DOCSLIB.ORG

Women's Clinic of Atlanta 2750 Old Alabama Rd. Ste. 100 Johns Creek

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Women's Clinic of Atlanta 2750 Old Alabama Rd. Ste. 100 Johns Creek Women’s Clinic of Atlanta 2750 Old Alabama Rd. Ste. 100 Johns Creek, GA 30022 Women’s Clinic of Atlanta 222 E. Ponce de Leon Ave. Decatur, GA 30030 DATE LAST MODIFIED: November 1, 2016 These Terms of Use may be changed at any time. Terms of Use: This Terms of Use Statement applies only to the website at http://www.womensclinicofatlanta.com. ​ ​ This site is owned and operated by Women’s Clinic of Atlanta (WCA), a Domestic Nonprofit Corporation and should not be confused with any other website whether or not the words Women’s Clinic of Atlanta appears as part of the domain name or branding or any other perceived relationship. You are advised to check each page you visit on or from this site to determine whether you have moved onto a third party site. This agreement is a legally binding contract between you ("You" or "Your") and WCA, its affiliates, subsidiaries and/or licensors ("We," "Us," or "Our"). This agreement governs Your use of Our websites operated by Us, including any site from which You access this agreement, which may include, but is not limited to, http://www.womensclinicofatlanta.com (collectively, the "Sites"). ​ ​ We make the content on Our Site, including all information, documents, communications, files, text, graphics, images, video, user interfaces, visual interfaces, photographs, software, metadata, audio/visual files, and other copyrightable material owned by or licensed to Us (collectively, the "Materials"), available for Your use subject to the Terms of Use set forth below. The Terms of Use spell out what you can expect from Us and what We expect from You. Acceptance of Terms of Use: You accept and agree to all terms, conditions and notices contained or referenced on the Sites ("Terms of Use"). Please read the following Terms of Use carefully. If you do not agree to the Terms of Use, do not use Our Site. By accessing, shopping, using, or downloading in any way, without limitation, any Materials from Our Sites, or merely browsing Our Sites, You agree to and are bound by these Terms of Use. We reserve the right to change the Terms of Use at any time. If we modify these Terms of Use, we will update the "Date Last Modified" and such changes will be effective upon posting. If we make material changes to the Terms of Use, we will notify you by prominently posting a notice on the Sites or by sending you a notice to the e-mail address we have on file for you. If You do not agree to the new Terms of Use, then You should stop using Our Materials and service. Site Security: You are prohibited from violating, or attempting to violate, the security of this site. Any such violations may result in criminal and/or civil penalties against you. We will investigate any alleged or suspected violations and if a criminal violation is suspected, we will cooperate with law enforcement agencies in their investigations. Violations of the security of the site include without limitation: ● logging into or attempting to log into a server or account that you are not authorized to access; ● accessing data or taking any action to obtain data, information or services not intended for you or your use; ● attempting to probe, scan or test the vulnerability of any system or network; ● tampering, hacking, modifying or otherwise corrupting or breaching security or authentication measures; ● transmitting material that contains viruses, Trojan horses, worms, time bombs, cancelbots, corrupted files or other computer programming routines or engines or engage ● in conduct that could damage, disrupt or otherwise impair or interfere with a computer's functionality or the operation of the site. Other Prohibited Activity: In using this site, you must not: ● post, send or otherwise transmit to or through the site any unlawful, infringing, harmful, harassing, defamatory, threatening, vulgar, sexually explicit, hateful or otherwise objectionable material of any kind, any material that exploits children or is invasive of or in breach of another person's privacy or other rights or any material that WCA in its sole discretion does not wish posted or transmitted on the site; ● defame, abuse, harass, stalk, threaten or otherwise violate the legal rights (such as rights of privacy and publicity) of others; ● upload or otherwise make available, files that contain images, software or other material protected by intellectual property laws, including without limitation copyright or trademark laws and rights of publicity and privacy unless you own or control the rights thereto or have received all necessary authorizations to do the same; ● misrepresent your identity or affiliation in any way; ● engage in deceptive online marketing; ● violate any applicable laws or regulations; or ● assist or permit any persons in engaging in any of the activities described above. User Submissions: You must exercise caution, good sense and sound judgment in using the site. You are responsible for any material you place on or transmit to or through the site. You agree, represent and warrant