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The Musical Number and the Sitcom
ECHO: a music-centered journal www.echo.ucla.edu Volume 5 Issue 1 (Spring 2003) It May Look Like a Living Room…: The Musical Number and the Sitcom By Robin Stilwell Georgetown University 1. They are images firmly established in the common television consciousness of most Americans: Lucy and Ethel stuffing chocolates in their mouths and clothing as they fall hopelessly behind at a confectionary conveyor belt, a sunburned Lucy trying to model a tweed suit, Lucy getting soused on Vitameatavegemin on live television—classic slapstick moments. But what was I Love Lucy about? It was about Lucy trying to “get in the show,” meaning her husband’s nightclub act in the first instance, and, in a pinch, anything else even remotely resembling show business. In The Dick Van Dyke Show, Rob Petrie is also in show business, and though his wife, Laura, shows no real desire to “get in the show,” Mary Tyler Moore is given ample opportunity to display her not-insignificant talent for singing and dancing—as are the other cast members—usually in the Petries’ living room. The idealized family home is transformed into, or rather revealed to be, a space of display and performance. 2. These shows, two of the most enduring situation comedies (“sitcoms”) in American television history, feature musical numbers in many episodes. The musical number in television situation comedy is a perhaps surprisingly prevalent phenomenon. In her introduction to genre studies, Jane Feuer uses the example of Indians in Westerns as the sort of surface element that might belong to a genre, even though not every example of the genre might exhibit that element: not every Western has Indians, but Indians are still paradigmatic of the genre (Feuer, “Genre Study” 139). -
Birth and Evolution of Korean Reality Show Formats
Georgia State University ScholarWorks @ Georgia State University Film, Media & Theatre Dissertations School of Film, Media & Theatre Spring 5-6-2019 Dynamics of a Periphery TV Industry: Birth and Evolution of Korean Reality Show Formats Soo keung Jung [email protected] Follow this and additional works at: https://scholarworks.gsu.edu/fmt_dissertations Recommended Citation Jung, Soo keung, "Dynamics of a Periphery TV Industry: Birth and Evolution of Korean Reality Show Formats." Dissertation, Georgia State University, 2019. https://scholarworks.gsu.edu/fmt_dissertations/7 This Dissertation is brought to you for free and open access by the School of Film, Media & Theatre at ScholarWorks @ Georgia State University. It has been accepted for inclusion in Film, Media & Theatre Dissertations by an authorized administrator of ScholarWorks @ Georgia State University. For more information, please contact [email protected]. DYNAMICS OF A PERIPHERY TV INDUSTRY: BIRTH AND EVOLUTION OF KOREAN REALITY SHOW FORMATS by SOOKEUNG JUNG Under the Direction of Ethan Tussey and Sharon Shahaf, PhD ABSTRACT Television format, a tradable program package, has allowed Korean television the new opportunity to be recognized globally. The booming transnational production of Korean reality formats have transformed the production culture, aesthetics and structure of the local television. This study, using a historical and practical approach to the evolution of the Korean reality formats, examines the dynamic relations between producer, industry and text in the -
Television Satire and Discursive Integration in the Post-Stewart/Colbert Era
University of Tennessee, Knoxville TRACE: Tennessee Research and Creative Exchange Masters Theses Graduate School 5-2017 On with the Motley: Television Satire and Discursive Integration in the Post-Stewart/Colbert Era Amanda Kay Martin University of Tennessee, Knoxville, [email protected] Follow this and additional works at: https://trace.tennessee.edu/utk_gradthes Part of the Journalism Studies Commons Recommended Citation Martin, Amanda Kay, "On with the Motley: Television Satire and Discursive Integration in the Post-Stewart/ Colbert Era. " Master's Thesis, University of Tennessee, 2017. https://trace.tennessee.edu/utk_gradthes/4759 This Thesis is brought to you for free and open access by the Graduate School at TRACE: Tennessee Research