History of Architecture IV for Art & Design Students
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Finding Structural Solutions by Connecting Towers
ctbuh.org/papers Title: Finding Structural Solutions by Connecting Towers Authors: Andrew Luong, Director, Arup Michael Kwok, Director, Arup Subjects: Architectural/Design Structural Engineering Keywords: Cost Skybridges Publication Date: 2012 Original Publication: CTBUH Journal, 2012 Issue III Paper Type: 1. Book chapter/Part chapter 2. Journal paper 3. Conference proceeding 4. Unpublished conference paper 5. Magazine article 6. Unpublished © Council on Tall Buildings and Urban Habitat / Andrew Luong; Michael Kwok Research: China’s Unique Linked Towers Finding Structural Solutions by Connecting Towers A study of a number of linked high-rise towers in China finds designs anchored by innovative, unimposing structural solutions, which address issues of costs and buildability. More than simply making a dramatic visual statement, the links play an integral role in the buildings’ functions. Linked towers are still a rarity in the design of solving a number of problems and offering skyscrapers. Perhaps the most famous is the new opportunities in the design and usage of Andrew Luong Michael Kwok Petronas Twin Towers in Kuala Lumpur, but the buildings including: the linkage in the Petronas served as more Authors than just an architectural gesture. Structurally providing better masterplanning and Andrew Luong, Director Michael Kwok, Director there is little purpose to the skybridge, massing relationship in the site and to the Arup although the link it is an integral part of the neighboring architecture; 39/F–41/F Huaihai Plaza fire evacuation strategy and allows facilities to effective use of a limited and constrained 1045 Huaihai Road Shanghai 200031 be shared between the two towers over those site; China several levels, in addition to offering an increasing floor plate size; t: +86 21 6126 2888 observation deck, a popular attraction. -
Mcmorrough John Cv Expanded Format
John McMorrough CV (September 2013) - 1/5 John McMorrough Associate Professor of Architecture University of Michigan / Taubman College of Architecture and Urban Planning 2000 Bonisteel Boulevard, Ann Arbor, MI 48109-2069 Education Doctor of Philosophy in Architecture, Landscape Architecture, and Urban Planning 2007, June Harvard University Dissertation: Signifying Practices: The Pre-Texts of Post-Modern Architecture (Advisors: M. Hays, S. Whiting, R. Somol) Master of Architecture (with Distinction) 1998, June Harvard University, Graduate School of Design Thesis: “Shopping and as the City”, Harvard Project on the City: Shopping (Advisor: R. Koolhaas) Bachelor of Architecture 1992, June University of Kansas, School of Architecture and Urban Design Exchange Student in Architecture: Universität Dortmund, Germany 9/88-6/89 Donald P. Ewart Memorial Traveling Scholarship 1988 Academic University of Michigan Associate Professor of Architecture, with tenure 9/2010 -... Chair, Architecture Program 2010-2013 Director, PhD in Architecture Degree 2010-2012 413: History of Architecture and Urbanism ("A Disciplinary Genealogy from 5,000 BC to 2010") (x3) 2011-2013 503: Special Topics in Architectural History ("Possible Worlds") 2013 506: Special Topics In Design Fundamentals ("Color Theory") 2013 322: Architectural Design II ("For Architecture, Five Projects" - Coordinator) 2011 University of Illinois at Chicago Greenwall Visiting Critic (Lectures, "Critical Figures: Reading Architecture Criticism") 2012 University of Applied Arts, Vienna Critic, Urban Strategies Post-Graduate Program (x4) 2008 - 2011 (08: Networks, 09: Game Space, 10: Brain City, 11: Porosity) Ohio State University Head, Architecture Section 2009 - 2010 Chair, Graduate Studies in Architecture 2008 - 2009 Associate Professor of Architecture, with tenure 2009 - 2010 Assistant Professor of Architecture 2005 - 2009 Charles E. -
To Read the Beijinger July/August 2017 Issue Online Now!