that any information you post to or transmit through the site is truthful, accurate, not misleading and offered in good faith, and that you have the right to post or transmit such information. Such information (including without limitation, data, text, software, graphics or any other materials whatsoever), whether publicly posted or privately transmitted, is your sole responsibility. Unsolicited Ideas: WCA does not accept or consider unsolicited ideas, including ideas for new promotions, products, technologies, or processes. You must not transmit any material to or through this site that you consider to be confidential or proprietary. Any material that you transmit to or through this site will be considered non-confidential and non-proprietary. This policy serves to avoid potential misunderstandings or disputes regarding ownership of ideas. Except as expressly provided in the Privacy Statement or separate written agreement between you and WCA you give WCA an unrestricted, irrevocable, worldwide, royalty-free license to use, reproduce, display, publicly perform, transit and distribute such information. You further agree that WCA has the right to use, without any payment or accounting to you or others, any concepts, know-how or ideas that you (and those who act on your behalf) transmit to or through this site. Copyright: The material made available at this site is protected by copyright. No material from this site may be copied, reproduced, republished, uploaded, posted, transmitted, or distributed in any way without written permission of the copyright owner, except that you may download one copy of the materials on any single computer and produce one printed copy for your personal, noncommercial use only, provided you keep intact all copyright and other proprietary notices. Modification of the materials or use of the materials for any other purpose is a violation of WCA’s copyright and other proprietary rights. Permission for all other uses of materials contained herein, including reproducing and distributing multiple copies, or linking to any page at this site except the "home page" (http://www.womensclinicofatlanta.com), must be obtained in a ​ ​ signed written agreement from the Executive Director of the WCA in advance. Requests for such authorization should be sent via email. For purposes of this Agreement, the use of any such material on any other website or networked computer environment is prohibited. All design rights, databases and compilation and other intellectual property rights, in each case whether registered or unregistered, and related goodwill is proprietary to WCA. In the event you download software from the site, the software, including any files, images incorporated in or generated by the software, and data accompanying the software (collectively, the "Software") are licensed to you by WCA does not transfer title to the Software to you. You may own the medium on which the Software is recorded, but WCA retains full and complete title to the Software, and all intellectual property rights therein. You may not redistribute, sell, decompile, reverse engineer, disassemble or otherwise reduce the Software to a human-perceivable form, except to the extent permitted by applicable law and on giving WCA prior written notice of such activities. Trademarks: All trademarks, service marks, logos and trade names, whether registered or unregistered, are proprietary to WCA or to other companies where so indicated. You may not reproduce, download or otherwise use any such trademarks, service marks, logos or trade names without the prior written consent of the appropriate owner thereof. Ideas and Inventions: All comments, feedback, suggestions, ideas, and other submissions ("Ideas") disclosed, submitted, or offered to Us in connection with Your use of this Site shall become Our exclusive property. You agree that unless otherwise prohibited by law We may use, sell, exploit and disclose the Ideas in any manner, without restriction and without compensation to You. Links to Other Websites: As you view this site, you may notice links to other non-WCA websites. These links are for convenience only. Certain of these linked websites may make use of WCA proprietary intellectual property rights (such as trademarks, service marks, logos and trade names) under license from WCA. WCA is not responsible for the availability or content of these sites or for any viruses or other damaging elements encountered in linking to a third party website. In addition, providing links to these sites should not be interpreted as endorsement or approval by WCA the organizations sponsoring the sites or their products or services. Notice and Procedure for Making Claims under the Digital Millennium Copyright Act: The Digital Millennium Copyright Act (DMCA) provides recourse to copyright owners who believe that their rights under the United States Copyright Act have been infringed by acts of third parties over the Internet. If You believe that your copyrighted work has been copied without your authorization and is available on Our Sites in a way that may constitute copyright infringement, You may provide notice of Your claim to Our Designated Agent listed below.
