The Most Popular Canadian Films

Total Page:16

File Type:pdf, Size:1020Kb

The Most Popular Canadian Films Spring 2005 The Alliance of Canadian Cinema, Television and Radio Artists INSIDE: CANADIAN FEATURE FILMS 2005 Genie The race to get ahead – page 8 Awards Reflections on a dream role Thor Bishopric ack in 1984, I spent the whole summer end of May, I will preside over my last the country. Many of them feel more like Bworking on a feature film shot at an National Council meeting as ACTRA family members than employees. I have amusement park in Montreal. It was a President. I have served for six years – studied the operations of all of ACTRA’s great summer job. And it was an exciting believe it or not, the longest period in large, sister-organizations and I can assure time to be an actor as there was a fair office of a National President in ACTRA’s you without qualification, that we have the amount of capital flowing into our indus- history. The experience of leading this finest complement of staff of any performer try. It seemed Canadian movies were des- tined to break out. One afternoon on set, I mentioned to At the end of May, I will preside over my last National my co-star, (to this day one of Canada’s most successful performers) that there was Council meeting as ACTRA President. I have served for an ACTRA meeting that night and did he want to check it out with me. He didn’t six years – believe it or not, the longest period in miss a beat. “Thor, ACTRA meetings aren’t cool,” he said. That comment stuck office of a National President in ACTRA’s history. with me until I attended my first Montreal Council meeting 10 years later and real- organization has been exhilarating and union anywhere in the world. I don’t say ized I’d been misinformed. Not only was deeply rewarding. It’s the kind of dream this because I wish it were so – it is so. the experience of brainstorming with fel- role one might like to play indefinitely. ACTRA has always felt like a family: my low working performers cool, but the cre- But I’m anxious to devote more time to father was a member, my sister is a member, ativity and the level of discourse were my work as a performer and writer, and my wife is a member and most of my inspiring. I’d been an ACTRA member to spend less time away from my family. friends are members. My time as president since I was four years old, but I never quite Also, I have tremendous confidence in the has only reinforced this bond, as many of understood how it all worked. And when remarkable cadre of performers who make the relationships that I’ve made with per- I found myself representing my branch at up ACTRA’s National Council – the formers and union-folk across the country the national table a few months later, experienced leaders from whose ranks and around the world will always be very my wonderment about our union and the my successor will be elected. dear to me. A producer friend once told dedicated people who led it only grew. I’m also extremely confident about the me, all that really counts in this business I’m in a reflective mood about my rela- talented professional staff working at our is relationships. By this yardstick, my tionship with ACTRA these days. At the national office and in our branches across time with ACTRA has been well spent. It’s been 21 years since I made that teen Thor is joined by some members of his ACTRA family at the ACTRA Maritimes AGM in May. comedy and unfortunately, our movie (Back row) Jamie Bradley, National Councillor, Nigel Bennett, ACTRA Maritimes President, industry still hasn’t taken off (nor did that Thor, Jeannine Huczel, ACTRA Maritimes staff, Jill Rosenberg, National Organizer, Digital movie, by the way). Indeed our television Media. (Front row) Gary Vermeir, ACTRA Maritimes Branch Rep, Stephen Waddell, National drama business is in big trouble as well. But Executive Director and Gary Levert, ACTRA Maritimes Branch Councillor. I’m optimistic. ACTRA is the most articu- late, the most passionate and the savviest organization engaging in Canadian cultural policy issues. In our 62-year history, we’ve never been better positioned to get results. But remember, ACTRA’s strength is its members. So if any of you are considering attending an ACTRA meeting and maybe standing for office, I encourage you to do so. See for yourself – ACTRA is ‘cool’. You have my word. In solidarity, Jeremy Webb Thor Bishopric ACTRA National President 2 InterACTRA SPRING 2005 The Stage Mom In this issue of InterACTRA... 4 Survival Guide page PRESIDENT’S MESSAGE by Thor Bishopric ...................................................................... 2 for parents of young performers in page 8 the Canadian film and television NEWS industry, by Robyne Ropell-Baruchel, Mercedes Watson Moves to UBCP, Boycott published by ACTRA. Blue Man Group, Bargaining Update and more! ........ 4 The guide is free to ACTRA members COVER STORY (under 18), or $15 (incl. GST) for Canadian Features: Making it to the finish line ................ 