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Lean Codroipo.Pub
FITELAB Friuli Venezia Giulia FITELAB Friuli Venezia Giulia Corso Accreditato per tutte Lean Thinking in sanità : le Professioni Sanitarie una possibile 70 posti riservati ad iscritti Fitelab risposta alla Spending Rewiew Iscrizione gratuita Come raggiungere Codroipo • Automobile - Da Venezia autostrada A4 in direzione Trieste - uscita Latisana poi si prosegue in direzione Codroipo.- Da Trieste autostrada A4 in direzione Venezia - uscita Palmanova; si prosegue in direzione Codroipo - Pordenone sulla SS 252.- Da Tarvisio autostrada A23 fino all'uscita di Udine Sud; si prosegue Richiesti i patrocini di in direzione Pordenone-Venezia sulla SS 13. • Treno www.trenitalia.it Linea Venezia-Udine: si scende alla ASS 4 Medio Friuli stazione di Codroipo a 300 metri sede congressuale. Azienda Ospedaliero Universitaria di Udine • Aereo - Dall'aeroporto del Friuli Venezia Giulia di Ronchi dei Legionari (GO) in autocorriera fino alla stazione ferroviaria di Università degli studi di Udine Ronchi dei Legionari Nord, quindi in treno fino a Codroipo (via SIMEL, SIBIOC, SIMTI, AIPAC, Newmicro Udine).- Dall'aeroporto Marco Polo di Venezia in autobus fino alla 8 marzo 2013 stazione ferroviaria di Mestre, quindi linea Venezia-Udine fino a Associazione italiana Ingegneri clinici Codroipo. Sala Convegni Regione Friuli Venezia Giulia Comune di Codroipo della Banca di Credito Cooperativo di Basiliano ANCI Federsanità FVG Segreteria Piazza Giardini Fax 1782261920 o [email protected] Codroipo (UD) entro e non oltre 27 FEBBRAIO 2013 www.fitelab.it Evento in fase accreditamento ECM Responsabile Scientifico dott. Daniele Nigris Lean Thinking in sanità : una possibile risposta alla Spending Rewiew Venerdì 8 marzo 2013 Ing. Francesco Barbagli SOC Ingegneria Clinica IL LEAN THINKING IN SANITA’ 14.15 -14.30 Registrazione al Congresso Azienda Ospedaliero Universitaria di Udine In condizioni di crisi economica la sostenibi- lità di tutte le attività produttive può esse- 14.30-14.45 Saluto Autorità Dott. -
Hermeneutics and the Early Modern Garden: Ingenuity, Sociability, Education
chapter 10 Hermeneutics and the Early Modern Garden: Ingenuity, Sociability, Education Denis Ribouillault 1 Historiography The question of meaning in landscape architecture and gardens has benefited considerably from the iconological approach developed for art history by Aby Warburg and Erwin Panofsky. The most important contributions were produced by students of Panofsky, notably David Coffin, who published his monograph on the Villa d’Este at Tivoli in 1960, and Elizabeth Blair McDougall, who wrote her dissertation on the Villa Mattei in Rome. Coffin taught and inspired a new generation of scholars such as Claudia Lazzaro for Italian Renaissance gardens and Jan de Jongh for early modern Dutch gardens. Italian and German schol- ars (Eugenio Battisti, Marcello Fagiolo, Maria Luisa Madonna, Detlef Heikamp, Karl Schwager, among others) also embraced the iconological approach, study- ing the garden within a broader cultural and literary context bringing to the fore the question of its meaning.1 The idea that the garden was designed with a specific programme became a central idea. David Coffin showed convinc- ingly that the design of the Villa d’Este gardens rested on the figure of Hercules and his Choice at the Crossroads: ‘The gardens […] present the theme of the choice of Hercules between Voluptas, represented by the Grotto of Venus, and Virtue, exemplified by the Grotto of Diana. It is possible even that the general layout of the gardens may have been conditioned by this subject. Hercules’s choice was symbolized by the Pythagorean Y, since, after pursuing a straight uneventful path of life, a youth when he came of age had to choose between 1 On the historiography of gardens, especially early modern Italian gardens, see Coffin D.R., “The Study of the History of the Italian Garden until the First Dumbarton Oaks Colloquium”, in Conan M. -
SMALL Tour in Friuli Venezia Giulia