Load more

Recommended publications
  • 1 THOMPSON SQUARE Are You Gonna Kiss Me Or Not Stoney
    TOP100 OF 2011 1 THOMPSON SQUARE Are You Gonna Kiss Me Or Not Stoney Creek 51 BRAD PAISLEY Anything Like Me Arista 2 JASON ALDEAN & KELLY CLARKSON Don't You Wanna Stay Broken Bow 52 RONNIE DUNN Bleed Red Arista 3 TIM MCGRAW Felt Good On My Lips Curb 53 THOMPSON SQUARE I Got You Stoney Creek 4 BILLY CURRINGTON Let Me Down Easy Mercury 54 CARRIE UNDERWOOD Mama's Song 19/Arista 5 KENNY CHESNEY Somewhere With You BNA 55 SUNNY SWEENEY From A Table Away Republic Nashville 6 SARA EVANS A Little Bit Stronger RCA 56 ERIC CHURCH Homeboy EMI Nashville 7 BLAKE SHELTON Honey Bee Warner Bros./WMN 57 TAYLOR SWIFT Sparks Fly Big Machine 8 THE BAND PERRY You Lie Republic Nashville 58 BILLY CURRINGTON Love Done Gone Mercury 9 MIRANDA LAMBERT Heart Like Mine Columbia 59 DAVID NAIL Let It Rain MCA 10 CHRIS YOUNG Voices RCA 60 MIRANDA LAMBERT Baggage Claim RCA 11 DARIUS RUCKER This Capitol 61 STEVE HOLY Love Don't Run Curb 12 LUKE BRYAN Someone Else Calling... Capitol 62 GEORGE STRAIT The Breath You Take MCA 13 CHRIS YOUNG Tomorrow RCA 63 EASTON CORBIN I Can't Love You Back Mercury 14 JASON ALDEAN Dirt Road Anthem Broken Bow 64 JERROD NIEMANN One More Drinkin' Song Sea Gayle/Arista 15 JAKE OWEN Barefoot Blue Jean Night RCA 65 SUGARLAND Little Miss Mercury 16 JERROD NIEMANN What Do You Want Sea Gayle/Arista 66 JOSH TURNER I Wouldn't Be A Man MCA 17 BLAKE SHELTON Who Are You When I'm..
    [Show full text]
  • The Mystery of the Alabama Confederate Monument
    Devotion, Deception, and the Ladies Memorial Association, 1865-1898: The Mystery of the Alabama Confederate Monument michael panhorst he eighty-eight-foot tall Alabama Confederate Monument T(Figure 1) on Montgomery’s Capitol Hill stands in commemora- tion of the service and sacrifice of 122,000 Alabamians who fought for the Confederacy during the Civil War. Fund-raising for the $47,000 monument began in 1865 and was largely the work of white women, as was typical of Civil War memorial patronage in the South. The Ladies Memorial Association (LMA) raised most of the money through lengthy efforts involving bazaars and appeals to private do- nors and the state government. Due to pressing post-war needs for proper burial of many Confederate bodies lying in shallow battlefield graves, and the needs of widows, orphans, and Confederate veterans during Reconstruction, plus an economy slow to recover from the war, the cornerstone was not laid until 1886. More than 5,000 people witnessed Jefferson Davis perform that ceremony with full Masonic rites near the spot where he had taken the oath of office as the only President of the Confederacy. Another twelve years passed before the monument designed by New York sculptor Alexander Doyle (1857-1922) was completed with his handsome bronze finial figure of Patriotism and bronze relief sculpture of a generic battle scene en- circling the column. Granite statuary by Frederick Barnicoat (1857- 1942) of Quincy, Massachusetts, representing the Infantry, Artillery, Cavalry, and Navy was added by the patrons to complete Doyle’s design. The elaborate dedication on December 7, 1898 (near the michael panhorst is Curator of Art at the Montgomery Museum of Fine Arts.