and Creative Exchange. It has been accepted for inclusion in Masters Theses by an authorized administrator of TRACE: Tennessee Research and Creative Exchange. For more information, please contact [email protected]. To the Graduate Council: I am submitting herewith a thesis written by Amanda Kay Martin entitled "On with the Motley: Television Satire and Discursive Integration in the Post-Stewart/Colbert Era." I have examined the final electronic copy of this thesis for form and content and recommend that it be accepted in partial fulfillment of the equirr ements for the degree of Master of Science, with a major in Communication and Information. Barbara Kaye, Major Professor We have read this thesis and recommend its acceptance: Mark Harmon, Amber Roessner Accepted for the Council: Dixie L. Thompson Vice Provost and Dean of the Graduate School (Original signatures are on file with official studentecor r ds.) On with the Motley: Television Satire and Discursive Integration in the Post-Stewart/Colbert Era A Thesis Presented for the Master of Science Degree The University of Tennessee, Knoxville Amanda Kay Martin May 2017 Copyright © 2017 by Amanda Kay Martin All rights reserved. -
Summer 2013 ■ Vol
Summer 2013 ■ Vol. 36, Issue 2 A news magazine of PACER Center, Inc. by and for parents of children and young adults with disabilities New bullying prevention law put on hold Proposed legislation designed to address bullying in Minnesota schools will not become law in 2013. Senate discussion of the Safe and Supportive Minnesota Schools Act was halted on the final day of the legislative session May 20. The bill had earlier passed in the Minnesota House of Representatives by a vote of 72-57. Jay Leno with Sheila (L) and Tom Sigecan (R) and their son Cameron, the winning live auction bidders on the Indian Chief motorcycle generously donated by Polaris Industries. Minnesota’s current bullying statute is just 37 words long. The proposed law would Leno anything but ordinary have established definitions of bullying, cyberbullying, at PACER’s 31st Annual Benefit harassment, and intimidation. It required schools to develop Backstage he seemed like just another ordinary guy, but Jay Leno’s headline reporting procedures, performance was the highlight of an extraordinary evening at PACER’s 31st investigate all formal reports Annual Benefit, presented by Whitebox Mutual Funds. The renowned comedian of incidents, and keep detailed had his audience rolling in the aisles May 11 as more than 2,500 PACER records to help improve school supporters gathered at the Minneapolis Convention Center. safety. It also required ongoing professional development “Jay was just terrific. What a show!” said Paula Goldberg, PACER’s executive to train teachers in bullying director and co-founder. “He made everyone laugh for over an hour without so prevention, and allocated funds much as a cue card. -
A Historical Study of Mental Health Programming in Commercial and Public Television from 1975 to 1980
Loyola University Chicago Loyola eCommons Dissertations Theses and Dissertations 1985 A Historical Study of Mental Health Programming in Commercial and Public Television from 1975 to 1980 Jan Jones Sarpa Loyola University Chicago Follow this and additional works at: https://ecommons.luc.edu/luc_diss Part of the Education Commons Recommended Citation Sarpa, Jan Jones, "A Historical Study of Mental Health Programming in Commercial and Public Television from 1975 to 1980" (1985). Dissertations. 2361. https://ecommons.luc.edu/luc_diss/2361 This Dissertation is brought to you for free and open access by the Theses and Dissertations at Loyola eCommons. It has been accepted for inclusion in Dissertations by an authorized administrator of Loyola eCommons. For more information, please contact [email protected]. This work is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 3.0 License. Copyright © 1985 Jan Jones Sarpa A HISTORICAL STUDY OF MENTAL HEALTH PROGRAMMING IN COMMERCIAL AND PUBLIC TELEVISION FROM 1975 TO 1980 by Jan Jones Sarpa A Dissertation Submitted to the Faculty of the Graduate School of L~yola University of Chicago in Partial Fulfillment of the Requirements for the Degree of Doctor of Education January 1985 Jan Jones Sarpa Loyola University of Chicago A HISTORICAL STUDY OF MENTAL HEALTH PROGRAMMING IN COMMERCIAL AND PUBLIC TELEVISION FROM 1975 TO 1980 There has been little to no research on the subject of mental health programming on television. This dissertation was undertaken to help alleviate this void and to discover trends and answer questions about such programming. The medium of television was researched specifically due to its access (98 percent of all U.S. -