SMALL tour in friuli venezia giulia Day 1 | Venezia 10.30am - 5.30pm Short and intense tour starting from St. Erasmus (the garden of Venice), as readable model of the formation process of agricultural and of settlement land, where you can see the formation of the settlement (rural and urban) and of the territory: the island, full of linear watery basins (fish ponds, dug up to obtain fill soil, where the fish is bred or kept alive), lined with banks and lapped by waterways. Moving then to Murano (the island of glass) which has Sant’Erasmo both mature settlement forms, extremely dense (compact textures with the characteristic bipolar amphibious water-land system, developed in depth, even up to more than one hundred meters, for the production needs of the rolling of glass cane beads), and recent low density settlement forms and even soils of more recent, controversial, colonization. Un unusual visit to understand the essence itself of the lagoonal city and to bring back home an unforgettable memory. Unique chaperon: Guido Masè, architect Murano and former professor at IUAV of Venice, expert of the ecomuseum world and member of the Technical Committee of Friuli Venezia Giulia ecomuseums. Hour of freedom for lunch and shopping city transport costs € 30.00 per person 6.00pm departure for Maniago Venezia Santa Lucia - Sacile | regionale veloce 2462 departure 6.04pm | arrival in Sacile 7.06pm Sacile - Maniago | Autobus TS414 cdoespta orftu trhee 7tr.1a4ipnm jo u| ranrreivya €l 9in,5 0 Maniago 8.17pm San Marco Day 1 | Ecomuseo Lis Aganis 8.30pm arrival in Maniago Overnight stay in one of the city hotels http://www.albergomontenegro.net http://www.leondoromaniago.com ahvttepr:a/g/we cwoswts. -
Friuli Venezia Giulia: a Region for Everyone
EN FRIULI VENEZIA GIULIA: A REGION FOR EVERYONE ACCESSIBLE TOURISM AN ACCESSIBLE REGION In 2012 PromoTurismoFVG started to look into the tourist potential of the Friuli Venezia Giulia Region to become “a region for everyone”. Hence the natural collaboration with the Regional Committee for Disabled People and their Families of Friuli Venezia Giulia, an organization recognized by Regional law as representing the interests of people with disabilities on the territory, the technical service of the Council CRIBA FVG (Regional Information Centre on Architectural Barriers) and the Tetra- Paraplegic Association of FVG, in order to offer experiences truly accessible to everyone as they have been checked out and experienced by people with different disabilities. The main goal of the project is to identify and overcome not only architectural or sensory barriers but also informative and cultural ones from the sea to the mountains, from the cities to the splendid natural areas, from culture to food and wine, with the aim of making the guests true guests, whatever their needs. In this brochure, there are some suggestions for tourist experiences and accessible NATURE, ART, SEA, receptive structures in FVG. Further information and technical details on MOUNTAIN, FOOD our website www.turismofvg.it in the section AND WINE “An Accessible Region” ART AND CULTURE 94. Accessible routes in the art city 106. Top museums 117. Accessible routes in the most beautiful villages in Italy 124. Historical residences SEA 8. Lignano Sabbiadoro 16. Grado 24. Trieste MOUNTAIN 38. Winter mountains 40. Summer mountains NATURE 70. Nature areas 80. Gardens and theme parks 86. On horseback or donkey 90. -
Residenze D'epoca Del Friuli Venezia Giulia
1 Castello di Buttrio Via Morpurgo 9 - 33042 Buttrio (UD) Italia 2 Castello di Cordovado Via Castello 3 - 33075 Cordovado (PN) Italia 3 Palazzo Lantieri Piazza S. Antonio 6 - 34170 Gorizia - Italia 4 Palazzo Steffaneo-Roncato Via Aquileia 40 (Via Venezia 1) 33050 Crauglio di S.Vito al Torre (UD) Italia 5 Parco di Fraforeano residenze Associazione Dimore Storiche Italiane Corso San Valentino 9 - Fraforeanod diepoca Ronchis (UD) Italia Sezione Friuli Venezia Giulia ’ 6 Villa Attems Cernozza de Postcastrodel friuli Castello di Villalta Via Giulio Cesare 46 - 34170 Lucinico (GO) Italia 33034 Fagagna (UD) Italia venezia giulia 7 Villa Beria di Sale e d’Argentina Casa de Carvalho de Moraes de Puppi Via Giassico 2 - 33048 Villanova del Judrio (UD) Italia 8 Villa Gallici Deciani Via Gallici 27 - 33010 Cassacco (UD) Italia 9 Villa di Tissano Piazza Caimo 4 - 33050 Santa Maria la Longa (UD) Italia 10 Villa Elodia Orgnani Martina Via Roma 74 - Trivignano Udinese (UD) Italia 11 Villa Iachia Via Aquileia 2 - 33050 Ruda (UD) Italia 12 Villa Manin-Guerresco Via della Filanda 54 33050 Clauiano - Trivignano Udinese (UD) Italia 1 Castello di Buttrio Via Morpurgo 9 - 33042 Buttrio (UD) Italia 2 Castello di Cordovado Via Castello 3 - 33075 Cordovado (PN) Italia 3 Palazzo Lantieri Piazza S. Antonio 6 - 34170 Gorizia - Italia 4 Palazzo Steffaneo-Roncato TOLMEZZO Via Aquileia 40 (Via Venezia 1) 33050 Crauglio di S.Vito al Torre (UD) Italia 5 Parco di Fraforeano GEMONA Corso San Valentino 9 - Fraforeano di Ronchis (UD) Italia 6 Villa Attems Cernozza de Postcastro -