8 adult members and non-members. by Joanne Deer The Stage Mom Film policy according to ACTRA ...................................... 12 Survival Guide page 12 is available at First Weekend Club .............................................................. 13 ACTRA branches across Canada A new era at Telefilm? by Christie MacFayden ............ 14 or call 1-800- 16 387-3516 for Digital distribution by Jill Rosenberg .............................. more info. AFBS straight talk by Ferne Downey ................................ 17 ACTRA and USW: Stronger Together .............................. 18 Women in the Directors Chair 2005 ................................ 20 by Sherry White & Daniel Levesque BRANCH NEWS New presidents; Ottawa members get busy .............. 21 Spring 2005 Volume 12, Issue 1 InterACTRA is the official publication of page APPLAUSE ACTRA (Alliance of Canadian Cinema, 14 ACTRA members in the spotlight ........................................ 22 Television and Radio Artists), a Canadian union of performers affiliated to the Canadian Labour FAREWELL Congress and the International Federation of Mercedes Barry, Jonathan Welsh, Actors. InterACTRA is free of charge to all 24 ACTRA members. Aileen Seaton, Ron Krantz ................................................ EDITORIAL ADVISORY COMMITTEE: Thor Bishopric, Joanne Deer, Ferne Downey, MEMBER SERVICES Brian Gromoff, David Macniven, Ken Thompson, Discounts, Face to Face, Contact ACTRA .................... 26 Stephen Waddell CONTRIBUTORS: Karl Claude, Joy Corion, BACK COVER Sharon Davidson, Pearl Garnette, Erin Hazzan, 23 page Glitz Patrol: 2005 ACTRA Awards in Toronto .............. 28 Karen Ivany, Kim Hume, Daniel Levesque, Christie MacFadyen, Tim Progosh, Jill Rosenberg, by Karen Ivany Marit Stiles, Carol Taverner, Gary Vermeir, page Mercedes Watson, Sherry White, Carol Whiteman 24 COVER PHOTO: Courtesy Odeon Films DESIGN: Joss Maclennan Design Printed in Canada by union labour at Calling all scribes! Thistle Printing. Interested in never-ending glory? Want to contribute content All contents are copyright ©2005 ACTRA. to InterACTRA? Please contact [email protected]. All rights are reserved and contents, in whole or in part, may not be reprinted without permission. The points of view expressed do not Letters InterACTRA welcomes letters and feedback. necessarily represent those of ACTRA. Submissions should be no longer than 200 words, and Please return any undelivered mail to: may be edited for length. Please send submissions to: ACTRA 300 – 625 Church Street, [email protected]. Toronto, ON M4Y 2G1 PHONE 1-800-387-3516 or (416) 489-1311 FAX (416) 489-8076 Want to receive InterACTRA by email? If you’d www.actra.ca [email protected] like InterACTRA in your e-mailbox instead of by mail, email Publications Mail Agreement #40069134 us at [email protected] with your membership number. C ISSN 1705-9496 page 28 SPRING 2005 InterACTRA 3 ACTRA National Mercedes Watson welcomes new director moves to UBCP of research With much sadness, I have accepted the resignation of Mercedes Watson as Director has joined ACTRA Marit Stiles of ACTRA Performers’ Rights Society. National as the new Director of Mercedes During the past eight years that Mercedes Research. Marit will be responsible Watson has been with us, she has built ACTRA for directing all aspects of ACTRA’s PRS and Neighbouring Rights into the Research Department including oversee- Mercedes, on behalf of everyone at pre-eminent collection agency for perform- ing the compilation of statistical ACTRA and ACTRA PRS, I give you ers in Canada. With her energy, determina- research to support ACTRA’s collective my heartfelt thanks for everything you’ve tion skill and patience, Mercedes has rebuilt bargaining and public policy objectives. done for the members of ACTRA over the ACTRA PRS from the ground up. She has She will also provide information and past eight years; and best wishes for much created systems, engaged and nurtured counsel to ACTRA’s lead negotiators success in your new position at UBCP. It’s excellent staff, and increased collections and negotiating committees during not ‘goodbye’. Just ‘see you later’. for performers by $1 million each year. With collective bargaining. Neighbouring Rights, Mercedes started from – Stephen Waddell, Marit brings extensive experience in scratch and created the best run and most ACTRA National Executive Director social and economic policy, legislative efficient collection society for Canadian research and development, having spent performers. I will miss Mercedes greatly, the past six years as a Researcher for the Paul Falzone takes as will her staff who are devoted to her. Ontario New Democratic Party caucus. That’s the bad news. The good news is the helm Previously, she worked as Coordinator that Mercedes has accepted the position Paul Falzone is the new Director of of Public Dialogue for Canadian Policy of Chief Executive Officer of UBCP – ACTRA PRS following Mercedes' depar- Research Networks Inc. engaging a wonderful opportunity for Mercedes, ture.