    [Show full text]
  • Songs by Artist
    YouStarKaraoke.com Songs by Artist 602-752-0274 Title Title Title 1 Giant Leap 1975 3 Doors Down My Culture City Let Me Be Myself (Wvocal) 10 Years 1985 Let Me Go Beautiful Bowling For Soup Live For Today Through The Iris 1999 Man United Squad Loser Through The Iris (Wvocal) Lift It High (All About Belief) Road I'm On Wasteland 2 Live Crew The Road I'm On 10,000 MANIACS Do Wah Diddy Diddy When I M Gone Candy Everybody Wants Doo Wah Diddy When I'm Gone Like The Weather Me So Horny When You're Young More Than This We Want Some PUSSY When You're Young (Wvocal) These Are The Days 2 Pac 3 Doors Down & Bob Seger Trouble Me California Love Landing In London 100 Proof Aged In Soul Changes 3 Doors Down Wvocal Somebody's Been Sleeping Dear Mama Every Time You Go (Wvocal) 100 Years How Do You Want It When You're Young (Wvocal) Five For Fighting Thugz Mansion 3 Doors Down 10000 Maniacs Until The End Of Time Road I'm On Because The Night 2 Pac & Eminem Road I'm On, The 101 Dalmations One Day At A Time 3 LW Cruella De Vil 2 Pac & Eric Will No More (Baby I'ma Do Right) 10CC Do For Love 3 Of A Kind Donna 2 Unlimited Baby Cakes Dreadlock Holiday No Limits 3 Of Hearts I'm Mandy 20 Fingers Arizona Rain I'm Not In Love Short Dick Man Christmas Shoes Rubber Bullets 21St Century Girls Love Is Enough Things We Do For Love, The 21St Century Girls 3 Oh! 3 Wall Street Shuffle 2Pac Don't Trust Me We Do For Love California Love (Original 3 Sl 10CCC Version) Take It Easy I'm Not In Love 3 Colours Red 3 Three Doors Down 112 Beautiful Day Here Without You Come See Me
    [Show full text]
  • Guide to Retirement in National Village
    GUIDE TO RETIREMENT IN NATIONAL VILLAGE by Dr. Mark Fagan The Retirement Systems of Alabama March 2019 Seal of Approval for National Village National Village was selected in 2018 for the Seal of Approval Program of the American Association of Retirement Communities (AARC) by meeting their criteria for planned retirement communities. It received “best in class” recognition as a community which made a commitment, both in hard amenity offerings and soft programs, to provide a high- quality lifestyle for retirees. AARC is a not-for-profit professional association established in 1994 to support the efforts of states and municipalities, as well as community developers and for-profit businesses, who market to retirees. Master-Planned Developments in this program include Tennessee with two, North Carolina with two, Virginia with one, Arkansas with one, and Georgia with one. Now, Alabama has two (National Village and The Colony at The Grand in Fairhope). About National Village National Village in Auburn-Opelika, Alabama is one of two resort/retirement communities in Alabama under development by The Retirement Systems of Alabama (RSA). The second community is The Colony at The Grand in Fairhope, Alabama. RSA is the pension fund for public teachers and employees in Alabama. RSA has 358,000 members and $43 billion under management. RSA has many other investments in Alabama, including the Robert Trent Jones Golf Trail (26 golf courses at 11 sites, eight resort hotels, and six spas). RSA has developed 15 buildings and 14 parking decks in Alabama. RSA owns the largest office building in New York City (55 Water street) and is invested in television stations and newspapers.
