DVD Filme Und Serien Dezember 2020
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Tape ID Title Language Type System
Tape ID Title Language Type System 1361 10 English 4 PAL 1089D 10 Things I Hate About You (DVD) English 10 DVD 7326D 100 Women (DVD) English 9 DVD KD019 101 Dalmatians (Walt Disney) English 3 PAL 0361sn 101 Dalmatians - Live Action (NTSC) English 6 NTSC 0362sn 101 Dalmatians II (NTSC) English 6 NTSC KD040 101 Dalmations (Live) English 3 PAL KD041 102 Dalmatians English 3 PAL 0665 12 Angry Men English 4 PAL 0044D 12 Angry Men (DVD) English 10 DVD 6826 12 Monkeys (NTSC) English 3 NTSC i031 120 Days Of Sodom - Salo (Not Subtitled) Italian 4 PAL 6016 13 Conversations About One Thing (NTSC) English 1 NTSC 0189DN 13 Going On 30 (DVD 1) English 9 DVD 7080D 13 Going On 30 (DVD) English 9 DVD 0179DN 13 Moons (DVD 1) English 9 DVD 3050D 13th Warrior (DVD) English 10 DVD 6291 13th Warrior (NTSC) English 3 nTSC 5172D 1492 - Conquest Of Paradise (DVD) English 10 DVD 3165D 15 Minutes (DVD) English 10 DVD 6568 15 Minutes (NTSC) English 3 NTSC 7122D 16 Years Of Alcohol (DVD) English 9 DVD 1078 18 Again English 4 Pal 5163a 1900 - Part I English 4 pAL 5163b 1900 - Part II English 4 pAL 1244 1941 English 4 PAL 0072DN 1Love (DVD 1) English 9 DVD 0141DN 2 Days (DVD 1) English 9 DVD 0172sn 2 Days In The Valley (NTSC) English 6 NTSC 3256D 2 Fast 2 Furious (DVD) English 10 DVD 5276D 2 Gs And A Key (DVD) English 4 DVD f085 2 Ou 3 Choses Que Je Sais D Elle (Subtitled) French 4 PAL X059D 20 30 40 (DVD) English 9 DVD 1304 200 Cigarettes English 4 Pal 6474 200 Cigarettes (NTSC) English 3 NTSC 3172D 2001 - A Space Odyssey (DVD) English 10 DVD 3032D 2010 - The Year -
1,000 Films to See Before You Die Published in the Guardian, June 2007
1,000 Films to See Before You Die Published in The Guardian, June 2007 http://film.guardian.co.uk/1000films/0,,2108487,00.html Ace in the Hole (Billy Wilder, 1951) Prescient satire on news manipulation, with Kirk Douglas as a washed-up hack making the most of a story that falls into his lap. One of Wilder's nastiest, most cynical efforts, who can say he wasn't actually soft-pedalling? He certainly thought it was the best film he'd ever made. Ace Ventura: Pet Detective (Tom Shadyac, 1994) A goofy detective turns town upside-down in search of a missing dolphin - any old plot would have done for oven-ready megastar Jim Carrey. A ski-jump hairdo, a zillion impersonations, making his bum "talk" - Ace Ventura showcases Jim Carrey's near-rapturous gifts for physical comedy long before he became encumbered by notions of serious acting. An Actor's Revenge (Kon Ichikawa, 1963) Prolific Japanese director Ichikawa scored a bulls-eye with this beautifully stylized potboiler that took its cues from traditional Kabuki theatre. It's all ballasted by a terrific double performance from Kazuo Hasegawa both as the female-impersonator who has sworn vengeance for the death of his parents, and the raucous thief who helps him. The Addiction (Abel Ferrara, 1995) Ferrara's comic-horror vision of modern urban vampires is an underrated masterpiece, full- throatedly bizarre and offensive. The vampire takes blood from the innocent mortal and creates another vampire, condemned to an eternity of addiction and despair. Ferrara's mob movie The Funeral, released at the same time, had a similar vision of violence and humiliation. -
180917 BIFF Katalog Klein V15.Pdf
