Tributaries on the Name of the Journal: Alabama’S Waterways Intersect Its Folk- Ways at Every Level
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Robertson Davies Fifth Business Fifth Business Definition: Those Roles Which, Being Neither Those of Hero Nor Heroine, Confidant
Robertson Davies Fifth Business Fifth Business Definition: Those roles which, being neither those of Hero nor Heroine, Confidante nor Villain, but which were nonetheless essential to bring about the Recognition or the denouement, were called the Fifth Business in drama and opera companies organized according to the old style; the player who acted these parts was often referred to as Fifth Business. —Tho. Overskou, Den Daaske Skueplads I. Mrs. Dempster 1 My lifelong involvement with Mrs. Dempster began at 8 o’clock p.m. on the 27th of December, 1908, at which time I was ten years and seven months old. I am able to date the occasion with complete certainty because that afternoon I had been sledding with my lifelong friend and enemy Percy Boyd Staunton, and we had quarrelled, because his fine new Christmas sled would not go as fast as my old one. Snow was never heavy in our part of the world, but this Christmas it had been plentiful enough almost to cover the tallest spears of dried grass in the fields; in such snow his sled with its tall runners and foolish steering apparatus was clumsy and apt to stick, whereas my low-slung old affair would almost have slid on grass without snow. The afternoon had been humiliating for him, and when Percy as humiliated he was vindictive. His parents were rich, his clothes were fine, and his mittens were of skin and came from a store in the city, whereas mine were knitted by my mother; it was manifestly wrong, therefore, that his splendid sled should not go faster than mine, and when such injustice showed itself Percy became cranky. -
2017 Newsletter
Volume XLVI Fall 2017 History Alumni Recognized at Homecoming CATION istory alumni Stephen Dillard ’92 and Jade Acker ’93 and Sciences. According to the nominating committee, Dillard H were among six Samford University graduates honored “has been a wonderful representative of Samford, not only during 2017 homecoming festivities with the university’s through his professional accomplishments, but his annual alumni awards. involvement in his community and with Samford.” Alumni of the Year honorees were nominated by members The Humanitarian of the Year award was established in of the Samford community and selected by a committee of 2016 to recognize Samford graduates of distinction, wide Samford Alumni Association representatives and university respect and acknowledged leadership who have made administrators. They are distinguished in their professional outstanding contributions to better the lives of those around careers, community and church involvement, and in their them by staying true to the Samford mission. ongoing service to Samford. The awards were first presented Three individuals, including a husband and wife team, in 1956, and 120 alumni have been honored since, including were recognized with the Humanitarian of the Year award. several from the history department: J. Wayne Flynt (’61), Jade Acker and Shelah Hubbard Acker are founders Sigurd F. Bryan (’46), Kitty Rogers Brown (’01), Mary Ann and directors of Refuge and Hope International, a multifaceted Buffington Moon (’05), James Huskey (’69), and Houston ministry based in Kampala, Uganda, which they founded in Estes (’04), to name a few. 2004. They serve through the missions auspices of the Joel Brooks ’99 and Stephen Dillard ’92 have been named Cooperative Baptist Fellowship. -
2004 Annual Report} MEMBERS Alabama State Council on the Arts
