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(Roy Halston Frowick) (1932-1990) by Shaun Cole
Halston (Roy Halston Frowick) (1932-1990) by Shaun Cole Encyclopedia Copyright © 2015, glbtq, Inc. Entry Copyright © 2002, glbtq, Inc. Reprinted from http://www.glbtq.com The first international fashion superstar, Halston was a master of cut, detail, and finish. He dressed and befriended some of America's most glamorous women. Jackie Kennedy Onassis, Elizabeth Taylor, Babe Paley, Barbara Walters, Lauren Bacall, Bianca Jagger, and Liza Minnelli were just some of the women who wore Halston. Roy Halston Frowick was born on April 23, 1932 in Des Moines, Iowa, the second son of a Norwegian- American accountant with a passion for inventing. Roy developed an interest in sewing from his mother. As an adolescent he began creating hats and embellishing outfits for his mother and sister. Roy graduated from high school in 1950 then attended Indiana University for one semester. After the family moved to Chicago in 1952, he enrolled in a night course at the Chicago Art Institute and worked as a window dresser. Frowick's first big break came when the Chicago Daily News ran a brief story on his fashionable hats. In 1957 he opened his first shop, the Boulevard Salon, on Michigan Avenue. It was at this point that he began to use his middle name as his professional moniker. With the help of a lover twenty-five years his senior, celebrity hair stylist André Basil, Halston further developed his career by moving to New York later in 1957. Basil introduced Halston to milliner Lilly Daché, who offered him a job. Within a year he had been named co-designer at Daché, become the new best friend of several fashion editors and publishers, and left Daché's studio to become head milliner for department store Bergdorf Goodman. -
Pittsburgh CLO Thanks Its Many Community Partners Who Have Supported the 2013 Annual Pittsburgh CLO Thanks the Guild and Listing Is Complete As of 5/31/13
The Pittsburgh Keep a work-life balance. Civic Light Opera Association Keep ahead of health costs. OFFICERS Keep your head from spinning. Honorary Chairman of the Board Vice Presidents/ Vice President/Special Events Julie Andrews Education & Outreach Laurie M. Mushinsky Christine M. Kobus Chairman of the Board Gary R. Truitt Vice Presidents Joseph C. Guyaux G. Reynolds Clark Vice Presidents/Human Resources James R. Kane President Todd C. Moules William M. Lambert Charlene Petrelli Secretary Vice President/CLO Ambassadors Johanna G. O’Loughlin Vice Presidents/ Frederick C. Leech Long Range Planning Treasurer Vice Presidents/Audit Michael E. Bleier Edward T. Karlovich Timothy K. Zimmerman Alvaro Garcia-Tunon Joseph C. Guyaux Executive Director Emeritus Chairman of the Board Todd C. Moules Vice Presidents/Marketing Charles Gray Michael F. Walsh Vice Presidents/Budget & Finance Corporate Counsel Timothy K. Zimmerman Richard S. Hamilton James M. Doerfler John C. Williams, Jr. Vice Presidents/New Works Chairmen of the Board Emeritus Development & Funding Vice President/Cabaret Theater John C. Williams, Jr. William J. Copeland Daniel I. Booker Mark J. Minnaugh George A. Davidson, Jr. Vice President/ James E. Rohr Construction Center & Facilities Vice Presidents/Nominating Daniel I. Booker Floyd R. Ganassi Scott F. Neill Louis D. Astorino John E. Kosar Vice Presidents/Development Executive Producer Tony Bucci Vice Presidents/Production Van Kaplan Mark J. Minnaugh Helen Hanna Casey Ronald L. Violi Peter J. Germain William M. Lambert President DIRECTORS Neil H. Alexander Stacy Leshock Dee Edward T. Karlovich Mark J. Minnaugh Joann L. Tissue Michael E. Bleier Eric F. Dickerson Joseph M. Klaja Mildred E. -