CHINESE COLD DISHES KO TAO LIAM GALLAGHER HANOI 2017/07-08 HOME IS WHERE THE HEART IS YOUR COMPLETE GUIDE TO HOUSE HUNTING IN BEIJING 1 JUL/AUG 2017 图书在版编目(CIP)数据 艺术北京 : 英文 / 《北京人系列丛书》编委会编著 旗下出版物 . -- 昆明 : 云南科技出版社, 2017.3 (北京人系列丛书) ISBN 978-7-5587-0464-2 Ⅰ. ①艺… Ⅱ. ①北… Ⅲ. ①北京-概况-英文 Ⅳ. ①K921 中国版本图书馆CIP数据核字(2017)第056249号 责任编辑:吴 琼 封面设计:Xixi 责任印刷:翟 苑 责任校对:叶水金 张彦艳 Since 2001 | 2001年创刊 thebeijinger.com A Publication of 广告代理: 北京爱见达广告有限公司 地址: 北京市朝阳区关东店北街核桃园30号 孚兴写字楼C座5层 Since 2006 | 2006年创刊 邮政编码: 100020 Beijing-kids.com 电话: 5779 8877 Advertising Hotline/广告热线: 5941 0368 /69 /72 /77 /78 /79 The Beijinger Managing Editor Margaux Schreurs Digital Content Managing Editor Tom Arnstein Editors Kyle Mullin, Tracy Wang Contributors Jeremiah Jenne, Andrew Killeen, Robynne Tindall True Run Media Founder & CEO Michael Wester Owner & Co-Founder Toni Ma Art Director Susu Luo Designer Xi Xi Production Manager Joey Guo Content Marketing Director Nimo Wanjau Head of Marketing & Communications Lareina Yang Events & Brand Manager Mu Yu Marketing Team Sharon Shang, Helen Liu, Nate Ren Head of HR & Admin Tobal Loyola Finance Manager Judy Zhao Accountant Vicky Cui Since 2012 | 2012年创刊 HR & Admin Officer Cao Zheng Jingkids.com Digital Development Director Alexandre Froger IT Support Specialist Yan Wen Photographer Uni You Sales Director Sheena Hu Account Managers Winter Liu, Wilson Barrie, Olesya Sedysheva, Renee Hu, Veronica Wu Sales Supporting Manager Gladys Tang Sales Coordinator Serena Du General inquiries: 5779 8877 Editorial inquiries: [email protected] Event -
WARCHITECTURE Hinted at the Day Before
IIAS_NL#39 09-12-2005 17:03 Pagina 20 > Rem Koolhaas IIAS annual lecture SKYSCRAPERS AND SLEDGEHAMMERS The 10th IIAS annual lecture was delivered in Amsterdam on 17 November by world-famous Dutch architect and Harvard professor ...THE DAY AFTER Rem Koolhaas. Co-founder and partner of the Office for Metropolitan Architecture (OMA) and initiator of AMO, its think-tank/mirror Zheng Shiling from Shanghai, Xing Ruan from Sydney and Anne- image, Koolhaas’ projects include de Kunsthal in Rotterdam, Guggenheim Las Vegas, a Prada boutique in Soho, Casa da Musica in Marie Broudehoux from Quebec City were Koolhaas’ discussants Porto and most spectacularly, the new CCTV headquarters in Beijing. His writings range from his Delirious New York, a retroactive following the lecture. To give our guests a chance to meet their manifesto (1978) to his massive 1,500 page S,M,L,XL (1995), several projects supervised at Harvard including Great Leap Forward Dutch and Flemish brothers in arms, IIAS organized a meeting (2002) and Harvard Design School Guide to Shopping (2002) to his most recent volume between a book and a magazine, Content at the Netherlands Architectural Institute in Rotterdam the fol- (2005). On these pages of the IIAS newsletter, itself a strange animal between an academic journal and newspaper, we explore why lowing day. Bearing the title (Per)forming Culture; Architecture and Koolhaas in his last book invites us to Go East; why he has a long-time fascination with the Asian city; why the Metabolists have Life in the Chinese Megalopolis, specialists of contemporary Chi- always intrigued him; why OMA has developed an interest in preserving ancient Beijing; and, perhaps most importantly, why he nese urban change – including scholars of architectural theory, thinks architecture is so closely connected to ideology. -
China's Master Planning System in Transition Case Study on Beijing
Gu Chaolin, Yuan Xiaohui and Guo Jing, China’s master planning system in transition: case study of Beijing, 46th ISOCARP Congress 2010 China’s master planning system in transition Case study on Beijing Gu Chaolin Yuan Xiaohui Guo Jing 1. Introduction Ever since China reformed and opened up to the world in 1978, there were immense changes taken place in structure and system framework of society, economy and space. The service industry has entered the fast development track and the economic structure is speedily adjusting. Millions of farmers left their land to look for new development. In this period, industrialization and urbanization kept pushing forward. Thus, the conflicts between rural and urban development deteriorated and social migration is increasing. The largest dualistic economy entity in the world is changing. During this period, resource consumption increases rapidly in volume