492 Great Things About Being Italian by Boze Hadleigh
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Summer Classic Film Series, Now in Its 43Rd Year
Austin has changed a lot over the past decade, but one tradition you can always count on is the Paramount Summer Classic Film Series, now in its 43rd year. We are presenting more than 110 films this summer, so look forward to more well-preserved film prints and dazzling digital restorations, romance and laughs and thrills and more. Escape the unbearable heat (another Austin tradition that isn’t going anywhere) and join us for a three-month-long celebration of the movies! Films screening at SUMMER CLASSIC FILM SERIES the Paramount will be marked with a , while films screening at Stateside will be marked with an . Presented by: A Weekend to Remember – Thurs, May 24 – Sun, May 27 We’re DEFINITELY Not in Kansas Anymore – Sun, June 3 We get the summer started with a weekend of characters and performers you’ll never forget These characters are stepping very far outside their comfort zones OPENING NIGHT FILM! Peter Sellers turns in not one but three incomparably Back to the Future 50TH ANNIVERSARY! hilarious performances, and director Stanley Kubrick Casablanca delivers pitch-dark comedy in this riotous satire of (1985, 116min/color, 35mm) Michael J. Fox, Planet of the Apes (1942, 102min/b&w, 35mm) Humphrey Bogart, Cold War paranoia that suggests we shouldn’t be as Christopher Lloyd, Lea Thompson, and Crispin (1968, 112min/color, 35mm) Charlton Heston, Ingrid Bergman, Paul Henreid, Claude Rains, Conrad worried about the bomb as we are about the inept Glover . Directed by Robert Zemeckis . Time travel- Roddy McDowell, and Kim Hunter. Directed by Veidt, Sydney Greenstreet, and Peter Lorre. -
Anthony Quinn
The T’ang Horse: Anthony Quinn Curated by Ysabel Pinyol An intimate look at the late actor’s legacy through the lens of his own art works and art collection January 24 – August 1, 2016 Anthony Quinn with his sculpture Windblown Lady, marble, c.1982. Photographer unknown. Courtesy of The Anthony Quinn Foundation. January 11, 2015 — Mana Contemporary is pleased to of more than 3,000 objects that included art works, rare present The T’ang Horse: Anthony Quinn, an exhibition of books, antiques, African masks, decorative eggs and Anthony Quinn’s own art, accompanied by a selection of an array of found objects such as rocks and fragments pieces from his vast personal collection that he acquired of coral. throughout his life and travels. The T’ang Horse: Anthony Quinn brings together a repre- Known primarily as an actor, Anthony Quinn was also an sentative sampling of Quinn’s own art works, juxtapos- accomplished visual artist. Over the course of his long life ing them with pieces from his collection. The exhibition is he produced an extensive oeuvre of paintings, drawings named after an antique Chinese ceramic horse sculpture, and sculptures. At the same time, Quinn was a voracious the first artwork Quinn purchased as a young man. Quinn’s and obsessive collector, amassing a personal collection art and his collecting were inextricably entwined, and both 1 / 2 were nourished and influenced by his constant travels as About The Anthony Quinn Foundation an international film star. Taken together, the objects in The Anthony Quinn Foundation creates and administers the exhibition trace the intersection between Quinn’s life, innovative programs to advance the idea that art, in all art, and film career, presenting a portrait of a prodigious- its forms, is essential to learning and the enrichment of ly talented and endlessly driven man who, in the words of the mind. -
Summer 2013 ■ Vol