Ricerche E Restauri Alla Scuola Di Villa Manin Di Passariano
Alessandro Giacomello Ricerche e restauri alla Scuola di Villa Manin di Passariano Ricerche e restauri alla Scuola di Villa Manin di Passariano Alessandro Giacomello La Scuola per la conservazione e il restauro, inserita nel Centro di catalogazione e restauro dei beni culturali della Regione autonoma Friuli Venezia Giulia, ha una tra- dizione ormai trentennale nel campo dell’editoria specializzata. Data infatti al 1983 il primo numero di Restauro nel Friuli Venezia Giulia, il cui progetto culturale venne e- spresso con chiarezza nell’editoriale dell’allora direttore Gian Carlo Menis: “scopo primario della rivista «Restauro nel Friuli Venezia Giulia» è dunque quello di pubbli- care le ‘memorie’ - secondo una terminologia d’uso - della Scuola regionale di restauro della Villa Manin di Passariano, vale a dire ricerche, studi, relazioni ed interventi di restauro attuati o promossi nell’ambito della Scuola, che presentino particolare interesse”. Il primo numero fu soprattutto dedicato al restauro dei dipinti su tela e su ta- vola e della scultura lignea policroma, in un contesto largamente influenzato dalla ricostruzione post-terremoto1. La scultura lignea è infatti molto rappresentata a livel- lo locale, sia per le numerose opere conservate sia per l’ampia diffusione sul territo- rio. Essa inoltre presenta elementi caratterizzanti che la distinguono in modo eviden- te dalla produzione delle aree limitrofe, spesso con varianti riconoscibili a livello sub- regionale. Da tempo “questo patrimonio era messo a rischio dal commercio illecito e soffriva di numerosi problemi conservativi, ulteriormente aggravati dal sisma del 1976”2, tanto che “nessun’altra regione può forse offrire oggi una casistica così numerosa e diversificata (e quindi così ricca di sperimentazioni) quanto il Friuli terremotato”3. -
Thomas Demand Roxana Marcoci, with a Short Story by Jeffrey Eugenides
Thomas Demand Roxana Marcoci, with a short story by Jeffrey Eugenides Author Marcoci, Roxana Date 2005 Publisher The Museum of Modern Art ISBN 0870700804 Exhibition URL www.moma.org/calendar/exhibitions/116 The Museum of Modern Art's exhibition history— from our founding in 1929 to the present—is available online. It includes exhibition catalogues, primary documents, installation views, and an index of participating artists. MoMA © 2017 The Museum of Modern Art museumof modern art lIOJ^ArxxV^ 9 « Thomas Demand Thomas Demand Roxana Marcoci with a short story by Jeffrey Eugenides The Museum of Modern Art, New York Published in conjunction with the exhibition Thomas Demand, organized by Roxana Marcoci, Assistant Curator in the Department of Photography at The Museum of Modern Art, New York, March 4-May 30, 2005 The exhibition is supported by Ninah and Michael Lynne, and The International Council, The Contemporary Arts Council, and The Junior Associates of The Museum of Modern Art. This publication is made possible by Anna Marie and Robert F. Shapiro. Produced by the Department of Publications, The Museum of Modern Art, New York Edited by Joanne Greenspun Designed by Pascale Willi, xheight Production by Marc Sapir Printed and bound by Dr. Cantz'sche Druckerei, Ostfildern, Germany This book is typeset in Univers. The paper is 200 gsm Lumisilk. © 2005 The Museum of Modern Art, New York "Photographic Memory," © 2005 Jeffrey Eugenides Photographs by Thomas Demand, © 2005 Thomas Demand Copyright credits for certain illustrations are cited in the Photograph Credits, page 143. Library of Congress Control Number: 2004115561 ISBN: 0-87070-080-4 Published by The Museum of Modern Art, 11 West 53 Street, New York, New York 10019-5497 (www.moma.org) Distributed in the United States and Canada by D.A.P./Distributed Art Publishers, New York Distributed outside the United States and Canada by Thames & Hudson Ltd., London Front and back covers: Window (Fenster). -