BRAUNSCHWEIG 05. – 11. NOVEMBER 2018 INTERNATIONAL FILM FESTIVAL 8 www.filmfest-braunschweig.de 1 0 2 L A V I T S E F M L I F L A N O I T A N R E T N I G I E W H C S BRAUNSCHWEIG N U A INTERNATIONAL R B 32 FILM FESTIVAL 32 Alfred Hitchcock 2001 M Marlene M Dietrich 2006 2006 ClintC EastwoodC 2011 2011 Whoopi Goldberg 2016 Audrey 2002Tautou 2002 Sean S Connery 2007 2007 2007 Isabella IRossellini 2012 2012 Nina Hoss 2017 C Charly Chaplin 2003 A Audrey A Hepburn 2008 2008 Michael CaineM 2013 2013 Sandrine Bonnaire 2018 Catherine Deneuve 2004 2004 2004 P Paul Newman 2009 2009 2009 NatalieN Portman 2014 2014 J J Johnny 2005 Depp 2005 2005 R Romy R Schneider 2010 2010 2010 Daniel Craig 2015 2 2 1 1 19:29 BRAUNSCHWEIG INTERNATIONAL FILMFESTIVAL INHALT CONTENT 4 Dank / Acknowledgements Vorstand Internationales Filmfestival Braunschweig e.V. Edgar Merkel (1. Vorsitzender), Thorsten Rinke (2. Vorsitzender), Rayk Fenske (Kassenwart), Beate Neigenfind (Schriftführerin), Florence Houdin (Beisitzerin), Evelyn Drewes (Beisitzerin) 5 Unsere Sponsoren / Our Sponsors Festivaldirektor Michael P. Aust Assistenz der Festivaldirektion/Programm Management Karina Gauerhof 6 Grußworte / Greetings Leitung Festivalorganisation Imke Poeschel 9 Die „Europa” für Sandrine Bonnaire / European Actors Award for Sandrine Bonnaire Guestmanagement India von Löwis of Menar 14 Preise des Braunschweig International Film Festival / Prices of the Braunschweig International Film Festival Finanzen Anja Hinderer, Angelika Hoffmann (Mitarbeit) Sponsorenbetreuung Frank Terhorst, Edgar Merkel, Thorsten Rinke, Marc-Aurel Jensen 15 Jurys / Juries Leitung Presse- und Öffentlichkeitsarbeit Frank Terhorst 19 Wettbewerb „Der Heinrich” / Competition “Der Heinrich” Assistenz Presse- und Öffentlichkeitsarbeit Julia Rutkovska 27 Neues Internationales Kino / New International Cinema Filmvermittlung Kristina Schippling Ticketing Sarah Schygulla 35 Prime Time PraktikantInnen Clara Hense, Jessica Gotschlich, Marlene Kaiser, Viktoria Maillard 39 Beyond: No Surrender. -
The Apology | the B-Side | Night School | Madonna: Rebel Heart Tour | Betting on Zero Scene & Heard
November-December 2017 VOL. 32 THE VIDEO REVIEW MAGAZINE FOR LIBRARIES N O . 6 IN THIS ISSUE One Week and a Day | Poverty, Inc. | The Apology | The B-Side | Night School | Madonna: Rebel Heart Tour | Betting on Zero scene & heard BAKER & TAYLOR’S SPECIALIZED A/V TEAM OFFERS ALL THE PRODUCTS, SERVICES AND EXPERTISE TO FULFILL YOUR LIBRARY PATRONS’ NEEDS. Learn more about Baker & Taylor’s Scene & Heard team: ELITE Helpful personnel focused exclusively on A/V products and customized services to meet continued patron demand PROFICIENT Qualified entertainment content buyers ensure frontlist and backlist titles are available and delivered on time SKILLED Supportive Sales Representatives with an average of 15 years industry experience DEVOTED Nationwide team of A/V processing staff ready to prepare your movie and music products to your shelf-ready specifications Experience KNOWLEDGEABLE Baker & Taylor is the Full-time staff of A/V catalogers, most experienced in the backed by their MLS degree and more than 43 years of media cataloging business; selling A/V expertise products to libraries since 1986. 800-775-2600 x2050 [email protected] www.baker-taylor.com Spotlight Review One Week and a Day and target houses that are likely to be empty while mourners are out. Eyal also goes to the HHH1/2 hospice where Ronnie died (and retrieves his Oscilloscope, 98 min., in Hebrew w/English son’s medical marijuana, prompting a later subtitles, not rated, DVD: scene in which he struggles to roll a joint for Publisher/Editor: Randy Pitman $34.99, Blu-ray: $39.99 the first time in his life), gets into a conflict Associate Editor: Jazza Williams-Wood Wr i t e r- d i r e c t o r with a taxi driver, and tries (unsuccessfully) to hide in the bushes when his neighbors show Editorial Assistant: Christopher Pitman Asaph Polonsky’s One Week and a Day is a up with a salad. -