Summer 2013 ■ Vol. 36, Issue 2 A news magazine of PACER Center, Inc. by and for parents of children and young adults with disabilities New bullying prevention law put on hold Proposed legislation designed to address bullying in Minnesota schools will not become law in 2013. Senate discussion of the Safe and Supportive Minnesota Schools Act was halted on the final day of the legislative session May 20. The bill had earlier passed in the Minnesota House of Representatives by a vote of 72-57. Jay Leno with Sheila (L) and Tom Sigecan (R) and their son Cameron, the winning live auction bidders on the Indian Chief motorcycle generously donated by Polaris Industries. Minnesota’s current bullying statute is just 37 words long. The proposed law would Leno anything but ordinary have established definitions of bullying, cyberbullying, at PACER’s 31st Annual Benefit harassment, and intimidation. It required schools to develop Backstage he seemed like just another ordinary guy, but Jay Leno’s headline reporting procedures, performance was the highlight of an extraordinary evening at PACER’s 31st investigate all formal reports Annual Benefit, presented by Whitebox Mutual Funds. The renowned comedian of incidents, and keep detailed had his audience rolling in the aisles May 11 as more than 2,500 PACER records to help improve school supporters gathered at the Minneapolis Convention Center. safety. It also required ongoing professional development “Jay was just terrific. What a show!” said Paula Goldberg, PACER’s executive to train teachers in bullying director and co-founder. “He made everyone laugh for over an hour without so prevention, and allocated funds much as a cue card. -
The Age of Innocence Showcase Tribute to Claudia Cardinale
PRESS RELEASE The age of innocence showcase Tribute to Claudia Cardinale From Monday 5 to Monday 26 March 2018, 3.30 p.m. “Mario Gromo” Library/Mediatheque – Events Room - Via Matilde Serao 8/A, Turin tel. +39 011 8138 599 - email: [email protected] Following the success of the showcases offered by the Mario Gromo Library/Mediatheque over the past months, in March it is the turn of a tribute to one of the most representative and beloved Italian actresses: Claudia Cardinale. Focusing on the time span between 1959 and 1961, during which the actress shot a good 15 films, The age of innocence. Tribute to Claudia Cardinale is proposing a significant selection of titles which illustrate this thespian’s maturity well and her sensitive capability for offering intensely dramatic introspective characters. Fragility and determination, naiveté and innocence, awareness and disenchantment are the emotional and- personality traits that young Cardinale – provided with charm, allure and a natural, luminous beauty – expresses in this first phase of her long and fortunate career. Extraordinarily photogenic, the actress imposed herself at the beginning of the Sixties as a new female diva model in Italian cinema, working with some of the most important authors of that period, who found a degree of expressiveness that was both sunny and enigmatic in her person, capable of expressing the establishment of a new, signally modern type of woman. The showcase will be inaugurated by the screening of Vento del sud, the only film by Enzo Provenzale (a trusted collaborator of Francesco Rosi), in which Cardinale plays the role of an aristocratic and unhappy Sicilian scion. -
October 5, 2010 (XXI:6) Federico Fellini, 8½ (1963, 138 Min)
October 5, 2010 (XXI:6) Federico Fellini, 8½ (1963, 138 min) Directed by Federico Fellini Story by Federico Fellini & Ennio Flaiano Screenplay by Ennio Flaiano, Tullio Pinelli, Federico Fellini & Brunello Rondi Produced by Angelo Rizzoli Original Music by Nino Rota Cinematography by Gianni Di Venanzo Film Editing by Leo Cattozzo Production Design by Piero Gherardi Art Direction by Piero Gherardi Costume Design by Piero Gherardi and Leonor Fini Third assistant director…Lina Wertmüller Academy Awards for Best Foreign Picture, Costume Design Marcello Mastroianni...Guido Anselmi Claudia Cardinale...Claudia Anouk Aimée...Luisa Anselmi Sandra Milo...Carla Hazel Rogers...La negretta Rossella Falk...Rossella Gilda Dahlberg...La moglie del giornalista americano Barbara Steele...Gloria Morin Mario Tarchetti...L'ufficio di stampa di Claudia Madeleine Lebeau...Madeleine, l'attrice francese Mary Indovino...La telepata Caterina Boratto...La signora misteriosa Frazier Rippy...Il segretario laico Eddra Gale...La Saraghina Francesco Rigamonti...Un'amico di Luisa Guido Alberti...Pace, il produttore Giulio Paradisi...Un'amico Mario Conocchia...Conocchia, il direttore di produzione Marco Gemini...Guido da ragazzo Bruno Agostini...Bruno - il secundo segretario di produzione Giuditta Rissone...La madre di Guido Cesarino Miceli Picardi...Cesarino, l'ispettore di produzione Annibale Ninchi...Il padre di Guido Jean Rougeul...Carini, il critico cinematografico Nino Rota...Bit Part Mario Pisu...Mario Mezzabotta Yvonne Casadei...Jacqueline Bonbon FEDERICO FELLINI -
