut que tu sois bougrement fâché avec moi pour ne pas répondre à une lettre injurieuse qui n’avait d’autre but que Il s’agit d’une lecture de lettres échangées entre l’écrivain Michel Galabru, Nicolas Pagnol (petit fils de Marcel Pagnol) de commencer une dispute…». Ces correspondances entre Raimu et Marcel Pagnol tissent ainsi la toile de leur éternelle amitié, mêlée de mauvaise foi tru- Marcel Pagnol et Raimu, son ami et acteur fétiche. Le et Isabelle Nohain Raimu (petite fille de Raimu) étaient culente, de fâcheries épiques, d’admiration réciproque, de pudeur, d’humour, de souvenirs, de secrets… et de savoureuses envolées, drôles, fraîches et vives thème central est « le Cinéma », passion qui a relié ces venus assister, en août 2006, à une adaptation de la trilo- comme l’eau des sources de leur Provence. -
Film Film Film Film
City of Darkness, City of Light is the first ever book-length study of the cinematic represen- tation of Paris in the films of the émigré film- PHILLIPS CITY OF LIGHT ALASTAIR CITY OF DARKNESS, makers, who found the capital a first refuge from FILM FILMFILM Hitler. In coming to Paris – a privileged site in terms of production, exhibition and the cine- CULTURE CULTURE matic imaginary of French film culture – these IN TRANSITION IN TRANSITION experienced film professionals also encounter- ed a darker side: hostility towards Germans, anti-Semitism and boycotts from French indus- try personnel, afraid of losing their jobs to for- eigners. The book juxtaposes the cinematic por- trayal of Paris in the films of Robert Siodmak, Billy Wilder, Fritz Lang, Anatole Litvak and others with wider social and cultural debates about the city in cinema. Alastair Phillips lectures in Film Stud- ies in the Department of Film, Theatre & Television at the University of Reading, UK. CITY OF Darkness CITY OF ISBN 90-5356-634-1 Light ÉMIGRÉ FILMMAKERS IN PARIS 1929-1939 9 789053 566343 ALASTAIR PHILLIPS Amsterdam University Press Amsterdam University Press WWW.AUP.NL City of Darkness, City of Light City of Darkness, City of Light Émigré Filmmakers in Paris 1929-1939 Alastair Phillips Amsterdam University Press For my mother and father, and in memory of my auntie and uncle Cover design: Kok Korpershoek, Amsterdam Lay-out: japes, Amsterdam isbn 90 5356 633 3 (hardback) isbn 90 5356 634 1 (paperback) nur 674 © Amsterdam University Press, Amsterdam, 2004 All rights reserved. Without limiting the rights under copyright reserved above, no part of this book may be reproduced, stored in or introduced into a retrieval system, or transmitted, in any form or by any means (electronic, me- chanical, photocopying, recording or otherwise) without the written permis- sion of both the copyright owner and the author of the book. -
MARIUS by Marcel Pagnol (1931) Directed by Alexander Korda
PRESS PACK CANNES CLASSICS OFFICIAL SELECTION 2015 MARIUS by Marcel Pagnol (1931) Directed by Alexander Korda Thursday 21 May 2015 at 5pm, Buñuel Theatre Raimu and Pierre Fresnay in Marius by Marcel Pagnol (1931). Directed by Alexander Korda. Film restored in 2015 by the Compagnie Méditerranéenne de Films - MPC and La Cinémathèque Française , with the support of the CNC , the Franco-American Cultural Fund (DGA-MPA-SACEM- WGAW), the backing of ARTE France Unité Cinéma and the Archives Audiovisuelles de Monaco, and the participation of SOGEDA Monaco. The restoration was supervised by Nicolas Pagnol , and Hervé Pichard (La Cinémathèque Française). The work was carried out by DIGIMAGE. Colour grading by Guillaume Schiffman , director of photography. Fanny by Marcel Pagnol (Directed by Marc Allégret, 1932) and César by Marcel Pagnol (1936), which complete Marcel Pagnol's Marseilles trilogy, were also restored in 2015. "All Marseilles, the Marseilles of everyday life, the Marseilles of sunshine and good humour, is here... The whole of the city expresses itself, and a whole race speaks and lives. " René Bizet, Pour vous , 15 October 1931 SOGEDA Monaco LA CINÉMATHÈQUE FRANÇAISE CONTACTS Jean-Christophe Mikhaïloff Elodie Dufour Director of Communications, Press Officer External Relations and Development +33 (0)1 71 19 33 65 +33 (0)1 71 1933 14 - +33 (0)6 23 91 46 27 +33 (0)6 86 83 65 00 [email protected] [email protected] Before restoration After restoration Marius by Marcel Pagnol (1931). Directed by Alexander Korda. 2 The restoration of the Marseilles trilogy begins with Marius "Towards 1925, when I felt as if I was exiled in Paris, I realised that I loved Marseilles and I wanted to express this love by writing a Marseilles play. -
