EN Lg Press Release

Total Page:16

File Type:pdf, Size:1020Kb

EN Lg Press Release PRESS RELEASE World stars of ballet, including Natalia Osipova, for the second edition of La Nuit des Etoiles in Brussels On 22 March 2014, Brussels will become, for a night, the centre of attention of the dance world with the second edition of La Nuit des Etoiles at the Cirque Royal, a gala gathering world stars of ballet. Nothing less that Natalia Osipova will lead the cast. Natalia is the prima ballerina who made the headlines of newspapers in 2011 when she left the Bolshoi. Now with the Royal Ballet in London, she will dance in Brussels the famous pas-de-deux of Sleeping Beauty in prelude of her Premiere in this ballet 5 days later in Covent Garden. With Natalia Osipova, the cast includes a dozen of ballet stars such as Alina Somova of Mariinsky, Vadim Muntagirov of English National Ballet (who received the prestigious Benois de la Danse Award in 2013), Maia Makhateli of Dutch National Ballet and Anastasia Stashkevich of Bolshoi. The program will include the best excerpts from the main ballets of the classical repertoire as well as contemporary pieces. 22 March 2014 – 20h Cirque Royal, Rue de l’Enseignement 81, 1000 Brussels - Belgium Tickets: From €20 to €99 Booking: +32 (0) 2 218 20 15 www.cirque-royal.org / www.ticketnet.be / www.fnac.be More information on: www.lanuitdesetoiles.be Facebook: La Nuit des Etoiles 2014 Contact: David Makhateli D&D Art Productions [email protected] +44 7725 554 571 D&D Art Productions www.ddartprod.com Rue de la Presse, 4 Tel : +32 2 852 0670 1000 Bruxelles, Belgique LA NUIT DES ETOILES Cirque Royal – Brussels Saturday 22 March 2014 – 20h00 Confirmed dancers: Natalia Osipova Royal Ballet - London Matthew Golding Royal Ballet - London Steven McRae Royal Ballet - London David Makhateli ex Royal Ballet - London Vyacheslav Lopatin Bolchoï - Moscow Anastasia Stashkevich Bolchoï - Moscow Alina Somova Mariinsky – St Petersburg Yevgeny Ivanchenko Mariinsky – St Petersburg Daria Vasnetsova Mariinsky – St Petersburg Vadim Muntagirov English National Ballet - London Daria Klimentova English National Ballet - London Maia Makhateli Dutch National Ballet (HET) – Amsterdam Artur Shesterikov Dutch National Ballet (HET) – Amsterdam Opinion Public Belgian Neo-classical Company Cesar Corrales Winner Grand Prix Senior YAGP 2014 Europe Mikiya Kakehashi Winner Grand Prix Junior YAGP 2014 Europe Natalia Osipova (2009) and Vadim Muntagirov (2013) won one of the most prestigious awards in dance : the Prix Benois de la Danse. Nota : The cast above is subject to injury of the dancer or last minute change of distribution in his/her ballet company. D&D Art Productions www.ddartprod.com Rue de la Presse, 4 Tel : +32 2 852 0670 1000 Bruxelles, Belgique LA NUIT DES ETOILES – PROGRAM Act I SLEEPING BEAUTY - GRAND PAS DE DEUX Marius Petipa NATALIA OSIPOVA / MATTHEW GOLDING (THE ROYAL BALLET / HET NATIONAL BALLET) EXTRACT FROM NEO-CLASSICAL CREATION OPINION PUBLIC LA BAYADERE - ACT 1 ADAGIO Marius Petipa DARIA VASNETSOVA / DAVID MAKHATELI (MARIINSKY THEATRE / EX-ROYAL BALLET) MIKIYA