Index to Volume 26 January to December 2016 Compiled by Patricia Coward
THE INTERNATIONAL FILM MAGAZINE Index to Volume 26 January to December 2016 Compiled by Patricia Coward How to use this Index The first number after a title refers to the issue month, and the second and subsequent numbers are the page references. Eg: 8:9, 32 (August, page 9 and page 32). THIS IS A SUPPLEMENT TO SIGHT & SOUND Index 2016_4.indd 1 14/12/2016 17:41 SUBJECT INDEX SUBJECT INDEX After the Storm (2016) 7:25 (magazine) 9:102 7:43; 10:47; 11:41 Orlando 6:112 effect on technological Film review titles are also Agace, Mel 1:15 American Film Institute (AFI) 3:53 Apologies 2:54 Ran 4:7; 6:94-5; 9:111 changes 8:38-43 included and are indicated by age and cinema American Friend, The 8:12 Appropriate Behaviour 1:55 Jacques Rivette 3:38, 39; 4:5, failure to cater for and represent (r) after the reference; growth in older viewers and American Gangster 11:31, 32 Aquarius (2016) 6:7; 7:18, Céline and Julie Go Boating diversity of in 2015 1:55 (b) after reference indicates their preferences 1:16 American Gigolo 4:104 20, 23; 10:13 1:103; 4:8, 56, 57; 5:52, missing older viewers, growth of and A a book review Agostini, Philippe 11:49 American Graffiti 7:53; 11:39 Arabian Nights triptych (2015) films of 1970s 3:94-5, Paris their preferences 1:16 Aguilar, Claire 2:16; 7:7 American Honey 6:7; 7:5, 18; 1:46, 49, 53, 54, 57; 3:5: nous appartient 4:56-7 viewing films in isolation, A Aguirre, Wrath of God 3:9 10:13, 23; 11:66(r) 5:70(r), 71(r); 6:58(r) Eric Rohmer 3:38, 39, 40, pleasure of 4:12; 6:111 Aaaaaaaah! 1:49, 53, 111 Agutter, Jenny 3:7 background -
Simenon: La Société Et Les Autres
Corso di Laurea magistrale (ordinamento ex D.M. 270/2004) in Scienze del Linguaggio Tesi di Laurea Simenon: la société et les autres Betty et M. Hire du roman au film Relatore Ch. Prof.ssa Marie Christine Jamet Correlatore Ch. Prof.ssa Lina Zecchi Laureando Alice Reato Matricola 812537 Anno Accademico 2012 / 2013 TABLE DES MATIÈRES Introduction………………………………………………………………………………..5 Première Partie. Simenon romancier I. Biographie de l’auteur……………………………………………………................10 II. Le journalisme: le véritable apprentissage du jeune Simenon……..................17 III. La Caque et la période liégeoise………………………………………………….20 IV Paris…………………………………………………………………........................23 V Les romans populaires: le grand succès sous plusieurs pseudonymes……………………………………………………………………………29 VI Les romans policiers, la vraie consécration de l’auteur………………………...33 VII Les romans durs: une deuxième étape après le grand succès………………..44 VIII L’homme nu…………………………………………………………………………46 IX Le style………………………………………………………………………………49 X Les thèmes et les personnages…………………………………………………..51 XI Ses modèles littéraires……………………………………………………………..54 XII Le public et les critiques…………………………………………………………...57 XIII Simenon et le cinéma………………………………………………………………60 XIV L’adaptation…………………………………………………………………………63 XV Les premières adaptations cinématographiques……………………………….65 Deuxième partie. Roman et adaptation filmique Les fiançailles de M. Hire (1933)………………………….……………………...….73 XVI. Introduction à l’analyse du roman……………………………………………….74 XVII Les personnages…………………………………………………………………..79 -
Japan Booth : Palais 01 - Booth 23.01 INTRODUCTION Japan Booth Is Organized by JETRO / UNIJAPAN with the Support from Agency for Cultural Affairs (Goverment of Japan)