Recommended publications
  • Jean-Louis Paillasson Clov Philippe Oscar Césaréo Odilon Louka Comtesse De Tilly Millette Entretien Avec Jean-Louis Millette Solange Lévesque
    Document generated on 09/29/2021 7:49 p.m. Jeu Revue de théâtre Jean-Louis Paillasson Clov Philippe Oscar Césaréo Odilon Louka Comtesse de Tilly Millette Entretien avec Jean-Louis Millette Solange Lévesque Portraits Number 71, 1994 URI: https://id.erudit.org/iderudit/28873ac See table of contents Publisher(s) Cahiers de théâtre Jeu inc. ISSN 0382-0335 (print) 1923-2578 (digital) Explore this journal Cite this document Lévesque, S. (1994). Jean-Louis Paillasson Clov Philippe Oscar Césaréo Odilon Louka Comtesse de Tilly Millette : entretien avec Jean-Louis Millette. Jeu, (71), 8–35. Tous droits réservés © Cahiers de théâtre Jeu inc., 1994 This document is protected by copyright law. Use of the services of Érudit (including reproduction) is subject to its terms and conditions, which can be viewed online. https://apropos.erudit.org/en/users/policy-on-use/ This article is disseminated and preserved by Érudit. Érudit is a non-profit inter-university consortium of the Université de Montréal, Université Laval, and the Université du Québec à Montréal. Its mission is to promote and disseminate research. https://www.erudit.org/en/ Solange Lévesque Jean-Louis Paillasson Clov Philippe Oscar Césaréo Odilon Louka Comtesse de Tilly Millette Entretien avec Jean-Louis Millette Débuts Êtes-vous devenu comédien par hasard, ou si c'est une profession dont vous aviez toujours rêvé ? Jean-Louis Millette — Il y a cerrainemenr une sorre de hasard qui a joué, à tout le moins un concours de circonstances. J'étudiais au Collège Sainte-Marie, et je me dirigeais vers le droir. Au collège, on me faisait parfois lire des choses en public, et j'avais joué dans des pièces d'étudiants, mais sans penser sérieusement à devenir comédien.
    [Show full text]
  • What They Said ... MANNERS of DYING
    What they said ... MANNERS OF DYING Directed by Jeremy Peter Allen High-caliber performances…Houde brings distinction to his variations on Parlington, an official who has begun to doubt his capacities. - Richard Kuipers, Variety Played with effective, Harold Pinter-like gravitas by Serge Houde. - David Gilmour, The Globe and Mail The acting of Roy Dupuis and Serge Houde is exceptional. The whole movie is those two. - Yann Martel (Author: Life of Pi) with Jeanette Kelly, CBC Arts Report Serge Houde is staggering. We are witness to an amazing duel between actors, which by its very strength, reminds us of the duo Sean Penn - Susan Sarandon in Dead Man Walking. - Marie-Christine Blais, La Presse Serge Houde dominates. At last, a starring role for Serge Houde…remarkable, flawless and extremely nuanced as a Prison Director tormented by his Professional Ethics. - Denis Cote, ICI Chances are Serge Houde will be attracting a lot of attention. - Michel Desautels, Sans frontieres, Radio-Canada (French CBC) He is good. He is solid. And he has to act, not with the flamboyance that Roy Dupuis can allow himself, but he has to act with restraint. - Bernard Michaud with Marie-France Bazzo, Indicatif Present, Radio-Canada Serge Houde is quite simply fascinating. One of the best Quebec Films in recent years. - Georges Privet, …Ecran Libre, Tele-Quebec Serge Houde’s astonishing portrayal as the Prison Director is outstanding. - Michel Therrien, Le Journal De Montreal But especially the Prison Director, skillfully portrayed by Serge Houde. The Director is the Ariadne's Thread connecting the various sections of the film.
