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Annual Report CF AG 2008
CF_GB_2008_E_300309.qxd:Layout 1 30.03.2009 19:25 Uhr Seite 2 CONTENTS/ Annual Report 2008 Pages 5/6 -- Foreword Pages 7/9 -- Report by the Supervisory Board Pages 11/12 -- Corporate strategy Page 13 -- The 5-sector strategy Page 15 onwards -- Investor relations Page 23 -- Contents / financial information Page 25 onwards -- Combined management report of the Group and AG for the 2008 fiscal year Page 62 onwards -- Consolidated financial statements Pages 144/145 -- AG balance sheet Page 146 -- AG income statement Page 147 onwards -- Filmography Page 166 onwards -- Terminology Page 171 -- Summary of equity interests CF_GB_2008_E_300309.qxd:Layout 1 30.03.2009 19:25 Uhr Seite 3 KEY FIGURES / Group 01.01. – 01.01. – 31.12.2007 31.12.2008 € million € million Sales 225.0 248.5 of which in-house and co-productions 178.9 203.7 of which third-party productions 46.1 44.7 EBITDA 81.7 104.9 Gross profit 32.0 35.5 Operating result 12.4 15.1 Earnings for the year attributable to the shareholders of the parent company 6.2 10.5 Investments in film assets 79.1 73.6 Depreciation of film assets 68.2 88.9 31.12.2007 31.12.2008 Film assets 181.7 166.3 Equity 74.6 84.7 Balance sheet total 333.3 339.5 Permanent employees (number) 481 500 Earnings per share in € (undiluted and diluted) 0.49 0.83 Annual Report 2008 | | Page 3 CF_GB_2008_E_300309.qxd:Layout 1 30.03.2009 19:25 Uhr Seite 4 CF_GB_2008_E_300309.qxd:Layout 1 30.03.2009 19:25 Uhr Seite 5 FOREWORD by the Management Board of Constantin Film AG Dear shareholders, dear friends of Constantin Film AG, A positive trend compared with the previous year was apparent again the industry’s overall cost burden, to offer audiences a larger selection in the German theatrical industry in 2008. -
Deutsche Nationalbibliografie 2021 T 01
Deutsche Nationalbibliografie Reihe T Musiktonträgerverzeichnis Monatliches Verzeichnis Jahrgang: 2021 T 01 Stand: 06. Januar 2021 Deutsche Nationalbibliothek (Leipzig, Frankfurt am Main) 2021 ISSN 1613-8945 urn:nbn:de:101-202011201771 2 Hinweise Die Deutsche Nationalbibliografie erfasst eingesandte Pflichtexemplare in Deutschland veröffentlichter Medienwerke, aber auch im Ausland veröffentlichte deutschsprachige Medienwerke, Übersetzungen deutschsprachiger Medienwerke in andere Sprachen und fremdsprachige Medienwerke über Deutschland im Original. Grundlage für die Anzeige ist das Gesetz über die Deutsche Nationalbibliothek (DNBG) vom 22. Juni 2006 (BGBl. I, S. 1338). Monografien und Periodika (Zeitschriften, zeitschriftenartige Reihen und Loseblattausgaben) werden in ihren unterschiedlichen Erscheinungsformen (z.B. Papierausgabe, Mikroform, Diaserie, AV-Medium, elektronische Offline-Publikationen, Arbeitstransparentsammlung oder Tonträger) angezeigt. Alle verzeichneten Titel enthalten einen Link zur Anzeige im Portalkatalog der Deutschen Nationalbibliothek und alle vorhandenen URLs z.B. von Inhaltsverzeichnissen sind als Link hinterlegt. Die Titelanzeigen der Musiktonträger in Reihe T sind, wie sche Katalogisierung von Ausgaben musikalischer Wer- auf der Sachgruppenübersicht angegeben, entsprechend ke (RAK-Musik)“ unter Einbeziehung der „International der Dewey-Dezimalklassifikation (DDC) gegliedert, wo- Standard Bibliographic Description for Printed Music – bei tiefere Ebenen mit bis zu sechs Stellen berücksichtigt ISBD (PM)“ zugrunde. -
Guck Mal, Wie