JA P A N BOOTH 2 O 1 6 i n C A N N E S M a y 1 1 - 2 O, 2 O 1 6 Japan Booth : Palais 01 - Booth 23.01 INTRODUCTION Japan Booth is Organized by JETRO / UNIJAPAN with the support from Agency for Cultural Affairs (Goverment of Japan). JETRO, or the Japan External Trade Organization, is a government-related organization that works to promote mutual trade and investment between Japan and the rest of the world. Originally established in 1958 to promote Japanese exports abroad, JETRO’s core focus in the 21st century has shifted toward promoting foreign direct investment into Japan and helping small to medium-sized Japanese firms maximize their global business potential. UNIJAPAN is a non-profit organization established in 1957 by the Japanese film industry under the auspice of the Government of Japan for the purpose of promoting Japanese cinema abroad. Initially named “Association for the Diffusion of Japanese Film Abroad” (UniJapan Film), in 2005 it joined hands with the organizer of Tokyo International Film Festival (TIFF), to form a combined, new organization. CONTENTS 1 Asmik Ace, Inc. 2 augment5 Inc. 3 CREi Inc. 4 Digital Frontier, Inc. 5 Gold View Co., Ltd 6 Hakuhodo DY music & pictures Inc. (former SHOWGATE Inc.) 7 nondelaico 8 Open Sesame Co., Ltd. 9 POLYGONMAGIC Inc. 10 Production I.G 1 1 SDP, Inc. 12 STUDIO4˚C Co., Ltd. 13 STUDIO WAVE INC. 14 TOHOKUSHINSHA FILM CORPORATION 15 Tokyo New Cinema, Inc. 16 TSUBURAYA PRODUCTIONS CO., LTD. 17 Village INC. CATEGORY …Action …Drama …Comedy …Horror / Suspense …Documentary …Animation …Other SCREENING SCHEDULE Title Day / Starting Time / Length of the Film / Place Asmik Ace, Inc. -
October 2016
The Bijou Film Board is a student-run UI organization dedicated to the exhibition FilmScene Staff of American independent, foreign and classic cinema. Established in 1972, the Joe Tiefenthaler, Executive Director Bijou Film Board assists FilmScene with program curation and operations. Andy Brodie, Program Director Andrew Sherburne, Associate Director THE Free Mondays! UI students admitted FREE to the last showing of any new release film every Monday. Emily Salmonson, ROOFTOP Director of Operations SERIES AFTER HOURS Late-night cult classics FILM FORUM Special screenings of acclaimed and Ross Meyer, Head Projectionist and fan favorites. Saturdays at 11pm. provocative films followed by discussion. Tuesdays at 6pm. and Facilities Manager presented by Aaron Holmgren, Shift Supervisor THE WAILING Dominick Schults, Projection and (2016) Dir. Hong-jin Facilities Assistant Na. The arrival of a SAT, 10/1 SAT, 10/9 TUE, 10/11 mysterious stranger TUE, 10/25 Wendy DeCora, Britt Fowler, Emma in a quiet rural village Husar, Ben Johnson, Sara Lettieri, causes suspicion. BEFORE THE FLOOD THE LISTENERS Carol McCarthy, Brad Pollpeter SOUTH PARK: BIGGER, (2016) Dir. Fisher Stevens. (2016) Dir. Bob Hurst. Spencer Williams, Theater Staff LONGER & UNCUT (1999) THE GREASY UN ambassador Leonardo Empathetic volunteers Cara Anthony, Tyler Hudson, Dir. Trey Parker. R-rated film STRANGLER DiCaprio campaigns to learn to answer suicide (2016) Dir. Jim Hosking. Jack Tieszen Sarah Ulanowicz, corrupts the boys and the rooftop. 10/8 SAT, raise global awareness hotlines. DIALOGUE to Drafthouse Films about climate change. follow with director Hurst. Projectionists presents an outlandish 10/16 ready-made cult classic. HORIZONS Stamp your passport for a cinematic world Board of Directors tour. -
Tape ID Title Language System