    [Show full text]
  • Park Place Post
    INTRODUCING MAT PILATES, TUESDAYS & THURSDAYS, 9AM We are pleased to introduce Mat Pilates to our lineup of indoor classes here at Park Place. This class will be Park Place offered twice a week inside Park Place, with a maximum of 12 participants per class. The class will include balance and mat Pilates suitable for beginners. It will include a slow progression from standing, stretch and balance, through seated, prone, supine, side and return to standing (with variations avail- able for limitations). Dates: Tuesdays, Sept. 21 - Oct. 26 Thursdays, Sept. 23 - Oct. 28 6-week session Time: 9 a.m. POST Cost: $50 per 6-week session; $100 if taking both days (checks payable to Alissa Glatter, or exact cash) September 2021 Max Students:12 Your spot is confirmed only when payment in full is received. Park Place is turning 10! Join us for a big celebration picnic on Wednesday, Sept. 29 from 12 p.m. – 2 p.m. About the instructor: Alissa Glatter became a group fitness instructor in 2014 after finding that Pilates significantly improved her quality of life, by reducing back pain, improving core strength and flexibility. She enjoys sharing this familiar, non-intimidating style of exercise The Azzurri Pizza Food Truck and King of Pops will to improve the lives of others! be on-site serving lunch and sweet treats. Craig Cleason will provde live entertainment and we’ll END OF SUMMER GRILLING IDEAS have giveaways! By Chef Lynn Ware It may be the end of summer, but you don’t have to pack up your grill just yet.
    [Show full text]
  • Alabama Historical Association Montgomery, Alabama • April 14-16, 2016 TABLE of CONTENTS
    VOLUME 31 Alabama ISSUE 1 Historical SPRING 2016 Association Join us for the 69th Annual Meeting of the Alabama Historical Association Montgomery, Alabama • April 14-16, 2016 TABLE OF CONTENTS 3 President’s Message AHA Executive Committee PRESIDENT 4-5 69th Annual Meeting Overview Debbie Pendleton, Alabama Department of Archives and History VICE PRESIDENT Jeff Jakeman, Auburn 6-9 “City of Montgomery: A Mark of SECRETARY Distinction,” Richard Bailey Mark Wilson, Auburn University MEMBERSHIP SECRETARY 10-11 Schedule of Events Maiben Beard, Auburn University TREASURER 12-13 Map and Accommodations Valerie Burnes, University of West Alabama AHA Editors THE ALABAMA REVIEW 14 Thursday Afternoon Workshops and R. Volney Riser, University of West Alabama Tours AHA Newsletter Mark Wilson, Auburn University 15 Friday Featured Speaker: Mary Ann AHA Board of Directors 2015-2016 Neeley David Alsobrook, Mobile Jim Baggett, Birmingham Public Library Donna Cox Baker, Alabama Heritage 16 Banquet Keynote: Dolores Hydock Ann Chambless, Jackson County Heritage Association James Cox, Grove Hill 17-18 “Memories of the 1956 Annual Jim Day, University of Montevallo Meeting,” Chriss H. Doss Ralph Draughon, Jr., Alabama Historical Commission James E. Foshee, Huntsville Staci Glover, Gardendale 19-23 2015 Historical Markers John C. Hall, Tuscaloosa Guy Hubbs, Birmingham Southern College John Kvach, University of Alabama in Huntsville Jay Lamar, Alabama Bicentennial Commission Susanna Leberman, Huntsville-Madison County Public Library Herbert J. Lewis, Birmingham Debra Love, Fairfield William Melton, Evergreen Rebecca Minder, Alabama Heritage Dan Puckett, Troy University-Montgomery Doug Purcell, Eufaula Marlene Rikard, Hoover David Robb, Huntsville Jean Till Styles, Minter Gayle Thomas, Abbeville Parliamentarian/Counsel Chriss Doss, Birmingham The AHA Newsletter is designed and printed by Davis Direct, Montgomery, Alabama.