International Student Guide
International Student Guide UNIVERSITY OF UDINE WWW.uniud.it UNIUD / 1 INTERNATIONAL STUDENT GUIDE Welcome to WE VALUE MERIT UNIUD Every year the best graduates of the University Why are awarded grants that include tuition reductions UNIUD is a young dynamic university for enrollment in master degree courses and whose mission, since its foundation in 1978, facilitations in job placement programs. has been to promote higher education by Info: [email protected] imparting knowledge and generating new ideas at the cutting edge of society. MIND-FULLY Uniud offers various services to ensure the The key of our success at both the national well-being of its students, so as to assist those and international level is the quality who have problems adapting to university life and enthusiasm of all of its components. or those who encounter difficulties during their studies. They comprise free laboratories for anxiety management, study methods, effective communication skills, mindfulness and meditation. INTERNATIONAL STUDENT GUIDE UNIUD / 2 UNIUD / 3 INTERNATIONAL STUDENT GUIDE FriuLI Learning at the heart of Europe veneZIA Udine University, situated in Udine, a town in the region of Friuli Venezia Giulia, GIULIA north-eastern Italy, is in the very heart of Europe. UNIUD and Udine have a relaxed student-friendly atmosphere and are within easy reach of many places of interest in Italy, Europe and beyond. AT THE HEART OF EUROPE Udine is at the heart of Europe. A few kilometers away there is Aquileia, an old Roman town founded in 181 BC, with rich archeological finds, where students and professors from the University often go on digs. -
Friuli Venezia Giulia Villages
Italy’s most enchanting villages Friuli Venezia Giulia beauty right outside your door! Villagesof sheer beauty Clauiano, Cordovado, Fagagna, Gradisca d’Isonzo, Poffabro and Valvasone are the most enchanting villages of Italy in Friuli Venezia Giulia. It is an honour as well as a commitment to be part of this club set up in 2001 upon a recommendation of the Tourism Committee of the National Association of Italian Municipalities. It is an honour since the value of small provincial centres is recognised in terms of history, culture, environment and traditions. It is a commit- ment because villages cannot be part of it forever: villages must show to be worthy of it over time by undertaking actions aimed at maintaining and increasing the quality of life and of the urban fabric. Being part of the “most enchanting villages of Italy” means complying with such requirements as the architectural harmony of the village and the qual- ity of the public and private building heritage, and other general liveability features regarding the activities and services offered to the villagers. Whilst Friuli Venezia Giulia has a range of other towns and villages packed with artistic, historic, landscape and cultural attractions, the Italy’s Most Beautiful Villages Committee chose these nine towns as enjoyable des- tinations for both tourists and those living in the region for their abso- lutely unique character. Clauiano because it has managed to preserve a straightforward rural feel, Cordovado for its balance between nature and architecture, Fagagna because it has safeguarded its welcoming atmos- phere, Gradisca d’Isonzo for a Baroque backdrop which is respectful of its history, Poffabro for its one-of-a-kind spontaneous architecture, Polcenigo replete with natural beauties and source of authentic experiences, Sesto al Reghena sheltered by the Abbey of St Mary, Toppo where archaeology and art exhibitions merge with nature and gliding, Valvasone because it has preserved its medieval plan and art treasures. -
Udinecividale.It Website