Download Pdf Booklet
5 0 6 0 1 9 2 7 8 0 8 0 2 Máire Flavin RTÉ National Symphony Orchestra Oliver Gooch Classic film lullabies from your childhood Máire Flavin RTÉ National Symphony Orchestra Oliver Gooch Classic film lullabies from your childhood Máire Flavin RTÉ National Symphony Orchestra Oliver Gooch Classic film lullabies from your childhood 1 A DREAM IS A WISH YOUR HEART MAKES 2’36 7 STAY AWAKE 1’45 Music and words by Mack David, Al Hoffman and Jerry Livingston, arranged by Oliver Wallace Music and words by Richard M. Sherman and Robert B. Sherman 2 SOMEONE'S WAITING FOR YOU 2’12 8 SO THIS IS LOVE 2’00 Music by Sammy Fain, words by Carol Connors and Ayn Robbins, arranged by Madeleine Pierard Music and words by Mack David, Al Hoffman and Jerry Livingston 3 CANDLE ON THE WATER 2’24 9 ONCE UPON A DREAM 2’36 Music and words by Al Kasha and Joel Hirschhorn, arranged by Irwin Kostal Music and words by Sammy Fain and Jack Lawrence 4 WINNIE THE POOH 2’25 10 THE SECOND STAR TO THE RIGHT 2’12 Music and words by Richard M. Sherman and Robert B. Sherman, arranged by Madeleine Pierard Music by Sammy Fain, words by Sammy Cahn 5 BABY MINE 2’30 11 I'M WISHING 3’29 Music by Frank Churchill, words by Ned Washington, arranged by Madeleine Pierard Music by Frank Churchill, words by Larry Morey, arranged by Madeleine Pierard 6 FEED THE BIRDS 3’46 12 WHEN YOU WISH UPON A STAR 2’56 Music and words by Richard M. -
"A" - You're Adorable (The Alphabet Song) 1948 Buddy Kaye Fred Wise Sidney Lippman 1 Piano Solo | Twelfth 12Th Street Rag 1914 Euday L
Box Title Year Lyricist if known Composer if known Creator3 Notes # "A" - You're Adorable (The Alphabet Song) 1948 Buddy Kaye Fred Wise Sidney Lippman 1 piano solo | Twelfth 12th Street Rag 1914 Euday L. Bowman Street Rag 1 3rd Man Theme, The (The Harry Lime piano solo | The Theme) 1949 Anton Karas Third Man 1 A, E, I, O, U: The Dance Step Language Song 1937 Louis Vecchio 1 Aba Daba Honeymoon, The 1914 Arthur Fields Walter Donovan 1 Abide With Me 1901 John Wiegand 1 Abilene 1963 John D. Loudermilk Lester Brown 1 About a Quarter to Nine 1935 Al Dubin Harry Warren 1 About Face 1948 Sam Lerner Gerald Marks 1 Abraham 1931 Bob MacGimsey 1 Abraham 1942 Irving Berlin 1 Abraham, Martin and John 1968 Dick Holler 1 Absence Makes the Heart Grow Fonder (For Somebody Else) 1929 Lewis Harry Warren Young 1 Absent 1927 John W. Metcalf 1 Acabaste! (Bolero-Son) 1944 Al Stewart Anselmo Sacasas Castro Valencia Jose Pafumy 1 Ac-cent-tchu-ate the Positive 1944 Johnny Mercer Harold Arlen 1 Ac-cent-tchu-ate the Positive 1944 Johnny Mercer Harold Arlen 1 Accidents Will Happen 1950 Johnny Burke James Van Huesen 1 According to the Moonlight 1935 Jack Yellen Joseph Meyer Herb Magidson 1 Ace In the Hole, The 1909 James Dempsey George Mitchell 1 Acquaint Now Thyself With Him 1960 Michael Head 1 Acres of Diamonds 1959 Arthur Smith 1 Across the Alley From the Alamo 1947 Joe Greene 1 Across the Blue Aegean Sea 1935 Anna Moody Gena Branscombe 1 Across the Bridge of Dreams 1927 Gus Kahn Joe Burke 1 Across the Wide Missouri (A-Roll A-Roll A-Ree) 1951 Ervin Drake Jimmy Shirl 1 Adele 1913 Paul Herve Jean Briquet Edward Paulton Adolph Philipp 1 Adeste Fideles (Portuguese Hymn) 1901 Jas. -