    [Show full text]
  • Garth Songs: Ainʼt Going Down Rodeo the Dance Papa Loves Mama the River Thunder Rolls That Summer Much Too Young Baton Rouge
    Garth songs: Ainʼt going down Rodeo The dance Papa loves mama The river Thunder rolls That summer Much too young Baton Rouge Tim McGraw Live like you were dying Meanwhile back at mamas Donʼt take the girl The highway donʼt care Sleep on it Diamond rings and old barstools Red rag top Shot gun rider Green grass grows I like it I love it Something like that Miranda Lambert: Baggage claim Tin man Vice Mamas broken heart Pink sunglasses Gunpowder and lead Kerosene Little red wagon House that built me Famous in a small town Hell on heels Alan Jackson: Chattahootchie Here in the real world 5 oʼclock somewhere Remember when Mercury blues Donʼt rock the jukebox Chasing that neon rainbow Summertime blues Must be love Whoʼs cheating who Vince Gill: Liza Jane Cowgirls do Dont let our love start slipping away I still believe in you Trying to get over you One more last chance Whenever you come around Little Adriana Shania Twain: Still the one Whoʼs bed have your boots been under Any man of mine From this moment on No one needs to know Brooks and Dunn: Neon moon Rock my world My Maria Boot scootin boogie Brand new man Red dirt road Hillbilly delux Long goodbye Believe Getting better all the time George strait All my exes Fireman The chair Check yes or no Amarillo by morning Ocean front property Carrying your love with me Write this down Loves gonna make it Blake Shelton God gave me you Boys round here Home Neon light Some beach Old red Sangria Turning me on Who are you when Iʼm not looking Lonely tonight Toby Keith: Shoulda been a cowboy Red solo cup
    [Show full text]
  • Christmas O Christmas Tree Christmas O Come All Ye Faithful
    Christmas O Christmas Tree Christmas O come All Ye Faithful Christmas O Come O Come Emmanuel Celine Dion O Holy Night Christmas O Holy Night Tevin Campbell O Holy Night Christmas O Little Town of Bethlehem Christmas O Tannenbaum Shakira Objection Beatles Ob-La-Di, Ob-La-Da Animotion Obsession Frankie J. & Baby Bash Obsession (No Es Amor) [Karaoke] Christina Obvious Yellowcard Ocean Avenue Billie Eilish Ocean Eyes Billie Eilish Ocean Eyes George Strait Ocean Front Property Bobbie Gentry Ode To Billy Joe Adam Sandler Ode To My Car Cranberries Ode To My Family Alabama Of Course I'm Alright Michael Jackson Off The Wall Lana Del Rey Off To The Races Dave Matthews Oh Buddy Holly Oh Boy Neil Sedaka Oh Carol Shaggy Oh Carolina Beatles Oh Darling Madonna Oh Father Paul Young Oh Girl Sister Act Oh Happy Day Larry Gatlin Oh Holy Night Vanessa Williams Oh How The Years Go By Ulf Lundell oh la la Don Gibson Oh Lonesome Me Brad Paisley & Carrie Underwood Oh Love (Duet) Diamond Rio Oh Me Oh My Sweet Baby Stampeders Oh My Lady Roy Orbison Oh Pretty Woman Ready For the world Oh Sheila Steve Perry Oh Sherrie Childrens Oh Susanna Blessed Union of Souls Oh Virginia Frankie Valli Oh What A Night (December '63) Big Tymers & Gotti & Boo & Tateeze Oh Yeah! [Karaoke] Wiseguys Ohh la la Linda Ronstadt Ohhh Baby Baby Crosby Stills Nash and Young Ohio Merle Haggard Okie From Muskogee Billy Gilman Oklahoma [Karaoke] Reba McEntire and Vince gill Oklahoma Swing Eagles Ol 55 Randy Travis Old 8X10 Brad Paisley Old Alabama Kenny Chesney Old Blue Chair Jim Reeves Old Christmas Card Nickelback Old Enough Three Dog Night Old Fashioned Love Song Alabama Old Flame Dolly Parton Old Flames Can't Hold A Candle To You Mark Chesnutt Old Flames Have New Names Phil Stacey Old Glory Eric Clapton Old Love Childrens Old MacDonald Hootie and the Blowfish Old Man & Me Bob Seger Old Time Rock & Roll Tanya Tucker Old Weakness George Micheal Older Cherie Older Than My Years Trisha Yearwood On A Bus To St.