uuuu UFFICIO RELAZIONI CON IL PUBBLICO TEL. 0432 - 581844 STAZIONE DI CIVIDALE DEL FR. TEL. 0432 - 731032 BIGLIETTERIA DI CIVIDALE DEL FR. TEL. 0432 - 733716 E-mail: [email protected] Website: www.ferrovieudinecividale.it ORARIO INVERNALE CIVIDALE del FRIULI - UDINE validità: dal 10/09/2018 al 08/12/2018 CIVIDALE DEL FRIULI - UDINE R R CORSA CORSA CORSA R R CORSA R R CORSA CORSA CORSA R R R R R CORSA CORSA R R R R SOSTITUTIVA CON SOSTITUTIVA CON SOSTITUTIVA CON SOSTITUTIVA CON SOSTITUTIVA CON SOSTITUTIVA CON SOSTITUTIVA CON SOSTITUTIVA CON SOSTITUTIVA CON BUS BUS BUS BUS BUS BUS BUS BUS BUS FERMATE AT 51 AT 53 153/1 153/2 153/3 AT 55 AT 57 AT 59 AT 61 AT 63 163 165/1 165/2 AT 65 AT 67 AT 69 AT 71 AT 73 173/1 173/2 AT 75 AT 77 AT 79 AT 81 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 ferialeferiale e feriale e ferialeferiale feriale feriale ferialeferiale feriale e feriale e feriale feriale e ferialeferiale e feriale feriale feriale ferialeferiale e feriale e feriale e feriale e feriale e feriale feriale feriale e feriale e feriale e feriale e festivo festivo * A REMANZACCO festivo festivo festivo festivo festivo festivo festivo festivo festivo festivo festivo festivo festivo SOLO SCARICO ( 1 ) ( 1 ) ( 1 ) ( 1 ) ( 1 ) CIVIDALE DEL FRIULI 5:50 6:52 7:00 7:00 7:54 8:56 9:58 11:00 12:02 12:30 13:40 13:40 13:04 14:06 15:08 16:10 17:12 17:30 17:30 18:14 19:16 20:18 21:20 - BOTTENICCO Z.I. -
Best Practices in the Field of Cultural and Creative Industries in Friuli Venezia Giulia Autonomous Region
BEST PRACTICES IN THE FIELD OF CULTURAL AND CREATIVE INDUSTRIES IN FRIULI VENEZIA GIULIA AUTONOMOUS REGION Study visit in the framework of CRE:HUB project, 3-4 May 2017 The firms operating in the cultural and creative sector in Friuli Venezia Giulia represent 8.9% of total active undertakings. The sector plays a remarkable role at regional level. In 2013, such industries produced 5.7% of added value, whereas the national and northeastern averages were both at 5.4%. As to employment rates, in 2013 new hires in these industries represented 6.2% of the total at regional level (5.8% national average, 6.1% macroregional) showing an increasing trend when compared to 2012 (5.8%). Furthermore, the multiplier effect of the cultural sector, meaning its capacity of stimulating other productive activities, in Friuli Venezia Giulia is higher than the national average (2.1 vs. 1.7, the highest among Italian regions). Regional creative and cultural industries also feature a considerable vocation to cultural export – Friuli Venezia Giulia ranking third at national level. Website http://www.interregeurope.eu/crehub/ Facebook: https://www.facebook.com/crehubproject/ Twitter: https://twitter.com/crehub_project Linkedin Group: https://www.linkedin.com/groups/13520668 FVG FILM COMMISSION FVG Film Commission, we solve problems The FVG Film Commission was born in 2000, one of the first to be founded in Italy. Since then, we’ve been supporting hundreds of projects – films, documentaries, TV series, music videos and commercials. Oscar winning directors and young talents have accessed our services since, but our commitment has been exactly the same no matter how big a project. -
Archaeological Area and the Patriarchal Basilica of Aquileia
centre, linking central Europe with the Mediterranean. Among the goods that it traded through its great river WORLD HERITAGE LIST port were wine, oil, furs, iron, and slaves. It was also the southern terminus of the amber route, dating from Aquileia (Italy) prehistory, and this prized product from the Baltic was worked by Aquileian craftsmen for sale throughout the Empire. High-quality glassware became an important No 825 manufacture following the establishment of a workshop there in the 1st century AD by the celebrated Phoenician craftsman Ennion. By 90 BC it had been elevated to the status of municipium and its citizens were accorded full rights of Roman citizenship. Its wealth resulted in the town Identification being endowed with many magnificent public buildings, and the private residences of its rich Nomination The Archaeological Area and the merchants were opulently decorated. It is estimated that Patriarchal Basilica of Aquileia its population had reached over 200,000 by the end of the 1st century BC. During the 4th century Imperial Location Commune of Aquileia, Province of residences were built in Aquileia, and it was the seat of Udine, Friuli-Venezia Giulia Re- an Imperial mint between 284 and 425 AD. Of especial gion importance was the construction in the second decade of the 4th century of a basilica by Bishop Theodorus, State Party Italy following the sanctioning of public worship by the Edict of Milan in 313. Date 1 July 1996 All this was to come to a violent end in 452, when Aquileia was sacked by the Huns led by Attila.