I DEBATTE I 18.12.2020 · Nr. 51/52 I epd medien 3 Guck mal, wie süß Von Babys und Influencern / Von Cornelia Holsten epd Es gibt durchaus Babyfotos von Influencern, die im Schutzraum der Kinder - ihrem eigenen Zimmer - an die Bilder von Anne Geddes erinnern. Für alle, die fotografiert und nicht in einem separaten Studio. nach 1980 geboren sind und vielleicht nicht wissen, wer Anne Geddes ist: Von ihr stammen zahlreiche Fotos Zu Recht verweisen sogar die kürzlich herausgegebenen von Babys in ungewöhnlichen Situationen, zum Beispiel Handlungsempfehlungen einer Arbeitsgruppe um den in der Blüte einer Blume, als Biene oder auch der Verein Media Smart darauf, dass das Kinderzimmer für Oberkörper eines Babys montiert auf einen Blumentopf. Drehaufnahmen tabu sein sollte, um die Privatsphäre von Kindern zu schützen (vgl. Meldung in dieser Ausgabe). Der wichtigste Unterschied zwischen den Fotos von da- Die Empfehlungen richten sich an Kinder-Influencer, die mals und den Posts von heute liegt in der kommerziellen selbst - mit Hilfe ihrer Eltern - Content produzieren. Dem Ausrichtung. Früher ging es vor allem um eine künst- Verein gehören beispielsweise Lego, Ferrero und Super lerische Form der Fotomontage, und die Vermarktung RTL an. Aber es gibt einen großen Unterschied zwischen sollte allenfalls darüber erfolgen, dass diese Bilder ver- Kinder-Influencern und Babys, deren kommerzialisierte kauft wurden. Demgegenüber geht es den Influencern, Fotos von ihren Influencer-Eltern gepostet werden, die Fotos ihrer Babys posten, in der Regel um reines bevor sie sprechen und laufen können. Das sieht auch Marketing. Was zählt, sind Klicks und die Schaffung der Gesetzgeber so. von Reichweite. Den zweiten Unterschied konnte man sich in den 80er Jahren noch gar nicht vorstellen: Keine Regulierungsmöglichkeit Influencer, die Babyfotos posten, nehmen in Kauf, dass hier Bilder und Videos von Kindern mit sensiblen Daten epd Fast jeder hat das wohl schon einmal ge- wie Geburtsdatum, Wohnort und vollständigem Namen sehen: Influencerinnen und Influencer, die verknüpft werden. -
DFP 2008 Nominierung Hintergrundinfos Final
DER DEUTSCHE FERNSEHPREIS 2008 Hintergrundinformationen zu den Nominierungen I. Werkkategorien II. Personale Kategorien III. Die Nominierung in Zahlen Stand: 16. September 2008 Sperrfrist: bis Mittwoch, 17. September 2008, 11.00 Uhr Ständiges Sekretariat Im Mediapark 5b 50670 Köln Tel: 0221 454 3030 Fax: 0221 454 3039 [email protected] www.deutscherfernsehpreis.de Inhalt I. Werkkategorien S. 3 1. Bester Fernsehfilm/Mehrteiler S. 3 2. Beste Serie S. 5 3. Beste Dokumentation S. 7 4. Beste Reportage S. 7 5. Freie Kategorie: Beste Reality-Sendung S. 8 6. Beste Informationssendung: Beste Wissenssendung S. 9 7. Beste Unterhaltungssendung/Beste Show S. 10 8. Beste Comedy S. 11 9. Beste Sportsendung S. 12 II. Personale Kategorien S. 13 10. Beste Regie S. 13 11. Bestes Buch S. 13 12. Bester Schauspieler S. 14 13. Beste Schauspielerin S. 14 14. Bester Schauspieler Nebenrolle S. 15 15. Beste Schauspielerin Nebenrolle S. 15 16. Beste Moderation Information: Bester Auslandsreporter S. 16 17. Beste Moderation Unterhaltung: Late Night S. 16 18. Beste Kamera S. 17 19. Bester Schnitt S. 17 20. Beste Musik S. 17 21. Beste Ausstattung S. 18 22. Freie Kategorie: Beste Visuelle Effekte S. 18 III. Die Nominierung in Zahlen S. 19 I. Werkkategorien Bester Fernsehfilm/Mehrteiler Contergan – Eine einzige Tablette (1)/ Der Prozess (2) 2 x 90 Min., Sendetermin: Mi 07./ Do 08.11.2007 (20:15 Uhr) ARD/WDR/ZEITSPRUNG