KAKEHASHI - SOLO (ROYAL BALLET SCHOOL OF FLANDERS) WINNER OF YAGP GRAND PRIX EUROPE 2013 – JUNIOR GISELLE - PAS DE DEUX Jules Perrot ALINA SOMOVA / YEVGENY IVANCHENKO (MARIINSKY THEATRE) IN LIGHT AND SHADOW Krzysztof Pastor MAIA MAKHATELI / ARTUR SHESTERIKOV (HET NATIONAL BALLET) SPRING WATERS Asaf Messerer ANASTASIA STASHKEVICH / VYACHESLAV LOPATIN (BOLSHOI THEATRE) LE CORSAIRE PAS-DE-DEUX Marius Petipa DARIA KLIMENTOVA / VADIM MUNTAGIROV (ENGLISH NATIONAL BALLET) Interval: 25 minutes D&D Art Productions www.ddartprod.com Rue de la Presse, 4 Tel : +32 2 852 0670 1000 Bruxelles, Belgique LA NUIT DES ETOILES – PROGRAM Act II DIAMONDS George Balanchine ALINA SOMOVA / YEVGENY IVANCHENKO (MARIINSKY THEATRE) REENTER Kaloyan Boyadjiev CESAR CORRALES WINNER OF YAGP GRAND PRIX EUROPE 2013 - SENIOR EXTRACT FROM NEO-CLASSICAL CREATION OPINION PUBLIC DIANA AND ACTEON Agrippina Vaganova - Vakhtang Chabukiani MAIA MAKHATELI / ARTUR SHESTERIKOV (HET NATIONAL BALLET) LE CORSAIRE ADAGIO ACT 2 Marius Petipa DARIA KLIMENTOVA / VADIM MUNTAGIROV (ENGLISH NATIONAL BALLET) RUBIES George Balanchine NATALIA OSIPOVA / STEVEN MCRAE (THE ROYAL BALLET) FLAMES OF PARIS Vasily Vainonen ANASTASIA STASHKEVICH / VYACHESLAV LOPATIN (BOLSHOI THEATRE) D&D Art Productions www.ddartprod.com Rue de la Presse, 4 Tel : +32 2 852 0670 1000 Bruxelles, Belgique .
Recommended publications
  • Don Quixote Press Release 2019
    January 2019 Carlos Acosta’s celebrated production of Don Quixote returns Friday 15 February – Thursday 4 April 2019 Live Cinema relay: Tuesday 19 February 2019 #ROHDonQ Federico Bonelli and Sarah Lamb in Don Quixote, ©ROH/Johan Persson, 2013 Carlos Acosta’s vibrant dance production of Miguel de Cervante’s classic tale Don Quixote returns to the Royal Opera House this Spring. Created specially for The Royal Ballet in 2013, this stunning production tells the story of the bumbling knight Don Quixote and his ever-faithful squire Sancho Panza, and their efforts to help the young lovers Kitri and Basilio. This revival features exciting debuts from Lauren Cuthbertson, Yasmine Naghdi and Mayara Magri as Kitri and Matthew Ball, Alexander Campbell and Marcelino Sambé as Basilio. Don Quixote For all Royal Opera House press releases visit www.roh.org.uk/for/press-and-media includes a number of spectacular solos and pas de deux as well as outlandish comedy and romance as the dashing Basilio steals the heart of the beautiful Kitri. Don Quixote will be live streamed to cinemas on Tuesday 19 February as part of the ROH Live Cinema Season. Carlos Acosta previously danced the role of Basilio in many productions of Don Quixote. He was invited by Kevin O’Hare Director of The Royal Ballet, to re-stage this much-loved classic in 2013. Acosta’s vibrant production evokes sunny Spain with designs by Tim Hatley who has also created productions for the National Theatre and for musicals including Dreamgirls, The Bodyguard and Shrek. Acosta’s choreography draws on Marius Petipa’s 1869 production of this classic ballet and is set to an exuberant score by Ludwig Minkus arranged and orchestrated by Martin Yates.