Cast Biographies Chris Mann
CAST BIOGRAPHIES CHRIS MANN (The Phantom) rose to fame as Christina Aguilera’s finalist on NBC’s The Voice. Since then, his debut album, Roads, hit #1 on Billboard's Heatseekers Chart and he starred in his own PBS television special: A Mann For All Seasons. Chris has performed with the National Symphony for President Obama, at Christmas in Rockefeller Center and headlined his own symphony tour across the country. From Wichita, KS, Mann holds a Vocal Performance degree from Vanderbilt University and is honored to join this cast in his dream role. Love to the fam, friends and Laura. TV: Ellen, Today, Conan, Jay Leno, Glee. ChrisMannMusic.com. Twitter: @iamchrismann Facebook.com/ChrisMannMusic KATIE TRAVIS (Christine Daaé) is honored to be a member of this company in a role she has always dreamed of playing. Previous theater credits: The Most Happy Fella (Rosabella), Titanic (Kate McGowan), The Mikado (Yum- Yum), Jekyll and Hyde (Emma Carew), Wonderful Town (Eileen Sherwood). She recently performed the role of Cosette in Les Misérables at the St. Louis MUNY alongside Norm Lewis and Hugh Panero. Katie is a recent winner of the Lys Symonette award for her performance at the 2014 Lotte Lenya Competition. Thanks to her family, friends, The Mine and Tara Rubin Casting. katietravis.com STORM LINEBERGER (Raoul, Vicomte de Chagny) is honored to be joining this new spectacular production of The Phantom of the Opera. His favorite credits include: Lyric Theatre of Oklahoma: Disney’s The Little Mermaid (Prince Eric), Les Misérables (Feuilly). New London Barn Playhouse: Les Misérables (Enjolras), Singin’ in the Rain (Roscoe Dexter), The Music Man (Jacey Squires, Quartet), The Student Prince (Karl Franz u/s). -
(FCC) Complaints About Saturday Night Live (SNL), 2019-2021 and Dave Chappelle, 11/1/2020-12/10/2020
Description of document: Federal Communications Commission (FCC) Complaints about Saturday Night Live (SNL), 2019-2021 and Dave Chappelle, 11/1/2020-12/10/2020 Requested date: 2021 Release date: 21-December-2021 Posted date: 12-July-2021 Source of document: Freedom of Information Act Request Federal Communications Commission Office of Inspector General 45 L Street NE Washington, D.C. 20554 FOIAonline The governmentattic.org web site (“the site”) is a First Amendment free speech web site and is noncommercial and free to the public. The site and materials made available on the site, such as this file, are for reference only. The governmentattic.org web site and its principals have made every effort to make this information as complete and as accurate as possible, however, there may be mistakes and omissions, both typographical and in content. The governmentattic.org web site and its principals shall have neither liability nor responsibility to any person or entity with respect to any loss or damage caused, or alleged to have been caused, directly or indirectly, by the information provided on the governmentattic.org web site or in this file. The public records published on the site were obtained from government agencies using proper legal channels. Each document is identified as to the source. Any concerns about the contents of the site should be directed to the agency originating the document in question. GovernmentAttic.org is not responsible for the contents of documents published on the website. Federal Communications Commission Consumer & Governmental Affairs Bureau Washington, D.C. 20554 December 21, 2021 VIA ELECTRONIC MAIL FOIA Nos. -
'Tonight' Farewell
