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Jean-Louis Paillasson Clov Philippe Oscar Césaréo Odilon Louka Comtesse De Tilly Millette Entretien Avec Jean-Louis Millette Solange Lévesque
Document generated on 09/29/2021 7:49 p.m. Jeu Revue de théâtre Jean-Louis Paillasson Clov Philippe Oscar Césaréo Odilon Louka Comtesse de Tilly Millette Entretien avec Jean-Louis Millette Solange Lévesque Portraits Number 71, 1994 URI: https://id.erudit.org/iderudit/28873ac See table of contents Publisher(s) Cahiers de théâtre Jeu inc. ISSN 0382-0335 (print) 1923-2578 (digital) Explore this journal Cite this document Lévesque, S. (1994). Jean-Louis Paillasson Clov Philippe Oscar Césaréo Odilon Louka Comtesse de Tilly Millette : entretien avec Jean-Louis Millette. Jeu, (71), 8–35. Tous droits réservés © Cahiers de théâtre Jeu inc., 1994 This document is protected by copyright law. Use of the services of Érudit (including reproduction) is subject to its terms and conditions, which can be viewed online. https://apropos.erudit.org/en/users/policy-on-use/ This article is disseminated and preserved by Érudit. Érudit is a non-profit inter-university consortium of the Université de Montréal, Université Laval, and the Université du Québec à Montréal. Its mission is to promote and disseminate research. https://www.erudit.org/en/ Solange Lévesque Jean-Louis Paillasson Clov Philippe Oscar Césaréo Odilon Louka Comtesse de Tilly Millette Entretien avec Jean-Louis Millette Débuts Êtes-vous devenu comédien par hasard, ou si c'est une profession dont vous aviez toujours rêvé ? Jean-Louis Millette — Il y a cerrainemenr une sorre de hasard qui a joué, à tout le moins un concours de circonstances. J'étudiais au Collège Sainte-Marie, et je me dirigeais vers le droir. Au collège, on me faisait parfois lire des choses en public, et j'avais joué dans des pièces d'étudiants, mais sans penser sérieusement à devenir comédien. -
The State of Quebec
le cinema quebecois the state of quebec Quebec is at a crossroads, and the deci sions - both federal and provincial - which will be made in the coming months are crucial. Taking stock of the situation of feature filming in the province, Jean-Pierre Tadros traces a sombre portrait. by Jean-Pierre Tadros The election of the Parti Quebecois has created a sort of been given. It remains to be seen whether the government 'before and after' effect, a temptation to evaluate what had can and will take the proper steps to help the industry out come before in order to better measure what is to come of its economic and spiritual depression. Perhaps it is al afterwards. One would like to look back and say that the ready too late. state of cinema in Quebec on November 15 was strong and For the last few years, there's been an uneasy feeling, healthy, that the directors and producers, not to mention the sense of something going wrong. The 'cinema' milieu the technicians, were in good form. Alas! Nothing could be reflected the malaise which ran through Quebec and which, farther from the truth. To be fair, le cinema quebecois finally, brought in the new government. Perhaps it should is still struggling along but its condition has become have been expected that a generation which was brought up critical. The months ahead will tell whether the illness is during the 'quiet revolution' would have grown up thinking terminal. big. Too big! La folic des grandeurs. Quebec's cinema was to pay dearly for trying to embody those dreams. -
Canadian Movie Channel APPENDIX 4C POTENTIAL INVENTORY