Cast Biographies Chris Mann
CAST BIOGRAPHIES CHRIS MANN (The Phantom) rose to fame as Christina Aguilera’s finalist on NBC’s The Voice. Since then, his debut album, Roads, hit #1 on Billboard's Heatseekers Chart and he starred in his own PBS television special: A Mann For All Seasons. Chris has performed with the National Symphony for President Obama, at Christmas in Rockefeller Center and headlined his own symphony tour across the country. From Wichita, KS, Mann holds a Vocal Performance degree from Vanderbilt University and is honored to join this cast in his dream role. Love to the fam, friends and Laura. TV: Ellen, Today, Conan, Jay Leno, Glee. ChrisMannMusic.com. Twitter: @iamchrismann Facebook.com/ChrisMannMusic KATIE TRAVIS (Christine Daaé) is honored to be a member of this company in a role she has always dreamed of playing. Previous theater credits: The Most Happy Fella (Rosabella), Titanic (Kate McGowan), The Mikado (Yum- Yum), Jekyll and Hyde (Emma Carew), Wonderful Town (Eileen Sherwood). She recently performed the role of Cosette in Les Misérables at the St. Louis MUNY alongside Norm Lewis and Hugh Panero. Katie is a recent winner of the Lys Symonette award for her performance at the 2014 Lotte Lenya Competition. Thanks to her family, friends, The Mine and Tara Rubin Casting. katietravis.com STORM LINEBERGER (Raoul, Vicomte de Chagny) is honored to be joining this new spectacular production of The Phantom of the Opera. His favorite credits include: Lyric Theatre of Oklahoma: Disney’s The Little Mermaid (Prince Eric), Les Misérables (Feuilly). New London Barn Playhouse: Les Misérables (Enjolras), Singin’ in the Rain (Roscoe Dexter), The Music Man (Jacey Squires, Quartet), The Student Prince (Karl Franz u/s). -
'Tonight' Farewell
SATURDAY, FEBRUARY 8, 2014 This photo shows actor Hugh Grant (left) during an interview President Barack Obama during an interview with host Jay This photo provided by NBC shows Miley Cyrus (left) during with host Jay Leno. Leno. an interview with host Jay Leno, on NBC’s “The Tonight Show with Jay Leno.” — AP photos After 22 years, Leno bids ‘Tonight’ farewell ake way for Jimmy Fallon, “Tonight Show” host Jay Leno end- Obamacare.” But later Leno was serious, even choking up, when he late-night host made America feel a little better at bedtime and invok- ed a stellar if sometimes stormy run Thursday night with high shared that he’d lost his mother the first year he became “Tonight” ing his predecessor, Johnny Carson. Leno’s “Tonight” tenure was sec- Memotion at concluding what he termed “the greatest 22 years host, his dad the second and then his brother. ond in length only to Carson’s 30 years. of my life.” Calling himself “the luckiest guy in the world,” Leno went “And after that I was pretty much out of family. And the folks here “You were handed the baton by one of the all-time greats. But once out on top, which was where he stayed for most of his stretch as the became my family,” he said of the crew and staff of “Tonight.” The ten- it was in your grasp, you ran the race,” Crystal said. He and Leno, long- successor to “King of Late Night” Johnny Carson. His exit, not entirely der moments had a heightened effect on a show that was mostly aim- time friends, reminisced about the old days, with Leno recalling how by choice, now clears the deck for yet another chapter of the 60-year- ing for laughs, with traditional monologue jokes, clips from old shows Crystal and other comedians visiting his town, Boston, stayed in Leno’s old talk show, with Fallon taking over as “Tonight” moves back to New and a wild assortment of celebrities helping him close the book. -
Amici Vol6issue1