    [Show full text]
  • Pg TV Guide 2.Indd
    SUNDAY EVENING A-DirecTV;B-Dish;C-Brandenburg MAY 6, 2012 A B C 6:00 6:30 7:00 7:30 8:00 8:30 9:00 9:30 10:00 10:30 11:00 TV Guide Listings 3/WAVE 3 3 3Dateline NBC (N) Harry’s Law (N) The Celebrity Apprentice (N) Å WAVE 3 News Extra (N) 7/WTVW News Home Offi ce Theory Theory News House (S) Å McCarv 9/WNIN Jubilee (S) Å Finding-Roots Masterpiece Mystery! (S) Great Performances at the Met Å 11/WHAS 11 11 11 Funny Videos Upon a Time Desp.-Wives (:01) GCB Å News Criminal Minds (S) May 2 - May 8 23/WKZT 4Manor Summer Time/By Served? Masterpiece Mystery! (S) Land Globe Trekker (S) Religion 32/WLKY 32 32 560 Minutes Å The Amazing Race (S) Å NYC 22 (N) Å News News Access 34/WBKI 34 34 17 Fturama Fturama ››› “Chicago” (2002, Musical) News Insider (:05) TMZ (N) (S) Electric SATURDAY MORNING A-DirecTV;B-Dish;C-Brandenburg MAY 5, 2012 41/WDRB 41 41 12 Simpson Cleve Simpson Burgers Family Amer. News Sports Theory Two 30 Rock A B C 6:00 6:30 7:00 7:30 8:00 8:30 9:00 9:30 10:00 10:30 11:00 A&E 265 118 79 Storage Storage Storage Storage Storage Storage Duck D. Duck D. Duck D. Duck D. Storage Frozen Planet (S) River Monsters Swamp Wars (N) River Monsters (S) Swamp Wars (S) Monster 3/WAVE 3 3 3Today (N) (S) Å Wave 3’s Derby Day ANPLAN 282 184 78 CNN 202 200 24 CNN Newsroom CNN Presents Piers Morgan CNN Newsroom CNN Presents Piers 7/WTVW Paid Paid Garden Wild Busi Home.
    [Show full text]
  • ANNUAL REPORT 2015 16 A70 TV Acad Ad.Qxp Layout 1 7/8/16 11:43 AM Page 1
    ANNUAL REPORT 2015 16_A70_TV_Acad_Ad.qxp_Layout 1 7/8/16 11:43 AM Page 1 PROUD MEMBER OF »CBS THE TELEVISION ACADEMY 2 ©2016 CBS Broadcasting Inc. MESSAGE FROM THE CHAIRMAN AND CHIEF EXECUTIVE OFFICER AS THE QUANTITY AND QUALITY OF CONTENT HAVE INCREASED in what is widely regarded as television’s second Golden Age, so have employment opportunities for the talented men and women who create that programming. And as our industry, and the content we produce, have become more relevant, so has the relevance of the Television Academy increased as an essential resource for television professionals. In 2015, this was reflected in the steady rise in our membership — surpassing 20,000 for the first time in our history — as well as the expanding slate of Academy-sponsored activities and the heightened attention paid to such high-profile events as the Television Academy Honors and, of course, the Creative Arts Awards and the Emmy Awards. Navigating an industry in the midst of such profound change is both exciting and, at times, a bit daunting. Reimagined models of production and distribution — along with technological innovations and the emergence of new over-the-top platforms — have led to a seemingly endless surge of creativity, and an array of viewing options. As the leading membership organization for television professionals and home to the industry’s most prestigious award, the Academy is committed to remaining at the vanguard of all aspects of television. Toward that end, we are always evaluating our own practices in order to stay ahead of industry changes, and we are proud to guide the conversation for television’s future generations.