ALABAMA STATE COUNCIL ON THE ARTS ---------------{2004 Annual Report} MEMBERS Alabama State Council On the Arts BERNICE PRICE CHAIRMAN Montgomery BECKY QUINN VICE CHAIRMAN Huntsville FRANK HELDERMAN SECRETARY Florence EVELYN ALLEN Birmingham JULIE HALL FRIEDMAN Fairhope RALPH FROHSIN, JR. Alexander City DOUG GHEE Anniston ELAINE JOHNSON Dothan DORA JAMES LITTLE Auburn JUDGE VANZETTA PENN MCPHERSON Montgomery VAUGHAN MORRISSETTE Mobile DYANN ROBINSON Tuskegee JUDGE JAMES SCOTT SLEDGE Gadsden CEIL JENKINS SNOW Birmingham CAROL PREJEAN ZIPPERT Eutaw ANNUAL REPORT 2004 --------------[ mission ]-------------- The Mission of the Alabama State Council on the Arts is to enhance quality of life in Alabama culturally, economically, and educationally by supporting the state’s diverse and rich artistic resources. THE GOALS OF THE COUNCIL ARE TO COMMIT GREATER FINANCIAL TO INCORPORATE THE ARTS AS AN ESSENTIAL ELEMENT IN THE EDU- RESOURCES TO SUPPORT EXCELLENCE AND PROFESSIONALISM IN ALL CATIONAL EXPERIENCE OF ALL ALABAMIANS AND TO PROVIDE AN OP- ART FORMS SO THAT QUALITY IS THE HALLMARK OF ARTISTIC ACTIV- PORTUNITY FOR ALL TO PARTICIPATE IN AND APPRECIATE THE ARTS. ITY IN ALABAMA. ALABAMA STATE COUNCIL ON THE ARTS 1 ------------------[ contents ]------------------ Arts-in-education Programs ......................... 7 community arts Programs............................ 9 folklife Programs ........................................ 11 literature Programs ..................................... 15 Performing Arts Programs ........................... 17 Visual -
English-Spanish (Dictionnaire)
English−spanish (dictionnaire) English−spanish Dictionary éditions eBooksFrance www.ebooksfrance.com English−spanish Dictionary 1 English−spanish (dictionnaire) Adapted from : http://www.freedict.com/dictionary/index. -
Walt Whitman, Where the Future Becomes Present, Edited by David Haven Blake and Michael Robertson
7ALT7HITMAN 7HERETHE&UTURE "ECOMES0RESENT the iowa whitman series Ed Folsom, series editor WALTWHITMAN WHERETHEFUTURE BECOMESPRESENT EDITEDBYDAVIDHAVENBLAKE ANDMICHAELROBERTSON VOJWFSTJUZPGJPXBQSFTTJPXBDJUZ University of Iowa Press, Iowa City 52242 Copyright © 2008 by the University of Iowa Press www.uiowapress.org All rights reserved Printed in the United States of America Design by Richard Hendel No part of this book may be reproduced or used in any form or by any means without permission in writing from the publisher. All reasonable steps have been taken to contact copyright holders of material used in this book. The publisher would be pleased to make suitable arrangements with any whom it has not been possible to reach. The University of Iowa Press is a member of Green Press Initiative and is committed to preserving natural resources. Printed on acid-free paper issn: 1556–5610 lccn: 2007936977 isbn-13: 978-1-58729–638-3 (cloth) isbn-10: 1-58729–638-1 (cloth) 08 09 10 11 12 c 5 4 3 2 1 Past and present and future are not disjoined but joined. The greatest poet forms the consistence of what is to be from what has been and is. He drags the dead out of their coffins and stands them again on their feet .... he says to the past, Rise and walk before me that I may realize you. He learns the lesson .... he places himself where the future becomes present. walt whitman Preface to the 1855 Leaves of Grass { contents } Acknowledgments, ix David Haven Blake and Michael Robertson Introduction: Loos’d of Limits and Imaginary Lines, 1 David Lehman The Visionary Whitman, 8 Wai Chee Dimock Epic and Lyric: The Aegean, the Nile, and Whitman, 17 Meredith L. -
1 THOMPSON SQUARE Are You Gonna Kiss Me Or Not Stoney