HI 280 Summer 2019 There Is a Lot of Work
HistoryofRock’n’Roll Professor WILLIAM McKEEN O"ce: 131 COM; Phone: 353-3484 Email: wmckeen@ bu.edu O"ce hours: Mondays, Tuesdays and Wednesdays, 1:30 - 3 pm and by appointment Home page: williammckeen.com Twitter: @wmckeen emphasis on rock 'n' roll and its impact on America in the last 40 years, especially the 1954-1970 era. Ersel Hickey, the quintessence of Although this early rock’n’roll. course is a lot of fun, it is not easy. HI 280 Summer 2019 There is a lot of work. We have one required book: the course: ✓ William McKeen, Rock and Roll is Here to Stay About this course industry in the United States, (W.W. Norton, 2000). but focus most of our energies This course examines the role on tracing the threads of For those of you who are of popular music in American mainstream music during the music geeks, I culture. 20th century. recommended these two: We will attempt to integrate It is not a music course, but ✓ Charlie Gillett, The Sound the general social and more of an examination of the of the City (Da Capo Press, effects of recorded sound on intellectual history of the 1996; second edition) popular culture. country into the story of popular music. ✓ Greil Marcus, Mystery We will study the origin and Train (Plume, 2000; fifth growth of the recording There will be a special edition) !1 Grading and other issues There will be a major research paper on a rock’n’roller of your choice. We will also We follow the standard grading scale: have mini writing assignments during each • 93 and up A class period. -
Charity Concert
Registered Charity no.1105863 Charity Concert Proceeds to The Orpheus Centre Registered Charity No. 1105213 South East Cancer Help Centre at Purley Registered Charity No. 1011509 (concert expenses will be deducted) Saturday 6th July 2019 at 7.30 pm St Matthews Church, Chichester Road Croydon, CR0 5NQ Mists before the sunrise fly Siciliano by T. Arne arranged by Geoffrey Shaw Curwen & Sons Ltd Poem by Margaret Shaw The Water of Tyne English folk song arranged by Michael Neaum Robertson Publications Long Time Ago Ballad arranged by Aaron Copland Boosey & Hawkes Choral adaptation by Ken Straker Piano Solo: Lucia Mayorga Donna Donna Negro spiritual arranged by Gwyn Arch Boosey & Hawkes My Love dwelt in a Northern Land Composed & arranged by Edward Elgar Novello & Co Words by Andrew Lang Poor Wayfaring Stranger Traditional folk song arranged by Jay Althouse Alfred Publishing Co. May it be (from The Lord of the Rings) Words & music by Eithne Bhraonain, Nicky & Roma Ryan EMI Blackwood Music Arranged by Mark Brymer Ascot Gavotte (from My Fair Lady) Music by Frederick Loewe, Lyrics by Alan Jay Lerner Chappell & Co Ltd Anthem (from Chess) Words & Music by Benny Andersson, Tim Rice & Bjorn Universal/Union Songs Ulvaeus Arranged by John Purifoy Interval Rhythm of life Shawnee Press Inc. Music by Cy Coleman, Lyrics by Dorothy Fields Arranged by Richard Barnes Candle on the Water (From Walt Disney’s ‘Pete’s Dragon’) Walt Disney Music Co. Words & Music by Al Kasha & Joel Hirschhorn Piano Solo: Lucia Mayorga Here Comes the Sun Words & Music by George -
IN MY ROOM Feuille D’Information Consacrée À Brian Wilson Et Aux Beach Boys N° 5 – Eté 2006