    [Show full text]
  • I N Memory of Hosea Hudson, Griot of Alabama Radicalism
    HAMMER AND HOE THE FRED W. MORRISON SERIES IN SOUTHERN STUDIES HAMMER AND HOE ALABAMA COMMUNISTS DURING THE GREAT DEPRESSION ROBIN D. G. KELLEY THE UNIVERSITY OF NORTH CAROLINA PRESS . CHAPEL HILL AND LONDON O 1990 The University of North Carolina Press All rights reserved Manufactured in the United States of America The paper in this book meets the guidelines for permanence and durability of the Committee on Production Guidelines for Book Longevity of the Council on Library Resources. Library of Congress Cataloging-in-Publication Data Kelley, Robin D. G. Hammer and hoe : Alabama Communists during the Great Depression I by Robin D. G. Kelley. p. cm.+The Fred W. Morrison series in Southern studies) Includes bibliographical references. ISBN 0-8078-1921-2 (alk. paper).-ISBN 0-80784288-5 (pbk : alk. paper) I. Communism-Alabama-History-20th century. 2. Communists- Alabama-History-20th century. 3. Depressions-l 929-Alabama. I. Title. II. Series. HX9 1 .A2K45 1 990 324.276 1 '075'09042-dc20 n memory of Hosea Hudson, griot of Alabama radicalism, Iwhose assiduous note-taking and impeccable memory made this book possible, and for Diedra Harris-Kelley, whose love, criticism, encouragement, and heroic tolerance for living in pov- erty made this book a reality . CONTENTS Preface xi Acknowledgments xvii Abbreviations xxi Prologue. Radical Genesis: Birmingham, 1870-1930 1 PART 1. THE UNDERGROUND, 1929-1935 ONE An Invisible Army: Jobs, Relief, and the Birth of a Movement 13 TWO In Egyptland: The Share Croppers' Union 34 THREE Organize or Starve!: Communists, Labor, and Antiradical Violence 57 FOUR In the Heart of the Trouble: Race, Sex, and the ILD 78 FIVE Negroes Ain' Black-But Red!: Black Communists and the Culture of Opposition 92 PART 11.
    [Show full text]
  • Fd Fall 09-Final
    FTHE JOURNAL OF THE ALABAMA WRITERS’ FORUM IRST DRAFT• FA L L 2 0 0 9 JOY HARJO The Muscogee Connection THE ART OF THE NOTEBOOK Turning Tablets Into Literature TUSCANY COMES TO ALABAMA Pact of Friendship Celebration HSLAA 2009 Literary Arts Awards Honor State’s Students FY 10 BOARD OF DIRECTORS President The Alabama Writers’ Forum JAMES A. BUFORD, JR. Auburn DENNIS HOLT Past and Present Vice-President JULIE FRIEDMAN Fairhope The Alabama Writers’ Forum (AWF) began at the urging of Al Secretary Head, Executive Director of the Alabama State Council on RUTH COOK the Arts (ASCA), who envisioned an organization that would Birmingham serve the literary arts community in Alabama and to which the Treasurer Council might direct some programming and administrative BILL ELDER funds. This had been an interest of Mr. Head since 1984, but Montgomery finally in 1992, at the Council’s statewide conference in Writers’ Representative Orange Beach, he gathered writers, educators, and publishers JIM MURPHY Sue Brannan Walker is the Montevallo Alabama Poet Laureate. to talk informally with Joe David Bellamy, then National Writers’ Representative Endowment for the Arts literature director, about why and MARIANNE MOATES WEBER how a writers’ forum would be useful for ASCA and, concomitantly, the entire state’s literary Montgomery community. From this gathering of like minds, the Forum’s initial steering committee was LYNNE BERRY formed, and during eighteen months of meetings, it was always attended by Mr. Head or one Huntsville of his staff members. The Alabama Writers’ Forum immediately became an organization that DARYL BROWN Florence would distinguish the state and encourage and promote its literary artists.