A UR LT U C A M I C I S Z VOLUME 12 ISSUE 1 T I O A R IA I Y A PUBLICATION OF THE ITALIAN CULTURAL SOCIETY TAL IET IAN CULTURAL SOC ICS PRESIDENT’S PERSPECTIVE Cari amici, T he fall season of the Italian Cultural Society is beginning as the summer season comes to an end. I hope all of you had a pleasurable summer and are looking forward to our 2010/11 season of cultural programs and events. For the members who are in the Naples area in October, there is a Columbus Day luncheon planned for the 11th of Castel Sant’Angelo — Ancient Rome October at Molino’s Ristorante in Bonita Springs. allowed no tombs within its walls, so Emperor Hadrian chose a This season we continue to focus our programs on the region of Lazio with commanding position across the river lectures on ancient times to Middle Ages to contemporary Italy. The for the site of his mausoleum built in “Welcome Back Brunch” will be held on Sunday, November 14, 2010 at The 139 A.D. Renamed after the Plantation Restaurant at The Dunes and will feature a presentation by Archangel Michael appeared to Pope members Ron Diorio and Ken Pedini. Their topic is “The Etruscans and Early Gregory the Great, Castel Sant’Angelo Roman Kingdom: History or the Real Story”. This venue offers a comfortable connects to the Vatican by a corridor. setting for our new members to meet our society membership, and for all to get reacquainted after our summer season. -
Moneyball' Bit Player Korach Likes Film
A’s News Clips, Tuesday, October 11, 2011 'Moneyball' bit player Korach likes film ... and Howe Ron Kantowski, Las Vegas Review Ken Korach's voice can be heard for about 22 seconds in the hit baseball movie "Moneyball," now showing at a theater near you. That's probably not enough to warrant an Oscar nomination, given Anthony Quinn holds the record for shortest amount of time spent on screen as a Best Supporting Actor of eight minutes, as painter Paul Gaugin in 1956's "Lust for Life." But whereas Brad Pitt only stars in "Moneyball," longtime Las Vegas resident Korach lived the 2002 season as play-by- play broadcaster for the Oakland Athletics, who set an American League record by winning 20 consecutive games. And though Korach's 45-minute interview about that season wound up on the cutting-room floor -- apparently along with photographs of the real Art Howe, the former A's manager who was nowhere near as rotund (or cantankerous) as Philip Seymour Hoffman made him out to be in the movie -- Korach said director Bennett Miller and the Hollywood people got it right. Except, perhaps, for the part about Art Howe. "I wish they had done a more flattering portrayal of Art ... but it's Hollywood," Korach said of "Moneyball," based on author Michael Lewis' 2003 book of the same name. "They wanted to show conflict between Billy and Art." Billy is Billy Beane, who was general manager of the Athletics then and still is today. Beane is credited with adapting the so-called "Moneyball" approach -- finding value in players based on sabermetric statistical data and analysis, rather than traditional scouting values such as hitting home runs and stealing bases -- to building a ballclub. -
Flickers Honors Anthony Quinn, Adopted Rhode Islander, on 100Th Birthday
Flickers Honors Anthony Quinn, Adopted Rhode Islander, on 100th Birthday Nominated for acting Oscars four times and winning twice, Anthony Quinn was one of the most prolific and recognizable actors of the 20th century. He appeared in over 160 films released between 1936 and 2002, many of them considered among the best of all-time or at least definitive in their genre. Born Antonio Rodolfo Quinn Oaxaca in Mexico in 1915, the actor lived the final years of his life in Bristol. After his death in 2001 at the age of 86, the town granted a request by his widow that he be buried in a private grave on the family estate off Poppasquash Rd. To commemorate this adopted son of its home state, Flickers: The Rhode Island International Film Festival, is holding a major curated retrospective running through Nov 2015 that will showcase 32 of his films. “We’re screening a large, large collection of his work,” said