and environmental pressure continues to increase. In fact, China’s urban planning system play an important role for its development and growth as well as resource and environmental problems. This paper will discuss the great changes of the China’s urban planning system and have a Beijing case study during that time. In general, Urban planning in China first 30 years used the former Soviet Union urban planning model according to the planned economy system. Urban planning is implementation in space of the state economic development plans. The second 30 years exploring national conditions of the socialist market economic system in urban planning. Traditional urban planning system is broken and the new planning system also can not copy urban planning system from the European market economy countries. -
Made by the Office for Metropolitan Architecture: an Ethnography of Design
The University of Manchester Research Made by the Office for Metropolitan Architecture: An Ethnography of Design Link to publication record in Manchester Research Explorer Citation for published version (APA): Yaneva, A. (2009). Made by the Office for Metropolitan Architecture: An Ethnography of Design. (1st ed.) 010 Publlishers. http://books.google.co.uk/books/about/Made_by_the_Office_for_Metropolitan_Arch.html?id=Z4okIn5RvHYChttp:// www.010.nl/catalogue/book.php?id=714 Citing this paper Please note that where the full-text provided on Manchester Research Explorer is the Author Accepted Manuscript or Proof version this may differ from the final Published version. If citing, it is advised that you check and use the publisher's definitive version. General rights Copyright and moral rights for the publications made accessible in the Research Explorer are retained by the authors and/or other copyright owners and it is a condition of accessing publications that users recognise and abide by the legal requirements associated with these rights. Takedown policy If you believe that this document breaches copyright please refer to the University of Manchester’s Takedown Procedures [http://man.ac.uk/04Y6Bo] or contact [email protected] providing relevant details, so we can investigate your claim. Download date:29. Sep. 2021 Made by the Office for Metropolitan Architecture: An Ethnography of Design 010 Publishers Rotterdam 2009 Made by the Office for Metropolitan Architecture: An Ethnography of Design Albena Yaneva For Bruno Latour Acknowledgements 5 I would like to thank my publisher for encouraging me to systematically explore the large pile of interviews and ethnographic materials collected during my participant observation in the Office for Metropolitan Architecture in Rotterdam (oma) in the period 2002-4. -
Top Japanese Architects
TOP JAPANESE ARCHITECTS CURRENT VIEW OF JAPANESE ARCHITECTURE by Judit Taberna To be able to understand modern Japanese architecture we must put it into its historic context, and be aware of the great changes the country has undergone. Japan is an ancient and traditional society and a modern society at the same time. The explanation for this contradiction lies in the rapid changes resulting from the industrial and urban revolutions which began in Japan in the Meiji period and continued with renewed force in the years after the second world war. At the end of the nineteenth century, during the Meiji period, the isolation of the country which had lasted almost two centuries came abruptly to an end; it was the beginning of a new era for the Japanese who began to open up to the world. They began to study European and American politics and culture. Many Japanese architects traveled to Europe and America, and this led to the trend of European modernism which soon became a significant influence on Japanese architecture. With the Second World War the development in modern Japanese architecture ground to a halt, and it was not until a number of years later that the evolution continued. Maekawa and Sakura, the most well known architects at the time, worked with Le Corbusier and succeeded in combining traditional Japanese styles with modern architecture. However Kenzo Tange, Maekawa's disciple, is thought to have taken the first step in the modern Japanese movement. The Peace Center Memorial Museum at Hiroshima 1956, is where we can best appreciate his work. -
The Great Living Creative Spirit