IN MY ROOM Feuille d’information consacrée à Brian Wilson et aux Beach Boys N° 5 – Eté 2006 DENNIS WILSON Edito C’est l’été ! Comme promis, voici donc la deuxième et les BEACH BOY S partie de l’histoire de Dennis Wilson. Et comme un bonheur n’arrive jamais seul, 2ème partie, 1969 - 1983 un de nos reporters a croisé Carolyn Edwards. Dennis trouve sa voie (1969 √ 1975) Et comme deux bonheurs n’arrivent jamais A la fin des années soixante, les Beach Boys sont globalement largués : les seuls, un nouvel album (sic) des Beach problèmes de Brian, leur identification tenace avec la Californie de papa au Boys, une possible réunion sur scène des moment où celle-ci devient « l’épicentre de la contre-culture underground »1, tout cela et le reste – à commencer par leur nom ridicule Garçons et Capitol qui innove follement ! les renvoie dans les poubelles de l’histoire musicale californienne dont on ne souhaite pas vraiment les voir ressortir, malgré leur bonne volonté (Mike Mais, bientôt l’automne, avec un n° 6 accompagne les Beatles à Rishikesh, Carl est objecteur de conscience, ils consacré à la période « Brian’s Back ». jouent régulièrement au Fillmore East, tournent avec le Buffalo Toutes les contributions sont les bienvenues. Springfield…). C’est le moment justement que choisit Dennis pour tout tenter et, provisoirement, tout réussir. Vous savez où nous trouver ! Enjoy ! Charlie Dontsurf une version, elle aussi magnifique, 2 ans plus tard3. Déclaration d’indépendance ? Difficile à affirmer puisque « Lady » fait partie des nombreux morceaux enregistrés pour le premier album chez Warner qui finira par s’intituler « Sunflower » (voir IMR 2) ; quant à « Sound of free », il bénéficie de larges contributions des frères Wilson : Carl à la guitare, Brian aux backing vocals. -
THE BEATLES IMAGE: MASS MARKETING 1960S BRITISH and AMERICAN MUSIC and CULTURE, OR BEING a SHORT THESIS on the DUBIOUS PACKAGE of the BEATLES
THE BEATLES IMAGE: MASS MARKETING 1960s BRITISH AND AMERICAN MUSIC AND CULTURE, OR BEING A SHORT THESIS ON THE DUBIOUS PACKAGE OF THE BEATLES by Richard D Driver, Bachelor of Arts A Thesis In HISTORY Submitted to the Graduate Faculty of Texas Tech University in Partial Fulfillment of the Requirements for the Degree of MASTER OF ARTS Approved Aliza S Wong Randy McBee John Borrelli Dean of the Graduate School May, 2007 Copyright 2007, Richard Driver Texas Tech University, Richard D Driver, May 2007 ACKNOWLEDGMENTS This work could not have been possible without the encouragement and guidance of a number of individuals, as well as countless persons who pulled books, worked through interlibrary loans, and simply listened to me talk about it. Without the guidance, tolerance, insight, time, and encouragement of my committee, Aliza S Wong and Randy McBee, this thesis would have remained nothing more than a passing thought. Aliza, more than any other professor has been there for me since this project truly began over two years ago. It was her initial push for me to write about something I loved that drove me to attend Graduate school and then build upon what I had done previously with The Beatles “image.” Dr. McBee provided excellent guidance into understanding many of the post-war American facets of this work, not simply those related to The Beatles or music in general. Additional thanks are reserved for Dr. Julie Willett for her class on sexuality and gender where new methods and modes of historical thought were founded in this work. Finally, this thesis would have been impossible had I not been accepted into and granted a teaching position in the History Department at Texas Tech University, and it is to the entire department that I owe my greatest thanks. -