Tape ID Title Language System 1375 10 English PAL 0361sn 101 Dalmatians - Live Action (NTSC) English NTSC 0362sn 101 Dalmatians II (NTSC) English NTSC 6826 12 Monkeys (NTSC) English NTSC i031 120 Days Of Sodom - Salo (Not Subtitled) Italian PAL 1078 18 Again English Pal 5163a 1900 - Part I English pAL 5163b 1900 - Part II English pAL 1244 1941 English PAL 0172sn 2 Days In The Valley (NTSC) English NTSC f085 2 Ou 3 Choses Que Je Sais D Elle (Subtitled) French PAL 1304 200 Cigarettes English Pal 6474 200 Cigarettes (NTSC) English NTSC 2401 24 - Season 1, Vol 1 English PAL 2406 24 - Season 2, Part 1 English PAL 2407 24 - Season 2, Part 2 English PAL 2408 24 - Season 2, Part 3 English PAL 2409 24 - Season 2, Part 4 English PAL 2410 24 - Season 2, Part 5 English PAL 5675 24 Hour People English PAL 2402 24- Season 1, Part 2 English PAL 2403 24- Season 1, Part 3 English PAL 2404 24- Season 1, Part 4 English PAL 2405 24- Season 1, Part 5 English PAL 3287 28 Days Later English PAL 5731 29 Palms English PAL 5501 29th Street English pAL 3141 3000 Miles To Graceland English PAL 6234 3000 Miles to Graceland (NTSC) English NTSC f103 4 Adventures Of Reinette and Mirabelle (Subtitled) French PAL 0514s 4 Days English PAL 3421 4 Dogs Playing Poker English PAL 6607 4 Dogs Playing Poker (NTSC) English nTSC g033 4 Shorts By Werner Herzog (Subtitled) English PAL 0160 42nd Street English PAL 6306 4Th Floor (NTSC) English NTSC 3437 51st State English PAL 5310 54 English Pal 0058 55 Days At Peking English PAL 3052 6 Degrees Of Separation English PAL 6389 60s, The (NTSC) English NTSC 6555 61* (NTSC) English NTSC f126 7 Morts Sur Ordonnance (NOT Subtitled) French PAL 5623 8 1/2 Women English PAL 0253sn 8 1/2 Women (NTSC) English NTSC 1175 8 Heads In A Duffel Bag English pAL 5344 8 Mile English PAL 6088 8 Women (NTSC) (Subtitled) French NTSC 5041 84 Charing Cross Road English PAL 1129 9 To 5 English PAL f220 A Bout De Souffle (Subtitled) French PAL 0652s A Funny Thing Happened On The Way To The Forum English PAL f018 A Nous Deux (NOT Subtitled) French PAL 3676 A.W.O.L. -
Movieguide.Pdf
Movies Without Nudity A guide to nudity in 8,345 movies From www.movieswithoutnudity.com Red - Contains Nudity Movies I Own 300: Rise of an Empire (2014) A. I. - Artificial Intelligence (2001) A La Mala (aka Falling for Mala) (2014) A-X-L (2018) A.C.O.D. (2013) [Male rear nudity] Abandon (2002) The Abandoned (2007) Abe Lincoln in Illinois (1940) Abel's Field (2012) The Abolitionists (2016) Abominable (2019) Abominable (2020) About a Boy (2002) About Adam (2001) About Last Night (1986) About Last Night (2014) About Schmidt (2002) About Time (2013) Above and Beyond (2014) Above Suspicion (1995) Above the Rim (1994) Abraham (1994) [Full nudity of boys playing in water] The Absent-Minded Professor (1961) Absolute Power (1997) Absolutely Fabulous: The Movie (2016) An Acceptable Loss (2019) Accepted (2006) The Accountant (2016) Ace in the Hole (1951) Ace Ventura: When Nature Calls (1995) [male rear nudity] Achilles' Love (2000) Across the Moon (1995) Across the Universe (2007) Action Jackson (1988) Action Point (2018) Acts of Violence (2018) Ad Astra (2019) Adam (2009) Adam at 6 A.M. (1970) Adam Had Four Sons (1941) Adam Sandler's Eight Crazy Nights (2002) Adam's Apples (2007) Adam's Rib (1949) Adaptation (2002) The Addams Family (2019) Addams Family Values (1993) Addicted (2014) Addicted to Love (1997) [Depends on who you ask, but dark shadows obscure any nudity.] The Adjuster (1991) The Adjustment Bureau (2011) The Admiral: Roaring Currents (aka Myeong-ryang) (2014) Admission (2013) Adrenaline Rush (2002) Adrift (2018) Adult Beginners (2015) Adult Life Skills (2019) [Drawings of penises] Adventures in Dinosaur City (1992) Adventures of Baron Munchausen (1989) Adventures of Buckaroo Banzai Across the 8th Dimension (1984) The Adventures of Elmo In Grouchland (1999) The Adventures of Huck Finn (1993) Adventures of Icabod and Mr. -