Film + TV Produktions GmbH/Degeto Film GmbH/EOS Production GmbH&Co. KG/Jan Mojto Regie: Adolf Winkelmann Buch: Benedikt Röskau Kamera: David Slama Schnitt: Rudi Heinen, Adolf Winkelmann Musik: Hans Steingen Szenenbild: Ingrid Henn Kostümbildbild: Lucia Faust Darsteller: Benjamin Sadler, Katharina Wackernagel, Denise Marko, Hans-Werner Meyer, Caroline Peters, Laura Tonke, August Zirner, Peter Fitz, Jürgen Schornagel, Sylvester Groth, Stephan Kampwirth, Matthias Brandt Redaktion: Katja de Bock Redaktionsleitung: Prof. -
He's Got the Flavor and the Fav(Or)
small fleet business [ PROFILE He’s Got the Flavor and ] the Fav(or) “Big Rick” heads up a Las Vegas limousine company that has served celebrities, weekend partygoers, and a rapper star from a hit reality VH1 series By Conor Izzett hen your nickname is ance as driver and sidekick to rapper Big Rick, you tend to Flavor Flav on VH1’s hit reality show, get noticed. But Rick B. “Flavor of Love.” Opportunity fi rst Head, standing 6 feet, 9 knocked when the production compa- Winches tall, never expected the kind of ny working for VH1 was looking for a attention he gets now. His wife, Ursula driver for Flav’s original show, “Strange Head, explains. Love,” co-starring former supermodel “We were staying at the Four Sea- Brigitte Nielsen. ■ Big Rick got lots of attention for sons, and these ladies had all their “They wanted a driver who knew his role as chauffeur sidekick to rap- bags, and they all dropped them and Vegas, someone who was not camera per Flavor Fav on VH1. His experi- ence working with celebrities and said, ‘Oh my god, are you Big Rick?’ shy, and was comfortable around ce- partygoers led to steady corporate And he said yes. So then these ladies lebrities,” Big Rick says. “They needed work. start digging though their luggage right someone to do their job and not be in- there in front of the hotel, looking for timidated by the camera. I said, ‘What ‘you’re‘you’re one bigbig mother—’ And the rest their cameras. It was just funny.” camera?’” is history.” Big Rick, owner of Head Limo in Las After that, the audition was simple. -
Reality TV and Interpersonal Relationship Perceptions
REALITY TV AND INTERPERSONAL RELATIONSHIP PERCEPTIONS ___________________________________________ A Dissertation presented to the Faculty of the Graduate School at the University of MissouriColumbia ______________________________________________________________ In Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy __________________________________________________ by KRISTIN L. CHERRY Dr. Jennifer Stevens Aubrey, Dissertation Supervisor MAY 2008 © Copyright by Kristin Cherry 2008 All Rights Reserved The undersigned, appointed by the dean of the Graduate School, have examined the dissertation entitled REALITY TV AND INTERPERSONAL RELATIONSHIP PERCEPTIONS presented by Kristin L. Cherry, a candidate for the degree of doctor of philosophy, and hereby certify that, in their opinion, it is worthy of acceptance. Professor Jennifer Stevens Aubrey Professor Michael Porter Professor Jon Hess Professor Mary Jeanette Smythe Professor Joan Hermsen ACKNOWLEDGEMENTS I would like to acknowledge all of my committee members for their helpful suggestions and comments. First, I would like to thank Jennifer Stevens Aubrey for her direction on this dissertation. She spent many hours providing comments on earlier drafts of this research. She always made time for me, and spent countless hours with me in her office