TOP100 OF 2011 1 THOMPSON SQUARE Are You Gonna Kiss Me Or Not Stoney Creek 51 BRAD PAISLEY Anything Like Me Arista 2 JASON ALDEAN & KELLY CLARKSON Don't You Wanna Stay Broken Bow 52 RONNIE DUNN Bleed Red Arista 3 TIM MCGRAW Felt Good On My Lips Curb 53 THOMPSON SQUARE I Got You Stoney Creek 4 BILLY CURRINGTON Let Me Down Easy Mercury 54 CARRIE UNDERWOOD Mama's Song 19/Arista 5 KENNY CHESNEY Somewhere With You BNA 55 SUNNY SWEENEY From A Table Away Republic Nashville 6 SARA EVANS A Little Bit Stronger RCA 56 ERIC CHURCH Homeboy EMI Nashville 7 BLAKE SHELTON Honey Bee Warner Bros./WMN 57 TAYLOR SWIFT Sparks Fly Big Machine 8 THE BAND PERRY You Lie Republic Nashville 58 BILLY CURRINGTON Love Done Gone Mercury 9 MIRANDA LAMBERT Heart Like Mine Columbia 59 DAVID NAIL Let It Rain MCA 10 CHRIS YOUNG Voices RCA 60 MIRANDA LAMBERT Baggage Claim RCA 11 DARIUS RUCKER This Capitol 61 STEVE HOLY Love Don't Run Curb 12 LUKE BRYAN Someone Else Calling... Capitol 62 GEORGE STRAIT The Breath You Take MCA 13 CHRIS YOUNG Tomorrow RCA 63 EASTON CORBIN I Can't Love You Back Mercury 14 JASON ALDEAN Dirt Road Anthem Broken Bow 64 JERROD NIEMANN One More Drinkin' Song Sea Gayle/Arista 15 JAKE OWEN Barefoot Blue Jean Night RCA 65 SUGARLAND Little Miss Mercury 16 JERROD NIEMANN What Do You Want Sea Gayle/Arista 66 JOSH TURNER I Wouldn't Be A Man MCA 17 BLAKE SHELTON Who Are You When I'm.. -
Kathryn Tucker Windham
IRST RAFT FTHE JOURNAL OF THE ALABAMA WRITERS’ FORUMD VOL. 5, NO. 3 FALL 1998 Kathryn Tucker Windham: Also in this issue: MORE PLAYWRITING Page 6 Telling Stories of the South OPEN THE DOOR: Page 1 WORKS BY YOUNG WRITERS Page 9 AWF-AUM WRITERS’ AND ASSOCIATES’ COLLOQUIUM, ALABAMA VOICES, AND MORE! ROM THE XECUTIVE IRECTOR ALABAMA F E D WRITERS’ ctober 17, 1998, was a watershed day for poetry in Alabama. FORUM At the same time that the Alabama State Poetry Society was 1998-99 Board of Directors Ocelebrating its 30th anniversary with a daylong PoetryFest in President Birmingham–bringing together over 200 members and others to revel Brent Davis (Tuscaloosa) in the Word of poetry–Robert Pinsky, our U.S. Poet Laureate, was vis- Immediate Past President iting Montgomery to fulfill a dream of his own. Norman McMillan (Montevallo) Pinsky visited Montgomery to introduce a staged selection of his Vice-President translation of Dante’s “The Inferno” at the historic Dexter Avenue King Rawlins McKinney (Birmingham) Memorial Baptist Church, just one block from the state capitol. Secretary Jonathan Levi’s production, which features four actors and a violinist, Jay Lamar will travel to Miami, Kansas City, Seattle, Boston and back to New (Auburn) York (where it originated at the 92nd Street Y through the auspices of Treasurer Doug Lindley the Unterberg Poetry Center). Montgomery was the only deep South (Montgomery) stop for “The Inferno.” In the Winter First Draft, we will review the Co-Treasurer production at length. Edward M. George (Montgomery) Regrettably, these events (PoetryFest and “The Inferno” produc- Writers’ Representative Ruth Beaumont Cook tion) conflicted. -
North Alabama Historical Review, Volume 3, 2013 Article 1
North Alabama Historical Review Volume 3 North Alabama Historical Review, Volume 3, 2013 Article 1 2013 North Alabama Historical Review, Volume 3, 2013 Follow this and additional works at: https://ir.una.edu/nahr Part of the Public History Commons, and the United States History Commons Recommended Citation (2013). North Alabama Historical Review, Volume 3, 2013. North Alabama Historical Review, 3 (1). Retrieved from https://ir.una.edu/nahr/vol3/iss1/1 This Full Issue is brought to you for free and open access by UNA Scholarly Repository. It has been accepted for inclusion in North Alabama Historical Review by an authorized editor of UNA Scholarly Repository. For more information, please contact [email protected]. Published by the History Graduate Student Association in cooperation with the University of North Alabama North Alabama Historical Review, 2013 Alabama Historical Review, North Volume 3, 2013 North Alabama HISTORICAL REVIEW North Alabama Historical Review Florence, AL 35630 editors David Justice Wesley Garmon Thanks, Hannah Goode-Garmon, Caitlin Shelton, Brandon Blaylock, Kerrie Holloway, Dr. Christopher Maynard, Dr. Jeffrey