Spring 2019 Film Calendar
National Gallery of Art Film Spring 19 I Am Cuba p27 Special Events 11 A Cuba Compendium 25 Janie Geiser 29 Walt Whitman Bicentennial 31 The Arboretum Cycle of Nathaniel Dorsky 33 Roberto Rossellini: The War Trilogy 37 Reinventing Realism: New Cinema from Romania 41 Spring 2019 offers digital restorations of classic titles, special events including a live performance by Alloy Orchestra, and several series of archival and contem- porary films from around the world. In conjunction with the exhibition The Life of Animals in Japanese Art, the Gallery presents Japanese documentaries on animals, including several screenings of the city symphony Tokyo Waka. Film series include A Cuba Compendium, surveying how Cuba has been and continues to be portrayed and examined through film, including an in-person discussion with Cuban directors Rodrigo and Sebastián Barriuso; a celebra- tion of Walt Whitman on the occasion of his bicen- tennial; recent restorations of Roberto Rossellini’s classic War Trilogy; and New Cinema from Romania, a series showcasing seven feature length films made since 2017. Other events include an artist’s talk by Los Angeles-based artist Janie Geiser, followed by a program of her recent short films; a presentation of Nathaniel Dorsky’s 16mm silent The Arboretum Cycle; the Washington premieres of Gray House and The Image Book; a program of films on and about motherhood to celebrate Mother’s Day; the recently re-released Mystery of Picasso; and more. 2Tokyo Waka p17 3 April 6 Sat 2:00 La Religieuse p11 7 Sun 4:00 Rosenwald p12 13 Sat 12:30 A Cuba Compendium: Tania Libre p25 2:30 A Cuba Compendium: Coco Fusco: Recent Videos p26 14 Sun 4:00 Gray House p12 20 Sat 2:00 A Cuba Compendium: Cuba: Battle of the 10,000,000 p26 4:00 A Cuba Compendium: I Am Cuba p27 21 Sun 2:00 The Mystery of Picasso p13 4:30 The Mystery of Picasso p13 27 Sat 2:30 A Cuba Compendium: The Translator p27 Films are shown in the East Building Auditorium, in original formats whenever possible. -
A Mode of Production and Distribution
Chapter Three A Mode of Production and Distribution An Economic Concept: “The Small Budget Film,” Was it Myth or Reality? t has often been assumed that the New Wave provoked a sudden Ibreak in the production practices of French cinema, by favoring small budget films. In an industry characterized by an inflationary spiral of ever-increasing production costs, this phenomenon is sufficiently original to warrant investigation. Did most of the films considered to be part of this movement correspond to this notion of a small budget? We would first have to ask: what, in 1959, was a “small budget” movie? The average cost of a film increased from roughly $218,000 in 1955 to $300,000 in 1959. That year, at the moment of the emergence of the New Wave, 133 French films were produced; of these, 33 cost more than $400,000 and 74 cost more than $200,000. That leaves 26 films with a budget of less than $200,000, or “low budget productions;” however, that can hardly be used as an adequate criterion for movies to qualify as “New Wave.”1 Even so, this budgetary trait has often been employed to establish a genealogy for the movement. It involves, primarily, “marginal” films produced outside the dominant commercial system. Two Small Budget Films, “Outside the System” From the point of view of their mode of production, two titles are often imposed as reference points: Jean-Pierre Melville’s self-produced Silence of 49 A Mode of Production and Distribution the Sea, 1947, and Agnes Varda’s La Pointe courte (Short Point), made seven years later, in 1954. -