discussing my project. I would also like to thank Michael Porter, Jon Hess, Joan Hermsen, and MJ Smythe. These committee members were very encouraging and helpful along the process. I would especially like to thank them for their helpful suggestions during defense meetings. Also, a special thanks to my fiancé Brad for his understanding and support. Finally, I would like to thank my parents who have been very supportive every step of the way. ii TABLE OF CONTENTS ACKNOWLEDGEMENTS……………………………………………………………..ii LIST OF FIGURES……………………………………………………………..…….…iv LIST OF TABLES………………………………………………………………….……v ABSTRACT………………………………………………………….…………………vii Chapter 1. -
Building Friendships Patrick Ohler and Fabian Jager on the Social Network “Wer-Kennt-Wen”
week 13 the RTL Group intranet Newsletter 27 March 2008 Building Friendships Patrick Ohler and Fabian Jager on the social network “Wer-kennt-wen” United Kingdom Five Life becomes Fiver FremantleMedia presents its MIPTV state American Idol helps Fox reign supreme Germany RTL Television renews its afternoon schedule People Johannes Züll leaves Mediengruppe RTL Deutschland Building Friendships Patrick Ohler and Fabian Jager on the social network “Wer-kennt-wen” COVER: Screenshot of the Wer-kennt-wen.de website, Patrick Ohler (left) and Fabian Jager United Kingdom Five Life becomes Fiver FremantleMedia presents its MIPTV state American Idol helps Fox reign supreme Germany RTL Television renews its afternoon schedule People week 13 the RTL Group intranet ‘‘It's all about finding friends’’ RTL Interactive owns a 49 per cent interest in the social network Wer-kennt-wen.de. The com- munity numbers 1.7 million members and is growing faster than virtually any other network. Backstage interviewed the website's co-foun- ders Fabian Jager (25) and Patrick Ohler (26). Fabian Jager Germany - 27 March 2008 The sustained success of Wer-kennt-wen.de is Why should anyone register with Wer-kennt- based on the idea of reflecting real life on the wen.de? Internet, because all the website’s members register using their real names. That makes it Patrick: Because doing so will give them a easy to search for old friends and acquaintan- chance to get in touch with long-lost friends, ces, which is one of the most frequently used acquaintances, colleagues and of course us, as functions on Wer-kennt-wen.de. -
Karaoke Catalog Updated On: 09/04/2018 Sing Online on Entire Catalog
Karaoke catalog Updated on: 09/04/2018 Sing online on www.karafun.com Entire catalog TOP 50 Tennessee Whiskey - Chris Stapleton My Way - Frank Sinatra Wannabe - Spice Girls Perfect - Ed Sheeran Take Me Home, Country Roads - John Denver Broken Halos - Chris Stapleton Sweet Caroline - Neil Diamond All Of Me - John Legend Sweet Child O'Mine - Guns N' Roses Don't Stop Believing - Journey Jackson - Johnny Cash Thinking Out Loud - Ed Sheeran Uptown Funk - Bruno Mars Wagon Wheel - Darius Rucker Neon Moon - Brooks & Dunn Friends In Low Places - Garth Brooks Fly Me To The Moon - Frank Sinatra Always On My Mind - Willie Nelson Girl Crush - Little Big Town Zombie - The Cranberries Ice Ice Baby - Vanilla Ice Folsom Prison Blues - Johnny Cash Piano Man - Billy Joel (Sittin' On) The Dock Of The Bay - Otis Redding Bohemian Rhapsody - Queen Turn The Page - Bob Seger Total Eclipse Of The Heart - Bonnie Tyler Ring Of Fire - Johnny Cash Me And Bobby McGee - Janis Joplin Man! I Feel Like A Woman! - Shania Twain Summer Nights - Grease House Of The Rising Sun - The Animals Strawberry Wine - Deana Carter Can't Help Falling In Love - Elvis Presley At Last - Etta James I Will Survive - Gloria Gaynor My Girl - The Temptations Killing Me Softly - The Fugees Jolene - Dolly Parton Before He Cheats - Carrie Underwood Amarillo By Morning - George Strait Love Shack - The B-52's Crazy - Patsy Cline I Want It That Way - Backstreet Boys In Case You Didn't Know - Brett Young Let It Go - Idina Menzel These Boots Are Made For Walkin' - Nancy Sinatra Livin' On A Prayer - Bon -