Bibbee, Dr. Matthew Schoenbachler, and Dr. Carolyn Barske. This volume is dedicated to Mr. Wendell Gunn and the late Dr. Larry Nelson The image on the front cover is Mr. Gunn descending the steps of Bibb-Graves Hall with Dr. E.B. Norton. More information? For submission information please email [email protected]. Contents WORLD HISTORY Alan Turing’s Electronic Nightmare: The Struggle to 5 Build the ACE Computer J. Michael Beaver Symbols of the French Revolution: Colors of Cockades, 31 Fabric and Their Importance in Politicis of 1789 Constance Wallace The Union of the Parliaments and Scottish Public Opinion 54 Michael Self UNITED STATES HISTORY The Florence Gazette and the Case for Seccession in 69 Florence and Lauderdale County Kevin Bailey Militaristic Nationalism and Psuedo-Religion: 83 A Material Culture Analysis of a 1911 Ulysses S. -
Perceptions on Police Use of Force: a General Strain Theory Approach to Explicate Use of Force Incidents Clint Edward Apaza
Bridgewater State University Virtual Commons - Bridgewater State University Master’s Theses and Projects College of Graduate Studies 2017 Perceptions on Police Use of Force: A General Strain Theory Approach to Explicate Use of Force Incidents Clint Edward Apaza Follow this and additional works at: http://vc.bridgew.edu/theses Part of the Criminology Commons Recommended Citation Apaza, Clint Edward. (2017). Perceptions on Police Use of Force: A General Strain Theory Approach to Explicate Use of Force Incidents. In BSU Master’s Theses and Projects. Item 55. Available at http://vc.bridgew.edu/theses/55 Copyright © 2017 Clint Edward Apaza This item is available as part of Virtual Commons, the open-access institutional repository of Bridgewater State University, Bridgewater, Massachusetts. Perceptions on Police Use of Force: A General Strain Theory Approach to Explicate Use of Force Incidents By Clint Edward Apaza THESIS Submitted in partial fulfillment of the requirements For the degree of Master of Science in Criminal Justice in the Graduate of Bridgewater State University, 2017 Bridgewater, Massachusetts Thesis Chair: Dr. Kyung-shick Choi 1 Perceptions on Police Use of Force: A General Strain Theory Approach to Explicate Use of Force Incidents By Clint Edward Apaza Approved as to style and content by: _______________________________ Kyung-shick Choi Ph.D, Chair _______________________________ Mitchell Librett Ph.D, Committee Member _______________________________ Michael King Ph.D, Committee Member 2 Table of Contents Signature of Approvals……………………………………………………………………………1 -
"Fraternities, Sororities, Acceptance, Belonging, Otherness, Rejection" Wayne Flynt, Auburn University Summersell Lecture Series
"Fraternities, Sororities, Acceptance, Belonging, Otherness, Rejection" Wayne Flynt, Auburn University Summersell Lecture Series Wayne Flynt was born in Mississippi and lived there ever so briefly, but he grew up primarily in Alabama. He graduated from Anniston High School, attended Samford University with the intention of joining the ministry, but he turned away from both the ministry and from the state of Alabama in light of the ferocious resistance of those struggling for racial justice found here in the 1960s. So he left Alabama, attended graduate school at Florida State, took a PhD in history, and then, to our eternal benefit, he determined to return to Alabama, where he accepted a teaching position at Samford University in 1965. He taught there for 12 years before leaving in 1977 to become chair of the history department at Auburn University. [laughter] Doesn’t it just sort of stick in your throat just saying it? He remained there until his retirement as a distinguished university professor in 2005. Now, Professor Flynt’s scholarship over his long career has been prolific, remarkable, and immensely important. He has published nearly 100 articles and book chapters. For those of us who write articles and book chapters, that’s kind of jaw dropping. He has authored or coauthored roughly a dozen books, several of which you see out here and are available for sale and signing after the talk. Most of those books center on faith, the less fortunate, politics, and especially on the state of Alabama, for which his deep affection is evident in his writing. His work has justly been recognized over and over again. -