Y$U)U/ C^Ic^Lccl^J^
Mr. Keaton's advantage. Mr. Hart plays in the old Abbott style, Keaton Turns loud and fast, with the niceties Buster Up pose of the bookie racket in his I have is yours.” ‘‘Except my of emotions being expressed Hollywood the Diary next picture, "Blood Money," with material,” gags Lahr. by varying between a moderate jyj Farce Lawford Cast in Garson Film Joe Newman. They start exposure (Released by North American Newsnanef a Hot Weather Alliance. Inc.) In a loud and a piercing shout, yell in August. ^ MacArthur scream. It's the right way to im- .- « 1 ■■■ By Sheilah Graham- By Harry Milton Berle and Bert Lahr AMUSEMENTS old farce John Cecil press an audience with something HOLLYWOOD. Strom (Ingrid Bergman's hus- _ "Three Men on a Horse,” that trusty by have a number in Leave a all "Always on here in Wash- like "Three Men on Horse," Peter Law- band' called her in New York four Holm and George Abbott, which first was set stage Greer Garson gets Them Laughing" called. "Broth- 'TOM W-2 SCREEN ClASSICJ! it makes everyone not returned last night. This time it is right, but ford as well as Amanda Blake, weeks ago and said. "What can I RAiMUm JEAN GAIIN in ington well over a decade ago, ers." There's a line, "Everything of so loud seem to be underplaying. do for Some had the Washington Theater Festival's Meridian Hill Park attraction who looks so much like Greer, for you?” prankster The Baker's Wife Grand Illusion a common t for a humid eve- Finding meeting Lon- called and left a message for him A.HU^I.Q-IQ the week and it probably is the proper sort of fare her “Mrs. -
List of English and Native Language Names
LIST OF ENGLISH AND NATIVE LANGUAGE NAMES ALBANIA ALGERIA (continued) Name in English Native language name Name in English Native language name University of Arts Universiteti i Arteve Abdelhamid Mehri University Université Abdelhamid Mehri University of New York at Universiteti i New York-ut në of Constantine 2 Constantine 2 Tirana Tiranë Abdellah Arbaoui National Ecole nationale supérieure Aldent University Universiteti Aldent School of Hydraulic d’Hydraulique Abdellah Arbaoui Aleksandër Moisiu University Universiteti Aleksandër Moisiu i Engineering of Durres Durrësit Abderahmane Mira University Université Abderrahmane Mira de Aleksandër Xhuvani University Universiteti i Elbasanit of Béjaïa Béjaïa of Elbasan Aleksandër Xhuvani Abou Elkacem Sa^adallah Université Abou Elkacem ^ ’ Agricultural University of Universiteti Bujqësor i Tiranës University of Algiers 2 Saadallah d Alger 2 Tirana Advanced School of Commerce Ecole supérieure de Commerce Epoka University Universiteti Epoka Ahmed Ben Bella University of Université Ahmed Ben Bella ’ European University in Tirana Universiteti Europian i Tiranës Oran 1 d Oran 1 “Luigj Gurakuqi” University of Universiteti i Shkodrës ‘Luigj Ahmed Ben Yahia El Centre Universitaire Ahmed Ben Shkodra Gurakuqi’ Wancharissi University Centre Yahia El Wancharissi de of Tissemsilt Tissemsilt Tirana University of Sport Universiteti i Sporteve të Tiranës Ahmed Draya University of Université Ahmed Draïa d’Adrar University of Tirana Universiteti i Tiranës Adrar University of Vlora ‘Ismail Universiteti i Vlorës ‘Ismail -
Jean Gabin Inconnu DUMÊMEAUTEUR