SAB CC December 18, 2015
SAB CC Page 1 December 18, 2015 A B 1 Title ( * means new title) Composer 2 Addams Family, The Mizzy, Vic 3 Adoramus Te Palestrina 4 Aladdin (Medley) Medley 5 Aleleloila Finnish Folk Song 6 All For Me Grog Traditional - Scottish 7 All I Ask of You Webber, Andrew Lloyd 8 All In the April Evening Roberton, Hugh S. 9 All Right Cross, Christopher 10 All the Pretty Little Horses Traditional - American 11 All the things You Are Kern, Jerome & Oscar Hammerstein II 12 All Ye Who Music Love Donato, Baldassare 13 All You Need is Love Lennon, John & Paul McCartney 14 Alleluia Boyce, William 15 Alleluia Fanfare Rentz, Earlene 16 Amazing Grace Traditional 17 Antiphonal Joy Giovanni Anerio 18 Anything You Can Do Berlin, Irving 19 Arthur's Theme * B. Bacharach, C. B. Sager, C. Cross & P. Allen 20 As Torrents In Summer Elgar, Edward & H. W. Longfellow 21 Autumn Beck, Andy 22 Autumn Leaves Mercer, Johnny 23 Ave Verum (POP) Mozart, Wolfgang Amadeus 24 Barbara Allen Traditional - English 25 Bashana Haba'ah Hirsch, Nurit & Ehud Manor 26 Beatles in Revue, The Lennon, John & Paul McCartney 27 Beauty and the Beast (Medley) Menken, Alan & Howard Ashman 28 Because You Loved Me Warren, Dianne 29 Begin the Beguine Porter, Cole 30 Being Yourself Karmen, Steve 31 Bella Ciao Traditional - Italian 32 Benedictus Klouse, Andrea 33 Benedictus Brian Lewis 34 Best of Buddy Holly, The Holly, Buddy & Norman Petty 35 Best Of The Beach Boys, The Medley 36 Beyond the Spanish Main * Armstrong Gibbs & Alfred Noyes 37 Bist Du Bei Mir Bach, J. -
'Brian Wilson Presents Smile!'
’Brian Wilson presents Smile!’ En studie av omständigheterna kring Smileskivans nedläggning Calle Strand C-uppsats 2004 Institutionen för musikvetenskap Uppsala universitet 2 Calle Strand: Brian Wilson presents Smile! – a study of the circumstances surrounding the abandonment of Smile - Uppsala University, Department of Musicology, C-essay. This essay is about the course of events that led to the abandonment of the Beach Boys album Smile in 1967. The purpose of the essay is to differentiate the medial assumption of why Smile was never released and also investigate to what extent media have influenced this assumption. The medial assumption is compared to actual events of the time of the abandonment and the difference is then being discussed in a media-theoretical perspective. The theoretical framework is based on theories by Denis McQuail. His ideas about media’s influences on the reception of its audience are of great importance for the essay and the notions of agenga-setting and framing has a central role. Finally the conclusion is drawn that the medial assumption is a simplified and distorted explanation to why Smile was never released. The actual events discover several alternative reasons, but media choose to focus on the assumption that gain them the most (they set the agenda and frame the information to their advantage) and present it as the only reason to the abandonment of Smile. 3 4 Innehållsförteckning 1. Inledning........................................................................................................... 5 Introduktion........................................................................................................ -