Art Trails in Alabama Public Art Members Alabama State Council on the Arts
ALABAMA Volume XXI, Number 2ARTS Art Trails in Alabama Public Art Members Alabama State Council on the Arts BERNICE PRICE CHAIRMAN Montgomery REBECCA T. B. QUINN VICE CHAIRMAN Huntsville FRANK HELDERMAN SECRETARY Florence EVELYN ALLEN Birmingham JULIE HALL FRIEDMAN Fairhope RALPH FROHSIN, JR. Alexander City DOUG GHEE Anniston ELAINE JOHNSON Dothan DORA JAMES LITTLE Auburn JUDGE VANZETTA PENN MCPHERSON Montgomery VAUGHAN MORRISSETTE Mobile DYANN ROBINSON Tuskegee JUDGE JAMES SCOTT SLEDGE Gadsden CEIL JENKINS SNOW Birmingham CAROL PREJEAN ZIPPERT Eutaw Opinions expressed in AlabamaArts do not necessarily reflect those of the Alabama State Council on the Arts or the State of Alabama. ALABAMAARTS In this Issue Volume XXI Public Art Trails in Alabama Number 2 Public Art in Alabama 3 Al Head, Executive Director, ASCA 4 Discovering Public Art: Public Art Trails in Alabama Georgine Clarke, Visual Arts Program Manager, ASCA 6 Continuing the Trail New Deal Art in Alabama Post Offices 42 and Federal Buildings On the cover: Roger Brown Autobiography in the Shape of Alabama (Mammy’s Door) (recto), 1974 Oil on canvas, mirror, wood, Plexiglas, photographs, postcards, and cloth shirt 89 x 48 x 18 inches Collection of Museum of Contemporary Art, Chicago, gift of Maxine and Jerry Silberman Photography © Museum of Contemporary Art, Chicago ©The School of the Art Institute of Chicago and the Brown family. Roger Brown, (1941-1997) was born in Hamilton, Alabama and later moved to Opelika. From the 1960’s he made his home in Chicago, where he graduated from The School of the Art Institute of Chicago and played a significant role in the city’s art scene for over 30 years as one of the Chicago Imagist artists. -
Women's Clinic of Atlanta 2750 Old Alabama Rd. Ste. 100 Johns Creek
Women’s Clinic of Atlanta 2750 Old Alabama Rd. Ste. 100 Johns Creek, GA 30022 Women’s Clinic of Atlanta 222 E. Ponce de Leon Ave. Decatur, GA 30030 DATE LAST MODIFIED: November 1, 2016 These Terms of Use may be changed at any time. Terms of Use: This Terms of Use Statement applies only to the website at http://www.womensclinicofatlanta.com. This site is owned and operated by Women’s Clinic of Atlanta (WCA), a Domestic Nonprofit Corporation and should not be confused with any other website whether or not the words Women’s Clinic of Atlanta appears as part of the domain name or branding or any other perceived relationship. You are advised to check each page you visit on or from this site to determine whether you have moved onto a third party site. This agreement is a legally binding contract between you ("You" or "Your") and WCA, its affiliates, subsidiaries and/or licensors ("We," "Us," or "Our"). This agreement governs Your use of Our websites operated by Us, including any site from which You access this agreement, which may include, but is not limited to, http://www.womensclinicofatlanta.com (collectively, the "Sites"). We make the content on Our Site, including all information, documents, communications, files, text, graphics, images, video, user interfaces, visual interfaces, photographs, software, metadata, audio/visual files, and other copyrightable material owned by or licensed to Us (collectively, the "Materials"), available for Your use subject to the Terms of Use set forth below. The Terms of Use spell out what you can expect from Us and what We expect from You.