SATURDAY, FEBRUARY 8, 2014 This photo shows actor Hugh Grant (left) during an interview President Barack Obama during an interview with host Jay This photo provided by NBC shows Miley Cyrus (left) during with host Jay Leno. Leno. an interview with host Jay Leno, on NBC’s “The Tonight Show with Jay Leno.” — AP photos After 22 years, Leno bids ‘Tonight’ farewell ake way for Jimmy Fallon, “Tonight Show” host Jay Leno end- Obamacare.” But later Leno was serious, even choking up, when he late-night host made America feel a little better at bedtime and invok- ed a stellar if sometimes stormy run Thursday night with high shared that he’d lost his mother the first year he became “Tonight” ing his predecessor, Johnny Carson. Leno’s “Tonight” tenure was sec- Memotion at concluding what he termed “the greatest 22 years host, his dad the second and then his brother. ond in length only to Carson’s 30 years. of my life.” Calling himself “the luckiest guy in the world,” Leno went “And after that I was pretty much out of family. And the folks here “You were handed the baton by one of the all-time greats. But once out on top, which was where he stayed for most of his stretch as the became my family,” he said of the crew and staff of “Tonight.” The ten- it was in your grasp, you ran the race,” Crystal said. He and Leno, long- successor to “King of Late Night” Johnny Carson. His exit, not entirely der moments had a heightened effect on a show that was mostly aim- time friends, reminisced about the old days, with Leno recalling how by choice, now clears the deck for yet another chapter of the 60-year- ing for laughs, with traditional monologue jokes, clips from old shows Crystal and other comedians visiting his town, Boston, stayed in Leno’s old talk show, with Fallon taking over as “Tonight” moves back to New and a wild assortment of celebrities helping him close the book. -
Student Profile 2018-2019
VISITMUSICCITY.COM NASHVILLE WAS NAMED ONE OF THE TOP TEN STUDENT DESTINATIONS IN 2018 BY SYTA. LEARN (Student Youth and Travel Organization, April 2018) Adventure Science Center Experience Nashville Tours The Parthenon adventuresci.org experiencenashvilletours.com parthenon.org Andrew Jackson’s Hermitage Echoes of Nashville Walking Tours The Upper Room Chapel & Museum thehermitage.com echoesofnashville.com upperroom.org Belle Meade Plantation Frist Art Museum United Street Tours bellemeadeplantation.com fristartmuseum.org unitedstreettours.com Belmont Mansion Hatch Show Print belmontmansion.com hatchshowprint.org Group recording with Meghan Linsey on Nashville Studio Tour Bicentennial Capitol Mall State Park Historic Travellers Rest tnstateparks.com travellersrestplantation.org Chaffin’s Barn Theatre Lane Motor Museum dinnertheatre.com lanemotormuseum.org Cheekwood Estate and Gardens Plaza Mariachi Music City cheekwood.org plazamariachi.com NEW Frist Art Museum Chocolate classes at the Goo Goo Cluster Shop and Dessert Bar googoo.com Student group recordings at historic Sound Stage Studios with Imagine Recordings PLAY imaginerecordings.com Adventureworks Live variety show featuring 60 years of Nashville music at The Music of Nashville adventureworks.com themusicofnashville.com Amazing Scavenger Hunt Adventure Interactive workshop with The Voice runner-up Meghan Linsey on the new Nashville Studio Tour urbanadventurequest.com nashvillestudiotour.com Dave & Buster’s daveandbusters.com/Nashville New two-floor, 137,000 square foot Tennessee -
Politics of Parody
Bryant University Bryant Digital Repository English and Cultural Studies Faculty English and Cultural Studies Journal Articles Publications and Research Winter 2012 Live From New York, It's the Fake News! Saturday Night Live and the (Non)Politics of Parody Amber Day Bryant University Ethan Thompson Texas A & M University - Corpus Christi, [email protected] Follow this and additional works at: https://digitalcommons.bryant.edu/eng_jou Part of the Other Arts and Humanities Commons, Other Film and Media Studies Commons, and the Television Commons Recommended Citation Day, Amber and Thompson, Ethan, "Live From New York, It's the Fake News! Saturday Night Live and the (Non)Politics of Parody" (2012). English and Cultural Studies Journal Articles. Paper 44. https://digitalcommons.bryant.edu/eng_jou/44 This Article is brought to you for free and open access by the English and Cultural Studies Faculty Publications and Research at Bryant Digital Repository. It has been accepted for inclusion in English and Cultural Studies Journal Articles by an authorized administrator of Bryant Digital Repository. For more information, please contact [email protected]. 