Chris Rich EDUCATION
Chris Rich EDUCATION 1992 Master of Fine Arts in Lighting Design and Technical Direction University of Alabama Tuscaloosa, Alabama 1989 Bachelor of Science in Theatre and Speech Communication, Troy State University Troy, Alabama EXPERIENCE Current Independent Contractor for Lighting, Scenic and Sound Design, Technical Direction, Carpentry, Electrical and Welding for Theatre Theatre Cedar Rapids - Cedar Rapids, IA Riverside Theatre – Iowa City, IA Pyramid Theatre – Des Moines, IA New Stage Theatre – Jackson, MS 2018–2014 Coordinator of Theatre - Administration Department of Theatre and Dance Troy University Troy, Alabama 2018–2006 Associate Professor of Design Technology Department of Theatre and Dance Troy University Troy, Alabama 2006–2005 Assistant Professor of Theatre Department of Visual and Performing Arts Florida Gulf Coast University Fort Myers, Florida 2005–2002 Assistant Professor of Design Technology Department of Speech and Theatre Troy University Troy, Alabama 2001 Adjunct Professor Department of Speech and Theatre Troy University Troy, Alabama 2001 Program Manager Goodwill Industries of Hawaii Honolulu, Hawaii 1446 Plum Street, Iowa City, IA 52240 / 334.434.0540 / [email protected] / chrisrichdesign.com CHRIS RICH 2000–1999 Manager and Instructor Hickam Air Force Base Wood Skills Development Center Honolulu, Hawaii 1997–1992 Staff Technical Director, Adjunct Professor Department of Fine and Performing Arts Okaloosa-Walton Community College Niceville, Florida 1994–1992 Technical Director Theatre Albany Albany, Georgia 1997–1991 -
Titel Interpret
Titel Interpret 59TH STREET BRIDGE SONG SIMON & GARFUNKEL A LOVER'S CONCERTO TOYS A NEW DAY HAS COME CELINE DION A SUMMER PLACE LETTERMAN ACE OF SORROW BROWN & DONNA AIN'T NO MOUNTAIN HIGH ENOUGH DIANA ROSS ALWAYS SOMETHING THERE TO REMIND ME NAKED EYES APRIL COME SHE WILL SIMON & GARFUNKEL AS SURE AS I'M STANDING HERE BARRY MANILOW ASTRUD BASIA BABY BABY AMY GRANT BLOWIN' AWAY THE 5TH DIMENSION BLUE ON BLUE BOBBY VINTON BLUE TANGO LEROY ANDERSON BRAND NEW KEY MELANIE BY THE TIME THIS NIGHT IS OVER KENNY G. & PEABO BRYSON CANDYMAN SAMMY DAVIS JR. CAN'T SMILE WITHOUT YOU BARRY MANILOW CIRCLE IN THE SAND BELINDA CARLISLE CLOSER I GET TO YOU ROBERTA FLACK & DONNY HATHAWAY C'MON EVERY BODY EDDIE COCHRAN COME WHAT MAY EWAN MCGREGOR & NICOLE KIDMAN DANNY'S SONG ANNE MURRAY DISTANT DRUMS JIM REEVES DO YOU KNOW WHERE YOU'RE GOING TO DIANA ROSS DON'T GIVE UP ON US DAVID SOUL DOWN IN BRAZIL MICHAEL FRANKS EL CONDOR PASA SIMON & GARFUNKEL FASCINATION JANE MORGAN FOOTSTEPS STEVE LAWRENCE FOR BABY JOHN DENVER GOD BLESS USA LEE GREENWOOD GOT TO BELIEVE IN MAGIC DAVID POMERANZ GRADUATION TEARS CHELSIA CHAN HEART OF MINE BOBBY CALDWELL HERE COMES THE NIGHT BARRY MANILOW HOW HIGH THE MOON JERRY VALE I LIKE YOU DONOVAN I MISS YOU KLYMAXX I ONLY HAVE EYES FOR YOU ART GARFUNKLE I WANNA DO IT WITH YOU BARRY MANILOW I'D LIKE TO TEACH THE WORLD TO SING THE NEW SEEKERS IF EVER YOU ARE IN MY ARMS AGAIN PEABO BRYSON IF I COULD TURN BACK THE HANDS OF TIME R.KELLY IF THERE WAS ANY OTHER WAY CELINE DION I'LL BE SEEING YOU BARRY MANILOW I'LL BE YOUR SHELTER TAYLOR DAYNE I'M GETTING SENTIMENTAL OVER YOU ELLA FITZGERALD I'M STILL NOT OVER YOU RICHARD CARPENTER IT TAKES TOO LONG TO LEARN TO LIVE ALONE SHIRLEY BASSEY ITSY BITSY TEENY...