    [Show full text]
  • RELEASE DATE SEPTEMBET 2020 Essential Royal Ballet
    RELEASE DATE SEPTEMBET 2020 Essential Royal Ballet The Royal Ballet Delve into the archive of The Royal Ballet in this special collection full of clips and interviews Katie Derham introduces highlights from the past ten years at the Royal Ballet in this special, extended edition of Essential Royal Ballet. Presented on location in Covent Garden at the iconic Royal Opera House, Katie weaves the history of ballet through carefully curated excerpts from the past decade of performances and goes behind the scenes to see what it takes to be a dancer in the company of The Royal Ballet as they prepare to take to the stage. From the great classics of The Sleeping Beauty and The Nutcracker to the exciting frontiers of contemporary dance, Katie takes us on a romp through the repertory, showcasing the diversity of the UK’s biggest ballet company. With stunning solos, passionate pas de deux and jaw-dropping numbers for the corps de ballet, it is a chance to see your favourite dancers up close, including Carlos Acosta, Marianela Nuñez, Natalia Osipova and Steven McRae, alongside rising stars like Francesca Hayward and Matthew Ball, who will introduce their favourite ballets and share stories of their life on the stage. The ballets featured include the classics Giselle, La Bayadère, Swan Lake, The Sleeping Beauty and The Nutcracker while the 20th-century heritage of the Royal Ballet is explored in works by Frederick Ashton and Kenneth MacMillan. The contemporary life of the company is showcased in works by Christopher Wheeldon, and Wayne McGregor, along side recent productions of classic works.
    [Show full text]
  • The Royal Ballet Present Romeo and Juliet, Kenneth Macmillan's
    February 2019 The Royal Ballet present Romeo and Juliet, Kenneth MacMillan’s dramatic masterpiece at the Royal Opera House Tuesday 26 March – Tuesday 11 June 2019 | roh.org.uk | #ROHromeo Matthew Ball and Yasmine Naghdi in Romeo and Juliet. © ROH, 2015. Photographed by Alice Pennefather Revival features a host of debuts from across the Company, including Akane Takada, Beatriz Stix-Brunell, Anna Rose O’Sullivan, William Bracewell, Marcelino Sambé and Reece Clarke. Principal dancer with American Ballet Theater, David Hallberg makes his debut in this production as Romeo opposite Natalia Osipova as Juliet. Production relayed live to cinemas and on Tuesday 11 June 2019. This Spring, The Royal Ballet revives Kenneth MacMillan’s 20th-century dramatic masterpiece, Romeo and Juliet. Set to Sergey Prokofiev’s seminal score, the ballet contrasts romantic pas de deux with a series For all Royal Opera House press releases visit www.roh.org.uk/for/press-and-media of vibrant ensemble scenes, set against the backdrop of 16th-century Verona as evoked by Nicholas Georgiadis’s designs. A work which has been performed by The Royal Ballet more than 400 times since it was premiered at Covent Garden in 1965, Romeo and Juliet is a classic of the 20th-century ballet repertory, and showcases the dramatic ability of the Company, as well as incorporating a plethora of MacMillan’s signature challenging choreography. During the course of this revival, Akane Takada, Beatriz Stix-Brunell and Anna Rose O’Sullivan debut as Juliet. Also performing the role during this run are Principal dancers Francesca Hayward, Sarah Lamb and Marianela Nuñez.