Karaoke Catalog Updated On: 08/09/2016 Sing Online on Entire Catalog
Karaoke catalog Updated on: 08/09/2016 Sing online on www.karafun.com Entire catalog TOP 50 Uptown Funk - Bruno Mars Crazy - Patsy Cline Summer Of '69 - Bryan Adams Don't Stop Believing - Journey Love Yourself - Justin Bieber Shake It Off - Taylor Swift Sweet Caroline - Neil Diamond My Girl - The Temptations Like I'm Gonna Lose You - Meghan Trainor Girl Crush - Little Big Town Wagon Wheel - Darius Rucker Ex's & Oh's - Elle King Tennessee Whiskey - Chris Stapleton Before He Cheats - Carrie Underwood Black Velvet - Alannah Myles Let It Go - Idina Menzel Me Too - Meghan Trainor Baby Got Back - Sir Mix-a-Lot EXPLICIT Bohemian Rhapsody - Queen House Of The Rising Sun - The Animals H.O.L.Y. - Florida Georgia Line Hello - Adele Sweet Home Alabama - Lynyrd Skynyrd When We Were Young - Adele Ring Of Fire - Johnny Cash Jackson - Johnny Cash Take Me Home, Country Roads - John Denver Summer Nights - Grease Sweet Child O'Mine - Guns N' Roses Unchained Melody - The Righteous Brothers Friends In Low Places - Garth Brooks Fly Me To The Moon - Frank Sinatra Livin' On A Prayer - Bon Jovi Can't Stop The Feeling - Justin Timberlake Piano Man - Billy Joel I Want It That Way - Backstreet Boys All Of Me - John Legend Turn The Page - Bob Seger These Boots Are Made For Walkin' - Nancy Sinatra Can't Help Falling In Love - Elvis Presley My Way - Frank Sinatra (Sittin' On) The Dock Of The Bay - Otis Redding Folsom Prison Blues - Johnny Cash Me And Bobby McGee - Janis Joplin Love Shack - The B-52's 7 Years - Lukas Graham Wannabe - Spice Girls A Whole New World - -
The Art of Radio Programming Yves Bigot Explains How RTL Radio Uses State-Of-The-Art Market Research to Remain France’S Leading Station
02 February 2012 week 05 The art of radio programming Yves Bigot explains how RTL Radio uses state-of-the-art market research to remain France’s leading station Germany North America Mediengruppe RTL Deutschland CEO Thom Beers on the partners with The Walt Disney achievements of Original Company Productions in 2011 Germany France The German family of channels M6 ratings continue starts the year on a high note to rise in January week 05 the RTL Group intranet Cover: Yves Bigot at the RTL Radio studios 2 week 05 the RTL Group intranet “Know who you are” Yves Bigot divulged to Backstage the programming philosophy embraced by France’s leading radio station and revealed the important role played by surveys. Yves Bigot France - 2 February 2012 The audience listens to a radio station in the same way that they support a football club or political party – this is the conviction of Yves Bigot, RTL Radio’s Station and Programme Director. He says: “This medium has a social, cultural and almost family-oriented element and it is with this in mind that programmes have to set out to secure listeners’ long-term loyalty to the brand“. Even more, he continues: “In fact, most French listeners tend to be loyal to one or Les Grosses Têtes two radio stations throughout their entire lives. So whereas TV is the zapping medium par To avoid making unproductive daily changes to excellence, radio is a medium characterised by programmes or ill-advised long-term changes confi dence built up gradually over an extended to its programme grid, RTL Radio pores over period”. -