The Great Living Creative Spirit Frank LLoyd Wright s legacy in japan Soib ' SS NoV. ii– . Join the Frank Lloyd Wright Building Conservancy for a specially curated tour highlighting modern and contemporary architecture FRANK LLOYD WRIGHT by Wright, Arata Endo, Antonin Raymond, Le Corbusier, Tadao BUILDING CONSERVANCY Ando, Kenzo Tange, Toyo Ito, Kengo Kuma and many more. Day one Sunday, Nov. 11 Arrive in Tokyo and check in at the Imperial Hotel (flights and hotel transfer not included). In the early evening, meet the rest of the group (limited to 27) for a welcome dinner at the historic For- MORI eign Correspondents‘ Club of Japan and a viewing of the Rafael Viñoly-designed Tokyo International Forum. Later, take an optional OICHI evening walking tour of Ginza, the famous upscale shopping and © K entertainment district where the traditional and modern meet. HOTO Overnight: Imperial Hotel, Tokyo / Meals: Dinner P Day TWO Monday, Nov. 12 The first full day begins with a tour of the 1970 Imperial Hotel, which includes the Old Imperial Bar, outfitted with relics of Wright’s demolished Imperial Hotel (1923-67). Then journey to Meguro St. Anselm’s Church, designed by Antonin Raymond, and have lunch at Meguro Gajoen, a lavish design furnished with artwork from its 1928 origins. Continue with a special visit to the private home Japanese modernist Kunio Maekawa built for himself in 1974, then a walking tour of Omotesando (a broad avenue lined with flagship designs by the likes of SANAA, Toyo Ito, Herzog & de Meuron, Kengo Kuma, Tadao Ando and Kenzo Tange). After a visit to the 21_21 Design Sight museum and gallery, designed by Tadao Ando, we finish the day with a view from the 52nd-floor observation deck at Mori Tower in Roppongi Hills, designed by Kohn Pedersen Fox. -
Issn 1672-8025
Follow us on WeChat Now Advertising Hotline 400 820 8428 城市漫步北京 英文版 03 月份 国内统一刊号: CN 11-5232/GO China Intercontinental Press ISSN 1672-8025 MARCH 2015 主管单位 :中华人民共和国国务院新闻办公室 Supervised by the State Council Information Office of the People's Republic of China 主办单位 :五洲传播出版社 地址 :北京市海淀区北三环中路31 号生产力大楼 B 座 602 邮编 100088 B-602 Shengchanli Building, No. 31 Beisanhuan Zhonglu, Haidian District, Beijing 100088, PRC http://www.cicc.org.cn 社长 President of China Intercontinental Press 李红杰 Li Hongjie 期刊部负责人 Supervisor of Magazine Department 邓锦辉 Deng Jinhui 编辑 Editor 刘扬 Liu Yang 发行 / 市场 Distribution / Marketing 黄静,李若琳 Huang Jing, Li Ruolin Editor-in-Chief Stephen George Senior Editors Oscar Holland, Will Philipps, Karoline Kan, Marianna Cerini Assistant Editor Vivid Zhu Designers Tin Wu, Qian Nan Yang Staff Photographer Noemi Cassanelli Contributors Andrew Chin, Stan Aron, Alex Taggart, Mia Li, Trevor Marshallsea, Nikolai Blackie Urbanatomy Media Shanghai (Head office) 上海和舟广告有限公司 上海市蒙自路 169 号智造局 2 号楼 305-306 室 邮政编码 : 200023 Room 305-306, Building 2, No.169 Mengzi Lu, Shanghai 200023 电话 : 021-8023 2199 传真 : 021-8023 2190 (From February 13) Beijing 广告代理 : 上海和舟广告有限公司 北京市东城区东直门外大街 48 号东方银座 C 座 9G 邮政编码 : 100027 48 Dongzhimenwai Dajie Oriental Kenzo (Ginza Mall) Building C Room 9G, Dongcheng District, Beijing 100027 电话 : 010-8447 7002 传真 : 010-8447 6455 Guangzhou 上海和舟广告有限公司广州分公司 广州市越秀区麓苑路 42 号大院 2 号楼 610 房 邮政编码 : 510095 Room 610, No. 2 Building, Area 42, Lu Yuan Lu, Yuexiu District, Guangzhou, PRC 510095 电话 : 020-8358 6125, 传真 : 020-8357 3859-800 Shenzhen -
Go with the Flow – Architecture, Infrastructure and the Everyday
Gilles delAlex Architecture, infrAstructure And the everydAy experience of Mobility University of Art and Design Helsinki Publication Series of the University of Art and Design Helsinki A55 www.uiah.fi /publications © Gilles Delalex Graphic Design: Kalle Järvenpää All photographs published with permission. Paper : Munken Premium White 13 115 g /m2 and Munken Lynx 300 g /m2 Font Family : Adobe Chaparral Pro Opticals ISBN 951-558-167-2 (printed book) ISBN 951-558-197-4 (electronic book) ISSN 0782-1832 Gummerus Printing Printed in Vaajakoski, Finland, 2006. contents Aknowledgments . 9 Introduction . 11 Part 1 architecture in the sPace of flows . 21 1 .0 From biomorphic to virtual architecture . 23 – Beyond the biomorphic 24 – A new modernity 27 – The semantic nightmare 26 – The shape of flows 28 – Virtual architecture 26 – Flows as primary material of design 29 1 .1 New architectures of flows . 