    [Show full text]
  • Emmerson Denney
    Toronto: 416.504.9666 EMMERSON DENNEY Vancouver: 604.744.0222 Los Angeles: 310.584.6606 PERSONAL MANAGEMENT Montreal: 1.888.652.0204 [email protected] TORONTO ••• VANCOUVER ••• LOS ANGELES www.emmerson.ca DIANE PITBLADO, B.A., M.F.A. (ACTRA/CAEA) Dialect/Voice Coach Film and Television American Gods Ricky Whittle Fremantle/David Slade Conviction Hayley Atwell ABC/ Liz Friedlander American Gothic Stephanie Leonidas CBS xXx: The Return… Donnie Yen Revolution/D.J. Caruso Suicide Squad Margot Robbie Warner Bros/David Ayres (plus Cara Delevingne; Adewale Akinnuoye-Agbaje) Defiance (season 3) Stephanie Leonidis Universal Secret Life of Marilyn… (miniseries) Kelli Garner, Emily Watson Lifetime/ Laurie Collyer Idol’s Eye (prep) Robert Pattinson Benaroya Pictures ROOM Brie Larson, Sean Bridgers Film4 Hannibal (Season 3) Mads Mikkelsen NBC/various God & Country Jake Croker Shaftesbury Films Aaliyah: Princess of R&B (MOW) Izaak Smith Lifetime/Bradley Walsh Regression lead cast Weinstein/Alejandro Amenábar (including Ethan Hawke; Emma Watson; David Dencik; Lothaire Bluteau) Bomb Girls (MOW) Tahmoh Penikett Muse The Girl King entire cast Galafilm-Triptych /Mika Kaurismäki (including Malin Buska; Sarah Gadon; Michael Nyqvist) Maps to the Stars (prep) Mia Wasikowska Prospero Pictures Hannibal (Season 2) Mads Mikkelsen NBC/various Hemlock Grove (Season 2) Dougray Scott Gaumont/various Defiance (Season 2) Stephanie Leonidis Universal Played (eps 111) Noam Jenkins; Liane Balaban Muse/Grant Harvey Pompeii lead cast FilmDistrict/Paul W.S. Anderson (including Emily Browning, Carrie-Anne Moss, Paz Vega, Sasha Roiz ) Saving Hope (eps 203) Raoul Baneja NBC/various Hannibal (Season 1) Mads Mikkelsen NBC/various Hemlock Grove (Season 1) Dougray Scott, Bill Skarsgard Gaumont/Eli Roth Defiance (Season 1) Stephanie Leonidis Universal Bomb Girls Tahmoh Penikett Muse/various XIII (eps 208) Camilla Scott Prodigy Pictures/Rachel Talalay Rewind (MOW) Keisha Castle-Hughes Universal Cable Resident Evil: Retribution (ADR) Li Bingbing Davis Films/Paul W.S.