    [Show full text]
  • An Evening with Natalia Osipova Valse Triste, Qutb & Ave Maria
    Friday 24 April Sadler’s Wells Digital Stage An Evening with Natalia Osipova Valse Triste, Qutb & Ave Maria Natalia Osipova is a major star in the dance world. She started formal ballet training at age 8, joining the Bolshoi Ballet at age 18 and dancing many of the art form’s biggest roles. After leaving the Bolshoi in 2011, she joined American Ballet Theatre as a guest dancer and later the Mikhailovsky Ballet. She joined The Royal Ballet as a principal in 2013 after her guest appearance in Swan Lake. This showcase comprises of three of Natalia’s most captivating appearances on the Sadler’s Wells stage. Featuring Valse Triste, specially created for Natalia and American Ballet Theatre principal David Hallberg by Alexei Ratmansky, and the beautifully emotive Ave Maria by Japanese choreographer Yuka Oishi set to the music of Schubert, both of which premiered in 2018 at Sadler’s Wells’ as part of Pure Dance. The programme will also feature Qutb, a uniquely complex and intimate work by Sadler’s Wells Associate Artist Sidi Larbi Cherkaoui, which premiered in 2016 as part of Natalia’s first commission alongside works by Arthur Pita and fellow Associate Artist Russell Maliphant. VALSE TRISTE, PURE DANCE 2018 Natalia Osipova Russian dancer Natalia Osipova is a Principal of The Royal Ballet. She joined the Company as a Principal in autumn 2013, after appearing as a Guest Artist the previous Season as Odette/Odile (Swan Lake) with Carlos Acosta. Her roles with the Company include Giselle, Kitri (Don Quixote), Sugar Plum Fairy (The Nutcracker), Princess Aurora (The Sleeping Beauty), Lise (La Fille mal gardée), Titania (The Dream), Marguerite (Marguerite and Armand), Juliet, Tatiana (Onegin), Manon, Sylvia, Mary Vetsera (Mayerling), Natalia Petrovna (A Month in the Country), Anastasia, Gamzatti and Nikiya (La Bayadère) and roles in Rhapsody, Serenade, Raymonda Act III, DGV: Danse à grande vitesse and Tchaikovsky Pas de deux.
    [Show full text]
  • Throw Together a Night of Performances by International
    Throw together a night of performances by international dancers, sprinkle in some teenage competition winners’ solos, and call it something cute: That would seem to be the recipe for Youth America Grand Prix’s “Stars of Today Meet the Stars of Tomorrow” gala, happening this Thursday and Friday at the Brooklyn Academy of Music. Except, the name of this annual program is eerily prescient. When you look back at the lists of YAGP medalists from the past 15 years, that “Stars of Tomorrow” moniker is spot-on. They read like something of a Who’s Who of ballet—including several top names who’ve been highlighted in Dance Magazine. Back in 2002, Sarah Lane nabbed the senior bronze medal with an unforgettable performance: After her music stopped 20 seconds into her Paquita variation, she finished the rest in silence. In the audience (which erupted into a spontaneous standing ovation) was American Ballet Theatre artistic director Kevin McKenzie. We ended up putting Lane onDance Magazine‘s cover in June 2007 just before he promoted her to soloist. Jim Nowakowski won the Youth Grand Prix in 2002 before joining Houston Ballet, then took a star turn on “So You Think You Can Dance.” We named him one of Dance Magazine‘s “25 to Watch” this year. That same year, Brooklyn Mack placed third in the classical dance category for senior men. Today, he’s a standout dancer at The Washington Ballet, and partnered Misty Copeland in her first U.S. performance of Swan Lake. Hee Seo took the Grand Prix in 2003.
    [Show full text]
  • (With) Shakespeare (/783437/Show) (Pdf) Elizabeth (/783437/Pdf) Klett