1 Live from New York, It’s the Fake News! Saturday Night Live and the (Non)Politics of Parody Amber Day Assistant Professor English and Cultural Studies Bryant University 401-952-3933 [email protected] Ethan Thompson Associate Professor Department of Communication Texas A&M University - Corpus Christi 361-876-5200 [email protected] 2 Abstract Though Saturday Night Live’s “Weekend Update” has become one of the most iconic of fake news programs, it is remarkably unfocused on either satiric critique or parody of particular news conventions. -
Joan Rivers Biography
JOAN RIVERS BIOGRAPHY JOAN RIVERS is a force of nature and one of the hardest-working celebrities in the world. An entertainment legend of unparalleled accomplishment and talent, she’s an internationally renowned comedienne, Tony- nominated actress, best-selling author, Emmy Award-winning television talk show host, playwright, screenwriter, motion picture director, columnist, lecturer, syndicated radio host, jewelry designer and cosmetic company entrepreneur, red carpet fashion laureate, businesswoman -- and most importantly, a proud mother and grandmother. Joan has enjoyed an illustrious career spanning more than four decades in the entertainment industry and beyond, and as her recent accomplishments reveal, she’s as robust and hard- working as ever. In 2009, she starred in NBC’s hit reality series The Celebrity Apprentice with her daughter Melissa, emerging as the Season Two winner. She also celebrated the publication of two critically acclaimed, best-selling books: Men Are Stupid and They Like Big Boobs: A Woman’s Guide to Beauty Through Plastic Surgery and Murder at the Academy Awards: A Red Carpet Murder Mystery, both published by Simon & Schuster. She received a Daytime Emmy nomination for her portrayal of Bubbe in PBS’ award-winning animated children’s series Arthur, gave life to the character, Dot Matrix in the animated series, Spaceballs, played an eccentric aunt in two seasons of IFC’s popular mockumentary series Z Rock, and wowed audiences at The Underbelly in London with her comedy show Unplugged and Uncensored. In August 2009, the iconic funny woman will be roasted, toasted, and honored in The Comedy Central Roast of Joan Rivers. This will mark the highly-anticipated debut of her new TV Land reality series, How’d You Get So Rich?, a candid look at the extravagant lifestyles of fabulously rich entrepreneurs and innovators. -
Super Bowl XLVIII on FOX Broadcast Guide
TABLE OF CONTENTS MEDIA INFORMATION 1 PHOTOGRAPHY 2 FOX SUPER BOWL SUNDAY BROADCAST SCHEDULE 3-6 SUPER BOWL WEEK ON FOX SPORTS 1 TELECAST SCHEDULE 7-10 PRODUCTION FACTS 11-13 CAMERA DIAGRAM 14 FOX SPORTS AT SUPER BOWL XLVIII FOXSports.com 15 FOX Sports GO 16 FOX Sports Social Media 17 FOX Sports Radio 18 FOX Deportes 19-21 SUPER BOWL AUDIENCE FACTS 22-23 10 TOP-RATED PROGRAMS ON FOX 24 SUPER BOWL RATINGS & BROADCASTER HISTORY 25-26 FOX SPORTS SUPPORTS 27 SUPERBOWL CONFERENCE CALL HIGHLIGHTS 28-29 BROADCASTER, EXECUTIVE & PRODUCTION BIOS 30-62 MEDIA INFORMATION The Super Bowl XLVIII on FOX broadcast guide has been prepared to assist you with your coverage of the first-ever Super Bowl played outdoors in a northern locale, coming Sunday, Feb. 2, live from MetLife Stadium in East Rutherford, NJ, and it is accurate as of Jan. 22, 2014. The FOX Sports Communications staff is available to assist you with the latest information, photographs and interview requests as needs arise between now and game day. SUPER BOWL XLVIII ON FOX CONFERENCE CALL SCHEDULE CALL-IN NUMBERS LISTED BELOW : Thursday, Jan. 23 (1:00 PM ET) – FOX SUPER BOWL SUNDAY co-host Terry Bradshaw, analyst Michael Strahan and FOX Sports President Eric Shanks are available to answer questions about the Super Bowl XLVIII pregame show and examine the matchups. Call-in number: 719-457-2083. Replay number: 719-457-0820 Passcode: 7331580 Thursday, Jan. 23 (2:30 PM ET) – SUPER BOWL XLVIII ON FOX broadcasters Joe Buck and Troy Aikman, Super Bowl XLVIII game producer Richie Zyontz and game director Rich Russo look ahead to Super Bowl XLVIII and the network’s coverage of its seventh Super Bowl.