33 – Greg Lynn : animated forms 35 – Toyo Ito : software architecture 39 – Foreign Office Architects : – OMA : chaos and indeterminacy 40 fluid topographies 36 – Stan Allen : field conditions 41 – Reiser and Umemoto : – Common traits 42 weaving infrastructure 37 1 .2 Urban fields : the renewed interest of architects in fluid urban conditions . 47 – Fields vs . Objects 49 – Exacerbated differences 52 – Urbanism without Architecture 50 – Megashapes 53 – Flexible accumulation 51 – Buildings as infrastructures 53 1 .3 The space of flows : a new paradigm for architecture ? . 59 – The network society 61 – Variable geometry 64 – Simultaneity in time and space 62 – Network realities 65 – Global infrastructures 62 – Beyond corporate architecture 67 – Dispersion and concentration 63 Part 2 the motorway and the everyday exPerience of flows . -
Publications About Phylogenesis: Foa's Ark / Foreign Office
Publications About Phylogenesis: Foa's Ark / Foreign Office Architects by Sanford Kwinter, Mark Wigley, Detlef Mertins, Jeffrey Kipnis Actar, 2004 Phylogenesis—wait, we'll explain the title soon—is structured as a reflection on the work that Foreign Office Architects (FOA) has produced during its first 10 years of practice. With its genesis as a primarily speculative and academic endeavor, FOA has recently expended much energy in the development of a technical arsenal for implementing real projects. Such explorations have been undertaken through a series of competitions, speculative commissions, and lately some real projects, some of them already completed, others still under construction. The outcome of these years is seen not just as a series of experiments, defined by the specific conditions of a project, but as a consistent reservoir of architectural species to be proliferate, mutated, and evolved in the near future. With the spirit of a scientific classification, the genesis of the projects is here identified as the evolution of a series of "phylums," actualized--and simultaneously virtualized--in their application to the specific conditions where the projects take place. Phylogenesis also includes an FOA-curated compilation of previously published texts from several critics who analyze "external" topics that relate to different aspects of the firm's discourse. Published in collaboration with the Institute of Contemporary Arts on the occasion of the exhibition "Foreign Office Architects: breeding architecture, London, 29 November -
The Operative Criticism of Rem Koolhaas
380 Re.Building The Operative Criticism of Rem Koolhaas FRANCES HSU Georgia Institute of Technology together set the parameters for criticality today. With these ongoing efforts, Koolhaas situates capitalism as today’s new and sometimes terrifying sublime. The relationship between the historian and the architect began in Manhattan at the Institute of Architecture and Urban Studies. It is personal, anecdotal, and historical, with evidence of subjects, citations, and images shared by their writings. Tafuri, who shaped the paradigm of criticality operating today, formulated his position by combining terms from art, language, and psychology. Koolhaas precisely and purposefully relied on those terms used by Tafuri to create Figure 1: From SMLXL, pp. 432-433 and implement retroaction—an ironic refutation of operative criticism negating Tafuri’s position that modern architecture could not be critical due to INTRODUCTION economic conditions for the production of buildings. The evolution of criticality in the work of Rem Koolhaas has in fact been precisely and strategically Koolhaas/OMA can be fruitfully viewed in relation engaged in an ongoing historical and ideological to Manfredo Tafuri’s article “Toward a Critique of project since the seventies. His introduction to the Architectural Ideology” (1969). This piece, revised discourse on architecture’s taste for power occurred and expanded in Architecture and Utopia, Design during his studies at Cornell University, when he and Capitalist Development speaks to the possibility “became friends” with Michel Foucault.1 A concern of an operative criticism that engages the ideology of with the ideological function of architecture rests at capitalism. Tafuri’s stated concerns with techniques the foundation of projects spanning from Exodus, of programming, analysis of defined economic or the Voluntary Prisoners of Architecture (1972) sectors, and ideologies of consumption are shared and Study for the Renovation of a Panopticon Prison by Koolhaas’s work.