    11/19/2019 Borrowers and Lenders: The Journal of Shakespeare and Appropriation ISSN 1554-6985 V O L U M E X · N U M B E R 2 (/current) S P R I N G 2 0 1 7 (/previous) S h a k e s p e a r e a n d D a n c e E D I T E D B Y (/about) E l i z a b e t h K l e t t (/archive) C O N T E N T S Introduction: Dancing (With) Shakespeare (/783437/show) (pdf) Elizabeth (/783437/pdf) Klett "We'll measure them a measure, and be gone": Renaissance Dance Emily Practices and Shakespeare’s Romeo and Juliet (/783478/show) (pdf) Winerock (/783478/pdf) Creation Myths: Inspiration, Collaboration, and the Genesis of Amy Romeo and Juliet (/783458/show) (pdf) (/783458/pdf) Rodgers "A hall, a hall! Give room, and foot it, girls": Realizing the Dance Linda Scene in Romeo and Juliet on Film (/783440/show) (pdf) McJannet (/783440/pdf) Prokofiev’s Romeo and Juliet: Some Consequences of the “Happy Nona Ending” (/783442/show) (pdf) (/783442/pdf) Monahin Scotch Jig or Rope Dance? Choreographic Dramaturgy and Much Emma Ado About Nothing (/783439/show) (pdf) (/783439/pdf) Atwood A "Merry War": Synetic's Much Ado About Nothing and American Sheila T. Post-war Iconography (/783480/show) (pdf) (/783480/pdf) Cavanagh "Light your Cigarette with my Heart's Fire, My Love": Raunchy Madhavi Dances and a Golden-hearted Prostitute in Bhardwaj's Omkara Biswas (2006) (/783482/show) (pdf) (/783482/pdf) www.borrowers.uga.edu/7165/toc 1/2 11/19/2019 Borrowers and Lenders: The Journal of Shakespeare and Appropriation The Concord of This Discord: Adapting the Late Romances for Elizabeth the
    [Show full text]
  • The History of Russian Ballet
    Pet’ko Ludmyla, Ph.D., Associate Professor, Dragomanov National Pedagogical University Savina Kateryna Dragomanov National Pedagogical University Institute of Arts, student THE HISTORY OF RUSSIAN BALLET Петько Людмила к.пед.н., доцент НПУ имени М.П.Драгоманова (Украина, г.Киев) Савина Екатерина Национальный педагогический университет имени М.П.Драгоманова (Украина, г.Киев), Інститут искусствб студентка Annotation This article is devoted to describing of history of Russian ballet. The aim of the article is to provide the reader some materials on developing of ballet in Russia, its influence on the development of ballet schools in the world and its leading role in the world ballet art. The authors characterize the main periods of history of Russian ballet and its famous representatives. Key words: Russian ballet, choreographers, dancers, classical ballet, ballet techniques. 1. Introduction. Russian ballet is a form of ballet characteristic of or originating from Russia. In the early 19th century, the theatres were opened up to anyone who could afford a ticket. There was a seating section called a rayok, or «paradise gallery», which consisted of simple wooden benches. This allowed non- wealthy people access to the ballet, because tickets in this section were inexpensive. It is considered one of the most rigorous dance schools and it came to Russia from France. The specific cultural traits of this country allowed to this technique to evolve very fast reach his most perfect state of beauty and performing [4; 22]. II. The aim of work is to investigate theoretical material and to study ballet works on this theme. To achieve the aim we have defined such tasks: 1.
    [Show full text]
  • Kirov Ballet & Orchestra of the Mariinsky Theatre
    Cal Performances Presents Tuesday, October 14–Sunday, October 19, 2008 Zellerbach Hall Kirov Ballet & Orchestra of the Mariinsky Theatre (St. Petersburg, Russia) Valery Gergiev, Artistic & General Director The Company Diana Vishneva, Irma Nioradze, Viktoria Tereshkina Alina Somova, Yulia Kasenkova, Tatiana Tkachenko Andrian Fadeev, Leonid Sarafanov, Yevgeny Ivanchenko, Anton Korsakov Elena Bazhenova, Olga Akmatova, Daria Vasnetsova, Evgenia Berdichevskaya, Vera Garbuz, Tatiana Gorunova, Grigorieva Daria, Natalia Dzevulskaya, Nadezhda Demakova, Evgenia Emelianova, Darina Zarubskaya, Lidia Karpukhina, Anastassia Kiru, Maria Lebedeva, Valeria Martynyuk, Mariana Pavlova, Daria Pavlova, Irina Prokofieva, Oksana Skoryk, Yulia Smirnova, Diana Smirnova, Yana Selina, Alisa Sokolova, Ksenia Tagunova, Yana Tikhonova, Lira Khuslamova, Elena Chmil, Maria Chugay, Elizaveta Cheprasova, Maria Shirinkina, Elena Yushkovskaya Vladimir Ponomarev, Mikhail Berdichevsky, Stanislav Burov, Andrey Ermakov, Boris Zhurilov, Konstantin Zverev, Karen Ioanessian, Alexander Klimov, Sergey Kononenko, Valery Konkov, Soslan Kulaev, Maxim Lynda, Anatoly Marchenko, Nikolay Naumov, Alexander Neff, Sergey Popov, Dmitry Pykhachev, Sergey Salikov, Egor Safin, Andrey Solovyov, Philip Stepin, Denis Firsov, Maxim Khrebtov, Dmitry Sharapov, Vasily Sherbakov, Alexey Timofeev, Kamil Yangurazov Kirov Ballet of the Mariinsky Theatre U.S. Management: Ardani Artists Management, Inc. Sergei Danilian, President & CEO Made possible, in part, by The Bernard Osher Foundation, in honor of Robert