Canadian Movie Channel APPENDIX 4C POTENTIAL INVENTORY CHRONOLOGICAL LIST OF CANADIAN FEATURE FILMS, FEATURE DOCUMENTARIES AND MADE-FOR-TELEVISION FILMS, 1945-2011 COMPILED BY PAUL GRATTON MAY, 2012 2 5.Fast Ones, The (Ivy League Killers) 1945 6.Il était une guerre (There Once Was a War)* 1.Père Chopin, Le 1960 1946 1.Canadians, The 1.Bush Pilot 2.Désoeuvrés, Les (The Mis-Works)# 1947 1961 1.Forteresse, La (Whispering City) 1.Aventures de Ti-Ken, Les* 2.Hired Gun, The (The Last Gunfighter) (The Devil’s Spawn) 1948 3.It Happened in Canada 1.Butler’s Night Off, The 4.Mask, The (Eyes of Hell) 2.Sins of the Fathers 5.Nikki, Wild Dog of the North 1949 6.One Plus One (Exploring the Kinsey Report)# 7.Wings of Chance (Kirby’s Gander) 1.Gros Bill, Le (The Grand Bill) 2. Homme et son péché, Un (A Man and His Sin) 1962 3.On ne triche pas avec la vie (You Can’t Cheat Life) 1.Big Red 2.Seul ou avec d’autres (Alone or With Others)# 1950 3.Ten Girls Ago 1.Curé du village (The Village Priest) 2.Forbidden Journey 1963 3.Inconnue de Montréal, L’ (Son Copain) (The Unknown 1.A tout prendre (Take It All) Montreal Woman) 2.Amanita Pestilens 4.Lumières de ma ville (Lights of My City) 3.Bitter Ash, The 5.Séraphin 4.Drylanders 1951 5.Have Figure, Will Travel# 6.Incredible Journey, The 1.Docteur Louise (Story of Dr.Louise) 7.Pour la suite du monde (So That the World Goes On)# 1952 8.Young Adventurers.The 1.Etienne Brûlé, gibier de potence (The Immortal 1964 Scoundrel) 1.Caressed (Sweet Substitute) 2.Petite Aurore, l’enfant martyre, La (Little Aurore’s 2.Chat dans -
Francis Mankiewicz
francis mankiewicz to berlin with love by joan irving It is a fight to the finish, but the following interviews with director Francis Mankiewicz, and producers Marcia Couelle and Claude Godbout suggest that they may be winning with their film Les bons debarras (Good Rid dance), selected to represent Canada at the 1980 Berlin Film Festival. Director of Les bons debarras, Francis Mankiewicz with Marie Tifo — pointing the way to Berlin! Cinema Canada/11 really didn't know what to think of it, so 1 of my universe. You might find something The year 1980 marks a revival in just set it aside while I finished the other for yourself in it.' Quebecois films. Following the slump of film. But 1 found that 1 was continually the late-seventies — when directors like thinking of Le bons debarras. There was Cinema Canada: It is surprising how Claude Jutra, Gilles Carle, Francis Man •something in that script that haunted me. much in Les bons debarras resembles kiewicz, and others, left Montreal to work At the time there were a lot of opportu the world you created in Le temps d'une in Toronto— several directors, including nities to work in Toronto. What brought chasse. Carle, Mankiewicz, Jean-Claude Labrec- me back to Quebec was Rejean's script. Francis Mankiewicz: It would be difficult que, Andre Forcier and Jean-Guy Noel for me to direct a film in which I didn't find are now completing new features. First to Cinema Canada: Ducharme has pub something I could feel close to. The be released is Mankiewicz's Les bons de lished several novels, but this was his first resemblance is partly style, but mostly, I barras (Good Riddance). -
LA CAPTURE Un Film De Carole Laure
Flach Film, Laure Productions et Equinoxe Production présentent LA CAPTURE un film de Carole Laure 2007 - France / Canada - 92 minutes - 35mm - 1.85 - Dolby SRD SORTIE LE 18 JUIN 2008 DISTRIBUTION : PRESSE : Pierre Grise Distribution Laurette Monconduit, Jean-Marc Feytout 21, avenue du Maine 75015 PARIS Tél.: 01 45 44 20 45 Tél.: 01 40 24 08 25 email : [email protected] www.pierregrise.com email : [email protected] SYNOPSIS Rose (20 ans) vit à Montréal. Elle ne ment presque jamais. Elle a une élégance naturelle et une sincérité que possèdent peu de filles de son âge. Pourtant, ni ses amis ni son amoureux ne connaissent son passé chargé de violence familiale. Après deux ans d’absence, elle revient voir sa mère et son frère Félix (16 ans) dans sa banlieue natale. Rien n’a changé, la résignation de la mère, le frère en difficulté, et le père qui les terrorise. Elle décide d’intervenir dans leur vie. NOTES DE LA REALISATRICE Rose parcourt le film en proie à des émotions très contrastées. Comment parler d’agressivité douloureuse, intensément vécue dans une famille ? Comment aller de l’avant tout en gardant la mémoire de ses blessures ? Tout est possible : ni nos gènes ni notre milieu d’origine ne nous interdisent d’évoluer, de changer. Ma mise en scène se devait d’essayer d’ouvrir le film à quelque chose qui montre cette frontière filiforme qui existe entre la part humaine et la part animale de tout être. Je voulais montrer la part de soumission et celle de rébellion qui se cache en nous. -