    [Show full text]
  • Cablefax Program Awards 2021 Winners and Nominees
    March 31, 2021 SPECIAL ISSUE CFX Program Awards Honoring the 2021 Nominees & Winners PROGRAM AWARDS March 31, 2021 The Cablefax Program Awards has a long tradition of honoring the best programming in a particular content niche, regardless of where the content originated or how consumers watch it. We’ve recognized breakout shows, such as “Schitt’s Creek,” “Mad Men” and “RuPaul’s Drag Race,” long before those other award programs caught up. In this special issue, we reveal our picks for best programming in 2020 and introduce some special categories related to the pandemic. Read all about it! As an interactive bonus, the photos with red borders have embedded links, so click on the winner photos to sample the program. — Amy Maclean, Editorial Director Best Overall Content by Genre Comedy African American Winner: The Conners — ABC Entertainment Winner: Walk Against Fear: James Meredith — Smithsonian Channel This timely documentary is named after James Meredith’s 1966 Walk Against Fear, in which he set out to show a Black man could walk peace- fully in Mississippi. He was shot on the second day. What really sets this The Conners shines at finding ways to make you laugh through life’s film apart is archival footage coupled with a rare one-on-one interview with struggles, whether it’s financial pressures, parenthood, or, most recently, the Meredith, the first Black man to enroll at the University of Mississippi. pandemic. You could forgive a sitcom for skipping COVID-19 in its storyline, but by tackling it, The Conners shows us once again that life is messy and Nominees sometimes hard, but with love and humor, we persevere.
    [Show full text]
  • Christopher Plummer
    Christopher Plummer "An actor should be a mystery," Christopher Plummer Introduction ........................................................................................ 3 Biography ................................................................................................................................. 4 Christopher Plummer and Elaine Taylor ............................................................................. 18 Christopher Plummer quotes ............................................................................................... 20 Filmography ........................................................................................................................... 32 Theatre .................................................................................................................................... 72 Christopher Plummer playing Shakespeare ....................................................................... 84 Awards and Honors ............................................................................................................... 95 Christopher Plummer Introduction Christopher Plummer, CC (born December 13, 1929) is a Canadian theatre, film and television actor and writer of his memoir In "Spite of Myself" (2008) In a career that spans over five decades and includes substantial roles in film, television, and theatre, Plummer is perhaps best known for the role of Captain Georg von Trapp in The Sound of Music. His most recent film roles include the Disney–Pixar 2009 film Up as Charles Muntz,
    [Show full text]
  • Jeff Watson - Curriculum Vitae - Update: Saturday, September 24, 2011 - Page 1 of 8
    Jeff Watson - Curriculum Vitae - Update: Saturday, September 24, 2011 - Page 1 of 8 Jeff Watson 1745 Winona Boulevard, #14 Los Angeles, CA 90027 (323) 384-7209 [email protected] twitter: @remotedevice http://remotedevice.net Areas of Interest Transmedia interaction design, mobile and environmental media, applied game design, participatory media, urban interventionist art practice, ice hockey Education PhD in Media Arts and Practice, University of Southern California, May 2012 (expected). Committee: Tara McPherson (chair), Steve Anderson, Scott Fisher, Tracy Fullerton, Henry Jenkins. Alliance Atlantis Film Residency, Canadian Film Centre, December 2005. M.F.A. in Film and Video, York University, May 2002. Advisor: Amnon Buchbinder. B.A. in English (Communications & Cultural Studies), McGill University, May 1997. Experience Director, Reality Ends Here, USC School of Cinematic Arts (USC Game Innovation Lab/ Institute for Multimedia Literacy). March 2011 - present. Researcher, Intel People and Practices Lab. Mobile media and civic engagement commission. February - April 2011. Research Assistant/Designer, USC Mobile and Environmental Media Lab. October 2008 - present. Research Assistant, USC Interactive Media Division. August - December 2010. Chair, IndieCade Big Games Exhibition. With Colleen Macklin. March - October 2010. Founder and Organizer, Pervasive and Environmental Gaming Los Angeles (PEG-LA). With Sarah Brin and Celia Pearce (Georgia Tech). June 2010 - present. [email protected] | twitter: @remotedevice | http://remotedevice.net Jeff Watson - Curriculum Vitae - Update: Saturday, September 24, 2011 - Page 2 of 8 Teaching Assistant, USC Institute for Multimedia Literacy. August 2009 - December 2010. Screenwriter and Filmmaker. Freelance. Clients, funders, and partners include Telefilm Canada, January Films, Canada Council for the Arts, BRAVO, and MuchMusic. January 1999 to July 2008.