    [Show full text]
  • Forever • UK 5,00 £ Switzerland 8,00 CHF USA $ Canada 7,00 $; (Euro Zone)
    edition ENGLISH n° 284 • the international DANCE magazine TOM 650 CFP) Pina Forever • UK 5,00 £ Switzerland 8,00 CHF USA $ Canada 7,00 $; (Euro zone) € 4,90 9 10 3 4 Editor-in-chief Alfio Agostini Contributors/writers the international dance magazine Erik Aschengreen Leonetta Bentivoglio ENGLISH Edition Donatella Bertozzi Valeria Crippa Clement Crisp Gerald Dowler Marinella Guatterini Elisa Guzzo Vaccarino Marc Haegeman Anna Kisselgoff Dieudonné Korolakina Kevin Ng Jean Pierre Pastori Martine Planells Olga Rozanova On the cover, Pina Bausch’s final Roger Salas work (2009) “Como el musguito en Sonia Schoonejans la piedra, ay, sí, sí, sí...” René Sirvin dancer Anna Wehsarg, Tanztheater Lilo Weber Wuppertal, Santiago de Chile, 2009. Photo © Ninni Romeo Editorial assistant Cristiano Merlo Translations Simonetta Allder Cristiano Merlo 6 News – from the dance world Editorial services, design, web Luca Ruzza 22 On the cover : Advertising Pina Forever [email protected] ph. (+33) 09.82.29.82.84 Bluebeard in the #Metoo era (+39) 011.19.58.20.38 Subscriptions 30 On stage, critics : [email protected] The Royal Ballet, London n° 284 - II. 2020 Les Ballets de Monte-Carlo Hamburg Ballet: “Duse” Hamburg Ballet, John Neumeier Het Nationale Ballet, Amsterdam English National Ballet Paul Taylor Dance Company São Paulo Dance Company La Scala Ballet, Milan Staatsballett Berlin Stanislavsky Ballet, Moscow Cannes Jeune Ballet Het Nationale Ballet: “Frida” BALLET 2000 New Adventures/Matthew Bourne B.P. 1283 – 06005 Nice cedex 01 – F tél. (+33) 09.82.29.82.84 Teac Damse/Keegan Dolan Éditions Ballet 2000 Sarl – France 47 Prix de Lausanne ISSN 2493-3880 (English Edition) Commission Paritaire P.A.P.
    [Show full text]
  • One Aim/One Vision: the Bolshoi Ballet in Still Photography
    ave maria university presents One Aim/One Vision: The Bolshoi Ballet in Still Photography CANIZARO LiBRARY March 27-May 9, 2010 Marc Haegeman is a dance writer and photographer based in Belgium. He is a European correspondent for DanceView and Danceviewtimes (Washington DC) and writes the Russian Profile in Dance International (Vancouver). His reviews, features and interviews have also been published in The Dancing Times (London), Dance Now (London), Ballet2000 (Milan), Brolga (Australia), Ballet Magazine (Moscow), and Nezavisimaya Gazeta (Moscow). As Photographer he contributes to dance magazines worldwide, to souvenir program books of Moscow's Bolshoi Ballet and several web sites, including the personal web pages of Russian dancers, Svetlana Zakharova, Natalia Osipova, Daria Pavlenko, Nina Ananiashvili and Dmitry Gudanov, among others. His photos also illustrate the book by Isis Wirth, Despues de Giselle. Estética y Ballet en el Siglo XXI (Valencia, 2007). For more information about the photographer and his work please view: http://www.for-ballet-lovers-only.com. This exhibition has been made possible thanks to the cooperation of the Bolshoi Theatre. marc haegeman All photos © 2010 Marc Haegeman at Bolshoi Theatre. All Rights Reserved. LA SYLPHIDE: Staging produced by Johan Kobborg, principal dancer with London's Royal Ballet. Choreography by August Bournonville. Production and new choreography by Johan Kobborg. Sets and costumes by Peter Farmer. Lighting by Damir Ismagilov. 1 | Ekaterina Krysanova (the Sylphide) and Yan Godowsky (James). 2 | Ekaterina Krysanova (the Sylphide) and Yan Godowsky (James). 3 | Ekaterina Krysanova (the Sylphide). 4 | Vyacheslav Lopatin (James). 5 | Irina Zibrova (Madge, the witch) and artists of the Bolshoi Ballet.