2554E382f13d4b43b2530f2cb70
Gilles Podesta presents TheSuicid Shop a comedy by Patricee Leconte running time: 1h19 French release date: 26th September in 2D and 3D International sales : International PR: THE PR CONTACT Carole BARATON: [email protected] CANNES OFFICE: All Suites Garden Studio, Park & Suites Gary FARKAS: [email protected] Prestige Cannes Croisette, 12 rue LatourMaubourg, 06400 Cannes Vincent MARAVAL: [email protected] Email: [email protected] Gael NOUAILLE: [email protected] Phil SYMES: +33 (0) 6 29 87 62 96 Silvia SIMONUTTI: [email protected] Ronaldo MOURAO: +33 (0) 6 29 84 74 07 Synopsis Imagine a city where life has grown so sad that people have no taste for living, a city where the most successful shop is the one that sells poisons and ropes to help you end your life.But the owner has just had a new baby - and he’s the embodiment of joie de vivre… At the Suicide Shop, the rot has truly set in. Tuvache Song I can see you’re down on your knees Pays a last visit to your suite My, what a thrill I’d add ! You’ve lost your taste and lust for life I can see you’re down on your knees Let yourself go, mister, don’t fight You’ve lost your taste and lust for life I can see you’re down on your knees Suicide is... Let yourself go mister don’t fight You’ve lost your taste and lust for life ...a nice way out Suicide is... Let yourself go, mister, don’t fight ...a nice way out Suicide is.. -
Hliebing Dissertation Revised 05092012 3
Copyright by Hans-Martin Liebing 2012 The Dissertation Committee for Hans-Martin Liebing certifies that this is the approved version of the following dissertation: Transforming European Cinema : Transnational Filmmaking in the Era of Global Conglomerate Hollywood Committee: Thomas Schatz, Supervisor Hans-Bernhard Moeller Charles Ramírez Berg Joseph D. Straubhaar Howard Suber Transforming European Cinema : Transnational Filmmaking in the Era of Global Conglomerate Hollywood by Hans-Martin Liebing, M.A.; M.F.A. Dissertation Presented to the Faculty of the Graduate School of The University of Texas at Austin in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy The University of Texas at Austin May 2012 Dedication In loving memory of Christa Liebing-Cornely and Martha and Robert Cornely Acknowledgements I would like to thank my committee members Tom Schatz, Charles Ramírez Berg, Joe Straubhaar, Bernd Moeller and Howard Suber for their generous support and inspiring insights during the dissertation writing process. Tom encouraged me to pursue this project and has supported it every step of the way. I can not thank him enough for making this journey exciting and memorable. Howard’s classes on Film Structure and Strategic Thinking at The University of California, Los Angeles, have shaped my perception of the entertainment industry, and having him on my committee has been a great privilege. Charles’ extensive knowledge about narrative strategies and Joe’s unparalleled global media expertise were invaluable for the writing of this dissertation. Bernd served as my guiding light in the complex European cinema arena and helped me keep perspective. I consider myself very fortunate for having such an accomplished and supportive group of individuals on my doctoral committee.