Jean Gabin inconnu DUMÊMEAUTEUR Alors raconte… Franck Fernandel, éditions Menges, 1978. Elvis Presley ciné-memories, éditions Horus, 1980. Les Grandes Heures de l’Olympia, éditions Gérard Cottreau, 1979. Chuck Berry, éditions Horus, 1980. Fernandel, éditions Lefeuvre, 1981. Trente ans de séries télévisées, éditions PAC, 1984. Trente ans de cinéma musical, éditions PAC, 1985. Rock Story, éditions PAC, 1985. Silence, on chante, éditions PAC, 1986. Michel Serrault, éditions PAC, 1987. Alain Bashung, Seghers, 1987. Fernandel, l’accent du soleil, Stock, 1991. Bourvil inconnu, Stock, 1992. Louis de Funès, une légende, Anne Carrière, 1993. Télé Feuilletons, Ramsay, 1993. Jean Marais, Anne Carrière, 1995. Pagnol inconnu, Michel Lafon/La Treille, 1999. Les Plus Belles Répliques de Fernandel, éditions du Rocher, 2005. Les Plus Belles Répliques de Jacques Villeret, éditions du Rocher, 2005. Les Plus Belles Répliques de Bourvil, éditions du Rocher, 2006. Jean Poiret, Michel Serrault, La cage aux rôles, éditions Alphée, 2009. Pagnol, Raimu, l’histoire vraie, éditions Alphée, 2010. Le Splendid, histoire inachevée, éditions Alphée, 2010. Pagnol inconnu, Flammarion, 2011. Louis de Funès, l’Oscar du cinéma, Flammarion, 2011. Yé-yé, idoles ou has-been, éditions Vaillant, 2013. Jean-Jacques Jelot-Blanc Jean Gabin inconnu Flammarion © Flammarion, 2014. ISBN : 978-2-0812-8623-8 « Le cinéma, ça fatigue. C’est pas un métier, tout juste une profession. Le métier de comédien, oui c’est un travail, mais enfin faut pas en faire un monde ! » Jean Gabin à André Brunelin PROLOGUE Un peu avant neuf heures du matin, ce lundi 15 novembre 1976, le monde du cinéma a perdu sa plus prestigieuse étoile : Jean Gabin est mort. -
French Film Series to Conclude with Works from Final Period of the Classic Tradition
The Museum of Modern Art Department of Film 11 West 53 Street, New York, N.Y. 10019 Tel: 212-708-9400 Cable: MODERNART Telex: 62370 MODART ENTRANCE at 18 W. 54 #42 FOR IMMEDIATE RELEASE FRENCH FILM SERIES TO CONCLUDE WITH WORKS FROM FINAL PERIOD OF THE CLASSIC TRADITION In its final months, REDISCOVERING FRENCH FILM PART II, The Museum of Modern Art's comprehensive survey of French film history, will screen classics from the 1940s and • 50s, then pause to look back at the very beginnings of the long tradition of French filmmaking. The schedule for August begins with a look at the French cinema at the time of the Occupation and features two rare films of the liberation: Le Six Juin a l'Aube, a documentary made by the great feature film director Jean Gremillon, and Rene Clement's La Bataille du Rail. Also scheduled in August are two of the most striking French films noirs of the postwar period, Clouzot's Quai des Qrfevres and Yves All^gret's De'dee d'An vers, Simone Signoret's star-making vehicle. In September, the schedule will focus on the films of the 1950s, during the last flowering of the classic tradition before the tumult of the New Wave. Among the highlights are two film adaptations of Emile Zola's scathing social fiction—Julien Duvivier's Pot-Bouille and Marcel Carne*' s updated Therese Raquin—plus La Marie du Port, a rarely seen Carrie vehicle for France's most durable male star, Jean Gabin. Many of the most prominent French films of the '50s retreated into an acid-tinged nostalgia for the past; such resplendent examples of this tendency as Max Ophuls's La Ronde and Le Plaisir, Rene Clair's Les Grandes Manoeuvres and Les Belles-de-Nuit, and Jean Renoir's French Can-can are scheduled. -
Liste Des Praticiens Hospitaliers Temps Plein Nommés Dans Les Établissements Public De Santé Et Les Établissements Médico
Nomination sur poste aux tours de recrutement 2015 Liste des praticiens hospitaliers temps plein nommés dans les établissements public de santé et les établissements médico-sociaux aux tours de recrutement 2015 en application des articles R. 6152-8 et R. 6152-9 du code de la santé publique. Anesthésie-réanimation Spécialité : anesthésie-réanimation Région Département Etablissement / Service Praticien Date arrêté Alsace-Champagne- centre hospitalier de Rethel-Vouziers (groupe hospitalier Sud Ardennes M Popov (Vladimir) 01/07/2015 Ardenne-Lorraine Ardennes) Alsace-Champagne- Aube centre hospitalier de Troyes Mme Hamarova (Jaroslava) 01/06/2015 Ardenne-Lorraine Alsace-Champagne- Bas-Rhin centre hospitalier de Haguenau M Berger (Asael) 01/06/2015 Ardenne-Lorraine Alsace-Champagne- Bas-Rhin centre hospitalier de Haguenau Mme Nguedia (Christel) 01/06/2015 