    [Show full text]
  • David Hallberg Returns to the Royal Ballet As Principal Guest Artist for the 2019/20 Season
    October 2019 David Hallberg returns to The Royal Ballet as Principal Guest Artist for the 2019/20 Season David Hallberg becomes a Principal Guest Artist of The Royal Ballet in the 2019/20 Season. Hallberg has a long association partnering Royal Ballet Principal dancer Natalia Osipova and during the 2018/19 Season they performed together at the Royal Opera House in Frederick Ashton ’s A Month in the Country and Kenneth MacMillan ’s Romeo and Juliet. The pair also performed the famous balcony pas de deux from Romeo and Juliet at the centenary celebration for Margot Fonteyn in June 2019. Hallberg continues his partnership with Osipova this Season, beginning with Kenneth MacMillan’s Manon on 15 and 19 October. On 20 November he makes his debut as Prince Florimund in The Royal Ballet’s production of The Sleeping Beauty with Osipova as Princess Aurora. He will also make his debut in the first revival of the Company’s new production of Swan Lake on 11 March. Kevin O’Hare, Director of The Royal Ballet comments ‘It’s a great pleasure to welcome David Hallberg back to the Company for this Season. His partnership with Natalia Osipova is thrilling to watch and together they have a very special chemistry. David is a much-loved principal of American Ballet Theater and it is wonderful for audiences this side of the Atlantic to have the opportunity to see him dance with The Royal Ballet across a variety of our signature repertory.’ David Hallberg adds ‘It’s such an honour to join The Royal Ballet as Principal Guest Artist and dance beside, not only a
    [Show full text]
  • In 3-D Cinematic Event from the Renowned Mariinsky Theatre
    November 5, 2012 "The Nutcracker" in 3-D Cinematic Event from the Renowned Mariinsky Theatre NCM® Fathom Events, More2Screen and EuroArts Music Present Beloved Holiday Classic in RealDTM 3D in Select Theaters Nationwide on Monday, December 3 CENTENNIAL, Colo.--(BUSINESS WIRE)-- NCM® Fathom Events, More2Screen and EuroArts Music bring the magic of Tchaikovsky's beloved holiday ballet, "The Nutcracker," to life on the big screen for the first time in stunning 3-D in select theaters with RealD™ 3D technology.The " Nutcracker Mariinsky Ballet" on Monday, Dec. 3 at 7:30 p.m., with special matinee screenings in select theaters, was pre-recorded at the historic Mariinsky Theatre in St. Petersburg in December 2011 where the original Nutcracker first made its debut 120 years ago in 1892. This special cinematic holiday event will draw audiences into the performance on stage, taking them on a magical journey with Clara, her Nutcracker, exquisite dancers and toy soldiers. "The Nutcracker Mariinsky Ballet" tickets are available at participating theater box offices and online at www.FathomEvents.com. For a complete list of theater locations and prices, visit the NCM Fathom website (theaters and participants are subject to change). This special holiday presentation will be broadcast to more than 500 select movie theaters through NCM's exclusive Digital Broadcast Network and also via the new digital cinema projection systems. The ballet opens with a Christmas Eve party and a young girl, Clara, being given a nutcracker doll by her godfather, Drosselmeyer. Later in the evening when Clara sleeps, she finds herself in the midst of the Nutcracker's battle against the Mouse King and his army of mice.
    [Show full text]