Shawn Quirk, RIFF programming director. He said that the retrospective was undertaken with the co-operation of Quinn’s widow, Kathy Benvin Quinn. Quinn’s mixed-heritage Hispanic ancestry – his mother was Irish and Mexican, and his father was of indigenous Nahuatl (Aztec) descent – allowed him to play a wide variety of ethnic roles, ranging from Bedouin Arab (Auda ibu Tayi, Lawrence of Arabia, 1962) to continental Greek (Alexis Zorba, Zorba the Greek, 1964). Some roles depended upon this flexibility, such the lead Johann Moritz in The 25th Hour (1967), a Romanian peasant during World War II who is mistaken for a Jew and sent to a concentration camp, reclassified as Aryan and conscripted into the Waffen SS, and then prosecuted as a war criminal. -
Teaching World History with Major Motion Pictures
Social Education 76(1), pp 22–28 ©2012 National Council for the Social Studies The Reel History of the World: Teaching World History with Major Motion Pictures William Benedict Russell III n today’s society, film is a part of popular culture and is relevant to students’ as well as an explanation as to why the everyday lives. Most students spend over 7 hours a day using media (over 50 class will view the film. Ihours a week).1 Nearly 50 percent of students’ media use per day is devoted to Watching the Film. When students videos (film) and television. With the popularity and availability of film, it is natural are watching the film (in its entirety that teachers attempt to engage students with such a relevant medium. In fact, in or selected clips), ensure that they are a recent study of social studies teachers, 100 percent reported using film at least aware of what they should be paying once a month to help teach content.2 In a national study of 327 teachers, 69 percent particular attention to. Pause the film reported that they use some type of film/movie to help teach Holocaust content. to pose a question, provide background, The method of using film and the method of using firsthand accounts were tied for or make a connection with an earlier les- the number one method teachers use to teach Holocaust content.3 Furthermore, a son. Interrupting a showing (at least once) national survey of social studies teachers conducted in 2006, found that 63 percent subtly reminds students that the purpose of eighth-grade teachers reported using some type of video-based activity in the of this classroom activity is not entertain- last social studies class they taught.4 ment, but critical thinking. -
Oficio De Libres Del Ancestral Y Contemporanero Arte De Los Titeres.Pdf
Martín Molina Castillo OFICIO DE LIBRES Del ancestral y contemporáneo arte de los títeres Editado por: Asociación Cultural Tárbol Teatro de Títeres Av. Sucre 652, Interior G, Magdalena del Mar. Lima, Perú http://tarbol.blogspot.pe/ 986516403 / 997621706 [email protected] Impreso en: Editorial San Marcos, de Aníbal Jesús Paredes Galván, situado en Av. Las Lomas 1600, Urb. Mangomarca, San Juan de Lurigancho, Lima, Lima. RUC: 10090984344 Diciembre de 2017 Hecho el depósito legal en la Biblioteca Nacional del Perú N° 2018-00028 ISBN: 978-612-47614-0-9 Autor: Lauro Martín Molina Castillo [email protected] Fotografía: Archivo Tárbol, Isaac Lukacs y cortesía de otros autores y organizaciones Diseño gráfico: Johnny Sánchez Asesoria editorial: Álvaro Lasso, Daniel Segovia, Diego Rojas, Estefanía Lay, Gustavo Gutiérrez, Hilary Meza, Julio Vega, Karen Basauri, Leidy Ortega Edición apoyada por el Ministerio de Cultura a través de la Convocatoria 2017 de Sistematización de Experiencias y Publicaciones de Puntos de Cultura Prohibida la reproducción total o parcial de esta obra, sin previa autorización escrita del autor y el editor. © Asociación Cultural Tárbol Teatro de Títeres Todos los derechos reservados. Primera Edición, enero 2018 Tiraje: 500 ejemplares Las opiniones expresadas en la presente publicación son de exclusiva responsabilidad del autor El arte de los títeres: nociones básicas de la técnica hacia la estética Memoria Titiritera Peruana PARTE I enmarcadas en la mística 28 PARTE III 210 CAPÍTULO 1 - La especificidad del arte