Nouvelles Vagues Yves Lafontaine
Document generated on 09/23/2021 10:59 a.m. 24 images Nouvelles vagues Yves Lafontaine Cinéma américain II : les marges, les acteurs Number 53, January–February 1991 URI: https://id.erudit.org/iderudit/22377ac See table of contents Publisher(s) 24/30 I/S ISSN 0707-9389 (print) 1923-5097 (digital) Explore this journal Cite this document Lafontaine, Y. (1991). Nouvelles vagues. 24 images, (53), 38–39. Tous droits réservés © 24 images inc., 1990 This document is protected by copyright law. Use of the services of Érudit (including reproduction) is subject to its terms and conditions, which can be viewed online. https://apropos.erudit.org/en/users/policy-on-use/ This article is disseminated and preserved by Érudit. Érudit is a non-profit inter-university consortium of the Université de Montréal, Université Laval, and the Université du Québec à Montréal. Its mission is to promote and disseminate research. https://www.erudit.org/en/ nouvelles vagues par Yves Lafontaine Robert Favreau, réalisateur de lette. Lange noir dont la photo métrage, La femme de Pablo pourra voir, en février, Du ciel, Portion d'éternité, a tourné à est signée Guy Dufaux, devrait Ruiz, avec Jean-François Pi une poussière d'ange, une Montréal Lange noir, un film sortir sur les écrans l'automne chette, Louise Laprade, Johanne fiction expérimentale réalisée sur la vie du poète Nelligan. prochain. Madore, Pierre Chagnon et par De Gagné sur la proliféra Coscénarisé par Aude Nantais et Jean-Louis Millette. Réalisé tion, dans les médias, des reli Jean-Joseph Tremblay, Lange Il a beaucoup été question dans dans le cadre du Programme gions et croyances de toutes sor noir met en vedette, dans le rôle la presse écrite des problèmes d'aide aux jeunes créateurs de la tes, ainsi que 20 octaves en des du poète, Marc St-Pierre, dont provoqués par les intégristes sur SOGIC, ce film, qui raconte sous du do moyen de Gélinas c'est le premier rôle au cinéma. -
De Montréal : Le Sacré Et Le Profane
JÉSUS DE MONTRÉAL : LE SACRÉ ET LE PROFANE Danielle Conway Mémoire présenté à l'École des Études Supérieures comme exigence partielle de la Maîtrise ès Arts en Études françaises Département d'Études françaises et hispaniques Université Mernorial Saint-Jean, Terre-Neuve août 1998 National Library Bibliothèque nationale 191 of Canada du Canada Acquisitions and Acquisitions et Bibliographic Services services bibliographiques 395 Wellington Street 395. rue Wellington OttawaON KtAW Ottawa ON KIA ON4 Canada Canada The author has granted a non- L'auteur a accorde une licence non exclusive licence allowing the exclusive permettant a la National Library of Canada to Bibliothèque nationale du Canada de reproduce, loan, distriiute or seU reproduire, prêter, distribuer ou copies of this thesis in microfom, vendre des copies de cette thèse sous paper or electronic formats. la forme de microfiche/nlm. de reproduction sur papier ou sur format électronique. The author retains ownership of the L'auteur conserve la propriété du copyright in this thesis. Neither the droit d'auteur qui protège cette thèse. thesis nor substantial extracts £kom it Ni la thèse ni des extraits substantiels may be printed or otherwise de celle-ci ne doivent être imprimés reproduced without the author's ou autrement reproduits sans son permission. autorisation. RÉs& Ce mémoire consiste essentiellement en une analyse intention sémiotique de Jésus de Montréal, film du cinéaste québécois Denys Arcand sorti en 1989. Ce film est basé sur la confrontation du Sacré et du Profane, comme l'indique le titre du film même (Jésus/Montréal), qui résulte en la folie et la mort du Sujet, le personnage principal, Daniel Coulombe. -
Christopher Plummer