    [Show full text]
  • ALABAMA EDUCATION NEWS Vol
    LABAMA DUCATI ON EWS TAHE ELECTRONIC NEWSLETTER OF THEE ALABAMA STATE DEPARTMENT OF EDUCANTION Vol. 40 ° No. 1 ° Sep 2015 Let’s Celebrate School B. That is where the opportunity to uniquely define Innovation! specific solutions presents itself. I have full confidence in the dedicated A Message from State Superintendent professionals around the state and of Education Dr. Tommy Bice believe that no one knows a schools – or what would work best for that Just a few days ago , at our Back-to-School general assembly, I spoke school – like the people who pour to the entire staff about a 4-year-old little boy I met recently named themselves into that academic Sam. Sam was practicing writing the letter ‘V’ on a touch-screen environment every day. During this electronic tablet and was more than willing to tell me he “had more Innovation Celebration, I challenge letters archived” on his computer. Sam is an impressive little boy, but school leaders to reexamine your what made him stand out to me was the realization of what Sam is primary challenges; reevaluate the expecting from education in the world he is inheriting. In pre-school, way things are currently done to Sam is already archiving electronic documents into files that he can make sure the processes and policies recall with a keystroke. Sam deserves a different kind of education than in place are not just left over relics was status quo 50 years ago…. 10 years ago. Sam deserves an from a bygone time – but are truly education that pushes the boundaries of innovation and ingenuity.
    [Show full text]
  • SPRING 2010 FY 10 BOARD of DIRECTORS the Alabama Writers’ Forum Taking Literature from Gown to Town President JAMES A
    FTHE JOURNAL OF THE ALABAMA WRITERS’ FORUM IRST DRAFT• SPRING 2010 FY 10 BOARD OF DIRECTORS The Alabama Writers’ Forum Taking Literature from Gown to Town President JAMES A. BUFORD, JR. When I first moved to Alabama sixteen years ago, my vision of the Auburn literary life was pretty sugar-plumb. I had spent the previous ten years Vice-President on various college campuses, both as a student and as a teacher, and I JULIE FRIEDMAN Fairhope was convinced I knew where the life of books belonged: in the cathe- Secretary dral-like silences of library stacks, in echoing old lecture halls, on the green carpentry of a manicured quad, and in the ad-hoc salons that met RUTH COOK DIANE PROTHRO Birmingham Kirk Curnutt is English wherever the pizza and libations happened to be cheapest. Treasurer Department chair It was thus something of a shock to arrive at Troy University’s BILL ELDER at Troy University- Montgomery campus as a newly-minted assistant professor and real- Montgomery Montgomery. His latest ize that not every learning environment took those accoutrements for Writers’ Representative novel is Dixie Noir. granted. In the parlance of the profession, my new employer was a JIM MURPHY “non-traditional” school, which in practical terms meant that the life- Montevallo style I associated with the liberal arts simply wasn’t relevant. There were no poetry slams or Writers’ Representative controversial figurers brought in to rattle the rafters, not even the bull sessions at which one MARIANNE MOATES WEBER Montgomery could debate whether this or that writer was the greatest of his generation.
    [Show full text]