Ardenne-Lorraine Alsace-Champagne- Bas-Rhin centre hospitalier de Haguenau M Simon (Michael) 01/06/2015 Ardenne-Lorraine Alsace-Champagne- Bas-Rhin centre hospitalier de Saverne (Sainte-Catherine) M Hodoroh (Vyacheslav) 01/06/2015 Ardenne-Lorraine Alsace-Champagne- centre hospitalier de Sélestat (groupe hospitalier Sélestat - Bas-Rhin Mme Bliort (Simona) 10/09/2015 Ardenne-Lorraine Obernai) Alsace-Champagne- centre hospitalier universitaire de Strasbourg (hôpitaux Bas-Rhin M El Miloudi (Fayçal) 01/01/2016 Ardenne-Lorraine universitaires) Alsace-Champagne- centre hospitalier universitaire de Strasbourg (hôpitaux Bas-Rhin M Joganah (David) 01/01/2016 Ardenne-Lorraine universitaires) Alsace-Champagne- -
Ste 20090010 0001 P000.Pdf
Ministère du travail, des relations sociales, de la famille, de la solidarité et de la ville Santé Protection sociale Ministère de la santé et des sports Solidarité N° 10 - 15 novembre 2009 Plan de classement Sommaire thématique Sommaire chronologique DIRECTION DES JOURNAUX OFFICIELS Concours et vacance de postes 26, rue Desaix 75727 Paris Cedex 15 Avis de concours www.journal-officiel.gouv.fr Avis de vacance de postes Liste des textes parus au Journal officiel Directeur de la publication : François Carayon - Rédactrice en chef : Catherine Baude Réalisation : Bureau de la politique documentaire 14, avenue Duquesne, 75350 Paris 07 SP - Tél. : 01-40-56-45-44 15 novembre 2009 Plan de classement Administration Administration générale Administration centrale Services déconcentrés Autorités administratives indépendantes et établissements sous tutelle Santé Professions de santé Etablissements de santé Santé publique Pharmacie Solidarités Professions sociales Etablissements sociaux et médico-sociaux Action sociale Droits des femmes Population, migrations Protection sociale Sécurité sociale : organisation, financement Assurance maladie, maternité, décès Assurance vieillesse Accidents du travail Prestations familiales Mutuelles u . MINISTÈRE DU TRAVAIL, DES RELATION SOCIALES, DE LA FAMILLE, DE LA SOLIDATIÉ ET DE LA VILLE MINISTÈRE DE LA SANTÉ ET DES SPORTS Sommaire thématique Pages ___. ADMINISTRATION Administration générale Arrêté du 22 septembre 2009 modifiant l'arrêté du 29 mars 2005 portant nomination des représentants 1 de l'administration et des représentants du personnel au comité technique paritaire ministériel affaires sociales du ministère de l'emploi, du travail et de la cohésion sociale, du ministère des solidarités, de la santé et de la famille et du ministère de la parité et de l'égalité professionnelle Décision du 19 octobre 2009 portant délégation de signature à M. -
Fljc Jhmflau Gfaf Records —Bridge E EIGHT PAGES
Stage—Screen—Music Stamps—Camera—Art Books—Radio fljc Jhmflau gfaf Records —Bridge E EIGHT PAGES. WASHINGTON, D. C., MARCH 31, 1957 TODAY'S SCHEDULES ' *** * Gary fKm*• m Gabby Cooper Admits IS! vmEk. JhHMHQI 40'Jrr STAGE HK;« aj Hal.:lbßjeM j|S jQ ARENA—Three One Act Plays: “Bedtime Story.” "Portrait of HHg j § MB jfl^Bßa| a Madonna" and ‘Man of Destiny"; 8 pm. NATIONAL—Dark. “Hotel Paradiso” resumes tomorrow. His Taciturnity Just a Hoax CATHOLIC UNIVERSITY—Dark. “Don Camillo" By n ‘ resumes JAMES BACON ¥ 1 la" tomorrow. HaHni¦HEMP f s t# | pKa m m m -M _>a^BHBK'W^.VI 'i -a • ¦'.. HOLLYWOOD (ff). Let’s i 1 HI iJHn 11 »5l ;M|i||§# lw • SCREEN explode one of the most fa- AMBASSADOR—“Giant"; 1:15, p.m. mous of all Hollywood myths. 4:50 and 8:30 The myth—or good-natured CAPITOL—“Heaven Knows, Mr. Allison”; 1:30, 3:40, 5:45, * hoax—concerns Gary Coop- 7:50 and 9:55 p.m. , er's long publicized reputation COLONY—“The King and I”; 2, 4:25. 6:45 and 9:15 p.m. as a “yep" or “nope” yokel UMj/mJ jp***~f COLUMBIA—“The River’s Edge”; 1:40, 3:40, 6:45, 7:45 and who grunts in monosyllables. s 1 9:45 p.m. Actually, those who know Coop DUPONT—"GoId of Naples”; 1:25, 3:25, 5:30, 7:35, 9:40 p.m. best would put him on any list of the most sophisti- KElTH'S—"Tattered Dress”; 1:45, 3:45, 5:50, 7:50, 9:55 p.m.