Christopher Plummer "An actor should be a mystery," Christopher Plummer Introduction ........................................................................................ 3 Biography ................................................................................................................................. 4 Christopher Plummer and Elaine Taylor ............................................................................. 18 Christopher Plummer quotes ............................................................................................... 20 Filmography ........................................................................................................................... 32 Theatre .................................................................................................................................... 72 Christopher Plummer playing Shakespeare ....................................................................... 84 Awards and Honors ............................................................................................................... 95 Christopher Plummer Introduction Christopher Plummer, CC (born December 13, 1929) is a Canadian theatre, film and television actor and writer of his memoir In "Spite of Myself" (2008) In a career that spans over five decades and includes substantial roles in film, television, and theatre, Plummer is perhaps best known for the role of Captain Georg von Trapp in The Sound of Music. His most recent film roles include the Disney–Pixar 2009 film Up as Charles Muntz, -
NATIONAL FILM BOARD of CANADA FEATURED at Moma
The Museum off Modern Art 50th Anniversary NO. 16 ID FOR IMMEDIATE RELEASE March 3, 1981 DOCUMENTARY FILMS FROM THE NATIONAL FILM BOARD OF CANADA FEATURED AT MoMA NATIONAL FILM BOARD OF CANADA: A RETROSPECTIVE is a three-part tribute presented by The Museum of Modern Art in recog nition of NFBC's 41 years Of exceptional filmmaking. PART TWO: DOCUMENTARY FILMS, running from March 26 through May 12 in the Museum's Roy and Niuta Titus Auditorium, will trace the develop ment of the documentary form at NFBC, and will be highlighted by a selection of some of the finest films directed by Donald Brittain, whose work has won wide acclaim and numerous awards. PART TWO: DOCUMENTARY will get off to an auspicious start with twelve of Donald Brittain's powerful and unconventional portraits of exceptional individuals. Best known in this country for "Volcano: An Inquiry Into The Life and Death of Malcolm Lowry" (1976), Brittain brings his personal stamp of creative interpretation to such subjects as America's love affair with the automobile in "Henry Ford's America" (1976) ; the flamboyant Lord Thompson of Fleet Street (the newspaper baron who just sold the cornerstone of his empire, The London Times) in "Never A Backward Step" (1966); Norman Bethune, the Canadian poet/ doctor/revolutionary who became a great hero in China when he marched with Mao ("Bethune" 1964); and the phenomenal media hysteria sur rounding the famous quintuplets in "The Diorme Years" (1979) . "Memo randum" (1965) accompanies a Jewish glazier from Tcronto when he takes his son back to the concentration camp where he was interned, an emotion al and historical pilgrimage of strong impact and sensitivity. -
Older Adults and the Justice System
OLDER ADULTS AND THE JUSTICE SYSTEM A navigational guidebook for caregivers and service providers February 2020 This guidebook was prepared by the Provincial Human Services and Justice Coordinating Committee (PHSJCC), with support from the Canadian Mental Health Association Ontario. The information in this document is intended for information purposes only. It does not provide legal or medical advice. If you have a health question, you should consult a physician or other qualified health care provider. If you have a legal question, you should consult a lawyer. TABLE OF CONTENTS Acknowledgements . IV Preface . VI CHAPTER 1: DEMENTIA AND OTHER AGE-RELATED CONDITIONS . 1 Age-related conditions . 1 Dementia . 1 Delirium . 3 Mental health . 5 Substance use . 5 Developmental disabilities . 6 Physical health conditions . 6 Social determinants of health . 7 Priority populations . 7 Racialized populations . 8 Indigenous populations . 9 Non-English-speaking populations . 9 2SLGBTQ+ . 10 Housing and supports . 11 Personal care . .11 Long-term care homes . .11 Retirement homes . 