    [Show full text]
  • Productions in Ontario 2006
    2006 PRODUCTION IN ONTARIO with assistance from Ontario Media Development Corporation www.omdc.on.ca You belong here FEATURE FILMS – THEATRICAL ANIMAL 2 AWAY FROM HER Company: DGP Animal Productions Inc. Company: Pulling Focus Pictures ALL HAT Producers: Lewin Webb, Kate Harrison, Producer: Danny Iron, Simone Urdl, Company: No Cattle Productions Inc./ Wayne Thompson, Jennifer Weiss New Real Films David Mitchell, Erin Berry Director: Sarah Polley Producer: Jennifer Jonas Director: Ryan Combs Writers: Sarah Polley, Alice Munro Director: Leonard Farlinger Writer: Jacob Adams Production Manager: Ted Miller Writer: Brad Smith Production Manager: Dallas Dyer Production Designer: Kathleen Climie Line Producer/Production Manager: Production Designer: Andrew Berry Director of Photography: Luc Montpellier Avi Federgreen Director of Photography: Brendan Steacy Key Cast: Gordon Pinsent, Julie Christie, Production Designer: Matthew Davies Key Cast: Ving Rhames, K.C. Collins Olympia Dukakis Director of Photography: Paul Sarossy Shooting Dates: November – December 2006 Shooting Dates: February – April 2006 Key Cast: Luke Kirby, Rachael Leigh Cook, Lisa Ray A RAISIN IN THE SUN BLAZE Shooting Dates: October – November 2006 Company: ABC Television/Cliffwood Company: Barefoot Films GMBH Productions Producers: Til Schweiger, Shannon Mildon AMERICAN PIE PRESENTS: Producer: John Eckert Executive Producer: Tom Zickler THE NAKED MILE Executive Producers: Craig Zadan, Neil Meron Director: Reto Salimbeni Company: Universal Pictures Director: Kenny Leon Writer: Reto Salimbeni Producer: W.K. Border Writers: Lorraine Hansberry, Paris Qualles Line Producer/Production Manager: Director: Joe Nussbaum Production Manager: John Eckert Lena Cordina Writers: Adam Herz, Erik Lindsay Production Designer: Karen Bromley Production Designer: Matthew Davies Line Producer/Production Manager: Director of Photography: Ivan Strasburg Director of Photography: Paul Sarossy Byron Martin Key Cast: Sean Patrick Thomas, Key Cast: Til Schweiger Production Designer: Gordon Barnes Sean ‘P.
    [Show full text]
  • Blue Banner, Is Published Two Times Per Year
    bbllue banner HAEL’S COLLEGE SC ST. MIC HOOL Volume 13 ~ Fall/Winter 2012 SPECIAL POLITICS ISSUE 16 Making Our Mark In Public Service 18 St. Mike’s and Party Politics 20 All Politics is Local lettersbb tol theu editore banner HAEL’S COLLEGE S ST. MIC CHOOL The St. Michael’s College School alumni magazine, Blue Banner, is published two times per year. It reflects the history, accomplishments and stories of graduates and its purpose is to promote collegiality, respect and Christian values under the direction of the Basilian Fathers. TABLE OF CONTENTS USEFUL WEBSITES PRESIDENT: Terence M. Sheridan ’89 Message from the President 4 St. Michael’s College School: www.stmichaelscollegeschool.com EDITOR: Gavin Davidson ’93 Message from the Alumni President 5 Blue Banner Online: www.mybluebanner.com CO-EDITOR: Michael De Pellegrin ’94 Letter from the Editor 6 Basilian Fathers: www.basilian.org CISAA (Varsity Athletic Schedule): www.cisaa.ca Tel: 416-653-3180 ext. 292 Fax: 416-653-8789 Letters to the Editor 7 Twitter: www.twitter.com/smcs1852 E-mail: [email protected] Alumni E-mail: [email protected] Open Letter to Alumni: Canada Publications Mail Agreement #40006997 One Mission, One Thousand Options 8 CONTACT DIRECTORY Welcoming the New Alumni Executive 9 CONTRIBUTING EDITORS Tel: 416-653-3180 ext. 292 Paul Forbes Retires After 36 Years and 29 Titles 10 Kimberley Bailey, Fr. Lawrence Hyginus ’00, Jillian Kaster, Pat Mancuso ’90, Richard McQuade, E-mail: [email protected] Rick Naranowicz ’73, Joe Younder ’56 A Major Renewal 12 Web: www.stmichaelscollegeschool.com • Admissions (ext. 195) Securing our Future by Giving Back 13 ALUMNI EXECUTIVE 2012-2015 • Advancement (ext.