Brigitte Nielsen
Brigitte Nielsen Conoscenza lingue: inglese, danish, tedesco, italiano Formazione Professionale: Esperienze Professionali: Cinema: 2018 - "Creed II", regia di S. Caple Jr. - "Trapped", regia di K. Gorshkov 2015 - "Exodus", regia di T. Ipsen 2014 - "Mercenaries" regia di C.Ray 2012 - "Skinny Dip" regia di F.Latina - "Eldorado" regia di R.Driscoll 2011 - "Ronal Barbaren" regia di K.V. Andersen e T. Christoffersen 2009 - ''Big Money Rustlas'' regia di P.Andresen - ''The Fish'' regia di D.Navarro 2008 - ''The Hustle'' regia di D.Taylor 2000 - ''Il Giorno del giudizio'' regia di M.l J. Sarna 1999 - ''Hostile environment'' regia di D.A. Prior 1998 - ''Paparazzi'' regia di N.Parenti - ''She's too tall'' produttrice e soggettista di R.Mahaffey 1996 - ''Snowboard academy'' regia di J.Shepphird 1995 - ''Codename: Silencer'' regia di T.Hsu - ''Prova d'infedeltà'' regia di D.Farmer - ''Galaxis'' regia di W.Mesa 1994 - ''Sorvegliata speciale'' regia di L.Simandl 1992 - ''Codice marziale III - Missione di giustizia'' regia di S.Barnett - ''Game Over - Scacco alla regina'' regia di D.McLachlan 1991 - ''976: chiamata per il diavolo 2 - il fattore astrale'' regia di J.Wynorski 1989 - ''Assassinio sulla luna (Murder by moonlight)'' regia di M.Lindsay-Hogg 1988 - ''Domino'' regia di I.Massetti - ''Bye bye baby'' regia di E.Oldoini 1987 - ''Beverly Hills Cop II'' regia di T.Scott 1986 - ''Cobra'' regia di di George P. Cosmatos con S.Stallone 1985 - ''Rocky IV'' di e con S. Stallone - ''Yado'' (Red Sonja) regia di R. Fleischer con A.Schwarzenegger Fiction: -
Public Enemy 2013.Pdf
PERFORMERS Due to Public Enemy’s work, hip-hop established itself as a global force. ------------------------------------------- ---------------------------- By Alan Light _________________________________ UN-DM C had a more revolutionary impact on the way records are made. N.W . A spawned more imitators. The Death Row and Bad Boy juggernauts sold more R albums. Jay-Z has topped the charts for many more years. But no act in the history of hip-hop ever felt more important than Public Enemy. A t the top o f its game, PE redefined not just what a rap group could accomplish, but also the very role pop musicians could play in contemporary culture. Lyrically, sonically, politi cally, onstage, on the news - never before had musicians been considered “radical” across so many different platforms. The mix of agitprop politics, Black Panther-meets-arena-rock packaging, high drama, and low comedy took the group places hip-hop has never been before or since. For a number of years in the late eighties and early nineties, it was, to sample a phrase from the Clash, the only band that mattered. I put them on a level with Bob Marley and a handful of other artists,” wrote the late Adam Yauch (the Beastie Boys were one of Public Enemy's earliest champions). “[It’s a] rare artist who can make great music and also deliver a political and social message. But where Marley’s music sweetly lures you in, then sneaks in the message, Chuck D grabs you by the collar and makes you listen.” Behind, beneath, and around it all was that sound.