13 Care homes . .14 Mental health and substance use supportive housing . 14 Dementia-friendly communities . 15 CHAPTER 2: CRIMINAL JUSTICE SYSTEM . 16 Interacting with the police . .16 Planning before a crisis . 16 Responsive behaviours . 17 If someone goes missing . .18 Crisis centres and safe beds . 19 Calling the police . .19 Apprehension under the Mental Health Act . .20 Order for examination under the Mental Health Act . .21 Laying a charge . .21 Pre-charge diversion . .21 - I - Arrest . 22 Police custody . .23 Release from police custody . 24 Peace bonds . .25 The courtroom . .25 Judicial officers . 25 Jurors . .26 The Crown . 26 Defence counsel and duty counsel . -
Film Reference Guide
REFERENCE GUIDE THIS LIST IS FOR YOUR REFERENCE ONLY. WE CANNOT PROVIDE DVDs OF THESE FILMS, AS THEY ARE NOT PART OF OUR OFFICIAL PROGRAMME. HOWEVER, WE HOPE YOU’LL EXPLORE THESE PAGES AND CHECK THEM OUT ON YOUR OWN. DRAMA 1:54 AVOIR 16 ANS / TO BE SIXTEEN 2016 / Director-Writer: Yan England / 106 min / 1979 / Director: Jean Pierre Lefebvre / Writers: Claude French / 14A Paquette, Jean Pierre Lefebvre / 125 min / French / NR Tim (Antoine Olivier Pilon) is a smart and athletic 16-year- An austere and moving study of youthful dissent and old dealing with personal tragedy and a school bully in this institutional repression told from the point of view of a honest coming-of-age sports movie from actor-turned- rebellious 16-year-old (Yves Benoît). filmmaker England. Also starring Sophie Nélisse. BACKROADS (BEARWALKER) 1:54 ACROSS THE LINE 2000 / Director-Writer: Shirley Cheechoo / 83 min / 2016 / Director: Director X / Writer: Floyd Kane / 87 min / English / NR English / 14A On a fictional Canadian reserve, a mysterious evil known as A hockey player in Atlantic Canada considers going pro, but “the Bearwalker” begins stalking the community. Meanwhile, the colour of his skin and the racial strife in his community police prejudice and racial injustice strike fear in the hearts become a sticking point for his hopes and dreams. Starring of four sisters. Stephan James, Sarah Jeffery and Shamier Anderson. BEEBA BOYS ACT OF THE HEART 2015 / Director-Writer: Deepa Mehta / 103 min / 1970 / Director-Writer: Paul Almond / 103 min / English / 14A English / PG Gang violence and a maelstrom of crime rock Vancouver ADORATION A deeply religious woman’s piety is tested when a in this flashy, dangerous thriller about the Indo-Canadian charismatic Augustinian monk becomes the guest underworld. -
DP-Coteaurouge Lindafinal(2)
DOSSIER DE PRESSE SORTIE 9 SEPTEMBRE 2011 DISTRIBUÉ PAR Atopia Relations de presse : IXION Communications (514) 495-8176 SYNOPSIS Une mère totémique de la famille des esturgeons est à l’origine du clan des Blanchard de Coteau Rouge sur la Rive-Sud de Montréal. Honoré (Paolo Noël), l’aîné de ce clan est un ancien vidangeur de cadavres qu’il déchargeait dans les eaux du fleuve. Fernand (Gaston Lepage), fils d’Honoré coule des jours heureux entre son gaz-bar et ses tournois de pétanque; sa fille Hélène (Céline Bonnier) se paye la traite depuis qu’elle a épousé Éric Miljours (Roy Dupuis) un riche promoteur, tandis que son fils Henri (Mario Saint-Amand) un ex-boxeur, accompagne sa femme Estelle (Hélène Reeves) dans les derniers jours de sa vie avec Alexis (Maxime Desjardins-Tremblay) leur fils de 15 ans. Comme dans plusieurs familles l’harmonie est mise à mal: c’est grand-maman Micheline (Louise Laparé) qui porte son futur petit-fils pour Hélène et son gendre Éric. Ce dernier manigance pour acheter toutes les maisons ouvrières du quartier afin de les remplacer par des condos très chics. Du coup, il est mal-aimé par les autres membres de la famille. Finalement, rien ne peut se passer à Coteau Rouge sans la solidarité des Blanchard qui ouvrent leur monde au nouveau-né dont la venue coïncide avec le destin tragique de Miljours, son père. La loi du clan est ainsi préservée. LISTE ARTISTIQUE P A O L O N O ËL H o n o r é GASTON LEPAGE F e r n a n d CÉLINE BONNIER H é l è n e R O Y D U P U I S Éric Miljours M A R I O S A I NT- AMAND H e n r i HÉLÈNE