    [Show full text]
  • A 040909 Breeze Thursday
    Post Comments, share Views, read Blogs on CaPe-Coral-daily-Breeze.Com Back home CAPE CORAL Miracle lose 5-2 to Mets in first game DAILY BREEZE — SPORTS WEATHER: Showers • Tonight: Partly Cloudy • Friday: Showers — 2A cape-coral-daily-breeze.com Vol. 48, No. 118 Thursday, May 21, 2009 50 cents Council denies land use change for Golf Club “To date the TPL (Trust for Public Lands) and the CRA Land owners seek backup plan (Community Redevelopment Agency) have not come to a deal yet. If the CRA is not successful, we’ve got to do By GRAY ROHRER Cape Coral City Council. of the 175-acre parcel in the something with this site — we can’t let it sit forever.” [email protected] Despite ongoing negotia- southeast from parks and recre- The plans of Florida Gulf tions with the Trust for Public ation to mixed use as a backup — Brian Carlson, representative for Ryan Companies, Ventures, owners of The Golf Lands and the Cape Coral plan. the parent company of Florida Gulf Ventures Club who were taking a mulli- Community Redevelopment “We are here today because gan on a land use change pro- Agency to sell the property, this is our only opportunity this posal, fell into a sand trap Florida Gulf Ventures repre- year to ask for a change this Companies, the parent compa- Florida Gulf Ventures said the Wednesday when the proposal sentatives said they needed to year,” said Brian Carlson, a ny of Florida Gulf Ventures. golf course is not profitable, was unanimously denied by the switch the land use designation representative for Ryan Economic analysts
    [Show full text]
  • Film Reference Guide
    REFERENCE GUIDE THIS LIST IS FOR YOUR REFERENCE ONLY. WE CANNOT PROVIDE DVDs OF THESE FILMS, AS THEY ARE NOT PART OF OUR OFFICIAL PROGRAMME. HOWEVER, WE HOPE YOU’LL EXPLORE THESE PAGES AND CHECK THEM OUT ON YOUR OWN. DRAMA 1:54 AVOIR 16 ANS / TO BE SIXTEEN 2016 / Director-Writer: Yan England / 106 min / 1979 / Director: Jean Pierre Lefebvre / Writers: Claude French / 14A Paquette, Jean Pierre Lefebvre / 125 min / French / NR Tim (Antoine Olivier Pilon) is a smart and athletic 16-year- An austere and moving study of youthful dissent and old dealing with personal tragedy and a school bully in this institutional repression told from the point of view of a honest coming-of-age sports movie from actor-turned- rebellious 16-year-old (Yves Benoît). filmmaker England. Also starring Sophie Nélisse. BACKROADS (BEARWALKER) 1:54 ACROSS THE LINE 2000 / Director-Writer: Shirley Cheechoo / 83 min / 2016 / Director: Director X / Writer: Floyd Kane / 87 min / English / NR English / 14A On a fictional Canadian reserve, a mysterious evil known as A hockey player in Atlantic Canada considers going pro, but “the Bearwalker” begins stalking the community. Meanwhile, the colour of his skin and the racial strife in his community police prejudice and racial injustice strike fear in the hearts become a sticking point for his hopes and dreams. Starring of four sisters. Stephan James, Sarah Jeffery and Shamier Anderson. BEEBA BOYS ACT OF THE HEART 2015 / Director-Writer: Deepa Mehta / 103 min / 1970 / Director-Writer: Paul Almond / 103 min / English / 14A English / PG Gang violence and a maelstrom of crime rock Vancouver ADORATION A deeply religious woman’s piety is tested when a in this flashy, dangerous thriller about the Indo-Canadian charismatic Augustinian monk becomes the guest underworld.
    [Show full text]